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Mirzapur The Movie review: This fan service experiment is a fun watch  

September 5, 2026 by Keyur Seta Leave a Comment

Storyline: Mirzapur The Movie starts off after some time has passed in the first season of the web series. Akhandanand Tripathi aka Kaleen Bhaiya (Pankaj Tripathi) is the king of Mirzapur’s underworld. His son Munna (Divyenndu) is feared more because of his lineage. Kaleen Bhaiya doesn’t trust his son because of his short temper and immaturity. He is more impressed by Guddu Bhaiya (Ali Fazal) and Bablu (Jitendra Kumar), two brothers working for his empire with dedication.

Guddu and Bablu’s father (Rajesh Tailang) is embarrassed to see his sons working for an underworld don. However, their mother (Sheeba Chadha) thinks the opposite since the two are able to earn big bucks in quick time, even if the means are illegal.

Kaleen Bhaiya’s empire and Mirzapur ki gaddi gets threatened when the Jaisalmer-based businessman-cum-gangster Babban Yadav (Ravi Kishan) offers to make a deal with him involving large quantity of drugs.

Review: As the film is based at a point after some part of the first season of the web series is done, it is advisable to be aware about the characters and their background. The film is more like a fan service for those who are well-versed with the characters and the universe of Mirzapur.

Mirzapur The Movie

Making a theatrical movie from a web series, which is already three seasons old, is not an easy task for a writer. But Puneet Krishna overcomes this challenge. Mirzapur The Movie doesn’t follow a story structure of a web show at all. The tale completely suits the nature of a feature film with a proper beginning, middle and end. What works the most is that the basic tale of power struggle is quite simple and it doesn’t delve too much into sub-plots like a long format.

Puneet’s screenplay and dialogues and Gurmmeet Singh’s direction also takes note of a theatrical medium. Hence, the masala entertainment quotient is found over here more than in the web series, along with some creative liberties. Sanjay Kapoor’s cinematography also plays its role in increasing the scale of the film to suit the medium.

From the flipsides, the length of 197 minutes could have been shortened. This is felt more in the second half, especially during a sequence that gives rise to a car race between two characters, which could have been avoided. Also, one fight scene after the main battle is over is questionable. The film’s final outcome is also predictable since you know that it is based in season one, so those who are present in Season 2 can’t die here.

The performances are as impressive as in the three web seasons. Pankaj Tripathi once again shines as the head of Mirzapur who uses his head (both metaphorically and literally) to convey things at times. Ali Fazal is also impressive as Guddu as he gets to do more heroic stuff this time. Divyenndu also puts his right foot forward. Jitendra Kumar, the new entrant, plays a mature character sincerely. Ravi Kishan provides an entertaining act as another debutant in the universe.

Rasika Dugal is again effective as the cunning wife of Kaleen Bhaiya. Shriya Pilgaonkar, Shweta Tripathi and Harshita Shekhar Gaur don’t get much screen time and are decent. Pramod Pathak, Rajesh Tailang, Sheeba Chadha, Sushant Singh, Satendra Soni (Chandu Puncture), Mohitt Maalik, Abhishek Banerjee, Kulbhushan Kharbanda, Anangsha Biswas and others lend able support.

Overall: Mirzapur The Movie is an effective masala feature film, despite being made from a web series.

Rating: 3.5 out of 5

Director: Gurmmeet Singh

Producers: Excel Entertainment

Writer: Puneet Krishna

Cast: Pankaj Tripathi, Ali Fazal, Jitendra Kumar, Ravi Kishan, Rasika Dugal and others

Also read: Awarapan 2 review: Emraan Hashmi’s smashing comeback is an engaging crime drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Mirzapur The Movie Film Review, Mirzapur The Movie Movie Review, Mirzapur The Movie Rating, Mirzapur The Movie Review, Mirzapur The Movie Spoilers, Mirzapur The Movie Story

He almost took 5 wickets in 5 balls and scored a 100 in the same match against India!

August 23, 2026 by Keyur Seta 2 Comments

India’s match against Hampshire during their 1996 tour of England was expected to be just another practice match. Not very few but, maybe, nobody would have guessed that this game would become special for a player’s achievement that was the first of its kind in world cricket.

Hampshire all-rounder Kevan James, who was a part of the playing 11, was at the end of his career at the age of 35. He was just happy to get a chance to play against an international team that included the then young sensation Sachin Tendulkar.

Rare bowling feat

India batted first and the openers Ajay Jadeja and Vikram Rathore added 192 runs before the former was out. James took his wicket by getting him caught in the slips. In a 2020 interview The Cricketer, James said that their captain John Stephenson gave him the ball without much hopes; only because he hadn’t bowled in the innings. After getting Jadeja’s wicket, he felt he, at least, had something to show.

But James had no idea what was next in store for him. Later in the innings, he had Rathore stumped off the wicketkeeper Adrian Aymes, who was standing up. As the 2nd wicket had fallen, in came Sachin Tendulkar.

The crowd was anticipating fireworks from the Little Master. The Hampshire captain kept a forward short leg, again, without much hope. But guess what? Tendulkar had an inside edge off the first ball he faced and he was caught at short leg! James had 2 in 2! In the same interview, James recalled the moment and said, “We were laughing out in the middle because we realised we had spoiled everybody’s day.”

Kevan James picking 4 wickets in 4 balls against India

On the hat-trick ball, Rahul Dravid, who had walked in next, got hit on the pads off a ball that swung a little. James gave his everything in the appeal and the umpire raised his finger. He had a hat-trick! James said in the same interview, “It was really weird. I’d never taken one before at any level – not club, not schools, nothing – and I was coming to the end of my career and I’d done it on the most unlikely day.”

But just when James thought he had achieved something he never thought of, he got four wickets in four balls as the new batsman Sanjay Manjrekar was caught in the slips! Getting 4 in 4 is rare! After the over, James went onto the third man boundary for fielding and a crew from a radio station had a word with him. “They asked me if I’d ever got a hat-trick before and I said, ‘No, I’ve never bowled three balls straight in a row before’,” said James in the same interview. What he said made it to the Telegraph’s sporting quotes of the week.

The next batsman Sourav Ganguly scored an unbeaten 100. Anil Kumble, who came in at 5 down, remained not out on 59. India declared their innings at 362 for 5.

There was more to come for James

James must have thought that he had over-achieved for the match, but there was more to come as he walked into bat for Hampshire at number 4 when they were 45 for 2. He kept on batting confidently and reached the score of 92 when he realized that he is on the verge of creating history after Paul Terry, the batsman at the other hand told him. This made James nervous.

“It was the worst thing he could have said. I suddenly thought, ‘Oh s*** he’s right, bloody hell… a hundred!’ My next eight runs took about an hour. I was almost scared to play a shot,” recalled James in the interview. He somehow got to the three figure mark and became the first cricketer in first-class history to take 4 wickets in 4 balls and score a century in the same match.

But there was no way Kevan James was going to get a chance to play for England. As mentioned before, he was at the end of his career at the age of 35.

As far as the result of the match is concerned, Hampshire scored 458 for 9 in their innings and the game ended in a draw.

Wait a minute… He could have had 5 in 5 balls!

What not many people know is that after taking 4 wickets in 4 balls, James could have achieved a crazy feat of taking 5 wickets in 5 balls. When Ganguly walked into bat after India lost 4 wickets in 4 balls, he edged the ball, it went in the air for some time but the fielder Paul Whitaker couldn’t hang onto it for it was too tough.

Recalling that moment, James said in the same interview with The Cricketer, “To be fair, it was quite difficult. If he’d have hung onto it, it would have been one of the catches of the season. But it was a catch. He dived and I think he got his fingertips to it.” In case the catch would have been taken, James’ feat of taking 5 wickets in 5 balls and scoring a century in the same match would have been difficult to put in words.

Kevan James celebrating 4 wickets in 4 balls against India
Kevan James celebrating 4 wickets in 4 balls. The only picture available from the match. (Photo source: ESPNCricinfo)

Sourav Ganguly remembering the feat years later

After retiring from first-class cricket, Kevan James started working with BBC as a sports journalist. In 2004, during a press conference for that year’s Champion’s Trophy, Kevan James introduced himself before asking a question to Ganguly. As soon as the Indian captain heard his name, he straightaway asked, “Kevan James? Four in four?”

James recalled in the interview, “I was so chuffed that he remembered all that time afterwards, and I told him that after the press conference. He said: ‘Of course I remember something like that’. I told him that he probably didn’t remember me having him dropped at deep-ish gully the very next ball and he said, ‘No it wasn’t, it was cover’. The fact that he could remember… I thought ‘Wow’.” Read Kevan James’ full interview with The Cricketer HERE.

Shaun Pollock achieved the same bowling feat in the same county season

Interestingly, South Africa’s Shaun Pollock had picked up 4 wickets in 4 balls for Warwickshire against Leicestershire in a county ODI just two months ago on April 26, 1996 at Edgbaston. It was crazy to see two instances of a bowler taking 4 wickets in 4 balls in the same county season!

Also read: When 2 instances of bowler picking 4 wickets in 4 balls happened in a single English season

Filed Under: Cricket, Forgotten Moments Tagged With: Hampshire vs India 1996, Kevan James, Kevan James 1996, Kevan James 4 wickets 4 balls, Kevan James Hampshire, Kevan James vs India

Batwara 1947 review: Decent Partition saga aimed to please Sunny Deol fans

August 19, 2026 by Keyur Seta 2 Comments

Storyline: Batwara 1947 is adapted from Asghar Wajahat’s classic Hindustani play Jis Lahore Nahin Dekhya. Sikandar Mirza (Sunny Deol) is a middle-aged businessman from Meerut, living with his wife Hamida (Preity G Zinta), son Javed (Karan Deol) and daughter Tanno (Khhushi Hajare). On the eve of India’s Independence on August 14, 1947, he is delighted to see the country finally getting free from the clutches of the British.

However, Sikandar and his family’s joy is short-lived as communal riots start spreading in different parts of the country, including Meerut. Hence, Muslims are being forced to migrate to the newly-formed Pakistan. Sikandar doesn’t agree with the idea of migrating across the border since he is a true patriot. But as things start getting worse, he and his family are forced to migrate to Lahore, Pakistan via train.

After spending a few months in the refugee camp in Lahore, Sikandar’s family finally gets an accommodation in a large mansion called Durga Niwas. But as soon as they enter the place, they realize that an elderly lady Mai (Shabana Azmi) is already staying in it. She refuses to move out of the house as it belonged to her and her family before the Partition. What happens next forms the rest of the film.

Review: The first thing that you notice in Batwara 1947 is Subrata Chakraborty and Amit Ray’s rich production design that instantly transports you to the bygone era. The recreation of old Lahore is the most striking part about their work.

Batwara 1947

Batwara 1947 is much different than Jis Lahore Nahin Dekhya. The character of the old lady is the main protagonist in the play. But the character of Sikandar takes center-stage in the movie. You still somehow are okay with it since the character of Mai is still given a lot of prominence.

But the issue is that the makers have tried very hard to please Sunny Deol’s fans by including a number of fight sequences at regular intervals. Plus, some action scenes are so over-the-top that you wonder how they got approved in a film of this nature. On the other hand, the same character in the play is just like a regular common man.

Having said that, Batwara 1947 also has its moments. It is heartening to see the message of humanity being spread through a story that is quite bold in terms of mainstream Hindi cinema’s standards. The bond between the Mirza family and Mai is quite heartwarming.

But when it comes to boldness, the play does it better with the characters of the poet and the Maulvi. Although both characters are present here, what they preach isn’t as hard-hitting and daring as seen in the play.

However, Batwara 1947 kind of redeems itself in the final moments. The film ends with a powerful message on humanity which is given purely through the use of heartwarming visuals instead of preachy dialogues.

Most of the performances fall in the positive. Sunny Deol does what he knows the best, which is mouthing powerful dialogues and bashing up people. One has to admit that only he could have given justice to a character like this. But Shabana Azmi is the scene-stealer. Her performance as Mai is sure to move hearts. Her portrayal is quite different than what Preeta Mathur did in the play. Preity G Zinta puts up a good act in her comeback role.

Abhimanyu Singh, as the baddie Yakub Khan, is decent. The issue is that his character is one-dimensional. The play sees the character of Sikandar’s daughter become an important reason behind the bonding between the family and Mai. But here, Khhushi Hajare’s character isn’t given much importance. Her act isn’t bad though. Karan Deol struggles to act yet again. This is particularly felt in a scene that is supposed to be heart-wrenching, but he makes it appear flat. Ali Fazal is likeable as the large-hearted poet. But the sub-plot of his love angle wasn’t required.

Overall: Batwara 1947 is a decent Partition drama aimed more towards Sunny Deol fans. The film is largely saved by the climax. It has a chance of appealing more to those who haven’t seen Jis Lahore Nahin Dekhya.

Rating: 3 out of 5

Director: Rajkumar Santoshi

Producer: Aamir Khan Productions

Writers: Asghar Wajahat and Rajkumar Santoshi

Cast: Sunny Deol, Shabana Azmi, Preity Zinta, Abhimanyu Singh, Karan Deol, Khhushi Hajare

Also read: Awarapan 2 review: Emraan Hashmi’s smashing comeback is an engaging crime drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Batwara 1947 Film Review, Batwara 1947 Movie Review, Batwara 1947 Original Play, Batwara 1947 Rating, Batwara 1947 Review, Batwara 1947 Story, Jis Lahore Nahin Dekhya

Awarapan 2 review: Emraan Hashmi’s smashing comeback is an engaging crime drama

August 15, 2026 by Keyur Seta 2 Comments

Storyline: Awarapan 2 is a continuation of Awarapan (2007). Shivam Pandit (Emraan Hashmi) is miraculously saved despite being shot several times after the end of the first film. The second movie continues years later when he is doing an odd job in a town in Rajasthan. He is still mourning the death of Aaliyah (Shriya Saran), who he dearly loved and regularly visits her grave.

Once during the ritual, Shivam finds an abandoned infant at the graveyard. He hands the girl over to his well-wisher who is running an orphanage. He names the girl Aaliyah. Years later after Aaliyah grows up, a family adopts her. However, it is soon found out that she has been abducted by child traffickers and sent to Bangkok. Shivam is pained after knowing this and decides to visit Bangkok right away to rescue her and other children.

Review: The first Awarapan was more of an emotional affair and had limited action scenes. But the trailer of Awarapan 2 contained only brutal fight scenes. This made one wonder if the film will follow the recent trend of violent action films.

However, Awarapan 2 turns out to be way different from its trailer.

The movie wastes no time in unleashing the nostalgic factor for the fans of Awarapan. If you are one of those who is smitten by the 2007 movie, chances are that you will be glued to Awarapan 2 right from the start. Vishnu Rao’s cinematography is particularly noteworthy during this part.

The screenplay gradually goes onto the crime thriller mode once the story takes the turn and the protagonist goes onto his mission. The film then becomes an out-and-out crime action drama with the nostalgia factor remaining very much there.

The idea of the main hero infiltrating an underworld gang abroad instantly reminds you of the Dhurandhar series. Of course, there have been plenty of films where a good guy becomes a mole in a gang. But since the Ranveer Singh starrer is recent, it instantly pops up in your mind. But thankfully, the common factor ends here.

Although Awarapan 2 has emotions to its core (just like its predecessor), this one is more into the masala action zone, especially in the second half. The film throws in a bunch of new and interesting characters, especially Zorawar (Puran Gabbi), and some twists to keep the interest going.

The only issue here is that in the last 30 minutes, the proceedings become quite filmi with things happening at convenience for the protagonist on a few occasions. This is felt the most when the Buddhist monks arrive out of nowhere. But a couple of whistle-worthy moments in the end turn out to be the saving grace.  

Awarapan 2 is also a rare film in today’s times where almost all the songs appear impressive. Along with the reprised versions of ‘Toh Phir Aao’ and ‘Tera Mera Rishta Purana’, the new tracks too sound impressive.  

Coming to the performances, it’s an Emraan Hashmi show. The actor not only lives up to the expectations of playing Shivam Pandit once again convincingly, he also lights up the scene every time he appears. In fact, he even makes Shivam Pandit’s melancholy appear endearing in a way only he can.

Despite Emraan’s presence, Puran Gabbi makes his presence felt and how! He is convincing and highly confident as the bad beast Zorawar. Shabana Azmi displays her talent yet again, despite limited screen time. Disha Patani fares better than usual. Aniruddh Rawal is also praiseworthy as a man suffering from Autism. Child actor Myrah Shivan gives a fine act. Atul Kumar, Suvinder and Vijayant Kohli provide able support. Shriya Saran’s cameo is appealing and it arrives at an important moment in the film.

Overall: Awarapan 2 is an interesting crime thriller with the right dose of emotions and Emraan Hashmi at his best. Nitin Kakkar succeeds in the difficult test of directing the sequel of a cult film.

Rating: 3.5 out of 5

Director: Nitin Kakkar

Producers: Vishesh Films

Writers: Vishesh Bhatt, Bilal Siddiqi and Sanjay Masoom (additional dialogues)

Cast: Emraan Hashmi, Puran Gabbi, Disha Patani, Shabana Azmi, Suvinder Vicky, Aniruddh Rawal, Myrah Shivan

Also read: Ikka review: Sunny Deol and Akshaye Khanna starrer is a one-time watch courtroom drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Awarapan 2 Emraan Hashmi, Awarapan 2 Film Review, Awarapan 2 Movie Review, Awarapan 2 Rating, Awarapan 2 Review, Awarapan 2 Spoilers, Awarapan 2 Story

Maaran review: Hard-hitting saga on flesh trade and society’s victim-shaming tendency

August 11, 2026 by Keyur Seta 4 Comments

Storyline: Maaran, which is a Gujarati film, is based on the illegal business of flesh trade. The story takes place in a fictitious village called Vaadi. Supplying girls is the main business for Ratan (Yash Soni) but he keeps it in the shadows. For the world, he works as a security guard in a posh tower in the city outside the village. Ratan lives with Birwa (Deeksha Joshi), who he had abducted five years ago. The girl’s younger sister Purva (Tarjani Bhadla) has been searching relentlessly for her.

Ratan and Birwa’s life goes through some change when the former’s friend and acquaintance Babu (Shruhad Goswami) abducts Urmi (Prachi Thaker), who turns out to be a tough girl. Meanwhile, Ratan eyes Tara (Druma Mehta), who stays in the tower he works at, as his next target.

Review: Maaran throws light on the horrific social reality of India about lakhs of girls going missing in the last few years after being abducted and taken into flesh trade. The film instantly gets you involved in the murky and dark world of Vaadi in a bold manner.

You do get surprised seeing Birwa live in with Ratan at the start despite being kidnapped by the latter. But this aspect is explained later and it is quite convincing. However, Urmi not being disturbed and traumatized despite being kidnapped recently is difficult to believe.

Maaran Gujarati movie

The film scores while showing a parallel track of a woman even from a wealthy family being in danger of being dragged into the flesh trade. The screenplay finely mixes the various tracks and is brisk in pace.

The only other point of concern is that they could have gone into some details on how this entire illegal business works. This would have made the viewers more familiar with the subject.

The characters of Ratan and Babu are not portrayed as typical negative characters despite them being important cogs in the wheel of the flesh trade. Somehow, some light is thrown on their human side without making them subjects of sympathy.

The large amount of credit for this also goes to Yash Soni and Suhrad Goswami. Yash has an image of a good boy. He sheds that identity here and how! He is thoroughly convincing as the rough and evil Ratan. Suhrad has also derived a divine image of Lord Krishna after Laalo – Krishna Sada Sahayate. He too comes out of it and provides a believable act as a ruffian immersed in flesh trade. But at the same time, both actors also subtly switch over to their human side.

The film also equally belongs to Deeksha Joshi who comes up with an award winning act. Her character goes through various emotions and moods and she fulfils each challenge with ease. She is particularly heart-breaking in the pre-climax and climax. Prachi Thaker suits the character of Urmi. Trajani Bhadla’s performance grows with the film. Druma Mehta is perfectly cast as the sophisticated lady.

The technicalities also rise on the occasion in the form of the cinematography (Pratik Parmar), editing (Omkar Nilange, Harsh Anandani and Devarshi Barot) and music (Aalap-Parth).

But Maaran is much deeper than just a film about a heinous crime against women. It also brings forth the stigma attached to the girls who have been rescued from flesh trade to such an extent that their own families refuse to accept them even after they are rescued. The tag of being ‘impure’ attached to them is a deep result of patriarchy. This victim-blaming and victim-shaming makes you wonder if these families are as guilty as the perpetrators of the flesh trade.

Overall: Maaran is a hard-hitting saga on flesh trade and the society’s tendency to shame the victims.

Rating: 3.5 out of 5

Director: Abhishek Jain

Producers: CineMan Productions

Writers: Divya Thakore

Cast: Yash Soni, Deeksha Joshi, Shruhad Goswami, Prachi Thaker, Tarjani Bhadla, Druma Mehta

Also read: Ikka review: Sunny Deol and Akshaye Khanna starrer is a one-time watch courtroom drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Regional cinema Tagged With: Gujarati Movie Review, Maaran Film Review, Maaran Gujarati Movie Review, Maaran Gujarati Review, Maaran Movie Review, Maaran Yash Soni

Time River review: Moving tribute to the village folk artistes of Gourbazar

August 2, 2026 by Keyur Seta Leave a Comment

Music is an integral part of Indian culture. Hence, musicians are spread throughout the length and breadth of the country. A lot of them have become a part of the popular culture after showcasing their art through films, musical performances, reality shows and, in recent times, social media reels.

But there are countless musicians who are excellent practitioners of their respective art but remain unknown to the masses. These are the folk artistes found in plenty of villages in the country. Filmmaker Debjani Banerjee’s documentary Time River is a moving tribute to one such community of folk artistes.  

The film focuses on Uttam Das and other folk and baul singers of Gourbazar village in Paschim Bardhaman district in West Bengal. The film is a glimpse into their world as they peacefully live their lives while practicing their art, mostly based on God and His philosophy.

Time River documentary

Time River doesn’t follow the conventional method of storytelling seen in documentaries where a voiceover narrates the subject along with the use of text. Instead, Banerjee simply uses the audiovisual medium to establish her subject and lets it unfold naturally. The method works very well as one is transported to Gourbazar in the initial few minutes itself. The portrayal of nature plays a major role in it.

Uttam Das and his co-artistes’ narration of their lives and work appears honest and without any pretense. It becomes quite clear that there wasn’t any script and they were made to speak as they wished.

As Uttam Das and others are folk artistes, it was vital for their song performances to be top-notch. The performances are sure to move you even if you don’t understand the language and rely only on subtitles (like this reviewer did).

Time River documentary poster

The film also excels when it comes to the technical aspects like the cinematography (Subal KR), editing (Banerjee and Subal) and sound designing (Dibakar Saha and Archisman Mukherjee).

Time River also subtly touches upon the issue of the village’s natural resources being in danger of being destroyed in the name of ‘development’.

It is not possible to find a major negative point in the film. The only aspect that could also have been covered is how Uttam Das and other folk artistes are managing their lives financially.

Overall: Time River is a moving tribute to the village folk artistes of Gourbazar.

Rating: 4.5 out of 5

Director: Debjani Banerjee  

Producers: Debjani Banerjee, Subal KR and D Banerjee

Also read: Duet review: Sidhant Gupta excels in this artistic glimpse into a man’s grief-stricken world

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Documentaries Tagged With: Baul Artist, Debjani Banerjee, Time River Bengali Documentary, Time River Bengali Movie, Time River Documentary Review, Time River Movie Review, Time River Review, Uttam Das

Duet review: Sidhant Gupta excels in this artistic glimpse into a man’s grief-stricken world

August 1, 2026 by Keyur Seta 1 Comment

Storyline: Duet, which is a short film, is based in the period when the COVID-19 pandemic had just started creating havoc in India. The film is about Mihir (Sidhant Gupta), a musician who stays alone in a spacious apartment in Mumbai. He is going through a period of profound grief as he recently lost his elder brother to the deadly virus. Mihir is trying to complete his musical assignments but is unable to concentrate because of his state of mind.  

Review: Director Sheetal Menon’s film is an artistic glimpse into the grief-stricken world of Mihir. It makes the audience a spectator as the protagonist somehow goes about living his life out of extreme sadness. Without saying much and just through little moments and conversations, the film provides an emotional message of the importance of letting your loved ones know what they mean to you until it’s too late.

Duet short film by Sheetal Menon, starring Sidhant Gupta

There is art written in every frame with even the most random visuals standing out, like a fan slowly moving, curtains fluttering in the slight breeze, etc. Cinematographer Siddharth Srinivasan has a major share here. There are various moments where he has shown his brilliance. Sid Acharya’s music elevates the film with Moinak Bose’s sound designing adding to the effect.

Sidhant Gupta literally lives the film’s message in every frame. He completely surrenders to Mihir’s grief by being at his vulnerable best. Sayani Gupta and Puja Sarup excel in their respective cameos.

Duet, however, appears too long for a film that doesn’t have any conventional story to tell and is nothing more than a glimpse into the world of a grieving man. Perhaps, the film should have ended much before its duration of 37 minutes as it does test your patience at times. This ensures that it becomes not more than a one-time watch.

Overall: Duet is an artistic glimpse into the grief-stricken world of a musician played dedicatedly by Sidhant Gupta.

Rating: 3 out of 5

Director: Sheetal Menon

Producers: Bejoy Nambiar and Sheetal Menon

Writers: Arpita Chatterjee, Sheetal Menon and Neil Balthazar

Cast: Sidhant Gupta, Sayani Gupta and Puja Sarup

Watch Duet on YouTube:

Also read: Ikka review: Sunny Deol and Akshaye Khanna starrer is a one-time watch courtroom drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Duet Movie Review, Duet Sheetal Menon Short Film, Duet Short Film, Duet Short Film Review, Duet Sidhant Gupta Review

Ikka review: Sunny Deol and Akshaye Khanna starrer is a one-time watch courtroom drama

July 11, 2026 by Keyur Seta 3 Comments

Story: Ikka revolves around the celebrated Public Prosecutor Arjun Mehra (Sunny Deol). He is known for fighting for the truth and that too by adhering to ethics. He stays in Mumbai with his wife Avantika (Dia Mirza) and daughter Samaira (Daria Bedi).

One day, Shouryamann Gaur (Akshaye Khanna), son of a wealthy industrialist and politician Harshvardhan Gaur (Shishir Sharma), gets accused of attempting to murder Soma Mittal (Akansha Ranjan), a young girl he met at a night club. Arjun is offered to fight Shouryamann’s case as a Defense Lawyer this time. He plainly refuses because of the past equation between both of them. However, circumstances force Arjun to fight Shouryaman’s case.

Review: The sub-plot about Arjun being compelled to fight Shouryamann’s case instantly reminds you of an old Sanjay Dutt movie, which, in turn, was ‘inspired’ from an iconic Hollywood movie. However, this point also ensures that Ikka becomes more than just a normal courtroom drama. It brings the personal equations of the characters at the forefront thereby making it an emotional courtroom drama. This also puts the audience in an interesting dilemma in terms of whose side should they be on.   

As far as the courtroom scenes are concerned, there are engrossing. The dialogues and the sarcastic digs by Arjun, Public Prosecutor Madhura Banerjee (Tillotama shome) and the judge (Vijay Vikram Singh) triggers humour at regular intervals.

Ikka stars Sunny Deol and Akshaye Khanna who are at loggerheads due to their past but are forced to work together.

However, with the genre of courtroom drama being over-exposed in the OTT world, especially in shows like Criminal Justice, one constantly gets the feeling of been-there-done-that. Plus, there are also some questionable aspects related to the proofs and witnesses brought during the case. The biggest one is the absence of CCTV angle brought into the proceedings to find out if a person was present at a particular site, which is bewildering.

The film doesn’t end with the courtroom case. But the final turn in the story, which justifies the title, is easily predictable.  

Sunny Deol plays a lawyer for the first time after his famous act in Damini (1993). But with this film being closer to reality, one can’t expect him to shout “Taareekh pe taareekh” in the court, although there is a mention of “Dhai kilo ka haath” at one point. The actor does well as an intelligent lawyer and an emotional father.

Akshaye Khanna, strangely, has continued his act as Rehman Dakait from Dhurandhar (2025) when it comes to both his expressions and dialogue delivery. He is formidable during his confrontational sequences with Sunny though. On a lighter note, a visual of Metro Inox Cinemas playing Dhurandhar is visible for a second.

Tillotama Shome once again puts on an impressive act as a lawyer much junior to Arjun. Dia Mirza shines as an emotional mother. She also succeeds in being firm during her scene with Shouryamann. Child actor Daria Bedi impresses with her talent. Sanjeeda Shaikh leaves behind an impact in an important scene. Vijay Vikram Singh is good as the judge. Thankfully, he is not a typical judge that we have seen plenty of times in films of this nature.

Overall: Ikka, which is streaming on Netflix, is a one-time watch emotional courtroom drama that could have been more impressive.

Rating: 2.5 out of 5

Director: Siddharth P Malhotra

Producers: Alchemy Films

Writers: Althea Kaushal and Mayank Tewari

Cast: Sunny Deol, Akshaye Khanna, Tillotama Shome, Dia Mirza, Daria Bedi   

Also read: Welcome To The Jungle review: Enjoyable chaos after a long time

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Ikka 2026 Movie Review, Ikka Bollywood Review, Ikka Movie Review, Ikka Movie Story, Ikka Netflix, Ikka Review, Ikka Sunny Deol Akshaye Khanna

Alpha review: An unconvincing action film that becomes reverse Dhurandhar

July 7, 2026 by Keyur Seta Leave a Comment

Storyline: Director Shiv Rawail’s Alpha is about a serum called Alpha. Once it is injected into a person, he or she develops superhuman capabilities. It is developed under the guidance of Lt. Col. Fateh Singh Lakhawat (Bobby Deol). The serum gets injected into Sita (Alia Bhatt after growing up) while she is still in her mother’s womb. The incident happens under unusual circumstances due to which Fateh adopts her and trains her to become the deadliest Indian soldier.

However, things don’t go according to Fateh’s plan and Sita goes rogue. She comes across RAW (Research and Intelligence Wing) Chief Vikrant Kaul (Anil Kapoor) and his daughter Durga (Sharvari). A conflict takes place between both the parties until Sita is told the biggest secret of her life.

Review: As soon as Sita grows up, she kills a number of innocent government officials as per the orders of Fateh. Plus, she shows no remorse after realizing that she was taken for a ride. Hence, it is not possible to have any sympathy for her, leave alone root for her. In fact, the entire film is full of questionable acts and behaviours by its main characters and writers. Here’s having a look at some of them (SPOILERS alert):

–A serum as deadly as Alpha easily gets a nod from the government and the army. Nothing is said about its side effects. We are later on shown that a person tests the serum on some human beings, who die soon after its administration. But nobody gets to know about it. There are other questionable aspects too about the army, which makes you feel glad that the real army doesn’t work this way.

–The top officials are able to access the serum even for their personal use without anyone noticing it. One character simply opens a fridge-like machine and gets hold of the serum to administer it to his wife as if it is Red Bull or Sting.

–There comes a point where Sita wants to kill a couple of characters. But even when she has a clear chance of doing so, she instead ties them up and makes noodles while adding Chings Schezwan Chutney to it. Soon, she also exclaims, “I am loving this desi Chinese!”

–Bobby Deol’s Fateh Singh Lakhawat keeps on switching between Hindi with Haryanvi accent and normal Hindi throughout the film.

–After the first half, it is established that the film is basically a battle between three good people against one evil. The narrative gets to the final battle between both the parties after a number of silly twists. There are times when a lot of major explosions take place but there are no authorities to, at least, take note of it and the media to report on it.

–Both the Dhurandhar films have had a lot of impact on our minds when it comes to spy action films. But even if you don’t think about the duology, Alpha doesn’t let you do so for it somehow becomes like a reverse of Dhurandhar. The Aditya Dhar film saw an Indian RAW agent infiltrate Pakistan’s criminal and ISI (Inter Service Intelligence) network without anyone realizing. Alpha has a Pakistani ISI agent infiltrating India’s army and nobody gets to know of it even after decades.

Performance wise, Alia Bhatt does well when it comes to action. But her ‘I don’t care’ attitude appears forced. Sharvari and Anil Kapoor come up with sincere acts. Hrithik Roshan is decent in a cameo. But the one who impresses the most is Bobby Deol. But his act is certainly not enough to overshadow the various fallacies of Alpha.

Rating: 1.5 out of 5

Director: Shiv Rawail

Producers: Yash Raj Films

Writers: Uday Chopra, Soumil Shukla, Shridhar Raghavan and Ishita Moitra

Cast: Alia Bhatt, Bobby Deol, Sharvari and Anil Kapoor

Also read: Welcome To The Jungle review: Enjoyable chaos after a long time

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Alpha 2026 Movie Review, Alpha Alia Bhatt Review, Alpha Movie Review, Alpha Movie Spoilers, Alpha Movie Story, Alpha Review

Welcome To The Jungle review: Enjoyable chaos after a long time

June 27, 2026 by Keyur Seta 2 Comments

Storyline: Director Ahmed Khan’s Welcome To The Jungle is about a chaotic journey of a film crew. Corrupt billionaire businessman Sinha (Zakir Hussain) gets to know from someone from the government that if the opposition comes to the power after the elections, his financial fraud will be exposed. Hence, he decides to indulge in some business venture which would go into losses. He eventually decides to make a flop film after investing Rs. 1000 crores in it.

Sinha gets on board two amateur filmmakers Dev (Rajpal Yadav) and Das (Paresh Rawal). Their friend Nainsukh (Shreyas Talpade) comes in as the cinematographer. They select a story about Indian soldiers that takes place in a jungle and name it Welcome To The Jungle. For the main lead, they hire Rajiv Kohli (Akshay Kumar), a top star who is now a flop star. His ex-girlfriend Nadia (Disha Patani) is signed as the lead actress along with Sinha’s daughter (Jacqueline Fernandez). Circumstances force Dev and Das to cast gangsters Yeda Anna (Suniel Shetty) and Romeo (Arshad Warsi) too. Similarly, a lot of actors come on board and the film gets rolling. However, the huge crew lands into unexpected trouble.

Review: The basic premise of Welcome To The Jungle instantly reminds you of Farah Khan’s Tees Maar Khan (2010), which also starred Akshay Kumar in the lead. The main difference is that he played the director in that movie. But the difference that matters the most is that WTTJ is better than the 2010 flick, although the latter had its moments here and there.

It is anybody’s guess that one needs to keep logic and reasoning miles away while watching such movies. But this is worth only when we get non-stop entertainment in return. That is what happens with Welcome To The Jungle.

Welcome To The Jungle

The basic plot of a wealthy business wanting to make a flop film itself is funny and interesting. It is also something that used to happen during the olden days. The screenplay gives you no time to breathe. There are plenty of bizarre happenings, both during the film shoot and the second half when the terrorism angle takes over. But, again, the fast pace and the fact that the film is honest in what it is trying to do ensures that you don’t mind that much.

A major plus point here is the dialogue. Most of the jokes land well and make you laugh. The meta humour goes well too. Farhad Samji, who has written the lines, is back to his earlier days with this film. A racist joke and body shaming humour could have been avoided though. There are also quite a few sequences that are straight out of a few other films. This is not a big downer though. The biggest issue is the length in the second half, especially during the climax, and the overdose of explosions.

The film has one of the largest ensemble cast. This role is tailor-made for Akshay Kumar and he once again rises through his comic timing. Suniel Shetty, whose character trait and name are repeated from Awara Paagal Deewana, Arshad Warsi, Paresh Rawal and Rajpal Yadav carry their tasks well. Raveena Tandon gets a meaty part and she excels in it. Disha Patani isn’t bad. Jacqueliene Fernandez struggles yet again. Farida Jalal and Kiran Kumar deserve special mention for being scene stealers!

Tusshar Kapoor and Aftab Shivdasani are average. Lara Dutta is decent in an extended cameo. Mukesh Tiwari, Yashpal Sharma, Krushna Abhishek and Kiku Sharda don’t get much to do. A talented bloke like Shreyas Talpade, who, although funny, is cast in an inconsequential role. Jackie Shroff succeeds in looking like a terrorist but doesn’t get much scope to perform. The same is the case with Vindu Dara Singh, his associate.

Zakir Hussain, whose character is modelled on Vijay Mallya, does well but disappears later. Daler Mehndi appears awkward and performs poorly. The late Pankaj Dheer, Feroze Khan and Puneet Issar are likeable in their cameos inspired from their characters from BR Chopra’s Mahabharat. Urvashi Rautela is hardly there.

Overall: Welcome To The Jungle is an enjoyable chaotic ride after a long time if you are ready to keep logic and reasoning aside.

Rating: 3.5 out of 5

Director: Ahmed Khan

Producers: Firoz A Nadiadwallah and Cape of Good Films

Writers: (Late) Neeraj Vora and Farhad Samji

Cast: Akshay Kumar, Suniel Shetty, Paresh Rawal, Johnny Lever, Arshad Warsi, Disha Patani, Jacqueline Fernandez, Raveena Tandon, Jackie Shroff

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Welcome To The Jungle 2026 Review, Welcome To The Jungle Bollywood Review, Welcome To The Jungle Hindi Movie Review, Welcome To The Jungle Movie Review, Welcome To The Jungle Review, Welcome To The Jungle Story

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