Aarya Review – Sushmita Sen packs a powerful punch in her comeback vehicle

June 25, 2020 by Keyur Seta Leave a Comment

The OTT (over the top) medium has proved to be a boon for crime thrillers. We see plenty of them in various languages over the world. Unlike cinema, the writers here get proper time to establish the storyline and slowly build up the excitement for the finale.

Disney + Hotstar’s Aarya is also a series under the same genre. The story takes place in a town in Rajasthan and it revolves around Tej Sareen (Chandrachur Singh) and his wife Aarya Sareen (Sushmita Sen). Tej runs a business of illegal medicines along with friend Jawahar (Namit Das) and brother-in-law Sangram (Ankur Bhatia).

The lust for more money compels Sangram and Jawahar to steal a large consignment of cocaine from the dreaded gangster Shekhawat (Manish Chaudhary) in order to sell it. But Tej is completely against this move. This develops a conflict between him and his two partners. Tej wants to leave the whole business; something he promised Aarya long back.

However, Tej’s plan receives a jolt after he is shot at by an unknown person. With her husband in critical condition, Aarya is forced to clear the mess in order to protect herself and her three children. Along with the bad guys, she is also pitted against ACP (Assistant Commissioner of Police) Khan (Vikas Kumar).

Although Aarya also falls in the genre of crime thriller, it would be unfair to say that it is just another series in the genre. This is not your usual crime saga where there’s high-octane action, too many killings and chase sequences. Aarya is a nuanced and layered drama where, along with crime, emotions also play a major part through various parallel tracks, with each being interesting.

So, while Aarya is caught in a cat-and-mouse game with both the villains and police, her journey is more emotional due to her love for her children and dead husband. There are other interesting tracks about Aarya’s sister Soundarya (Priyasha Bhardwaj) and her to-be husband Bob Wilson (Alexx O’Nell). The troubled married life of Jawahar and his wife Maya (Maya Sarao), who is Aarya’s close friend.

Aarya also makes a statement of how even among the wealthy households, patriarchy rules even in 2020. The narrative does so in a subtle way through the sub-plot of Aarya’s father Zorawar (Jayant Kripalani) and his young mistress Radhika aka Rads (Flora Saini).

Despite the presence of a number of characters, the writers have kept the character of Aarya in the center. She is a complex woman who shows different versions of herself in front of different people. She can feel emotionally numb but at another instance shows her powerful and fearless side.

In other words, the character had to go through various emotions in her journey. Sushmita Sen has added life in each emotion effortlessly thereby packing a puck in her comeback. Her act makes it clear that there is so much left in her, which mainstream Hindi cinema should take note of.

Aarya is filled with a long list of impressive performances from the likes of Chandrachur Singh, Namit Das, Ankur Bhatia, Manish Chaudhary, Priyasha Bhardwaj, Sikander Kher, Virti Vaghani (as Sen’s daughter), Jayant Kriplani, Vikas Kumar, Maya Sarao, Vishwajeet Pradhan, Sohaila Kapoor, Alexx O’Nell and others.

There are times when it seems that the nine-episodic Aarya should have been pacier. Few sub-plots could have been given less importance. The series also takes creative liberties here and there, which is generally a case in thrillers.

Also read: Panchayat Review – A perfect ode to Swades

But Aarya ends on an impressive note which provides a kick and gains your interest for its second season. The Bhagavad Gita sequence in the end gives a perfect ode to Sen’s character. It is also refreshing to see a woman given a place of Arjuna.

Rating: 4 out of 5

Directors: Ram Madhvani, Sandeep Modi and Vinod Rawat

Writers: Ram Madhvani, Sandeep Shrivastava and Anupkaran Singh

Cast: Sushmita Sen, Chandrachur Singh, Namit Das, Ankur Bhatia, Manish Chaudhary, Priyasha Bhardwaj, Sikander Kher, Virti Vaghani, Jayant Kriplani, Vikas Kumar, Maya Sarao, Vishwajeet Pradhan, Sohaila Kapoor, Alexx O’Nell

Platform: Disney + Hotstar

Number of episodes: 9

You might be triggering DEPRESSION in someone without even knowing it

June 15, 2020 by Keyur Seta 4 Comments

The shocking death of actor Sushant Singh Rajput through suicide has once again highlighted that depression is something that needs to be taken very seriously. People can be depressed due to various reasons. The most prominent among them is making an individual feel worthless.

Here are 8 ways in which the society makes an individual feel like a loser without any fault of his or hers:

— It starts from childhood itself when parents compare their child’s marks with their cousins’ and neighbors’. In case their son or daughter has fared much worse than other children, he or she is made to feel like a loser. Remember, wounds inflicted during childhood take the longest time to heal, which ultimately turns into depression.

— When an individual chooses an off-beat course like Arts, he or she is considered a loser because becoming doctors and engineers is a must when it comes to gaining respect from the society. It has happened with me and my brother when a family friend once asked my mother, “How did you even allow your kids to pursue Arts?” It was as if the two of us chose to become underworld gangsters.

— Similarly, if you pursue a creative field as a profession and are even doing well in it, you are still looked down upon by the samaaj. Indirect remarks will be made. And asking your salary in front of others gives them a different kind of a high.

— I guess I don’t need to explain much about how people are judged based on their physical attributes, including skin colors and they are made to feel like losers which slowly leads them to self-guilt and depression. Matrimonial ads are the best place to know how deep-rooted this mentality is.

— The question of marriage is the biggest menace in our samaaj. In case you are 30 and unmarried, you are a criminal. As simple as that. More so, if you are a girl. The society will look down upon you as if you don’t deserve to live if you are unmarried at this age.

At times people think that a person hasn’t got married even after crossing 30 because he or she has some problem. Firstly, it’s an individual’s personal issue and none of your business. Secondly, if he or she has a problem, is that a crime?

— When unmarried people are being looked down upon, you can well imagine how a divorcee is made to feel in our society. There are plenty of cases where a person has no other choice but to opt for divorce. But instead of understanding his or her problem, the person is made to feel like a criminal, especially girls, which thereby leads to depression.

For example, a friend of mine who is highly educated considers divorcees as ‘second hand maal’ and feels it is normal to say so.

— If you thought getting married will gain you acceptance from the samaaj, you are grossly mistaken. This is followed by the stage where people look at you with suspicion if you haven’t become a parent even after few years of marriage. The thought of either the husband or wife having a ‘problem’ will creep up again and you will be made to feel guilty. Giving support is out of question.

In case you decide not to have kids, which is a couple’s personal decision, you are considered lunatic.

— Being jobless is another crime. In case you leave a job without having another offer simply because the work and work culture was affecting you mentally, very few would understand that. In fact, even if you are laid off for no fault of yours, you are still made to feel guilty.

The tragedy is that society doesn’t even realize that they are inflicting pain on an individual through, what they believe, is ‘general talk and questioning.’ They have no idea that this slowly leads to a person feeling worthless, which is the starting point of being depressed.

Additional reading:

Why people in their 30s should stop believing they are 70

Difference between Film Journalism & Entertainment Journalism

May 31, 2020 by Keyur Seta 2 Comments

As we all know, film journalism involves giving information about films. It is largely about writing news and feature articles about movies, taking interviews of people associated with films and giving movie reviews.

In other words, film journalism is aimed at people who share a deep interest in films and who would like to get more information or knowledge on films and people associated with films.

The following are examples of articles that fall under the film journalism category:

— Will release films in theatres, but only when we’re comfortable, says director Kabir Khan

— Marathi horror film Lapachhapi gets a Hindi remake with Chhori

— Vidhu Vinod Responds to Kashmiri Students’ Critique of Shikara

— How a pair of folk puppets inspired Shoojit Sircar’s comedy Gulabo Sitabo

But the definition of film journalism has gone through a major change with the advent of online journalism over the last decade. This has given rise to a different branch of film journalism called ‘entertainment journalism.’ This is seen the most in websites that are completely dedicated to movies.

The definition of entertainment journalism is simple – to keep your readers or viewers entertained. Instead of giving information about films or cinema, it is about keeping your audience hooked with ‘stories’ about stars and superstars. More often than not, these stories are personal stories about famous people, which have nothing to do with cinema. And there is no place for faces that are not famous.

Some examples of entertainment journalism include:

— The best and the worst airport looks of 2020

— The super cute Taimur Ali Khan greets paparazzi saying ‘Aye Bhai Log’

— Hina Khan’s hot bikini pics have set the internet on fire

— How cute! Deepika Padukone has saved Ranveer Singh’s number in her phone as ‘ Handsome ’

— Neha Dhupia’s daughter interrupting her live Roadies Audition is the most adorable moment of the day

Going by the kind of news shared above, you must have understood that the only aim of entertainment journalism is to get page-views. In fact, it’s a battle on the internet for clicks between major and minor publications. And the only way to win the battle is by putting the kind of sensational or exciting content that would compel people to click on the link.

Also read: Hardik Pandya comments: We are channelizing our anger in the wrong direction

Along with such content, what works very well on the internet is glamorous pictures of actresses with skin show. The more skin show the more clicks. So, an actress sharing a hot picture on Instagram is news in today’s times. Then there are also photo galleries where all the glamorous pictures are dumped for someone to view them together.

It is understandable that a section of movie lovers abhor such content being dished out in the name of film journalism. This is completely understandable. And it is obvious that they slam these publications and their reporters for putting up such ‘news.’

However, it would be unfair to blame them. Trust me, almost every film reporter or journalist I know hates writing such stuff. There are people who entered this field to write about movies but had to be content with writing about Taimur. Even their bosses and the management personally don’t like bombarding such content to their readers.

So, why do they carry such content? The answer is simple. It is these news bits that give the maximum number of page-views. As hard as it may sound, page-views is the whole and soul for websites. Even for this, the editors and owners can’t be blamed.

The pressure is immense in today’s world where there are hundreds of movie websites. Hence, the only way to survive is to get page-views. People from the media would be aware about the dark period that’s going on in the profession. A long list of journalists have lost their jobs in the lockdown so far all over India. Such is the financial crunch in the media right now.

So, it is up to the readers. If they stop consuming news about Taimur eating an ice-cream and start giving page-views to concrete cinema news, there will be a complete change. It is in their hands to decide what would be published on cinema news portals.

When 2 part-timers opened the bowling for Australia

May 16, 2020 by Keyur Seta 3 Comments

The mid to late 1990s saw the rising of Sri Lanka. After becoming the unlikely heroes of the 1996 World Cup, they became one of the bigshots of the ODIs (one-day internationals), along with Australia. So, a match between Sri Lanka and Australia was considered a clash of the titans, especially after their clash in the 1996 WC Finals.

But this particular match between Sri Lanka and Australia is remembered for the latter’s bowling strategy that, to put frankly, was weird. This was the third match of the 1996 Singer World Series played at the R Premadasa Stadium in Colombo. The other two teams in this quadrangular series were India and Zimbabwe.

In the match in question, Australia batted first and scored 228 for 9 with Michael Bevan top-scoring with 56 and Sri Lanka’s Upul Chandana taking 3 for 38.

Here came the baffling part when Sanath Jayasuriya and Romesh Kaluwitharana came onto bat. Australia had a deadly pace bowling line-up of Glenn McGrath, Damien Fleming and Jason Gillespie. But the bowling was opened by Steve Waugh and, hold your breath, Stuart Law!

On top of that, Law, who bowls leg-spin, was asked to bowl medium pace. He had just 12 wickets when his career was over. Steve Waugh was a useful bowler but why would you give him the new ball when you have three match-winning frontline pacers? And on top of that, Waugh and Law had to bowl to the most dreaded opening pair of Jaysuriya and Kaluwitharana.

This move had baffled me when I was a kid. Recently as I saw the scorecard of that match, I got another surprise. Except McGrath, Fleming and Gillespie, Australia didn’t play a single regular bowler in the match! I am yet to find any other instance of a team playing with only three regular bowlers.

Plus, they employed such a tactic in a match where they were pitted against, what was then considered, a dangerous batting order. If there were injury issues, they could have played some other bowler from the squad.

Playing only three regular bowlers meant that they needed to get 20 overs from non-regular or part-time bowlers, which is a daunting task. Maybe that’s why they wanted to finish off some of those 20 overs right at the start. Or maybe they wanted to give an easy time to the opening batsmen and then make them face some deadly bowling by the three regulars. Either way, it didn’t make sense.

But funnily enough, the weird tactic almost worked for Australia. Sri Lanka, at one stage, were reduced to 81 for 5, which made the target look steeper than it was. But the Lankans fought back and won comfortably with 4 wickets in hand. Aravinda de Silva top-scored with 83 not out while Roshan Mahanama made 50.

I guess not making a good fourth and fifth bowling option cost Aussies the match. Interestingly, in the other two league matches, Australia played four regular bowlers but in the final against Sri Lanka, they again played only 3 and paid the price as the Lankans won the cup.

Highlights of the final match of the series

But more surprising was the move in the league match were Waugh and Law opened the bowling. I am unable to find any other example of 2 non-regular bowlers opening the bowling in an ODI.

If you know any other such instance, please mention in the comments’ section.

Additional reading: Forgotten Cricket Moments: The real Lagaan match at Brabourne Stadium

Only time Tendulkar was NOT selected in team India, neither injured nor rested

England’s Mark Waugh also batted well & bowled off-spin. Here’s more…

Panchayat Review – A perfect ode to Swades

May 1, 2020 by Keyur Seta 1 Comment

‘Real India lies in villages’ is something we have heard numerous times. It is quite incredible to see the huge difference in lifestyle between a metropolitan city and a small village. At numerous places, these villages are based just 100 kilomers away from a big city but appear like a different country altogether.

Deepak Kumar Mishra’s web-series Panchayat, which is streaming on Amazon Prime Video, tries building a connect between urban and rural India through the character of Abhishek Tripathi (Jitendra Kumar). After not scoring well in his exams, he is forced to take up the government job of a secretary in the village Phulera in Uttar Pradesh. He hates taking up this job but is encouraged by his best friend Prateek (Biswapati Sarkar).

Abhishek gets a culture shock once he lands in the village. The small accommodation, open toilets to nagging co-workers and villagers are enough for him to abhor this place as soon as he lands there. On top of that, he has to deal with the not-so-interesting work of a secretary. How long will Abhishek hang in there?

There’s a certain degree of likeability in Jitendra Kumar when he feels frustrated and helpless because of any reason. As the series progresses, we get to see different shades and emotions of the character. Much before the series ends you get convinced that he is a perfect fit for this role.

Panchayat is filled with a number of other prominent characters as well. Manju Devi (Neena Gupta) is the actual Pradhan [village head] of Phulera. As there was reservation for female candidates during the last elections, her husband Brij Bhushan Dubey (Raghuvir Yadav) makes her fight for the election. Although she wins, the task of the Pradhan is carried out by Dubey.

Yadav once again gives a reminder that he should get a place in the list of the best character artistes from India. As per his habit, he gives another example of how should one live and breathe a character. But as he is always seen in the village office, you wonder why they signed someone like Neena Gupta for such a small role. However, she gets her moments in the last episode where she outperforms others.

Panchayat looks at different incidents in the tenure of Abhishek Tripathi through a wide range of conflicts with each being explored in every episode. The incidents are a perfect mix of being interesting, moving and, of course, humorous. The series is a result of a fine piece of writing, which is clearly its biggest plus point. We have seen how a village setting offers plenty of scope for humour because of the lifestyle over there and the characters. The makers have made full use of it.

Also read: The Family Man Review

As the episodes go by one after the other, Abhishek slowly starts developing an unusual bond with the villagers and the village itself. Though he might not show it, it’s pretty evident. A moment which stands out is the one where Dubey and others decide to hold a simple party for Abhishek after they realize how lonely he is feeling in the village. Thankfully, a forceful love story isn’t used as a troupe here.

Surprisingly, there’s no negative point here. There are a couple of incidents which might not appear as appealing as many others. But they certainly don’t fall in the minuses zone whatsoever.

Along with the content and the characters, the other major reason why one falls in love with Panchayat is because of the location of Abhishek’s home-cum-office and its surroundings, including the high water tank. There’s something about it which makes you eager to visit it.

We had felt the same after watching Ashutosh Gowariker’s Shah Rukh Khan-starrer Swades (2004), which is considered a classic by many. Panchayat is a perfect ode to the film. Going by how the makers have included a couple of references of Swades, it seems that giving tribute to the film might be their intention too.

Rating: 4.5 out of 5

Director: Deepak Kumar Mishra

Producers: TVF (The Viral Factory)

Cast: Jitendra Kumar, Raghuvir Yadav, Neena Gupta, Chandan Roy, Faisal Malik, Biswapati Sarkar

Writers: Chandan Kumar

Review: The Family Man

April 26, 2020 by Keyur Seta 1 Comment

Stories about secret agents have become a favourite topic over the years in Hindi content. This has been seen in films like Ek Tha Tiger, Agent Vinod, Madras Cafe, Baby, Phantom, RAW, etc. The idea has been explored in the web-series space as well in the recent works like Bard Of Blood, Special OPS, etc.

But director duo Raj and DK’s The Family Man, which is on Prime Video, is not just another secret agent saga because it throws equal light on a secret agent’s private life which gets heavily influenced by his professional life.

So, we have Srikant Tiwari (Manoj Bajpayee) who is a secret intelligence agent working for a team called T.A.S.C in Mumbai. He has solved plenty of terror cases with his colleague and best friend JK Talpade (Sharib Hashmi). Zoya (Shreya Dhanwantary) enters their team as an intern. Their team receives flak from their seniors when they are unable to stop a scooter bomb blast at Kala Ghoda.

After some investigation, they get to know of three gaming engineers who are linked with the deadly terror group ISIS. At the same time, Moosa (Neeraj Madhav), a Keralite who had gone to ISIS after being brainwashed, gets caught when he was about to enter his home state. He tries to flee along with his two team members but is caught and badly injured. He is admitted in a hospital where he says he hasn’t killed anyone. Moosa regrets joining the ISIS and is eager to reunite with his mother.

Inside his house, Srikant is like a normal middle-class man. His family, which consists of his wife Suchitra (Priyamani) and two kids, are completely unaware about Srikant’s actual profession. They feel he is into desk work which only involves working with files. Suchitra is not happy with Sri since he is rarely at home and she is forced to look after the kids alone. The kids are also not happy with their father for not being able to give them a better life.

The aforementioned two tracks appear as different as chalk and cheese. But the intelligent screenplay merges the two diverse tracks as naturally as possible. This area wasn’t handled as naturally in Neeraj Pandey’s series Special OPS. Barring the moment when Srikant’s daughter secretly goes to a party, nowhere do the two track appear different. Raj and DK’s deft handling while displaying their quirky humour is also always on display.

Despite the home track, The Family Man is more about Srikant’s professional life. The terror angle isn’t run-of-the-mill stuff and there are quite a few surprises in store. They have deeply gone into the working of terror groups. There are creative liberties taken in the cat-and-mouse game between the bad guys and the good guys but the fast pace and entertaining presentation doesn’t let you think much about it.

A major example of this is a long single take chase and action sequence between the T.A.S.C team and a group of three college students.

Moosa The Family Man — Neeraj Madhav as Moosa

The show takes us to places like Kashmir, Syria, PoK (Pakistan occupied Kashmir), Pakistan, Balochistan, etc. The choice of locations, rich production design and the VFX bring every location alive and gives the series an international feel.

Manoj Bajpayee is one of the finest actors in the country. He is flawless here too. The artiste adapts to different moods and emotions of his character with utmost ease. Sharib Hashmi shows his goodness here as well. These two actors have shown that even people working for the intelligence can be just like any other working employees.

Also read: An Open Letter to Arvind Kejriwal

Neeraj Madhav, as Moosa, comes out as a surprise. He is a phenomenal actor with wide range of skills. The series has a number of other impressive acts from Priyamani, the two kids, Shreya Dhanwantary, Darshan Kumar, Shadab Ali, Gul Panaag, Kishore Kumar, Dalip Tahil, Sharad Kelkar and a list of negative characters.

The Family Man mostly succeeds in keeping a fine balance between being light-hearted and serious. But this can’t be said about the last episode where things go dark and gory. The idea of not ending the story to facilitate the second season also appears questionable. There could have been at least some closure.

But these points certainly don’t stop you from waiting for the second season.

Rating: 3.5 out of 5

Director: Raj and DK

Producers: Amazon Studios and D2R Films

Writers: Raj Nidimoru, Krishna DK, Sumar Kumar and Sumit Arora

Cast: Manoj Bajpayee, Sharib Hashmi, Neeraj Madhav, Shreya Dhanwantary, Priyamani, Darshan Kumar

Number of episodes: 10

Platform: Prime Video

Filmi way to look at Sachin Tendulkar’s 200 in ODIs: Birthday Special

April 23, 2020 by Keyur Seta Leave a Comment

Sachin Tendulkar’s 200 not out against South Africa at Gwalior in 2010 remains one of the biggest highlights of his illustrious career. It was the first time that any batsmen reached a double hundred in one-day internationals (ODIs). On Tendulkar’s 47^th birthday, here’s revisiting the match, which India won by a massive margin of 153 runs, but in a different way.

Today, after 10 years of the knock, I feel it was one of those things that were destined to happen only to him. That fate always wanted Tendulkar to be the first double centurion in ODIs. It appears more so if you look at it like a movie script.

Every story has a protagonist. Here it’s Tendulkar. Every story has an aim. In this one, it is to ensure that he becomes the first batman in the world to score 200 in ODIs. Few conflict elements or obstacles in the path are a must for every story to become interesting.

The first obstacle came back in 1997 when Pakistan’s Saeed Anwar was all set to become the first batsman in the world to achieve the feat in the match against India during India’s Independence Cup. However, he fell short of just six runs when he was dismissed on 194. The man who got his wicket was Tendulkar. The little master would never let anyone else reach the milestone.

Two years later, the protagonist got a chance to reach the aimed number against New Zealand but there weren’t enough overs left. He remained not out on 186.

Also see: Sachin Tendulkar’s 8 best bowling performances

The next conflict came three years later when it looked like Sanath Jayasuriya will easily achieve the feat when he was batting on 189 against India at Sharjah. Sometimes the hero requires timely help from hero ka dost and this time it was Sourav Ganguly who kept the chances of the hero being the first to reach that score high. He got Jayasuriya out stumped.

The protagonist had to wait for nine long years to get another opportunity to reach that score against New Zealand at Christchurch. He surpassed 160 well before 50 overs. It seemed as if it was just a matter of time before Tendulkar would reach 200. Everything was going well and he didn’t look like getting out that day.

But then came a sorrowful plot twist in the form of a stomach muscle injury in the 45^th over. The protagonist had to go back retired hurt and would have to start all over again some day!

Also see: Only time Tendulkar was NOT selected in team India, neither injured nor rested

The drama and uncertainty continued almost a year later when the little big man was nearing 200 again; this time against South Africa at Gwalior. Will he finally? That was a question on people’s minds when it seemed like Mahendra Singh Dhoni wasn’t in the mood to give Tendulkar the strike.

But Tendulkar finally got a chance to face the bowling when he was on 199. As Dale Steyn was running into bowl, one could imagine the flashing images from the past whenever the Little Master couldn’t reach that number due to various reasons. The fateful delivery is finally bowled and the hero quietly takes a single.

That was it! Rejoice!

(If I was well-versed with video editing, I would have made a video out of this. If someone is still willing to do that, please get in touch.)

Post-lockdown things will be very difficult in the education sector, says Atreya Roy

April 18, 2020 by Keyur Seta 1 Comment

The ongoing Coronavirus pandemic has hit had every business in the entire world, right from large scale to small scale. But the one casualty that is not much talked about is the education sector which is also going through similar crisis. I got in touch regarding this with Atreya Roy, a 24-year-old COO (Chief Operating Officer) of Learn4Exam institute in Delhi.

Education sector post Coronavirus lockdown:

He believes that the education sector has severely been affected and online learning is a not a solution as of now. “Students are very much equipped nowadays. They have internet and devices. Government of India advises various institutes to conduct classes online but it’s not possible for all courses. Like I can’t conduct science practical classes online where I have to test in a laboratory,” he said.

Adding further, Atreya Roy said, “Do I have the required instruments where I can teach maths? If I am teaching maths I need to draw a lot of things. This unprepared-ness was something quite exposed during this crisis. Things have been pretty unprecedented. Nobody knew this was coming. From a very normal life we have gone to complete lockdown where you can’t see your friends for a month and a half.”

Book sellers form an important part in the education sector and their market is also come to a halt abruptly. “People who were into reading only books, they can’t purchase it right now. They are forced to take courses online but a lot of people are not ready to take that. Along with students it also makes the educator’s life difficult. According to me, things are going to be very, very difficult,” he said.

Affects on studies during Covid-19 lockdown:

Atreya Roy also believes that it is important that students use this lockdown phase in doing something productive. “There are two kinds of people. One, which are extending their time to Netflix. There would be another scale of people that would be upsclaing themselves. They will research more. They will network more. One category of people would come very hard at other category of people. People need to understand that if they don’t plan for the next few months, their life will be difficult,” he said.

I have come across various students who haven’t been able to concentrate on their studies in the lockdown despite having all the time in the world. They say that the gloomy and uncertain atmosphere around is not helping them concentrate and making them feel fatigued.

Atreya Roy has a piece of advice for them. “I would just say to take this as a challenge. We all gave our 10th and 12th board exams. During this period the last few months have been very tough for us and we didn’t go out that much. Everyone was busy with preparations. A proper planning and methodology will help you come out with flying colours once the period is over,” he said.

Lay-offs and paycuts due to lockdown:

A major serious crisis that has emerged at the lockdown is that a lot of people have lost their jobs while many others are facing paycuts. Speaking about it, Roy said, “I read somewhere that the way the companies treat their employees right now will help them maintain their brand image for the next 10 years.”

But he also believes that one should consider things from the point of view of business. “The companies in the manufacturing sector are almost stagnant right now because they don’t have sales people going out and selling things. Then it becomes very difficult. Like I don’t have funds incoming, I can’t let funds go outside. In countries like US, almost 15 percent of the workforce has been laid off. India is very lucky in that perspective,” he said.

Further rise in demand for government jobs:

Interestingly, Atreya Roy points out that there will be a much bigger demand of government jobs. “There will be constant pressure from your peers and family to look for jobs which are permanent. And in India permanent job means government jobs. So, their entrance exams are going to be difficult,” he said.

Personal journey:

Roy achieved the feat of being appointed as the COO of Learn4Exam by the director of the company Gurpreet Singh last year when he was just 23 years old. After doing his Engineering in Information and Technology, he became a subject matter expert with e-GMAT and has also taught a wide range of students.

Speaking about Learn4Exam, Roy said, “We provide courses that help you crack the different MBA entrance exams that are been conducted in India presently. We provide everything to our students regarding that. Our company was started three years ago. It has a high success rate. We have 100 students out of which we sure 80 of them get placed in the top four colleges of India.”

Roy further tells us that he was pretty much into mathematics since he was kid. “I used to take free classes. I used to teach students from class six to tenth. I once got exposed on Facebook to CAT preparations group, which had 50 to 60 thousand members. People used to post questions and a set of people used to solve,” he said.

This became the starting point of a journey ahead. “I started solving various doubts that people had in their preparations. This was during my second year of graduation. Then I started teaching in various institutes in Kolkata,” said Roy.

Also read:

After just 1 run in first 6 innings, Marvan Atapattu made a historic comeback

Forgotten Cricket Moments: The real Lagaan match at Brabourne Stadium

April 12, 2020 by Keyur Seta 3 Comments

Ashutosh Gowariker’s Lagaan (2001) remains of the most iconic and exciting films to have come out of not just Hindi but Indian cinema. Even after more than 15 years, the Aamir Khan and Gracy Singh-starrer still gets you in extreme tension when Bhuvan is required to hit a six off the last ball, despite you knowing the climax.

Needless to say, the atmosphere inside the theatre was similar to the one we see in cricket stadiums. So one can only imagine what would have happened when the entire Lagaan team played a real cricket match at the iconic Brabourne Stadium in Mumbai.

There is a major chance that you might not be aware of this match because, somehow, it never got publicized. More so for those who have recently turned adults or are in their early 20s.

So, Britannia had organized a match between the Lagaan team versus the team of winners of a contest they had run. Hence, the other team was called simply Britannia. I had also taken part but didn’t win. But that didn’t stop me from watching the match in the stadium.

Surprisingly, you didn’t need to spend a rupee for the tickets. All you needed was to submit four packets of their biscuits in exchange for a ticket. I and a friend went to watch after submitting eight. Well, frankly speaking, we wouldn’t have mind to even pay to see the Lagaan team in action.

Interestingly, the match was played on Christmas, a festival which few years down the line was acquired by Aamir to release his films.

Like the on-screen match, the Lagaan team fielded first. I don’t remember who won the toss but it wouldn’t have been exciting if they had batted first. It was a 25-over match where the boundaries were brought in considerably and understandingly so since none of them were professional players. By the way, the entire Lagaan team played in the same costume they had worn in the film.

But instead of 11, both teams had 13 players. The Lagaan team included Gowariker himself and actor Amin Gazi, who played Tipu in the film, to complete a 13-member side.

Team Britannia was bowled out for 96 inside their stipulated 25 overs. We all thought that this would be a cakewalk for team Lagaan but Britannia bowlers had other plans. Team Lagaan kept losing wickets and at one point were seven down with the team still being some way away from the target.

In the end, it was Gowariker and Aamir who saw the team through by scoring 18 and 19 runs respectively. The entire crowd, including me and my friend, was overjoyed and dancing to the song ‘Mitwa.’

Other interesting bit about this match was the star Indian players like Rahul Dravid, Sourav Ganguly and Virendra Sehwag switched roles as commentators and umpires. Navjot Singh Sidhu and Maninder Singh were permanent commentators. The commentary played a big role in keeping us entertained.

Aamir Khan Lagaan match — Photo: Tribuneindia.com

But there was another unprecedented excitement after the match. After some great encouragement by my friend, I agreed to climb and jump a wall and land right where the Lagaan team was standing after the match [I still don’t know how he knew the way]. It was a sheer delight to shake hands with few team members, including Aamir. It was also nice to know that he was shorter than me.

But today when I look back at the match after 19 years I wonder if it was staged [read: fixed]. Even if it was, I don’t blame the organizers. Just imagine what a waste it would have been if Lagaan team had lost the match.

Unfortunately, there is no way we can revisit the match to determine that as there is not a single video available. In fact, there are very few news articles as well.

Amitabh Bachchan’s voiceover in the film describes the story as – Yeh kahani itihaas ke panno mein kahin kho gayi [This story has got lost in history].

The same can be said about the real Lagaan match.

Coronavirus: Contact these NGOs for DAILY WAGERS’ welfare

March 29, 2020 by Keyur Seta Leave a Comment

The deadly Coronavirus has put the entire world into turmoil, including India. The cases and deaths are increasing every day as the country enters the third stage of Covid-19.

But along with those who are affected by Coronavirus, there are lakhs of migrant workers all across India who have lost their jobs overnight after the country went into a lockdown.

Worse, they are forced to migrate to their native places without any means of transport. What is more dangerous is that thousands of people are forced to walk in huge crowds. This has put them under direct threat of being in touch with Coronavirus since social distancing is out of question.

These workers or daily wagers have taken upon themselves to walk hundreds of kilometers to their native. They are short of food supply too.

Coronavirus Daily Wagers — Photo source: IndiaToday.in

As per latest updates, 21 deaths have taken place among the workers who have been travelling on foot. In such a situation, it is of utmost importance to provide them with food and shelter, so that they at least stay alive, along with ensuring that they don’t get exposed to Coronavirus.

Which government or party is to be blamed for this can be thought later. Right now they need immediate relief.

Here is the list of NGOs and organizations who are providing help to the daily wagers:

Delhi Sikh Gurudwara Management Committee (Delhi)
Contact: 011 2371 2580

Youth for Unity and Voluntary Action (YUVA) (Mumbai)
Contact: 091520 51717

Safa NGO (Hyderabad, Chennai, Mumbai and Delhi)
Contact: 9866174665

International Association for Human Values (IAHV) (Delhi, Mumbai and Bengaluru)
Contact: 9818150404, 9886660006

Hasiru Dala NGO (Bengaluru)
Contact: 097421 12362

Janta Rasoi (Mumbai)
Contact: 093243 71989

Janta Meals (Gurugram)
Contact: 088000 00358

Uday Foundation (Delhi)
Contact: 011 2656 1333

Goonj Foundation (Delhi)
Click HERE to help the daily wagers

Delhi Youth Welfare Assocation (Delhi)
Contact: 011 2702 8090

Ramesh Raman, CEO of IAHV, which is listed above, spoke to us about their efforts. “We are giving away packets of 5 kilo rice, 4 kilo wheat flour, 2 kilo dal, half litre oil and various condiments like pepper, salt, etc,” he said.

He added, “Ten thousand packets have arrived already. We are doing it while tying up with local municipal corporations and other NGOs. We also have ground level volunteers. They will identify the people and take responsibility for the distribution. We did a similar thing during Chennai floods.”