Story: Ti Sadhya Kay Karte starts off in the 1990s in Mumbai. Anurag aka Anya (Hruditya Rajwade), during his school days, falls in love with Tanvi (Nirmohi Agnihotri) at first sight. They grow up together as best friends.
When they (Abhinay Berde and Aarya Ambekar) reach college, Anya is certain that he still loves Tanvi but is not complete sure. Years later when Anya turns middle-aged (as Ankush Chaudhari), he attends their college reunion and wonders where Tanvi (Tejashri Pradhan) is.
Review: A large portion of the first half of Ti Sadhya Kay Karte makes you feel as if this is yet another Marathi film focusing on childhood romance. There have been many falling in such genre in last 5-6 years with Shala (2012) and Fandry (2014) being the most notable ones.
But you soon realize that is not the case (even if it was you wouldn’t mind because of the treatment). This breezy romantic film is, in fact, the most mature and realistic take on childhood romance and the idea of moving on you will see in a long time.
- Ti Sadhya Kay Karte is blessed with a terrific screenplay. Manaswini L R has used a fine mixture of fast pace and flashback. She is clear as to how much to reveal and when. To narrate a story in three time zones is not easy at all.
- She is also responsible for some creatively funny dialogues and scores high even during the emotional ones in the end. In fact, dialogues have a lion’s share in the overall result. The Orange flavor Glucon D idea deserves special mention.
- Rajwade is known for handling love stories intelligently. He handles this difficult subject with ease.
- It is mandatory for the music to be of high quality in such love stories. The songs over here fit the situation and are melodious too.
- The casting and the performances sum up a high quality product. Ankush Chaudhari gets different dimensions of his character right. He lives up to the task completely. Tejashri Pradhan doesn’t have that much screen time but she is highly impactful through a thoroughly skillful performance.
Debutant Abhinay Berde (son of Laxmikant Berde) shows confident acting skills. Singer Aarya Ambekar makes her acting debut. After this delithful performance, she is sure to get more acting offers. Hruditya Rajwade and Nirmohi Agnihotri too are obedient and lovable.
- There is one flaw about the separation of the lead characters and few others in the course of the narration.
- The runtime could have been little bit on the lower side with this storyline.
Overall: Ti Sadhya Kay Karte is a feel-good and moving romantic tale. The film is sure to start the New Year for Marathi cinema on a positive note at the box-office.
Review by: Keyur Seta
Director: Satish Rajwade
Producers: Zee Studios and Pallavi Rajwade
Writers: Manaswini L R and Satish Rajwade
Cast: Ankush Chaudhari, Tejashri Pradhan, Abhinay Berde, Aarya Ambekar, Hruditya Rajwade and Nirmohi Agnihotri
Music: Nilesh Mohrir, Avinash-Vishwjeet and Mandar Aapte
Runtime: 127 minutes
Today, Om Puri reminded us the law of nature. The great artist passed away at his residence in Mumbai following a massive cardiac arrest. He was one artist for whom the word ‘irreplaceable’ can be used. Below is an old interview of his that I took for the annual 2014 issue of Trade Guide magazine. It is been posted with due permission of the publication.
A name like Om Puri doesn’t need any formal introduction. By going strong in the field of acting for 40 years, he is easily one of the finest acting talents the country has seen. For the special annual issue of Trade Guide, the veteran artist gets candid exclusively with Keyur Seta over his career and the recently concluded year.
You have done art-house cinema as well as hardcore commercial cinema. Which of the two genres makes you more proud?
To be honest, I am proud of both types of cinemas. Art-house cinema gave me recognition, credibility and honor as a good actor. Because of these films, I was able to travel all over the world by participating in film festivals. It also gave me two National Awards and other awards. But unfortunately, art cinema didn’t have much money. So, commercial cinema provided me with livelihood. I am having a decent living because of commercial cinema. Hence, I am grateful to both types of cinemas. But without art films, commercial cinema wouldn’t have recognized me at all. I didn’t have the type of personality commercial cinema needs. They would have considered me as one of the junior artists.
How would you describe your more than three decade long journey in Hindi cinema?
I am quite happy with my career to be honest. I have not only made a mark in art-house cinema but have also been a part of commercial cinema. Plus, I am also a known name in the west. So surely I am quite happy. But unfortunately, our cinema doesn’t have much material for elderly actors unlike the west. They have a lot of subjects where elderly actors are the main leads.
You started off by getting a job at a theatre group when you were very young. At that time, did you ever imagine that one day you will be counted as one of the finest actors?
No, I never thought that. I just kept working hard with sincerity and honestly and didn’t think about anything. I was focused.
Naseer sahab (Naseeruddin Shah) has been your companion all through your acting journey.
He has a huge contribution in making me a better actor, knowingly or unknowingly. He was the one who inspired me enroll at the Film and Television Institute of India (FTII) in Pune. As I had no money to study at FTII, he told me, beg, borrow or steal but come here. He said there is no future in Delhi. So I will always be grateful to him. We have been friends since almost 44 years now.
How was the year 2014 for Hindi cinema according to you?
To be honest, I don’t think the year was too exciting. I also feel that we have too many urban films made these days whereas a large chunk of our population stays in villages. Films about village and its issues are very rarely made. In fact, they are not made anymore.
A lot of unconventional films are tried in mainstream Hindi cinema nowadays.
Yes, there are filmmakers who are making good meaningful cinema. I am not denying that. There are a number of such filmmakers like Dibakar Banerjee and Anurag Kashyap who make films with good content.
What are your expectations from our films in 2015?
Firstly, I don’t agree that films are just meant purely for entertainment. It is such a powerful medium that it can participate in educating the society. It has the ability to inspire people and create values. Today a lot of youngsters are into drugs and all such notorious activities. So cinema can play a role in it. I am not saying there shouldn’t be entertainment. But entertainment should have some weight. JAANE BHI DO YAARO was entertaining but it also carried a message. So along with entertaining films, there should be some serious films, which aren’t biased and prejudiced. One such film was OH MY GOD.
These days, 100 crore club is becoming smaller as 200 or 300 crore is considered the ultimate achievement.
There is no end to it. It is purely commerce and business. It is sad that cinema is only being treated as business. I can understand that there is a big investment. Of course, whoever spends money on a film should get the returns. But a person recovering 10, 20 or 50 times the money spent is a bit ridiculous. Why don’t you make more films? For example, instead of raising the price of one toy, why can’t I make 15-20 toys and keep making money?
But this was started in 50s itself. Initially, artists from various fields of theatre migrated to cinema. Once cinema established itself as a fruitful business, it attracted businessmen, who had no creative affiliation or background. They were purely businessmen, who started dictating terms for making films successful. Otherwise, that era was known for producing meaningful films by people like Bimal Roy, Gurudutt, V Shantaram, etc.
Do you think the current audience is more willing to watch off beat films as compared to 10 or 20 years ago?
There is nothing like that. It is just that off beat cinema should not be boring; it should be interesting. You can either write an essay or a short story. People aren’t interested in essays unless you are a literary person. But people like reading stories because it interests them. Very few people read editorials in newspapers; they like reading headlines and news. So you should not treat cinema as an editorial. ARDHA SATYA and AAKROSH didn’t have songs but they were successful films. The same was the case with films like KANOON and ITTEFAQ. When I was a student, I saw OONCHE LOG and I liked it although it didn’t have songs.
Any actor you haven’t work with yet but are eager to work?
I am ready to work with anyone. I would like to work with someone who is better than me because that will enable me to give my best.
Dangal's dialogues play a large role in making the Nitesh Tiwari written and directed film so impactful. Of course, one can’t deny the enormous contribution of the screenplay, direction and performances, especially Aamir Khan. But the smart and witty dialogues surely lift the film further.
Here are 10 best dialogues (lyrics) from Dangal:
- Tu ek saal seene pe patthar rakh de. Agar kamyab na hua, toh main poori jindagi seene pe patthar rakh doonga.
(Translation: You bear it for a year. If I don’t succeed, I will bear for the rest of my life.)
- Pahalwan ke khoon mein kushti hove hain.
(Translation: Wrestling is inside the blood of a wrestler.)
(Translation: People won’t be bothered if you win a medal. But they will surely criticize you if you lose.)
- Mhari chhoriyan chhoron se kum hain ke?
(Translation: Are my daughters less then sons?)
- Gold toh gold hota hain. Chhora laave ya chhori.
(Translation: A gold medal is a gold medal, irrespective of whether it is won by a boy or a girl.)
- Jyada dil chhota na kar. Tu national level ke pahalwan se hara hai.
(Translation: Don’t worry. You have lost to a national level champion.)
- Geeta ko kyun chhore dekhne aavenge? Woh khud chhore dekhne javegi.
(Translation: Why will boys come to see Geeta for marriage? She will go to see them.)
- Thara bapu thare baare mein soche toh hai.
(Translation: At least your father is thinking about you.)
- Agar silver jeeti, toh aaj nahin toh kal log tanne bhool jaavenge. Gold jeeti toh misaal banjavegi. Aur misaale dee jaati hai beta, bhooli nahin jaati.
(Translation: If you win a silver, people will eventually forget you. If you win a gold, you will become an example. And examples are set, not forgotten.)
- Thari ladaai har us insaan se hain jo maane hain ki chhoriyon ka kaam sirf chokha dhaani karna hain.
(Translation: Your match is against all those who feel girls are only meant to do household chores.)
Sports films have become an overdose in mainstream Hindi cinema. But Nitesh Tiwari’s Dangal won’t let you think about this statistic for two reasons. It is not just the best sports underdog film but also one of the best films to have come out from our part of the world.
Dangal is a real life account of India’s wrestler Mahavir Singh Phogat’s efforts to make his daughters, Geeta Phogat and Babita Phogat champions in the sport. As a young man, Mahavir (Aamir Khan) couldn’t fulfill his dream of winning Gold Medal for India due to his family condition. So, he goes on a mission to make sure his upcoming son will bring India glory.
However, he is blessed (or in this case, cursed) with not one but four daughters. This shatters him as he believes only a son can win Gold in wrestling. But one day he realizes that two of his daughters, Geeta and Babita (Zaira Wasim and Suhani Bhatnagar who grow up as Fatima Sana Shaikh and Sanya Malhotra) also have wrestling in their blood. Mahavir’s hopes re-emerge.
Although Dangal is a biopic, the makers honestly confess at the start that a lot of aspects have been fictionalized, including some characters. This might disappoint some but it won’t matter to you once the film begins. Dangal is an ideal example of an intelligent screenplay, mature dialogues and masterful presentation. The combination produces one memorable sequence after another. And like every intelligent film, at a lot of places it says a lot without saying much. Also, in a lot of places, serious situations are presented humorously.
The film does have few logical errors here and there but the huge number of positive points makes sure you don’t get affected. Even Tiwari has done well in covering them up intelligently. But there comes one moment at the end which is too fictionalized. However, the incredible effect it produces in the end transforms it into a masterstroke.
In fact, in my opinion, it is the one of the most overwhelming climaxes. A lot of people, if not all, who are against the playing of National Anthems during movies would happily rise up when it is played in this film.
It is difficult to jot down the best moments, apart from the climax. The one that stands out is when Mahavir explains to Geeta that her fight is not against the opponent but with all those who believe girls should only be restricted to household chores. The entire gist of the film explained so simply.
The film’s technical department matches up to the content and even enhances it. Cinematographer Sethu Sriram has a long body of work including Tere Naam (2003), Wanted (2009) and OMG – Oh My God (2012). But with his fine work here, he has arrived.
The background score is minimal which is a smart move. There are no loud sounds during wrestling scenes to make them forcefully appealing, which a lot of films are guilty of. In fact, there is no background score on most occasions and rightfully so.
Pritam’s music and Amitabh Bhattacharya’s lyrics add plenty of effect. The songs take the story forward and are not treated merely as songs.
Lastly, the film reaches this level because of Aamir Khan. He once again proves he is one of the few greatest artists from India. And with this performance, he shows he is the powerhouse of dedication. But it is not merely an Aamir Khan film. Fatima Sana Shaikh and Sanya Malhotra make enormous use of the opportunity and manage to match-up to Aamir, which is no small achievement.
Zaira Wasim and Suhani Bhatnagar, who play their younger versions, stay etched in your memory their limited screen time. Sakshi Tanwar should do more films. She provides a fine act as Mahavir’s wife. Girish Kulkarni is a phenomenal performer and he shows it with his act as the coach. Aparshakti Khurrana, as Geeta and Babita’s cousin, isn’t bad. At times, he is overused to provide humour.
Overall: Dangal is one of the finest films you will see and one of the very few ones with a lot of repeat value.
Box-office prediction: The film has gained a tremendous opening on the first day earning Rs 29-30 crore (as per BoxOfficeIndia.com). With the incredible word-of-mouth, it is sure to rise higher and has a fair chance of being the highest earner of 2016 defeating Sultan. If not that, it is sure to reach the Rs 300 crore mark.
Review by: Keyur Seta
Director: Nitesh Tiwari
Producers: UTV Motion Pictures and Aamir Khan Productions
Writers: Nitesh Tiwari, Piyush Gupta, Shreyas Jain and Nikhil Meharotra
Cast: Aamir Khan, Fatima Sana Shaikh, Sanya Malhotra, Sakshi Tanwar, Zaira Wasim, Suhani Bhatnagar
Runtime: 161 minutes
As soon as Demonetization was enforced on November 8, the first question that struck people was whether this move will help curb the menace of Black Money and corruption, as promised by Prime Minister, Narendra Modi. As I mentioned in my last post (HERE) on the issue, people like me, who have absolutely no knowledge in Economics or Finance, cannot answer this question.
However, you don’t need to be an expert in any subject to understand the extreme suffering experienced by a large number of people in the country. More than a month ago, the question was whether demonetization will succeed. Now, experts are trying to understand the extent at which demonetization will affect the country. In other words, it is a blunder.
Here are 6 reasons why defending demonetisation is like defending the indefensible:-
GPS joke: To support government’s move of introducing Rs 2000 note, news channels like Zee News and Aaj Tak ran programs explaining that the currency contains a chip that can be detected through satellite with the use of GPS technology. However, the news (?) not only turned out to be false but also a joke (watch VIDEO below). You can easily hoard black money in the Rs 2000 currency as well. If banning high value currency like Rs 500 and Rs 1000 can lessen the menace of black money, what exactly is the logic behind introducing Rs 2000 notes?
Instant backfiring: The above point was proven right even before 15 days of the decision. A number of members from the ruling Bharatiya Janata Party (BJP) have been caught with bundles of the new Rs 2000 notes. At the same time, banks are getting limited amounts of the new currency. So, how did your party men laid hands on the new notes in such large numbers? If this is not a scam, what is? (read news HERE and HERE)
Punishing innocents: Instead of affecting black money hoarders, the move has made life hell for people from small towns, villages and those involved in small business that run entirely on cash. Wage workers have been temporarily out of job (read news HERE). You don’t need to be an expert to know that a large section of our population has no bank accounts and there are many villages either without any banks or having banks are faraway places (read news HERE). How can you expect them to leave their daily work and stand in queues for hours?
And sorry, the logic of going cashless doesn’t apply to poor people who live from hand to mouth. Even city dwellers like me have just installed PayTM and that too out of force. Plus even in 2016, there are villages with no access to electricity. So, how on earth do you expect them to buy smart phones and install PayTM? Don’t tell me you had no idea about this despite being the PM of a country.
Justifying death? This is the biggest reason why demonetization has failed. In fact, even if it would have yielded fruitful results (which appears like a dream), it would have still been a failure if more than 50 countrymen (might be more unofficially) got killed in it. Of course, Bhakts have been making inhuman arguments that a large number of people die every day. But these people died after standing in long queues for hours. They were standing in queues only and only because of the decision. They weren’t standing there out of their will or just for fun. There are incidents where people died after not receiving medical attention as the patients’ families didn’t have new currency. How will you justify these deaths even if demonetization turns successful?
Mocking the helpless: Like I said in my previous post on the issue, what has annoyed me the most about this whole episode is the mocking and casual attitude of the PM despite these many deaths. Last month in Japan, he mocked those who are facing problems due to demonetization (see video below). He repeated it later by stating that even beggars have started using PayTM. Seriously? The only justification for this can be that it was his lookalike who spoke these things.
Political parties can party: This is the second biggest fiasco after deaths. Political parties are the ones with most number of black money, which is spent the most during elections. Nobody knows who pays for those 24/7 in-your-face-and-TV advertisement played during elections. Now, these parties have been given further relief to not disclose their funding in old currency. A notification (out of the many) says that they are exempted from scrutiny (read the news HERE). So, if the biggest source of black money isn’t going to face any problem, what exactly is the point of the whole exercise of demonetization?
- By: Keyur Seta
I live in a part of Mumbai (Dadar) which is nothing but concrete jungle. Hence, the mere sight of a mountain or any sort of nature makes me happy. So much so, that even a visit to the nearby hill station, Lonavala gets me excited. Therefore, one can only imagine my feeling when I landed in the picturesque Himalayan region of Dalhousie.
‘Delightful’ is the word. Well, you can add ‘healer’ too. The place delights and heals you, both at the same time. Delights with its amazing view of mountains and valleys. This coupled with the weather heals you externally and internally; the latter is more important for people from urban areas caught in a fast city life.
Have a look at the pictures:
People running the Dalhousie Public School have installed plants on both sides of the roads and that too with such beautiful, colourful stands. The bigger achievement is that there are no miscreants to damage it. This is one thing that comes to the mind of someone from Mumbai, where even a dust bin isn't safe!
Dainkund is a place with beautiful mountains, situation around 13 kilometers from Dalhousie. It has an army cantonment and a Kali Mata Temple, for which one requires to climb 1 kilometers up on a hill.
This steep road leads to Punchpula waterfall, which is close to Dalhousie. The route up the hill is dangerous. Precautionary measures are advised. After climbing up, I felt as if I achieved something. However, the real challenge was going down these huge steps. By the way, the waterfall was just a little stream.
Khajjiar is around an hour's drive away from Dalhousie. The place is known as Mini Switzerland. Going by the scenic beauty of it, the title looks justified. However, a couple of friends who visited the place few months ago witnessed much more greenery than what it was when we visited.
Caught this sight while we were on our way from Amritsar to Dalhousie.
Our vehicle stopped to fill petrol at this place just outside Dalhousie while we were on our way to Macleodganj. The sight instantly brought to my mind the first verse from 'Yun Hi Chala Chal' song from Swades - Dekhun jidhar bhi in rahon mein, Rang pighalte hai nigahon mein, Thandi hawa hai thandi chhaavn hai, Door woh jaane kiska gaon hai...
- By: Keyur Seta
The Demonetisation of Rs 500 and Rs 1000 notes and the introduction of Rs 2000 notes are garnering mixed reactions among the people of India. So, I and a couple of my friends - Padmanabh Subramanian and Ankit Tripathi - came up with this spoof on how the Common Man of Neeraj Pandey's A Wednesday would think of Demonetisation if he is facing problems due to it.
This is it:-
Here are the words of it:
Main woh hoon jo aaj do hazaar ki note se darta hai. Main woh hoon jo ATM jata hai toh uski biwi ko lagta hai jung pe ja raha hai. Pata nahin bachega ya nahin. Har 2 ghante ke baad phone karti hai ki paise mile ki nahin, number aaya ki nahin. Darasal woh yeh jaan na chahti hai ki main zinda hoon ya nahin. Main woh hoon jo chunavi vaadon mein phasta hai. Kabhi jumlo mein.
Kala dhan kisi ka bhi ho, bewajah marta main hi hoon. Bheed toh dekhi hogi na aapne? Bheed mein se koi ek shakal chun lijiye, main woh hoon. I am just a stupid tax payer, wanting to jump ATM queues.
- By: Keyur Seta
No, I am not giving an opinion on whether the Demonetization of Rs 500 and Rs 1000 notes and introduction of Rs 2000 notes is a good move. I have zero understanding of matters related to Money, Finance or Economics. After going through some expert opinions, I am assuming it’s a good move.
This write-up only looks at the situation from a logical and humanitarian point of view. The main aim or reason behind the demonetization exercise is to control the flow of Black Money in the country and to punish those who indulge in keeping undisclosed amount. Apart from this, it is also aimed at stopping the supply of counterfeit notes.
There is a saying, “It is fine if 100 criminals go unpunished, but it is not fine even if a single innocent gets punished.” The scenes taking place in the country since yesterday have made sure that this saying is continuously playing inside my head.
It is completely understandable that one has to face some inconvenience during such operations. I, along with many others, have no problems with it. There is dearth of Rs 100 notes while Rs 500 and Rs 1000 notes are finding no takers. It is okay for us because we have numerous options like online purchase, ATMs, net banking, etc.
However, we seem to have forgotten that a large chunk of Indian population doesn’t have bank accounts, leave alone net banking facility. How do you expect them to survive? As is seen from videos posted on the net, people have broken down as they have no cash for basic necessities. Just have a look at the insanely long queue outside a bank in Surat (below video). Have you ever seen such row of people ever? Are you assuming all of them are corrupt Black Money holders?
Such scenes clearly show that there was no planning whatsoever for an operation as massive as this one. But who is suffering the most due to their blunder? The Common Man, who pays his tax duly and has no black money like many of those millionaires. Know about the plight in detail by clicking HERE.
But I still wouldn’t have written this piece if I hadn’t seen Narendra Modi, the Prime Minister of India, joking and mocking about the scenario during his speech in Japan yesterday. It was a mixture of shock and disgust to see him poke fun at the situation by citing few examples of helpless people. If this isn’t sadistic, what is? (Watch the video below)
That too coming from the PM of a country and that too after knowing about few deaths that took place due to the chaotic process! I guess he realized his folly, so he came up with an emotional speech today. Well played!
If this wasn’t enough, people are comparing the plight of the Common Man with that of our soldiers on the border. These are the same people who are ready to label anyone ‘Anti-national’ at the drop of a hat. So, isn’t using the Indian Army to hide your blunder an anti-national act?
After making innocent taxpayers suffer to this extent (including death), they better make life hell for the corrupt Black Money holders soon. I am sure you know the names. Let’s see when they go to jail.
“It is fine if 100 criminals go unpunished, but it is not fine even if a single innocent gets punished.”
- By: Keyur Seta
By: Keyur Seta
Hospital scenes in movies usually evoke worry and fright. At times, miracle and hope also find their place but only after a few sequences of tension. But Rajesh Mapuskar’s Marathi movie, Ventilator is a huge exception. It is a heartwarming, light-hearted affair despite the fact that it revolves around a patient who is in coma.
Ventilator revolves around Gajanan kaka, a senior citizen who is admitted in the I.C.U due to brain hemorrhage. His nephew Raja (Ashutosh Gowariker), a filmmaker, aborts an important event to be there for him. Gajanan’s son, Prasanna (Jitendra Joshi) is a member of a political party. He has a grudge against his father. Raja too isn’t happy with his dad (Satish Alekar). As the news of Gajanan’s health spreads, his relatives from within and outside city gather in the hospital. What will happen to Gajanan?
In his debut Hindi film, Ferrari Ki Sawari (2012), Mapuskar showed that he is a true protégé of Rajkumar Hirani. He proves it further with Ventilator. The film falls in the same slice-of-life genre that brings laughter with few doses of emotions. However, neither the 2012 film nor this one bears any resemblance with any of Hirani’s films.
Ventilator owes most of its goodness to the writing. To weave sub-plots related to such large number of characters with the basic story while giving proper screen time to each one can is a mammoth achievement. On top of that, the flow is maintained throughout. Apart from the coin episode, none of the incidents seem out of place.
Along with providing entertainment, a lot of underlying questions are brought to the forefront. But instead of speaking them out, the narrative uses subtle techniques of putting forth the points. Although there is plenty of scope for melodrama, Mapuskar had stayed miles away from making it a daily soap affair. The very last frame of the film deserves special mention for its creativity.
But despite these plus points, Ventilator falls short of being much more. The biggest problem here is the length. For a story that revolves only around one setting, 130 minutes is too long. The runtime is felt the most during the pre-climax moments.
As almost the entire film takes place indoors (in a hospital), there wasn’t much scope for the cinematographer, Savita Singh. But she still manages to display her creativity. Coming to Rohan-Rohan's music, the Ganpati song, ‘Ya Re Ya Sare Ya' is heartwarming while 'Baba' is profound.
The film has a huge line-up of actors. The last time this happened in a Marathi movie might be in Amol Palekar’s We Are On – Houn Jaun Dya (2013). [No, I am not indulging in the criminal activity of comparing both the films.] Ashutosh Gowariker suits his character. But his character sketch is very similar to his real self. I didn’t have a problem with that though.
Jitendra Joshi is by far the best of the lot. He brings out various emotions flawlessly. Satish Alekar, as Gowariker’s father, also puts his right foot forward. There is a long list of actors that offer sincere support – Sukanya Kulkarni Mone, Usha Nadkarni, Nikhil Ratnaparkhi, Sulbha Arya, Viju Khote, Achyut Potdar, etc.
Namrata Awate Sambherao gets more than noticed for her excellent portrayal of a cunning lady. Boman Irani is super impactful in a cameo while Priyanka Chopra is decent. The actor who plays an octogenarian is truly adorable!
Overall: Ventilator is a heartwarming, light-hearted family film. It stands a good chance of earning good to decent collections at the box-office.
Rating: * * * ½
Director: Rajesh Mapuskar
Producers: Priyanka Chopra and Madhu Chopra
Writer: Rajesh Mapuskar
Cast: Ashutosh Gowariker, Jitendra Joshi, Satish Alekar, Sukanya Kulkarni Mone, Sulbha Arya, Usha Nadkarni
Release date: November 4, 2016
Runtime: 130 minutes
By: Keyur Seta
Karan Johar’s Ae Dil Hai Mushkil is finally in theaters after facing a lot of mushkils. Without wasting any time, let’s explore the most important question – Does the film live up to the expectations? Well, from the point of view of entertainment, the answer manages to fall in the affirmative. But as far as romance is concerned, it doesn’t. Unfortunately, it is the latter that matters more in such films.
The story takes place in London in today’s era. Ayan (Ranbir Kapoor), an aspiring MBA and a singer at heart, meets the carefree and bold Alize (Anushka Sharma) in a club. An instant bond is developed between them despite there being a huge emotional gap between them. Ayan is in a relationship that is going nowhere while Alize has broken-up with her boyfriend. Sudden twists ensure in their lives, which brings Saba (Aishwarya Rai Bachchan) in the picture.
Ae Dil Hai Mushkil is an engaging fare with a good amount of entertainment factors. The conversations, both serious and light-hearted, keep your interest alive and provide continuous giggles, especially the references of iconic Hindi films. Of course, the typical larger-than-life K Jo elements make the film visually pleasing. So, except few moments in the second half, the duration of 157 minutes isn’t felt much.
The music, by composer Pritam, also works in its favour. The title song, ‘Bulleya,’ and ‘Channa Mereya’ are enjoyable tracks. He has also smartly used the tunes of the songs in the background score. As expected from a pro veteran like Anil Mehta, the camerawork boasts of impressive visuals.
But entertainment is not the most important factor in such genre of films. It is extremely important for the romance part to work well and this is where ADHM lags behind.
See the following points to know more:
- To put it frankly, the film appears more like a lust story than a love story. The process of falling in love, which is crucial for every romantic film, is clearly missing here. Such superficial romance defeats the very purpose of the film, which is the move the audience.
- You don’t feel sympathy for the character of Ranbir, despite his constant sobs. The same goes for Anushka due to her constant confusion and Aishwarya for her questionable antics.
- A week ago at MAMI’s Movie Mela, Johar categorically stated that the film has no kissing and making out scenes and is fit to watch with the family. But this has turned out to be a blatant lie. There is a lusty kissing scene and a couple of making out scenes as well.
Ranbir Kapoor is the biggest plus point here. The actor is back to his winning ways and how! He adds life to the character of Ayan while portraying every emotion with utmost sincerity. His characterisation should also be lauded. His weakness and vulnerability makes him more real and breaks the usual male stereotyping in commercial Hindi films.
Anushka Sharma isn’t behind though. She provides a remarkable act as the bindaas Alize and wins you over time and again. Surprisingly, Aishwarya Rai Bachchan only plays a cameo. She is alright. In another cameo, Fawad Khan impresses with his acting abilities. Shah Rukh Khan too brings in a smile with his special appearance.
Overall: Ae Dil Hai Mushkil is an average fare that could have been much more. The film will earn well in the first long weekend. But it won’t earn the tag of a box-office blockbuster as it doesn’t have mass appeal. The content caters to the urban audience mostly.
Rating: * * 1/2
Director: Karan Johar
Producers: Dharma Productions and Fox Star Studios
Writers: Karan Johar and Niranjan Iyengar
Cast: Ranbir Kapoor, Anushka Sharma, Aishwarya Rai Bachchan, Fawad Khan
Runtime: 157 minutes