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Ramayana Part 1 review: This massy retelling of the celebrated epic is apt for the big screen

November 5, 2026 by Keyur Seta Leave a Comment

Storyline: Director Nitesh Tiwari’s Ramayana Part 1: Rise Of A Legend starts off when Asuras face a drubbing defeat by the Devas. Hence, they live in extreme poverty and helplessness in Lanka while Kubera rules over them. Dashanana’s (Raghav Malhotra) mother Kaikasi (Shobana) is sad to see him unperturbed by their condition and encourages him to do something for the rise of the Asuras. Hence, Dashanana carries out intense penance for years to please Lord Brahma and gets a boon of almost immortality. He then becomes the mighty, powerful and ruthless king of Lanka, Ravana (Yash).

Ravana and his army create havoc in the three worlds. When the situation becomes too out of hand, Lord Vishnu takes birth as Dashrath (Arun Govil) and Kaushalya’s son, Rama (Ranbir Kapoor). Dashrath is blessed with three more sons – Lakshmana (Ravie Dubey), Bharata (Addinath Kothare) and Shatrughna (Nitish Sharma) – from his other three wives. Rama and Lakshmana become experts in warfare and scriptures. After growing up, Rama is married to the daughter of King Janaka, Sita (Sai Pallavi). His three brothers also tie the knot simultaneously.

Rama and Sita share deep love for each other. Rama is about to be crowned the king of Ayodhya. However, due to an old vow given to his step-mother Keikeyi (Lara Dutta) by Dashrath, Bharata is made the king and Rama is sent for 14 years of forest exile. Sita and Lakshmana also join him. It is during the exile period when an incident brings Ravana’s entry in Rama and Sita’s life.

Review: Even if you haven’t seen Ramanand Sagar’s classic television show Ramayan, there is a high chance that you already know the story of the epic if you have been staying in India, irrespective of your religion. Hence, one can’t expect anything novel or mysterious from Nitesh Tiwari’s retelling of the same. In such cases, the makers have to make sure that the audience enjoys the predictability.

Ravana Part 1 2026

This surely happens in Ramayana due to various reasons. It’s an out-and-out massy retelling of the epic in the grandest manner possible. The scale, visuals of various locations (interiors and exteriors) monster-like creatures, objects, etc, are highly appealing on the big screen. There was a lot of chatter about the film’s VFX from the promotional material. However, barring a few instances, the film’s visual quality is impressive, which is further enhanced by 3D.

This has been largely possible because of Pankaj Kumar and Mahesh Limaye’s cinematography, Huzefa Lokhandwala’s editing and AR Rahman and Hans Zimmer’s background score.

The narrative is fast-paced with proper compilation of the events of the epic. The initial part about Ravana’s back story wins you over. The subsequent events like Sita’s Swayamvar, the events leading to the banishment and the kidnapping also keep you fully engaged.

However, it seems like in order to make the film fast-paced, a few incidents are hurriedly narrated. This is felt in the all-important conversation between Dashrath and Kaikeyi about the former’s vow and the love story between Rama and Sita, which needed more depth.

The other flipside is the song compositions of AR Rahman and Hans Zimmer. Apart from the highly impressive Ravana theme track, none of the song make a major impression. ‘Jai Jai Ram’, which has been promoted, only has a fleeting appearance. Perhaps, that song would have added to the love track of Rama and Sita. It’s ironical that a film that celebrates Rama gave the best song to Ravana’s character.

Rimple and Harpreet Narula’s costume match the scale of the film, except on few occasions where the attire of Sita and Kaikeyi appear a bit modern. Ravi Bansal and Ramsey Avery’s production designing is apt for various worlds explored in the film.

The performances are mostly positive. Ranbir Kapoor succeeds in showing humility and controlled aggression, the most vital qualities of Lord Rama. He is also impressive during the action sequences. Sai Pallavi matches up to him with a sincere act as Sita. Yash is remarkable as the fearful Ravana. He is specifically noteworthy in the first 30 minutes or so. Ravi Dubey impresses in various scenes with his wit. Arun Govil is likeable as Dashrath. You are never reminded of his act as Rama in the TV show Ramayan. Lara Dutta and Sheeba Chadha, as Kaikeyi and Manthra, are believable.

Rakul Preet Singh makes good of the opportunity to play Surpanakha. Addinath Kothare brings a sincere act as Bharata. Indira Krishnan (Kaushalya), Kajal Agarwal (Mandodari), Sonal Jha (Sumitra), Raghav Malhotra (young Ravana) and Nitish Sharma (Shatrughna) are okay in limited roles. Veteran actress Shobana does well as Kaikasi. Vivek Oberoi provides a decent act as Vidyutjihva. The rest of the actors chip in with good to satisfactory acts. Raghav Juyal’s glimpse as Meghnad piques curiosity.

Overall: Ramayana Part 1: Rise Of A Legend is a massy retelling of the celebrated epic that is ideal to watch in IMAX 3D. The film ends on a high with a glimpse of Sunny Deol as Lord Hanuman.

Rating: 3.5 out of 5

Director: Nitesh Tiwari

Producers: Prime Focus, DNEG and Monster Mind Creations

Writers: Valmiki (original story), Shridhar Raghavan, Nitesh Tiwari and Shreyas Jain

Cast: Ranbir Kapoor, Sai Pallavi, Yash, Ravie Dubey, Arun Govil, Rakul Preet Singh, Lara Dutta

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Ramayana 2026 Movie Review, Ramayana 2026 Review, Ramayana Bollywood Review, Ramayana Film Review, Ramayana Movie Review, Ramayana Movie Story, Ramayana Part 1 Review, Ramayana Ranbir Kapoor Review, Ramayana Rating

Body review: Unconventional saga dealing with the extreme after-effects of bullying

October 31, 2026 by Keyur Seta Leave a Comment

Storyline: Body, a Hindi film, takes place after the COVID-19 pandemic and revolves around a group of friends, who are actors. These include Manoj (Manoj Sharma), Khushboo (Khushboo Upadhyay), Amol (Amol Deshmukh), Jatin (Jatin Negi) and Shivam (Shivam Parekh). Once the four men from the group are having a swim in a lake during their trip outside Mumbai. After the swim, Manoj’s clothes are snatched from him during an episode of drunken fun, headed by Amol, and he is left stark naked.

The incident triggers such profound trauma in Manoj that he randomly starts getting fully naked at various public places. Khushboo, who is also Manoj’s girlfriend, Amol, Jatin and Shivam are deeply concerned about his state with their theatre performance being around the corner.

Review: First things first – as noticeable in the above synopsis, the names of the characters are the same as their real names. But that’s not all. The five of them are also a part of the same friend circle in real life. Those who know this (like this reviewer does) are bound to be amazed.

Body is more like an intimate glimpse into the world of Manoj and people around him after the traumatic incident. The incident and its after effects are shown in the most realistic manner. Director Abhijit Mazumdar achieves this in a simple but bold manner in scenes where Manoj gets naked. He just lets the visuals speak without using any sort of jazzy camerawork or background score.  The sequences where the rest of the friends are also going through the after-effects of Manoj’s condition are presented in an unconventional and creative way.

A large amount of the credit for the final result should go to Manoj Sharma for shedding his inhibitions, literally. To agree to play such a character itself is a bold decision. He gives his all to the character in scenes where he undresses even in broad public places, which could have been a hugely tough task for any actor. He also portrays the trauma without the use of words. Watch out for the scene where he sheds his clothes while inside a moving auto rickshaw.

The rest of the performances also fall in the realistic zone. Khushboo Upadhyay proves her talent once again as an ideal support system for the protagonist. Amol Deshmukh is perfect for the character of someone who carries out such bullying. Jatin Negi, Shivam Parekh and Sandeep Shridhar Dhabale, who enters the scene later, provide fine support.

The only point that bothers you is that Amol doesn’t even face any serious wrath from the rest of the group members for an act that has affected someone so negatively. The other critical aspects are the pacing and the length. Various long sequences could have been shortened. And a film of this nature should have ideally got over inside two hours.

Overall: Body is an utterly realistic saga about the extreme after-effects of bullying. It is one of the most unconventional films to have been made in Hindi. The film has released on Brew TV OTT platform.

Rating: 3.5 out of 5

Director: Abhijit Mazumdar

Producer: Amala Popuri

Writer: Abhijit Mazumdar

Cast: Manoj Sharma, Khushboo Upadhyay, Amol Deshmukh, Jatin Negi, Shivam Parekh, Sandeep Shridhar Dhabale

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Body 2026 Movie Review, Body 2026 Review, Body Hindi Movie Review, Body Hindi Review, Body Khushboo Upadhyay, Body Manoj Sharma Movie, Body Movie Review

Sohla (Marathi movie) review: Emotional coming-of-age saga of a village kid

October 17, 2026 by Keyur Seta Leave a Comment

Storyline: Sohla, revolves around a school going kid Prasad aka Pashya (Devdatta Ghone). He stays in a small village in Maharashtra named Sudkoli with his father Ramdas (Pravin Dalimbkar), a farmer, mother Nirmala (Varsha Malwadkar) and elder sister Gauri (Vaishnavi Ghodke). Ramdas is having a tough time financially since his produce isn’t fetching him much money.  

Pashya is all set to turn 13 in two months. As per the tradition in the village, the 13th birthday of boys is celebrated through a ceremony called ‘Sohla’. It is a symbolic ritual indicating that the boy is now ready to take on the responsibility of the family. Pashya can’t wait for his sohla. As he is a die-hard Salman Khan fan, he wants to buy the expensive kurta endorsed by him for the event. Ramdas agrees to Pashya’s demand despite his financial condition. However, soon, a major incident occurs in Pashya’s life out of nowhere, which brings a major change in him.

Review: Marathi cinema has been coming up with quality heartwarming films based in the interiors of Maharashtra since a decade and a half. Most of these films instantly transport you to the village in question. Director Saaikat Bagbaan’s Sohla also does that. You expect the film to travel on the lines of Taryanche Bait (2011) and Kutumb (2012), but, thankfully, that doesn’t turn out to be.

Sohla Marathi movie

This is simply because of the aforementioned major incident in Pashya’s life that comes all of a sudden. This event complete changes the course of the film and makes it an emotional affair. This period tests the acting skills of Devdatta Ghone and he comes out with flying colours. Such an emotional character can be a daunting task for any kid but he doesn’t disappoint one bit. He is especially good in the climax.  

However, the twist also ensures that you can easily predict the entire film, including the end. But the bigger issue here is that the film, on some occasions, tries too hard to make you feel sad for the characters.

It is also not clear in which year the film is based. No character is shown using even a non-smart mobile phone. Ramdas uses an old-fashioned radio while Pashya is shown crazy for Tere Naam (2004). This makes you feel that the film might be based in the mid-2000s. But much later, there are references of Bajrangi Bhaijaan and Tubelight, which released in 2015 and 2017 respectively. Also, the price of a kurta for a 13-year-old in a not-so-grand village shop is very expensive at Rs. 6000 even for a city like Mumbai in the current era.

The rest of the performances also fall in the positives. Pravin Dalimbkar and Varsha Malwadkar come up with mature and moving acts as the parents of Pashya and Gauri. Vaishnavi Ghodke is appealing as the elder sister of Pashya. The child actors playing his friends do well too. Spanish actress Alessandra Whelan Merediz is likeable as a Russian woman but she overdoes when it comes to smiling.

Overall: Sohla is an emotional coming-of-age saga of a village kid.

Rating: 3 out of 5

Director: Saaikat Bagbaan

Producers: Rose Audiovisuals and Carryon Films

Cast: Devdatta Ghone, Pravin Dalimbkar, Varsha Malwadkar and Vaishnavi Ghodke

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Sohla 2026 Marathi Review, Sohla Marathi Movie Review, Sohla Movie Cast, Sohla Movie Review, Sohla Movie Story, Sohla Review

Drishyam The Conclusion Review

October 3, 2026 by Keyur Seta Leave a Comment

Storyline: Drishyam The Conclusion (unofficially known as Drishyam 3) starts off six months after the previous film Drishyam 2 ends. Vijay Salgaonkar (Ajay Devgn), his wife Nandini (Shriya Saran) and two daughters Anju (Ishita Dutta) and Anu (Mrunal Jadhav) have moved on in their lives in Goa but they are well aware of the impending danger. They know that Meera Deshmukh (Tabu) and her husband Mahesh Deshmukh (Rajat Kapoor) are still vying for justice for their dead son Sameer aka Sam (Rishab Chadha). And that is exactly what the couple is thinking.

SP (Superintendent of Police) Rajveer Singh Tomar (Jaideep Ahlawat) is brought in to reopen the case of Sam’s death. He gets full support from the cop Gaitonde (Kamlesh Sawant), who had to face humiliation along with the Goa police earlier. Tomar lays his hands on something that can nab Vijay and his family. To make matters more difficult for the family, Meera gets the famous and ruthless lawyer Indrajit Shetty (Prakash Raj) onboard to fight the case.

Review: The first two Hindi Drishyam films were proper remakes of the first two original Malayalam films. The third Malayalam film Drishyam 3, however, didn’t turn out to be that impressive. Thankfully, Drishyam The Conclusion is completely different from the third original Malayalam.

Drishyam The Conclusion or Drishyam 3

The second Drishyam, in both the languages, followed a pattern where Vijay and his family are living peacefully but things start getting serious for them once the cops find something to reopen the case. This was followed by a gripping and exciting second half. Drishyam The Conclusion was somewhere expected to follow the same but it doesn’t. Hence, it won’t be wrong to say that Drishyam The Conclusion is hardly a remake and more of an original film.

This time, the film gets moving onto the crime angle right from the start. The narrative doesn’t give any footage to Vijay and his family living about their lives and gets straight onto the business mode. The script keeps you hooked in a natural way without trying anything fancy. The points brought in to reopen Sam’s case are organic and so is the inclusion of the two new characters. The interval block is exciting.

The narrative goes onto another level in the second half with the courtroom scenes keeping you all hooked. The gimmick in the pre-climax and the revelation in the climax is when the film peaks the highest.

The only minus point here is how an admin of a What’s App Group is never traced by the cops. This could have been an important point in the film.

Sudhir K Chaudhary’s camerawork is simple yet effective. Amar Mohile shines once again with the background score, which adds to the thrill. Sandeep Francis’ editing is also on the positive side.  

When it comes to the ensemble cast, Ajay Devgn once again displays his vast talent. He underplays his reactions and speaks a lot with his expressions. Tabu also comes up with a restraint but intense act. Jaideep Ahlawat is highly impressive as a determined SP. Prakash Raj also puts in his right foot forward and provides a mature performance.

Samvedna Suwalka, who plays Vijay’s lawyer Gayatri Mohan, matches up to performers like Prakash Raj, Devgn and others in the courtroom scenes by being natural. Kamlesh Sawant is given more to do this time, going by his popularity. He is entertaining. Shriya Saran, Rajat Kapoor, Ishita Dutta and Mrunal Jadhav chip in with decent supporting acts. Ajeet Singh, as Raghu Nayak, and Ramchandra Singh, as Savio D’Souza, do well too in key supporting roles. Sauabh Shukla is memorable in a cameo.

Overall: Drishyam The Conclusion is fitting and thrilling end to the franchise. It is the best from all the three Hindi films from this series.

Rating: 4 out of 5

Director: Abhishek Pathak

Producers: Panorama Studios and Star Studio18

Writers: Abhishek Pathak, Aamil Keeyan Khan and Parveez Shaikh

Cast: Ajay Devgn, Tabu, Jaideep Ahlawat, Prakash Raj, Shriya Saran, Ishita Dutta, Mrunal Jadhav, Kamlesh Sawant, Rajat Kapoor

Also read: Awarapan 2 review: Emraan Hashmi’s smashing comeback is an engaging crime drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Drishyam 3 Bollywood Review, Drishyam 3 Hindi Review, Drishyam 3 Movie Review, Drishyam 3 Review, Drishyam The Conclusion Movie Review, Drishyam The Conclusion Review

Mirzapur The Movie review: This fan service experiment is a fun watch  

September 5, 2026 by Keyur Seta Leave a Comment

Storyline: Mirzapur The Movie starts off after some time has passed in the first season of the web series. Akhandanand Tripathi aka Kaleen Bhaiya (Pankaj Tripathi) is the king of Mirzapur’s underworld. His son Munna (Divyenndu) is feared more because of his lineage. Kaleen Bhaiya doesn’t trust his son because of his short temper and immaturity. He is more impressed by Guddu Bhaiya (Ali Fazal) and Bablu (Jitendra Kumar), two brothers working for his empire with dedication.

Guddu and Bablu’s father (Rajesh Tailang) is embarrassed to see his sons working for an underworld don. However, their mother (Sheeba Chadha) thinks the opposite since the two are able to earn big bucks in quick time, even if the means are illegal.

Kaleen Bhaiya’s empire and Mirzapur ki gaddi gets threatened when the Jaisalmer-based businessman-cum-gangster Babban Yadav (Ravi Kishan) offers to make a deal with him involving large quantity of drugs.

Review: As the film is based at a point after some part of the first season of the web series is done, it is advisable to be aware about the characters and their background. The film is more like a fan service for those who are well-versed with the characters and the universe of Mirzapur.

Mirzapur The Movie

Making a theatrical movie from a web series, which is already three seasons old, is not an easy task for a writer. But Puneet Krishna overcomes this challenge. Mirzapur The Movie doesn’t follow a story structure of a web show at all. The tale completely suits the nature of a feature film with a proper beginning, middle and end. What works the most is that the basic tale of power struggle is quite simple and it doesn’t delve too much into sub-plots like a long format.

Puneet’s screenplay and dialogues and Gurmmeet Singh’s direction also takes note of a theatrical medium. Hence, the masala entertainment quotient is found over here more than in the web series, along with some creative liberties. Sanjay Kapoor’s cinematography also plays its role in increasing the scale of the film to suit the medium.

From the flipsides, the length of 197 minutes could have been shortened. This is felt more in the second half, especially during a sequence that gives rise to a car race between two characters, which could have been avoided. Also, one fight scene after the main battle is over is questionable. The film’s final outcome is also predictable since you know that it is based in season one, so those who are present in Season 2 can’t die here.

The performances are as impressive as in the three web seasons. Pankaj Tripathi once again shines as the head of Mirzapur who uses his head (both metaphorically and literally) to convey things at times. Ali Fazal is also impressive as Guddu as he gets to do more heroic stuff this time. Divyenndu also puts his right foot forward. Jitendra Kumar, the new entrant, plays a mature character sincerely. Ravi Kishan provides an entertaining act as another debutant in the universe.

Rasika Dugal is again effective as the cunning wife of Kaleen Bhaiya. Shriya Pilgaonkar, Shweta Tripathi and Harshita Shekhar Gaur don’t get much screen time and are decent. Pramod Pathak, Rajesh Tailang, Sheeba Chadha, Sushant Singh, Satendra Soni (Chandu Puncture), Mohitt Maalik, Abhishek Banerjee, Kulbhushan Kharbanda, Anangsha Biswas and others lend able support.

Overall: Mirzapur The Movie is an effective masala feature film, despite being made from a web series.

Rating: 3.5 out of 5

Director: Gurmmeet Singh

Producers: Excel Entertainment

Writer: Puneet Krishna

Cast: Pankaj Tripathi, Ali Fazal, Jitendra Kumar, Ravi Kishan, Rasika Dugal and others

Also read: Awarapan 2 review: Emraan Hashmi’s smashing comeback is an engaging crime drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Mirzapur The Movie Film Review, Mirzapur The Movie Movie Review, Mirzapur The Movie Rating, Mirzapur The Movie Review, Mirzapur The Movie Spoilers, Mirzapur The Movie Story

He almost took 5 wickets in 5 balls and scored a 100 in the same match against India!

August 23, 2026 by Keyur Seta 2 Comments

India’s match against Hampshire during their 1996 tour of England was expected to be just another practice match. Not very few but, maybe, nobody would have guessed that this game would become special for a player’s achievement that was the first of its kind in world cricket.

Hampshire all-rounder Kevan James, who was a part of the playing 11, was at the end of his career at the age of 35. He was just happy to get a chance to play against an international team that included the then young sensation Sachin Tendulkar.

Rare bowling feat

India batted first and the openers Ajay Jadeja and Vikram Rathore added 192 runs before the former was out. James took his wicket by getting him caught in the slips. In a 2020 interview The Cricketer, James said that their captain John Stephenson gave him the ball without much hopes; only because he hadn’t bowled in the innings. After getting Jadeja’s wicket, he felt he, at least, had something to show.

But James had no idea what was next in store for him. Later in the innings, he had Rathore stumped off the wicketkeeper Adrian Aymes, who was standing up. As the 2nd wicket had fallen, in came Sachin Tendulkar.

The crowd was anticipating fireworks from the Little Master. The Hampshire captain kept a forward short leg, again, without much hope. But guess what? Tendulkar had an inside edge off the first ball he faced and he was caught at short leg! James had 2 in 2! In the same interview, James recalled the moment and said, “We were laughing out in the middle because we realised we had spoiled everybody’s day.”

Kevan James picking 4 wickets in 4 balls against India

On the hat-trick ball, Rahul Dravid, who had walked in next, got hit on the pads off a ball that swung a little. James gave his everything in the appeal and the umpire raised his finger. He had a hat-trick! James said in the same interview, “It was really weird. I’d never taken one before at any level – not club, not schools, nothing – and I was coming to the end of my career and I’d done it on the most unlikely day.”

But just when James thought he had achieved something he never thought of, he got four wickets in four balls as the new batsman Sanjay Manjrekar was caught in the slips! Getting 4 in 4 is rare! After the over, James went onto the third man boundary for fielding and a crew from a radio station had a word with him. “They asked me if I’d ever got a hat-trick before and I said, ‘No, I’ve never bowled three balls straight in a row before’,” said James in the same interview. What he said made it to the Telegraph’s sporting quotes of the week.

The next batsman Sourav Ganguly scored an unbeaten 100. Anil Kumble, who came in at 5 down, remained not out on 59. India declared their innings at 362 for 5.

There was more to come for James

James must have thought that he had over-achieved for the match, but there was more to come as he walked into bat for Hampshire at number 4 when they were 45 for 2. He kept on batting confidently and reached the score of 92 when he realized that he is on the verge of creating history after Paul Terry, the batsman at the other hand told him. This made James nervous.

“It was the worst thing he could have said. I suddenly thought, ‘Oh s*** he’s right, bloody hell… a hundred!’ My next eight runs took about an hour. I was almost scared to play a shot,” recalled James in the interview. He somehow got to the three figure mark and became the first cricketer in first-class history to take 4 wickets in 4 balls and score a century in the same match.

But there was no way Kevan James was going to get a chance to play for England. As mentioned before, he was at the end of his career at the age of 35.

As far as the result of the match is concerned, Hampshire scored 458 for 9 in their innings and the game ended in a draw.

Wait a minute… He could have had 5 in 5 balls!

What not many people know is that after taking 4 wickets in 4 balls, James could have achieved a crazy feat of taking 5 wickets in 5 balls. When Ganguly walked into bat after India lost 4 wickets in 4 balls, he edged the ball, it went in the air for some time but the fielder Paul Whitaker couldn’t hang onto it for it was too tough.

Recalling that moment, James said in the same interview with The Cricketer, “To be fair, it was quite difficult. If he’d have hung onto it, it would have been one of the catches of the season. But it was a catch. He dived and I think he got his fingertips to it.” In case the catch would have been taken, James’ feat of taking 5 wickets in 5 balls and scoring a century in the same match would have been difficult to put in words.

Kevan James celebrating 4 wickets in 4 balls against India
Kevan James celebrating 4 wickets in 4 balls. The only picture available from the match. (Photo source: ESPNCricinfo)

Sourav Ganguly remembering the feat years later

After retiring from first-class cricket, Kevan James started working with BBC as a sports journalist. In 2004, during a press conference for that year’s Champion’s Trophy, Kevan James introduced himself before asking a question to Ganguly. As soon as the Indian captain heard his name, he straightaway asked, “Kevan James? Four in four?”

James recalled in the interview, “I was so chuffed that he remembered all that time afterwards, and I told him that after the press conference. He said: ‘Of course I remember something like that’. I told him that he probably didn’t remember me having him dropped at deep-ish gully the very next ball and he said, ‘No it wasn’t, it was cover’. The fact that he could remember… I thought ‘Wow’.” Read Kevan James’ full interview with The Cricketer HERE.

Shaun Pollock achieved the same bowling feat in the same county season

Interestingly, South Africa’s Shaun Pollock had picked up 4 wickets in 4 balls for Warwickshire against Leicestershire in a county ODI just two months ago on April 26, 1996 at Edgbaston. It was crazy to see two instances of a bowler taking 4 wickets in 4 balls in the same county season!

Also read: When 2 instances of bowler picking 4 wickets in 4 balls happened in a single English season

Filed Under: Cricket, Forgotten Moments Tagged With: Hampshire vs India 1996, Kevan James, Kevan James 1996, Kevan James 4 wickets 4 balls, Kevan James Hampshire, Kevan James vs India

Batwara 1947 review: Decent Partition saga aimed to please Sunny Deol fans

August 19, 2026 by Keyur Seta 2 Comments

Storyline: Batwara 1947 is adapted from Asghar Wajahat’s classic Hindustani play Jis Lahore Nahin Dekhya. Sikandar Mirza (Sunny Deol) is a middle-aged businessman from Meerut, living with his wife Hamida (Preity G Zinta), son Javed (Karan Deol) and daughter Tanno (Khhushi Hajare). On the eve of India’s Independence on August 14, 1947, he is delighted to see the country finally getting free from the clutches of the British.

However, Sikandar and his family’s joy is short-lived as communal riots start spreading in different parts of the country, including Meerut. Hence, Muslims are being forced to migrate to the newly-formed Pakistan. Sikandar doesn’t agree with the idea of migrating across the border since he is a true patriot. But as things start getting worse, he and his family are forced to migrate to Lahore, Pakistan via train.

After spending a few months in the refugee camp in Lahore, Sikandar’s family finally gets an accommodation in a large mansion called Durga Niwas. But as soon as they enter the place, they realize that an elderly lady Mai (Shabana Azmi) is already staying in it. She refuses to move out of the house as it belonged to her and her family before the Partition. What happens next forms the rest of the film.

Review: The first thing that you notice in Batwara 1947 is Subrata Chakraborty and Amit Ray’s rich production design that instantly transports you to the bygone era. The recreation of old Lahore is the most striking part about their work.

Batwara 1947

Batwara 1947 is much different than Jis Lahore Nahin Dekhya. The character of the old lady is the main protagonist in the play. But the character of Sikandar takes center-stage in the movie. You still somehow are okay with it since the character of Mai is still given a lot of prominence.

But the issue is that the makers have tried very hard to please Sunny Deol’s fans by including a number of fight sequences at regular intervals. Plus, some action scenes are so over-the-top that you wonder how they got approved in a film of this nature. On the other hand, the same character in the play is just like a regular common man.

Having said that, Batwara 1947 also has its moments. It is heartening to see the message of humanity being spread through a story that is quite bold in terms of mainstream Hindi cinema’s standards. The bond between the Mirza family and Mai is quite heartwarming.

But when it comes to boldness, the play does it better with the characters of the poet and the Maulvi. Although both characters are present here, what they preach isn’t as hard-hitting and daring as seen in the play.

However, Batwara 1947 kind of redeems itself in the final moments. The film ends with a powerful message on humanity which is given purely through the use of heartwarming visuals instead of preachy dialogues.

Most of the performances fall in the positive. Sunny Deol does what he knows the best, which is mouthing powerful dialogues and bashing up people. One has to admit that only he could have given justice to a character like this. But Shabana Azmi is the scene-stealer. Her performance as Mai is sure to move hearts. Her portrayal is quite different than what Preeta Mathur did in the play. Preity G Zinta puts up a good act in her comeback role.

Abhimanyu Singh, as the baddie Yakub Khan, is decent. The issue is that his character is one-dimensional. The play sees the character of Sikandar’s daughter become an important reason behind the bonding between the family and Mai. But here, Khhushi Hajare’s character isn’t given much importance. Her act isn’t bad though. Karan Deol struggles to act yet again. This is particularly felt in a scene that is supposed to be heart-wrenching, but he makes it appear flat. Ali Fazal is likeable as the large-hearted poet. But the sub-plot of his love angle wasn’t required.

Overall: Batwara 1947 is a decent Partition drama aimed more towards Sunny Deol fans. The film is largely saved by the climax. It has a chance of appealing more to those who haven’t seen Jis Lahore Nahin Dekhya.

Rating: 3 out of 5

Director: Rajkumar Santoshi

Producer: Aamir Khan Productions

Writers: Asghar Wajahat and Rajkumar Santoshi

Cast: Sunny Deol, Shabana Azmi, Preity Zinta, Abhimanyu Singh, Karan Deol, Khhushi Hajare

Also read: Awarapan 2 review: Emraan Hashmi’s smashing comeback is an engaging crime drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Batwara 1947 Film Review, Batwara 1947 Movie Review, Batwara 1947 Original Play, Batwara 1947 Rating, Batwara 1947 Review, Batwara 1947 Story, Jis Lahore Nahin Dekhya

Awarapan 2 review: Emraan Hashmi’s smashing comeback is an engaging crime drama

August 15, 2026 by Keyur Seta 3 Comments

Storyline: Awarapan 2 is a continuation of Awarapan (2007). Shivam Pandit (Emraan Hashmi) is miraculously saved despite being shot several times after the end of the first film. The second movie continues years later when he is doing an odd job in a town in Rajasthan. He is still mourning the death of Aaliyah (Shriya Saran), who he dearly loved and regularly visits her grave.

Once during the ritual, Shivam finds an abandoned infant at the graveyard. He hands the girl over to his well-wisher who is running an orphanage. He names the girl Aaliyah. Years later after Aaliyah grows up, a family adopts her. However, it is soon found out that she has been abducted by child traffickers and sent to Bangkok. Shivam is pained after knowing this and decides to visit Bangkok right away to rescue her and other children.

Review: The first Awarapan was more of an emotional affair and had limited action scenes. But the trailer of Awarapan 2 contained only brutal fight scenes. This made one wonder if the film will follow the recent trend of violent action films.

However, Awarapan 2 turns out to be way different from its trailer.

The movie wastes no time in unleashing the nostalgic factor for the fans of Awarapan. If you are one of those who is smitten by the 2007 movie, chances are that you will be glued to Awarapan 2 right from the start. Vishnu Rao’s cinematography is particularly noteworthy during this part.

The screenplay gradually goes onto the crime thriller mode once the story takes the turn and the protagonist goes onto his mission. The film then becomes an out-and-out crime action drama with the nostalgia factor remaining very much there.

The idea of the main hero infiltrating an underworld gang abroad instantly reminds you of the Dhurandhar series. Of course, there have been plenty of films where a good guy becomes a mole in a gang. But since the Ranveer Singh starrer is recent, it instantly pops up in your mind. But thankfully, the common factor ends here.

Although Awarapan 2 has emotions to its core (just like its predecessor), this one is more into the masala action zone, especially in the second half. The film throws in a bunch of new and interesting characters, especially Zorawar (Puran Gabbi), and some twists to keep the interest going.

The only issue here is that in the last 30 minutes, the proceedings become quite filmi with things happening at convenience for the protagonist on a few occasions. This is felt the most when the Buddhist monks arrive out of nowhere. But a couple of whistle-worthy moments in the end turn out to be the saving grace.  

Awarapan 2 is also a rare film in today’s times where almost all the songs appear impressive. Along with the reprised versions of ‘Toh Phir Aao’ and ‘Tera Mera Rishta Purana’, the new tracks too sound impressive.  

Coming to the performances, it’s an Emraan Hashmi show. The actor not only lives up to the expectations of playing Shivam Pandit once again convincingly, he also lights up the scene every time he appears. In fact, he even makes Shivam Pandit’s melancholy appear endearing in a way only he can.

Despite Emraan’s presence, Puran Gabbi makes his presence felt and how! He is convincing and highly confident as the bad beast Zorawar. Shabana Azmi displays her talent yet again, despite limited screen time. Disha Patani fares better than usual. Aniruddh Rawal is also praiseworthy as a man suffering from Autism. Child actor Myrah Shivan gives a fine act. Atul Kumar, Suvinder and Vijayant Kohli provide able support. Shriya Saran’s cameo is appealing and it arrives at an important moment in the film.

Overall: Awarapan 2 is an interesting crime thriller with the right dose of emotions and Emraan Hashmi at his best. Nitin Kakkar succeeds in the difficult test of directing the sequel of a cult film.

Rating: 3.5 out of 5

Director: Nitin Kakkar

Producers: Vishesh Films

Writers: Vishesh Bhatt, Bilal Siddiqi and Sanjay Masoom (additional dialogues)

Cast: Emraan Hashmi, Puran Gabbi, Disha Patani, Shabana Azmi, Suvinder Vicky, Aniruddh Rawal, Myrah Shivan

Also read: Ikka review: Sunny Deol and Akshaye Khanna starrer is a one-time watch courtroom drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Awarapan 2 Emraan Hashmi, Awarapan 2 Film Review, Awarapan 2 Movie Review, Awarapan 2 Rating, Awarapan 2 Review, Awarapan 2 Spoilers, Awarapan 2 Story

Maaran review: Hard-hitting saga on flesh trade and society’s victim-shaming tendency

August 11, 2026 by Keyur Seta 4 Comments

Storyline: Maaran, which is a Gujarati film, is based on the illegal business of flesh trade. The story takes place in a fictitious village called Vaadi. Supplying girls is the main business for Ratan (Yash Soni) but he keeps it in the shadows. For the world, he works as a security guard in a posh tower in the city outside the village. Ratan lives with Birwa (Deeksha Joshi), who he had abducted five years ago. The girl’s younger sister Purva (Tarjani Bhadla) has been searching relentlessly for her.

Ratan and Birwa’s life goes through some change when the former’s friend and acquaintance Babu (Shruhad Goswami) abducts Urmi (Prachi Thaker), who turns out to be a tough girl. Meanwhile, Ratan eyes Tara (Druma Mehta), who stays in the tower he works at, as his next target.

Review: Maaran throws light on the horrific social reality of India about lakhs of girls going missing in the last few years after being abducted and taken into flesh trade. The film instantly gets you involved in the murky and dark world of Vaadi in a bold manner.

You do get surprised seeing Birwa live in with Ratan at the start despite being kidnapped by the latter. But this aspect is explained later and it is quite convincing. However, Urmi not being disturbed and traumatized despite being kidnapped recently is difficult to believe.

Maaran Gujarati movie

The film scores while showing a parallel track of a woman even from a wealthy family being in danger of being dragged into the flesh trade. The screenplay finely mixes the various tracks and is brisk in pace.

The only other point of concern is that they could have gone into some details on how this entire illegal business works. This would have made the viewers more familiar with the subject.

The characters of Ratan and Babu are not portrayed as typical negative characters despite them being important cogs in the wheel of the flesh trade. Somehow, some light is thrown on their human side without making them subjects of sympathy.

The large amount of credit for this also goes to Yash Soni and Suhrad Goswami. Yash has an image of a good boy. He sheds that identity here and how! He is thoroughly convincing as the rough and evil Ratan. Suhrad has also derived a divine image of Lord Krishna after Laalo – Krishna Sada Sahayate. He too comes out of it and provides a believable act as a ruffian immersed in flesh trade. But at the same time, both actors also subtly switch over to their human side.

The film also equally belongs to Deeksha Joshi who comes up with an award winning act. Her character goes through various emotions and moods and she fulfils each challenge with ease. She is particularly heart-breaking in the pre-climax and climax. Prachi Thaker suits the character of Urmi. Trajani Bhadla’s performance grows with the film. Druma Mehta is perfectly cast as the sophisticated lady.

The technicalities also rise on the occasion in the form of the cinematography (Pratik Parmar), editing (Omkar Nilange, Harsh Anandani and Devarshi Barot) and music (Aalap-Parth).

But Maaran is much deeper than just a film about a heinous crime against women. It also brings forth the stigma attached to the girls who have been rescued from flesh trade to such an extent that their own families refuse to accept them even after they are rescued. The tag of being ‘impure’ attached to them is a deep result of patriarchy. This victim-blaming and victim-shaming makes you wonder if these families are as guilty as the perpetrators of the flesh trade.

Overall: Maaran is a hard-hitting saga on flesh trade and the society’s tendency to shame the victims.

Rating: 3.5 out of 5

Director: Abhishek Jain

Producers: CineMan Productions

Writers: Divya Thakore

Cast: Yash Soni, Deeksha Joshi, Shruhad Goswami, Prachi Thaker, Tarjani Bhadla, Druma Mehta

Also read: Ikka review: Sunny Deol and Akshaye Khanna starrer is a one-time watch courtroom drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Regional cinema Tagged With: Gujarati Movie Review, Maaran Film Review, Maaran Gujarati Movie Review, Maaran Gujarati Review, Maaran Movie Review, Maaran Yash Soni

Time River review: Moving tribute to the village folk artistes of Gourbazar

August 2, 2026 by Keyur Seta Leave a Comment

Music is an integral part of Indian culture. Hence, musicians are spread throughout the length and breadth of the country. A lot of them have become a part of the popular culture after showcasing their art through films, musical performances, reality shows and, in recent times, social media reels.

But there are countless musicians who are excellent practitioners of their respective art but remain unknown to the masses. These are the folk artistes found in plenty of villages in the country. Filmmaker Debjani Banerjee’s documentary Time River is a moving tribute to one such community of folk artistes.  

The film focuses on Uttam Das and other folk and baul singers of Gourbazar village in Paschim Bardhaman district in West Bengal. The film is a glimpse into their world as they peacefully live their lives while practicing their art, mostly based on God and His philosophy.

Time River documentary

Time River doesn’t follow the conventional method of storytelling seen in documentaries where a voiceover narrates the subject along with the use of text. Instead, Banerjee simply uses the audiovisual medium to establish her subject and lets it unfold naturally. The method works very well as one is transported to Gourbazar in the initial few minutes itself. The portrayal of nature plays a major role in it.

Uttam Das and his co-artistes’ narration of their lives and work appears honest and without any pretense. It becomes quite clear that there wasn’t any script and they were made to speak as they wished.

As Uttam Das and others are folk artistes, it was vital for their song performances to be top-notch. The performances are sure to move you even if you don’t understand the language and rely only on subtitles (like this reviewer did).

Time River documentary poster

The film also excels when it comes to the technical aspects like the cinematography (Subal KR), editing (Banerjee and Subal) and sound designing (Dibakar Saha and Archisman Mukherjee).

Time River also subtly touches upon the issue of the village’s natural resources being in danger of being destroyed in the name of ‘development’.

It is not possible to find a major negative point in the film. The only aspect that could also have been covered is how Uttam Das and other folk artistes are managing their lives financially.

Overall: Time River is a moving tribute to the village folk artistes of Gourbazar.

Rating: 4.5 out of 5

Director: Debjani Banerjee  

Producers: Debjani Banerjee, Subal KR and D Banerjee

Also read: Duet review: Sidhant Gupta excels in this artistic glimpse into a man’s grief-stricken world

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Documentaries Tagged With: Baul Artist, Debjani Banerjee, Time River Bengali Documentary, Time River Bengali Movie, Time River Documentary Review, Time River Movie Review, Time River Review, Uttam Das

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