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Baapya (Marathi movie) review: Rajshri Deshpande excels in this drama about transgender acceptance

May 16, 2026 by Keyur Seta Leave a Comment

Storyline: Director Sameer Tewari’s Baapya is about the acceptance of an individual who undergoes a sex change surgery. The story revolves around Anil Borkar aka Anya (Girish Kulkarni), who is a fisherman residing in a village in the Konkan region. It has been 10 years since his divorce from Shailaja (Rajshri Deshpande), who now stays in Mumbai.

Anya currently lives with his second wife Vishakha (Devika Daftardar), his son Sanjay aka Sanju (Aaryan Menghji) from his first marriage and two little daughters from his second. Vishakha loves Sanju as her own son.

There comes a situation where Anya and Shailaja need to sign a few papers together regarding a property they co-owned before their divorce. For this, Shailaja needs to visit the village registrar office. When Shailaja arrives at the office on the given day, Anya, Sanju and others get the shock of their lives when they realize that she has undergone a sex change surgery and has now become Dr. Shailesh.

Baapya Marathi movie 2026

Review: Baapya deals with a social issue of a person undergoing a sex change surgery not only looked down upon but also mocked by the society. Such individuals are not accepted even in the most urban cities in 2026. So, one can imagine the situation in villages where the film is based. Hence, it is a daring topic explored by the makers.

But this isn’t an unconventional film made for film festivals. The makers have told the story in a light-hearted and entertaining manner without taking the seriousness away of the issue. The manner in which Anya, Sanju and others get to know about Shailaja’s sex change surgery and how the news spreads in the village like wildfire is not just entertaining but also riveting. Some moments where the villagers and, in turn, the audiences are sensitized about transgender individuals is quite touching.

Rajshri Deshpande’s act is also one of the biggest plusses. She should be lauded for taking up such a character. She does well in the flashback scenes where she feels trapped in a woman’s body. But she shows her true acting prowess when she has to act as Shailesh.

But for some reason, Baapya is unevenly divided in the two halves. While the first half is just an hour long, the post-interval portion goes up to around 90 minutes. This wouldn’t have been an issue if the second half didn’t have its share of minuses. The change of heart of one character towards another is plainly abrupt. This is an important point, so it can’t be ignored. There are quite a few scenes that just drag along. This is felt the most in the final 20 minutes or so.

The film also didn’t need these many songs, which hamper the narrative. The rap song in the initial moments comes out of nowhere and without any need.

As far as the rest of the performances are concerned, Girish Kulkarni once again comes up with an earnest and entertaining act. Aaryan Menghji also displays some good acting skills in a challenging role. Devika Daftardar brings forth a convincing act. Shrikant Yadav is likeable as the lawyer and Anya’s close friend. Varsha Dandale succeeds in being funny as Anya’s mother.

Overall: Baapya is a decent entertainer about the acceptance of transgender individuals.

Rating: 3 out of 5

Director: Sameer Tewari

Producers: Working I Films

Writers: Sameer Tewari, Vikrant Katkar, Gaurav Gajanan Relekar and Nikhil Ashok Palande

Cast: Girish Kulkarni, Rajshri Deshpande, Aaryan Menghji and Devika Daftardar

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Baapya Marathi Movie, Baapya Marathi Movie Cast, Baapya Marathi Movie Review, Baapya Marathi Movie Story, Baapya Marathi Review, Baapya Rajshri Deshpande, Girish Kulkarni

Krishnavataram Part 1: The Heart review – Divine spiritual entertainer

May 12, 2026 by Keyur Seta Leave a Comment

Storyline: Krishnavataram Part 1: The Heart is adapted from the Gujarati book ‘Satyabhama’ by Raam Mori. The film narrates quite a few important chapters from the life of Lord Krishna (Siddharth Gupta). It focuses on his life after he gets Mathura residents along with himself shifted to the west coast of India in Dwarka. The story basically follows the three women that enter at different stages in his life – Radha (Sushmitha Bhat), Satyabhama (Sanskruti Jayana) and Rukmini (Nivaashiyni Krishnan). Along with that, the film also depicts how Krishna fulfils his responsibility on earth as the eight avatar of Lord Vishnu.

Review: Krishnavataram is more like a celebration of Lord Krishna’s life. It gets you sucked and mesmerized into its world instantly with its striking and beautiful visuals. Chokkas Bhaardwaj’s production design is something we rarely see even in some of the most expensive films. Despite their grandeur and larger-then-life nature, the sets fall in the believable category. The same can be said about the grand costumes too. They are rich but never in-your-face.

Ayananka Bose’s camerawork enhances the visuals. Also, unlike various Hindi films, this one is impressive in the VFX department as well.

Krishnavataram Part 1: The Heart movie

But the movie goes beyond the visuals through a solid script. Thankfully, the three women in Krishna’s life are not shown one after the other in an episodic form. The story of Satyabhama, who gets the maximum footage out of the three women, is finely mixed with that of Radha. Later on, the same is done when Rukmini enters Satyabhama’s life.

Plus, the narrative also includes the political developments and incidents of that era in between the stories of the three women. And it does that without any jerks in the screenplay. Achieving this smoothness is a triumph of the writing as well as the direction. The dialogues are poetic but not too filmy.

This is also a rare Hindi movie where all songs turn out to be impressive. This was important as it’s a musical. From the tracks composed by Prasad S, the ones that impress the most are ‘Prem Ki Leela’ and ‘Krishna Govinda’.

Playing Lord Krishna can be a daunting task for anyone. Siddharth Gupta passes that agni pariksha. Apart from living up to the image of God, he also impresses in scenes where he has to appear vulnerable. It is refreshing to see how the makers have humanized Krishna here. Sanskruti Jayana does exceedingly well while mostly playing a woman of a strong character. But she shines in the emotional sequences too. She is a talent to watch out for.

Sushmitha Bhat is believable and impressive as Radha, except on a few occasions when her accent sounds unusual. Nivaashiyni Krishnan, in the role of Rukimini, gives a mature performance despite limited screen time. Karthik Jayaram (Satrajit), Amonjot Singh (Balarama), Smrithi Srikanth (Subhadra) and others offer good support. Jackie Shroff is superb in a cameo.

The film comes with its share of minuses though. The writers have just assumed that everyone knows not only the whole life story of Krishna but also the parallel events of the Mahabharata. Those who are aware will surely get it and enjoy. But there are many who might not be. They are bound to face confusion and feel abruptness at various points, especially during the ending sequences in Dwarka. Also, the first half has too many songs. A couple of them could have been reduced.

Overall: Krishnavataram Part 1: The Heart is a divine spiritual entertainer. It is a treat for the followers and worshippers of Lord Krishna. Director Hardik Gajjar has highly succeeded in carrying out this tough responsibility.

Rating: 3.5 out of 5

Director: Hardik Gajjar

Producers: Creativeland Studios Entertainment and Athasrikantha Motion Pictures

Writers: Raam Mori (author of the novel Satyabhama), Sajan Raj Kurup, Shobha Sant, Poonam Shroff and Parth Gajjar

Cast: Siddharth Gupta, Sanskruti Jayana, Sushmitha Bhat and Nivaashiyni Krishnan

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Krishnavataram Actors, Krishnavataram FIlm Review, Krishnavataram Movie Review, Krishnavataram Movie Story, Krishnavataram Part 1 Review, Krishnavataram Review, Sanskruti Jayana, Siddharth Gupta

Raja Shivaji (Marathi) review: Focuses more on being a masala entertainer

May 2, 2026 by Keyur Seta 2 Comments

Story outline: Raja Shivaji tells the story of Shivaji Bhosale (Riteish Deshmukh) from his birth to his coronation when he becomes Chhatrapati Shivaji Maharaj. There are challenges galore for him right from his childhood. His father Shahaji Bhosale (Sachin Khedekar) is forced to work under the rule of Adil Shah (Amole Gupte) of Bijapur.

He, along with his father, mother Jijabai (Bhagyashree) and elder brother Sambhaji aka Shambhu (Abhishek Bachchan) shares a dream of attaining Swarajya. The young Shivaji starts working towards the dream and this eventually brings him come face-to-face with the ruthless Adil Shahi commander Afzal Khan (Sanjay Dutt).

Review: Raja Shivaji leaves no stone unturned when it comes to recreating the bygone era. The production design and costumes are both eye-pleasing and appropriate for that period. The visual quality is further enhanced with the camerawork of the veteran cinematographer Santosh Sivan.

However, the film suffers when it comes to the crucial aspects of writing and direction. The screenplay lacks proper flow as a large number of events are presented in a haphazard manner, especially before Riteish’s late entry. Things get streamlined once he enters the scene but only to some extent. The narrative comes somewhat on track once the battle lines are drawn between the protagonist and Afzal Khan but their all-important meet gets stretched.

It seems that the main focus here was to present a masala entertainer, rather than a historical. This is seen the most during the fight sequences that very much have that south Indian feeling. The slow motion walks and loud background music during action scenes are no longer novel. This still would have been fine if the film had an impressive and engaging narrative.

The major impact comes only when Salman Khan enters the scene. He doesn’t appear at ease when it comes to mouthing dialogues but his antics are quite paisa vasool, which ensures that there is some salvage in the end.

From Ajay-Atul’s music, the theme track is the only impressive song. John Stewart Eduri’s background score is routine. The VFX isn’t up-to-the-mark.

To play the role of Chhatrapati Shivaji Maharaj was a litmus test for Riteish Deshmukh, especially since he is also the director here. He succeeds in the task and it appears that he has given a lot to the character. He shines the most in emotional sequences. However, the past portrayals of Maharaj by Sharad Kelkar and Chinmay Mandlekar appear better than his.

Abhishek Bachchan succeeds in being heroic. Genelia Deshmukh also impresses as Saibai. However, both actors struggle with their Marathi pronunciation. Sanjay Dutt is decent and better than what he did in Panipat in a similar role (Ahmad Shah Abdali). Bhagyashree is impressive as Jijau. Vidya Balan does well too in the negative role of Begum Khadija. Amole Gupte and Jitendra Joshi provide able support while Fardeen Khan is just average. The rest of the long list of supporting actors chip in with good to decent acts.

Overall: Raja Shivaji is an average historical that appears more in the masala entertainer zone. At the box office, it is expected to do well in the Marathi version.

Rating: 2.5 out of 5

Director: Riteish Vilasrao Deshmukh

Writers: Ajit Wadikar, Sandeep Patil, Riteish Vilasrao Deshmukh, Prajakt Deshmukh and Jaideep Yadav (additional dialogues)

Producers: Jio Studios and Mumbai Film Company

Cast: Riteish Vilasrao Deshmukh, Sanjay Dutt, Genelia Deshmukh, Bhagyashree, Abhishek Bachchan, Vidya Balan, Sachin Khedekaer, Amole Gupte

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Raja Shivaji Marathi Review, Raja Shivaji Movie Review, Raja Shivaji Movie Story, Raja Shivaji Review, Raja Shivaji Review Marathi, Raja Shivaji Riteish Deshmukh Movie

Nukkad Natak review: Realistic coming-of-age saga on social change

April 19, 2026 by Keyur Seta Leave a Comment

Storyline: Nukkad Natak is a coming-of-age Hindi drama about two youngsters. Molshri (Molshri) is a rebellious student studying at the prestigious ZIT. She is full of fighting spirit and can’t stand injustice. She leads their university’s street play (nukkad natak) group called Abhay.

Shivang (Shivang Rajpal), her classmate, is the opposite as he is shy and introverted. Joining Abhay through Molshri’s insistence provides him with new meaning in life as they throw light on various social evils through the group.

Once, the canteen owner mistreats the canteen worker Mukund (Lalit Saw). Molshri feels for Mukund. She decides to teach the canteen owner a lesson by taking a rather extreme step. She drags Shivang too in her plan. This incident becomes life-altering for the two students as it gives them a chance to make a small but significant change in the society.

Review: Rebellious nature comes naturally to students, especially those who have a fetish for an art form. Nukkad Natak taps onto that quality of students through the character of Molshri. But instead of making her and her friend take on some larger-than-life mission, it keeps things realistic and simple.

Nukkad Natak Film Review

Molshri and Shivang are shown working at a grass-root level by focusing at making a small change. It seems like director Tanamaya Shekhar, as a writer, believes that the situation of our society is such that one can’t hope for a large change by just two individuals and we would require many Molshris and Shivangs to bring in a major change. This is also where the film reminds you of the classic Swades (not implying that it is similar to the Ashutosh Gowariker movie in any way).

Nukkad Natak carries on this task by keeping the narrative fast-paced with some moment or the other moving you every now and then. The unspoken bond between the two protagonists is one of its biggest triumphs. But the biggest one is the pre-climax where the title of the movie is justified.

The film also never lets you feel that it is made through limited resources; the production value is up-to-the-mark. It also doesn’t lag behind on the technical front like the cinematography, editing and background score.

The casting is perfect too. Molshri lives and breathes her character throughout and brings across various moods with ease. Shivang Rajpal is perfect in the role of an under-confident guy who doesn’t shy away from showing his emotions. Nirmala Hajra, who plays Chhoti from the Bagula Basti, is realistic to the core. Danish Hussain is memorable in a cameo.

There aren’t any major negative points. A few developments happen easily or conveniently. Also, a theatre group like Abhay is bound to have a few more rebellious students like Molshri. A little bit of importance could have been given to one or two of them.

Overall: Nukkad Natak is a moving coming-of-age saga about two students’ efforts in bringing a small social change. It is an example of true independent cinema.

Rating: 4 out of 5

Director: Tanmaya Shekhar

Producers: Molshri, Medha Khanna and Tanmaya Shekhar

Writer: Tanmaya Shekhar

Cast: Molshri, Shivang Rajpal, Nirmala Hajra

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Nukkad Natak Cast, Nukkad Natak Hindi Film Review, Nukkad Natak Molshri, Nukkad Natak Movie Review, Nukkad Natak Movie Story, Nukkad Natak Review, Tanyama Shekhar

Super Duperr (Marathi movie) review: Decent entertainer on the conflict between traditionalism and modernism

April 3, 2026 by Keyur Seta Leave a Comment

Story: Super Duperr is a Marathi movie based on a conflict between two families that are poles apart. Rohit (Lalit Prabhakar) and Isha (Vidula Chougule) are a live-in couple from Mumbai. They are deeply in love but aren’t thinking about marriage. Rohit and Isha are struggling to make a mark in the field of singing and acting respectively. Once when they host a wild party at their rented apartment with their friends, they are forced to vacate the society as it doesn’t go down well with its members.

Rohit decides to buy a house of their own, so that they can live freely. He somehow manages the finance and succeeds in buying a house. However, when Rohit and Isha are all set to move in to their new place, they realize that the same builder sold the same flat to a joint family (headed by characters played by Nirrmite Saawaant and Shashank Shende) and he is currently on the run.

An intense tussle ensures between Rohit and Isha and Laxmi’s family as both are not ready to vacate the house. The matter eventually goes to the court. Till the time the court doesn’t pass a judgement, the two families are forced to stay in the same place. This ensures more conflict between the two parties as Laxmi and her family members are staunchly traditional and they don’t approve the modern and urban ways of Rohit and Isha.

Super Duperr Marathi movie

Review: Writer and director Sameer Asha Patil has selected an interesting and real issue. The current state of urban cities in India is such that it consists of people who are either too modern or too traditional. When both set of people are forced to live together, there is bound to be a conflict. The film also uses an interesting reason to get both of them together. Cases of one builder selling a single flat to multiple parties is also a common occurrence.

The staying together of both families brings its share of funny and amusing incidents through culture shock. However, after a point of time, especially in the second half, the narrative starts appearing stretched. You also wonder what happened to the builder and the court case. Both the important issues are overshadowed by the writer’s desire to exploit the conflict between both the families. And the way both the issues are treated in the end is quite abrupt. The makers also, out of the blue, throw in a fight scene, which is simply outdated.

Super Duperr also leaves a few questions unanswered. One wonders how Rohit and Isha are living such a lifestyle if they are struggling to get a basic break in the field of entertainment. They not only buy a big house in a city like Mumbai but also an expensive car. At one point, Rohit does mention that his dead mother has left behind some wealth and his father will also help him financially. But a father helping his grown-up son to such a level is difficult to digest and also doesn’t go with the character of Rohit. A few other questions won’t be possible to mention to conceal spoilers.

The film does score well in the casting and the actors do a good job as well. Lalit Prabhakar fits the character of Rohit and gives a fine performance. Vidula Chougule displays her talent while showing the tough and aggressive side of Isha.

Shashank Shende is the best of the lot. He shows restraint and explodes when needed, both in a natural way. Nirrmite Saawaant is once again dependable. Hrishikesh Joshi, Kushal Badrike, Namrata Sambherao, Pratiksha Kote and Jagruti Datir do well as the rest of the family members. Rohini Hattangadi is likeable in a cameo.

Overall: Super Duperr is a decent entertainer on the conflict between modernism and traditionalism, which could have been better.

Rating: 2.5 out of 5

Director: Sameer Asha Patil

Writer: Sameer Asha Patil

Producers: Ninetynine Productions and Siddhivinayak Productions

Cast: Lalit Prabhakar, Vidula Chougule, Nirrmite Saawaant, Shashank Shende, Hrishikesh Joshi, Kushal Badrike

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Marathi movie reviews, Super Duper Marathi Movie Review, Super Duper Marathi Movie Story, Super Duper Marathi Review, Super Duperr Marathi Cast, Super Duperr Marathi Movie, Super Duperr Review

The emotional collateral damage of Mission Dhurandhar (SPOILERS alert)

March 29, 2026 by Keyur Seta Leave a Comment

Filmmaker Aditya Dhar’s Dhurandhar and Dhurandhar The Revenge revolve around ‘Mission Dhurandhar’ planned by Ajay Sanyal (R Madhavan), Director of IB (Intelligence Bureau). It involves sending a R&AW (Research & Intelligence Wing) officer Jaskirat Singh Rangi (Ranveer Singh) to Pakistan to infiltrate its underworld and subsequently its political sphere in order to neutralize any terror activity by the neighboring country.

Jaskirat takes the disguise of Hamza Ali Mazari and achieves the task by the time the first film ends. In Dhurandhar The Revenge, as per the title, he avenges the 26/11 terrorist attack of 2008 by killing those responsible for it one after another. Sanyal and other seniors are happy and pleased with Jaskirat for what he did.

Dhurandhar and Dhurandhar The Revenge

However, the whole mission also gives rise to some emotional collateral damage. In other words, feelings of, at least, a couple of characters are played with to achieve the aim. Yalina (Sara Arjun) is the obvious one. Her case is specifically highlighted in the second film. She somehow gets to know that she has been tricked into marrying an Indian, and that too a spy, while thinking all along that he is a Pakistani boy-next-door.

But there is someone else who has been even more unfortunate.  

Yalina has a problem that she has been married to an Indian. But she is completely unaware that she too is half-Indian! At the end of Dhurandhar The Revenge, we are told that her father Jameel Jamali, played by Rakesh Bedi, is also an Indian spy, who has been living in Pakistan for the last 45 years. Hence, he too tricked a Pakistani woman named Shabnam (Gitikka Ganju Dhar) into believing that he is from her country and married her in the name of a mission. He not only continued the relationship for many years but also had a girl (Yalina) with Shabman while keeping her in the dark all the time.  

Spare a thought for Shabnam. Yalina, at least, got to know the truth about her spouse. But Shabman is completely unaware that she has an Indian husband. But it doesn’t end here for her. She also doesn’t know that even her son-in-law (Jaskirat) is an Indian and he too, like her husband, is a spy from the neighboring country.

Things get even weird when we think about Jaskirat and Yalina’s little son. Jaskirat is an Indian while Yalina is half-Indian and half-Pakistani. This makes their son three-fourth Indian and one-fourth Pakistani.

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Dhurandhar, Dhurandhar Sara Arjun, Dhurandhar Shabnam, Dhurandhar The Revenge, Dhurandhar The Revenge Explained, Dhurandhar Women Cast, Dhurandhar Yalina

Dhurandhar The Revenge review (without spoilers): Worthy successor to the first film

March 19, 2026 by Keyur Seta Leave a Comment

Storyline: Dhurandhar The Revenge continues the story of an Indian spy Jaskirat Singh Rangi aka Hamza Ali Mazari (Ranveer Singh), who has infiltrated Pakistan’s underworld and politics. After Rehman Dakait (Akshaye Khanna) gets killed at the end of the first film, his enemy Arshad Pappu (Ashwin Dhar) starts ruling over the underworld of Lyari in Karachi. This infuriates Rehman’s cousin and second in command Uzair Baloch (Danish Pandor). Hence, he, Hamza and others wage a war against Arshad and his gang.

Finally, Uzair kills Arshad in the most brutal manner and reclaims his gang’s reign over Lyari. However, circumstances ensure that he goes away from the scene and Hamza becomes the king of Lyari and Sher-e-Baloch. Meanwhile, he gets to know that ISI (Inter-Services Intelligence) head Major Iqbal (Arjun Rampal) and his associates are planning another terrorist attack in India.

The film also gives a good amount of footage to Jaskirat’s life before he becomes a R&AW (Research and Intelligence Wing) spy.

Review:

Writing and Direction:

After impressing the audience with Lyari and its underworld in the first part, one would expect the same world to resume in the second part. However, Aditya Dhar surprises us as he transports us in a different world altogether in a village in Punjab where Jaskirat’s past life is shown. However, the narrative also gradually shifts to Lyari and gets you fully involved in its proceedings too.

Dhurandhar 2 The Revenge

In fact, the entire writing is like an art of getting the audience involved in different situations, moods and emotions. It’s an apt example of fast-paced and effective writing with just no dull moment in its entire runtime of close to four hours.

Dhurandhar The Revenge also fascinates you with the story of Jaskirat. Here’s an ordinary man from a village in Punjab who infiltrates the underworld of Lyari and goes onto become one of the most important political figures in Pakistan. It’s a remarkable character arc that is achieved with not many cinematic liberties.

Of course, the film is more about his role as the secret spy. That aspect gets much more footage in this film than the first and that is quite obvious. After a cliffhanger interval block, the second half gives rise to a number of dramatic and tense moments born out of Jaskirat’s real identity. There are times when the film keeps you at the edge.

The film also has quite a few revelations. The identity about Bade Sahab doesn’t come as a surprise as it’s exactly what many of us expected. But the real face of one of the main characters in the ending moments takes you completely by surprise.

The most awaited part of the film is what happens when the Pakistani characters get to know about Jaskirat’s real identity and mission. This part is also handled with intelligence and it gives rise to an explosive climax.

Music and Technicalities:

Dhurandhar The Revenge is top-notch when it comes to the technical aspects. Aejaz Gulab, Sea Young Oh, Yannick Ben and Ramazan Bulut’s action is raw and convincing. Vikash Nowlakha’s camerawork is not just effective but it also gives a large scale look to the film. Shivkumar V Panicker’s editing is sharp. Shashwat Sachdev’s music is good but it doesn’t rise up to the level of his work in the first film. However, his background score is impressive. The use of old Hindi songs in the narrative, like the first part, works here too, especially ‘Hum Pyaar Karne Wale’ from Dil.

Performances:

Like the first film, the performances rise to the occasion. Ranveer Singh goes a few notches higher than the first film. This time, he had more challenges to conquer not just physically but emotionally as well. But he passes the test with flying colours. Arjun Rampal is more evil this time and he puts on a convincing act. R Madhavan gets more scope. He does a fine job in scenes where he emerges as a hero. Sanjay Dutt continues from where he left in the first film. Danish Pandor is more mature this time.

Rakesh Bedi as Jameel Jamali is simply brilliant! Sara Arjun has limited screen time but all her scenes are imperative to the narrative. She puts her right foot forward yet again. Gaurav Gera offers fine support in a cameo. Manav Gohil, Danish Iqbal, Ankit Sagar, Ashwin Dhar, Aditya Uppal and many others offer apt support. The actor playing the character modelled on the former Pakistani Prime Minister Nawaz Sharif is noteworthy. Yami Gautam Dhar is likeable in a cameo.

Minus Points:

The film does come with its share of flipsides. The violence and brutality is on another level this time, as compared to the first part, which could have been reduced considerably. Those who wrote essays on the violence in the first film will end up writing a book if they see this one. The ending fight between the protagonist and the main villain appears dragged later on. The film could have avoided the subplot of Major Iqbal’s father, which would have helped in reducing the runtime.

But what affects the film the most is the desperate attempt to present Demonetization as a masterstroke. The not-so-subtle way to glorify India’s Prime Minister Narendra Modi and his decision in order to please his supporters is a major point that stops this very good film from being great.

Overall:

Dhurandhar The Revenge is a worthy successor to the first film Dhurandhar. The one person that shines the most is Aditya Dhar with his mature and intelligent handling of such a complex world. Of course, the film would have impressed more if the propaganda level would have been lower. But it has a lot working for itself and this will ensure that it will break new records at the box office.

Rating: 3.5 out of 5

Director: Aditya Dhar

Producers: Jio Studios and B62 Studios

Writers: Aditya Dhar (additional screenplay by Shivkumar V Panicker and Ojas Gautam)

Cast: Ranveer Singh, Arjun Rampal, R Madhavan, Sanjay Dutt, Rakesh Bedi, Sara Arjun

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Dhurandhar 2 Movie Review, Dhurandhar 2 Review, Dhurandhar 2 Spoilers, Dhurandhar The Revenge Film Review, Dhurandhar The Revenge Review, Dhurandhar The Revenge Story

Tighee (Marathi movie) review: Moving family drama narrated through a modern lens

March 10, 2026 by Keyur Seta Leave a Comment

Storyline: Tighee is the story of two sisters and their ageing mother. Swati (Neha Pendse Bayas), who hails from Pune, has been staying in Mumbai after getting married to Malhar (Pushkaraj Chirputkar). She is forced to work under a pervert boss (Jaimini Pathak) as she owes him a large amount of money loaned for her husband’s business, which didn’t take off.

One day, Swati is forced to visit her childhood home in Pune after she gets to know that her mother Hemalata (Bharti Achrekar) is diagnosed with Cancer. Swati’s younger sister Sarika (Sonalee Kulkarni) has a grudge against her for ignoring her mother all these years while she was looking after her. How the family copes up during such testing times while dealing with their own issues forms the rest of the film.

Review: Dramas about dysfunctional families or families with grudges have been a regular feature in various languages in Indian cinema. Tighee is also a family drama that tackles issues between three family members. However, it stands apart as it’s a modern saga that takes a contemporary route. While the yesteryear family dramas mostly revolved around conflicts between sons, this one features two daughters. Even the issues between them are new age as they are independent in their own journeys.

Tighee Marathi movie

Apart from the characters and the storyline, what makes Tighee a product of 2026 is its making. Debutant director Jeejivisha Kale has presented the drama in a new-age manner. Even the high points in the narrative are devoid of any melodrama. She has displayed maturity in her first feature film itself. She is ably supported by the nuanced and mature writing.

Milind Jog’s camerawork, Advait Nemlekar’s background score and Nikhil Mahajan and Hrishikesh Petwe’s editing also play major roles in giving a modern touch to the film and its proceedings. These departments become more notable during the subplot of a character presumed dead years ago.

Tighee is also a rare family drama where there is just no God-worshipping, mention of any God or the presence of a temple in the house despite the family being quite rooted.

The veteran Bharti Achrekar is fully dedicated as a senior citizen who has seen life in its various shades. She switches across different emotions and moods with ease. Sonalee Kulkarni plays a tough woman convincingly. Neha Pendse Bayas succeeds in showing her vulnerable as well as stronger side.

Jaimini Pathak is believable as the pervert boss. Pushkaraj Chirputkar and Nipun Dharmadhikari offer fine support and so do Mrunmayee Godbole, Suvrat Joshi and Sanjay Mone in cameos.

Tighee is devoid of major flipsides. The proceedings could have been crisper in the latter part of the second half. During a 9-year old flashback scene, all three characters surprisingly look the same.

Overall: Tighee is a moving family drama told through a modern lens.

Rating: 4 out of 5

Director: Jeejivisha Kale

Producers: Coquelicot Pictures and Supri Advertising & Entertainment

Writers: Nikhil Mahajan and Prajakt Deshmukh

Cast: Bharti Achrekar, Sonalee Kulkarni and Neha Pendse Bayas

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Bharti Achrekar, Neha Pendse, Sonalee Kulkarni, Tighee Marathi Movie Review, Tighee Movie Review, Tighee Movie Story, Tighee Review, Tighi Marathi Movie Review, Tighi Review

Javagal Srinath had equal number of half centuries and wickets in this triangular series

February 8, 2026 by Keyur Seta Leave a Comment

Having started watching cricket in the mid-1990s, we didn’t have much examples of Indian bowlers who could bowl fast. The only cricketer to do that from here at that time was Javagal Srinath. While other teams had the likes of Wasim Akram, Waqar Younis, Allan Donald, Courtney Walsh, Curtly Amrose, etc, we only had Srinath and he was always ready to serve India with full passion.

Triangular series were a regular feature in those days (something I terribly miss in today’s times). One of the most memorable series for me as a kid was the Titan Cup in 1996. In those days, South Africa was like the Australia of the post-2000s era. Hence, beating them in the final of the Titan Cup was an incredible achievement for Team India (see the scorecard HERE). It was the first major Indian victory I witnessed after I started watching cricket.

But as far as Srinath’s personal record in that series is concerned, it was highly unusual.

Srinath was a lower order batsman who could hit the ball hard and long at times. Because of this quality, he was tried as a pinch-hitter in some matches during his time.

Javagal Srinath

For those who started watching the game after the 90s, when a bowler, who isn’t an all-rounder, is sent up to bat preferably at number 3 or 4 in order to lift the run-rate during the field restrictions, he is called a pinch-hitter. The concept died down after the 90s. In today’s T20 era, it doesn’t even make sense.

Srinath was tried as a pinch-hitter in a game against South Africa at Rajkot in the Titan Cup. This was because of his heroics in an earlier match in the series against Australia at his home ground in Bengaluru (then Bangalore). In that match, India needed a little over 50 runs and they were 8 wickets down. But Srinath, along with some fine support from his fellow Karnataka mate Anil Kumble, got his side home by scoring 30 not out of just 23 balls with 2 fours and one six (see the scorecard HERE).

In the Rajkot match against South Africa, Srinath was sent one down when India lost Navjot Singh Sidhu early. He went onto score 53 of 69 balls with 4 fours and one six. This is his only half century in ODIs. He had two decent partnerships with Sachin Tendulkar and Rahul Dravid. Unfortunately, India were bundled out for just 185 and South Africa chased down the target rather comfortably. Srinath, a bowler, was the top scorer for India in that match (see the scorecard HERE).

Watch the highlights of Javagal Srinath’s half century against South Africa

This brings an interesting trivia to light. It was a rare series where Srinath had equal number of 50s and wickets.

As surprising as it may sound, the frontline fast bowler could pick up only 1 wicket in the entire triangular series (that of Michael Slater in the do-or-die match against Australia in Mohali. See the scorecard HERE). He played as many as 6 matches in the series (one match against Australia was washed out) and bowled his full quota of 10 overs in almost all the matches. Yet, he had only 1 wicket to show to his name despite bowling well. It was a clear case of stats not giving you the entire picture.  

And if we take into account the aforementioned match-winning innings of 30 not out against Australia, we can say that Srinath the batter overshadowed Srinath the bowler in the Titan Cup, although unintentionally.

Also read: Forgotten spells: When Srinath singlehandedly rattled South Africa

Filed Under: Cricket Tagged With: 1996, Bowling, India Vs Australia, India Vs South Africa, Javagal Srinath, Javagal Srinath Batting, Pinch Hitter, Titan Cup

Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality  

January 26, 2026 by Keyur Seta 7 Comments

Storyline: Khalid Ka Shivaji (Marathi movie with a good amount of Hindi) tells the story of Khalid (Krish Raj More), a fourth standard student. He stays with his father Hayad (Priyadarshan Jadhav), mother Ruksana (Snehalata Tagde) and grandmother (Sushama Deshpande) in a small village in Maharashtra. His family is struggling to make ends meet.

Khalid and his rest of the class is taught the story of Chhatrapati Shivaji Maharaj eliminating Afzal Khan. Khalid’s classmate Ganya (Ankur Wadhave) is highly arrogant since his father (Khemraj Bhoyar) is the village Sarpanch. After learning the aforementioned story in the class, Ganya mocks Khalid as ‘Afzal Khan’ since the latter is a Muslim. Ganya is joined by a number of other students.

This highly upsets Khalid. He gets all the support from his kind-hearted and sensible teacher Salve sir (Kailash Waghmare). There comes a time when Khalid gets an opportunity to silence Ganya and other troublemakers from his class forever.

Khalid Ka Shivaji movie

Review: Khalid Ka Shivaji is timely and relevant in today’s times when Muslims are being looked down upon and are, at times, also considered equivalent to Mughals. Through the story of Khalid, the film shows the plight of many like him who are targeted for their religion. Khalid’s episode reminds us of the scene in Homebound where Ishaan Khatter’s character faces harassment for his religion (not implying that the character and the film are in any way similar to Khalid Ka Shivaji).

The movie is more of a glimpse into the world of Khalid. Its biggest triumph is the protagonist’s characterization, which makes you root for him throughout its runtime. This was also possible because of a sensible act by Krish Raj More. He overcomes the difficult task of mostly appearing cheerful while showing a hint of sadness in some situations without overdoing it.

The film also smartly shows the current political mentality where religious appeasement is considered more important than providing basic civic amenities to the citizens.  

The sweet bond between Khalid and Salve sir is also something you take home. Kailash Waghmare does complete justice to the character. He too is subtle in his approach and appears tough and a bit rebellious effortlessly.

From the rest of the cast, Priyadarshan Jadhav excels as Khalid’s father. The talented Snehalata Tagde also shines as his mother. The veteran Sushama Deshpande is almost unrecognizable as the mature grandmother of Khalid. Ankur Wadhave makes you hate Ganya, which means he has handled his task well. Bharat Ganeshpure, as the senior teacher, and Khemraj Bhoyar succeed in playing characters with grey shades.

However, there are issues that stop Khalid Ka Shivaji from being superlative. The film could have been shorter as for some part of the duration, the narrative becomes stagnant. A lot of positive messages in the film are spoon-fed to the audience whereas that could have been achieved indirectly and in a more creative manner. The movie ends on an abrupt note. The background music on a few occasions should have been minimal going by the nature of the film.

Overall: Khalid Ka Shivaji is worth watching for its portrayal of the current social reality.

Rating: 3 out of 5

Director: Raj Pritam More

Producers: PP Cine Production

Writer: Kailash Waghmare and Rajkumar Tangade

Cast: Krish Raj More, Kailash Waghmare, Priyadarshan Jadhav, Ankur Wadhave, Snehalata Tagde, Sushama Deshpande

Also read: Border 2 review: Heartfelt and sensible war saga

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Khalid Ka Shivaji Cast, Khalid Ka Shivaji Marathi Movie Review, Khalid Ka Shivaji Movie Review, Khalid Ka Shivaji Movie Story, Khalid Ka Shivaji Review, Marathi movie reviews

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