The Common Man Speaks

14Jan/180

Spielberg’s ‘The Post’ is a loud reminder of the state of media in India currently

Spoilers alert!

The basic message in Steven Spielberg’s The Post comes right at the end when a character says, “The free press is to serve the governed, not the governors.” The sentence provides an overwhelming effect for it summaries the excellent efforts of the film to showcase the true meaning of a free press.

But being an Indian citizen who has been following the media scenario in India over the last decade or so, it also reminded me about the rapid deterioration of the freedom of the press in the country.

The Post is based on a newspaper’s brave efforts in the early 1970s in obtaining and publishing classified documents that reveal how the US had been lying to its people with respect to the Vietnam War. The team of journalists is taken to the court by the government but, astonishingly, the media wins the case. In other words, they are allowed to point out their government's grave offence against the people.

Taking nothing away from the film and the fearlessness shown by the journalists of that era, I feel the challenges faced by the Indian media today are many notches higher (I am talking about true, genuine journalists).

The PostCan you even imagine news of such a humongous nature being reported by a mainstream newspaper or a news channel today? Well, leave alone that, one can’t even print a report about the possibility of corruption by a citizen who happens to be the son of the party head of the ruling party. On the contrary, the publication gets sued for defamation (by the way, the complainant hasn’t been able to prove the charges).

Just recently, an FIR was filed against the reporter of a well-known publication for carrying out an investigative report showing severe security lapse in the entire Aadhaar scheme.

But if you think this is bad, wait for the next. Few years back, a film journalist lost his job for reporting true box office collections of a well-known movie. He spoiled the party of the makers who were circulating fake collections through various mediums.

So, at a time when even film related news gets you sacked, what are the possibilities of our media being allowed to carry out something as earth-shattering as shown in The Post?

Unofficially government-run media:

Government crackdown on the media isn’t the only major hurdle that today. Over the last few years, the concept of unofficially owned news channels has cropped up. Those having watched such channels even for a few days would realize that their main motto is to show the government in good light even when they have been messing things up up left, right and center.

Their loud-mouthed anchors disguising as saviors of the nation would scream out lies till they start appearing like the truth. If a report of such magnitude gets published, these anchors would label the team of reporters as criminals. Anurag Kashyap’s recently released Mukkabaaz has a line which translates to, “Truth isn’t something you know. It’s something people believe to be true.” In fact, anyone having a contrary view is shouted down and labeled anti-national, naxalite, leftist; depending on their mood.

Being an era of internet and social media, the role of government run trolls also cannot be ignored. Its paid troll army would be up in arms and instantly manufacture fictitious links of their reporters with some criminal, terrorist or the opposition parties (opposition = criminals, by the way.) And if a reporter would have been a female, it gets worse.

The Post is a loud reminder of the sorry state of affairs with respect to the freedom of the press currently in India.

By: Keyur Seta

24Dec/171

2017 Mein Meri Yeh Dasha Hui

Ek zamana tha jab mera kad (height) ooncha tha. Lambe kadam chalne mein ek adbhut anand milta tha. Lekin safar ke darmyan dheere dheere mujhe sandeh hua ki kahin mera kad chhota toh nahin ho raha. Agle kuchh varshon mein mera shaq yakeen mein badalta gaya. Aur dekhte hi dekhte is saal mera kad aur bhi chhota ho gaya.

2017 yearKabhi mere kad ko kisi Facebook post ke liye chhota kiya gaya toh kabhi kisi haanirahit (harmless) film ke liye.

Pehle toh jab koi naami vyakti mera istamaal karte the tab mera kad chhota hota tha. Aaj toh aam aadmi bhi agar mera istamaal karen toh agle din mera kad aur chhota ho jata hai. Phir dheere dheere main samaj gaya ki sahi baat kehne par mera kad chhota hote rahega.

Ashcharya ki baat yeh hai ki naak aur gala kaatne waale log bhi mera istamaal karne lage hain, jab ki mera unse koi nata nahin.

Mera kad chhota ho jane ke baavjood main naye varsh ki taraf badh raha hoon. Aaj ki sthiti dekhte hue lagta hai ki 2018 mein mera kad aur bhi chhota ho jayega. Meri lambaai kaatne ke liye naye saal mein bhi log tatpar honge.

Ab main zameen ke star par gir jaaun uske pehle mujhe bacha lijiye. Warna meri anupasthiti mein aapka moolya kisi vastu se zyada na hoga.

Aapki,

Abhivyakti Swatantrata

19Nov/170

Disclaimer: This short story has nothing to do with Padmavati controversy

The bright and sunny day at the little but picturesque village of Shantigram became all the more delightful for Ramcharan and his team. At the end of the final rehearsals, they all heaved a sigh of relief. Now they were convinced that their puppet show would indeed turn out to be a success.

Ramcharan’s troupe has been working day in and day out to tell an important story from their old folklore. It was the saga of valour of their ancestors that they were eager to show to the people of today’s generation. Abundant wealth and hard work had been put in. But they were sure it will all be worth.

But a rude twist awaited them just a week before their first performance. It came in the form of a team of blood-hungry goons who vowed to make sure the act will never take place. Led by Rankesh, they were infamous for their hooligan methods against those who they felt insulted their culture, tradition, pride and what not. In fact, they don’t even show qualms in killing their ‘enemies.’

Puppet show

Photo courtesy: Griefhealed.com

Rankesh and his pals just assumed that Ramcharan’s team has distorted history in their performance and portrayed their ancestors in ‘bad light.’ The artists tried explaining that they haven’t shown anything of that sort. But Rankesh was adamant. He just won’t let the performance happen.

At night, Ramcharan and his group members went to the village Sarpanch. He and his team were chosen unanimously by the villagers few years back as they expected terrific governance from them. This is what they had promised when they were selected and had even proven it through some of their welfare works.

The Sarpanch couldn’t meet them as he was occupied with something. But he sent a message through his second in command that everything will be taken care of. Ramcharan and others heaved a sigh of relief. That night they slept peacefully after days. Two days to go for the performance now.

Next morning, while they were just about to reach the area of rehearsals, where the stage was already built, they could see Rankesh and his men were already present. They were standing few steps besides the stage brandishing an array of weapons and a smirk on their faces. Ramcharan and the rest could feel their mouths drying up. Will they be the next victims?

Just like clouds suddenly dispersing making way for the sun, the artists saw Sarpanch’s best men charging to the area where the goons stood. What brought Ramcharan and others more confidence was the fact that they too were carrying a wide range of weapons.

The axes, bamboos and spears did a lot of work as the Sarpanch’s men attacked in full force and enthusiasm. However, despite such brutal use of force by Sarpanch’s comrades, Rankesh and his men didn’t even get a scratch.

Seconds later, standing opposite each other, both the parties had a hearty laugh as the stage remained demolished besides them.

Disclaimer: As said in the headline, this story has nothing to do with the Padmavati controversy.

By: Keyur Seta

25Feb/172

Why we shouldn’t blame Nihalani alone for Lipstick Under My Burkha sexist attack

While we were busy analyzing the results of various municipal elections in Maharashtra, the Central Board for Film Certification (CBFC) imposed their downright sexist thoughts on the audience.

The board refused certificate to Alankrita Shrivastava’s Lipstick Under My Burkha. In other words, they feel the audience should NOT watch this film. The reasons stated by them have sexism written all over them.

In a letter given to the producers, the board justifies their act saying, “The story is lady oriented, their fantasy above life. There are contanious (sic) sexual scenes, abusive words, audio pornography and a bit sensitive touch about one particular section of the society hence film refused under guidelines 1(a), 2(viii), 2 (ix), 2(x), 2 (xi), 2 (xii) and 3 (I).”

Now, let’s break down their so-called justification. They have given away their sick thoughts in the first five words itself by stating that it’s a ‘lady oriented’ film. When you feel offended by female-oriented films, it speaks volumes about your sexist and pro-MCP mindset. You look at it as a threat to your deep-rooted patriarchal thoughts.

Lipstick Under My Burkha and NihalaniThe second justification ‘their fantasy above life,’ means a female can’t be shown having fantasy. These people have had no problems all these years when a male, or ‘hero’ as they call it, fantasizes about a girl in various ways.

The other reasons – There are contanious (sic) sexual scenes, abusive words, audio pornography and a bit sensitive touch about one particular section of the society – don’t hold ground because the job of the CBFC is not that of a Moral Science teacher.

To make matters worse, Nihalani has justified their actions by sugarcoating it with ‘Indian culture’. He said to the media, “The aim is also to protect our culture and tradition. Our motto is right film should go to the public.”

He should remember that it’s a film CERTIFICATION board. So, their job is only to certify films according to age groups and not pass judgments on which films are ‘right films.’ This was also said by the Bombay High Court during the Udta Punjab fiasco last year. Nihalani and CBFC surely couldn’t have forgotten it so soon. After all, who can forget such huge national embarrassments?

And for your information, the issue is not just limited to a film. It is about how a group of individuals are forcing the people to walk onto their patriarchal path. It is also an attack on freedom of expression in one of world's largest democracies.

However, during every such fiascos by the CBFC, we just don’t tend to look beyond. We criticize Nihalani and other CBFC members but that’s about it. We clearly forget who appointed them and why they are still not removed.

It is the Central Government that had revamped the CBFC committee in 2015. It happened after Leela Samson, the previous chief, and her team resigned due to issues while certifying MSG: The Messenger. The members are handpicked supporters of government ideologies.

Therefore, it is the Central Government that is to be blamed for every attack on freedom of expression by the CBFC. The list of dictatorial blunders by the CBFC is long. So, despite this if they are still not removed, it only means that the government supports them and is propagating its dangerously regressive mindset through the CBFC.

If the government doesn’t support such ideologies, what is stopping them from removing Nihalani and others from the CBFC?

Are they so helpless and powerless?

Conclusion: The film industry needs to unite in huge numbers and protest for the removal of the current CBFC committee team. It has to happen or else we would be discussing the rubbish decisions by these dictators after every few weeks.

By: Keyur Seta

25Jan/170

How Dangal showed that patriotism can be felt, not preached

Nitesh Tiwari’s Aamir Khan-starrer, Dangal has shattered box-office records by becoming the biggest Bollywood blockbuster ever. The film has earned over Rs 370 crore so far. Collections in this range speak about a film’s wide acceptance. More so because the earnings have been constant. Its peak business wasn’t limited to the first few days or first week.

But the film, based on the life of Mahavir Singh Phogat, has also achieved something else subtly.

In today’s times, patriotism and nationalism are transformed to hyper-patriotism and ultra-nationalism. It is a ploy used by self-proclaimed patriots who are always ready to attack anyone not agreeing with their pro-government views in the name of Desh Bhakti.

Dangal stillThis is also seen the most if you disagree with their views of opposing everything that is Pakistani. Be it actors, cricketers, artists and who not. These are the same people who completely turn a blind eye to the non-stop trade between India and Pakistan, even after the Uri attacks. Some of them might even be staying in houses made from cement that comes from across the border. However, this is a different story.

Coming back to the main topic, in the midst of such hyper-national atmosphere, Dangal has shown the actual meaning of patriotism, which should be felt and not preached. This is in the climax when the National Anthem is played. It was an excellent technique to make Phogat realize that Geeta has won the Gold medal.

Tiwari got the audience rooting for Geeta Phogat in her quest to win Gold for India in such a way that most of us were forced to stand during the National Anthem. Some of us who have been opposing the playing of our anthem before films also stood up. Why? Because we badly wanted her and India to win the Gold and make Mahavir’s dream come true. So, the climax brought a sense of pride towards our nation.

But all this was achieved without a single dialogue highlighting the importance of patriotism. Without any sloganeering. In fact, there were no instructions on the screen either asking people to stand. Hence, it’s proven that patriotism is a feeling, not a slogan.

In all this, Aamir has also truly destroyed the morale of hate mongers, who were spreading messages to boycott Dangal. But he did that without saying a word against them and by just making his work do the talking.

They urged everyone to boycott his films. People made it the biggest hit ever.

They labeled him ‘anti-national.’ His film showed the true meaning of nationalism.

Hope for peace lives on...

- By Keyur Seta

24Dec/160

Dangal Dialogues

Dangal's dialogues play a large role in making the Nitesh Tiwari written and directed film so impactful. Of course, one can’t deny the enormous contribution of the screenplay, direction and performances, especially Aamir Khan. But the smart and witty dialogues surely lift the film further.

Here are 10 best dialogues (lyrics) from Dangal:

- Tu ek saal seene pe patthar rakh de. Agar kamyab na hua, toh main poori jindagi seene pe patthar rakh doonga.

(Translation: You bear it for a year. If I don’t succeed, I will bear for the rest of my life.)

- Pahalwan ke khoon mein kushti hove hain.

(Translation: Wrestling is inside the blood of a wrestler.)

Dangal poster- Medal jeete toh koi na poochhe hain. Magar haare toh sab gaali deve hain.

(Translation: People won’t be bothered if you win a medal. But they will surely criticize you if you lose.)

- Mhari chhoriyan chhoron se kum hain ke?

(Translation: Are my daughters less then sons?)

- Gold toh gold hota hain. Chhora laave ya chhori.

(Translation: A gold medal is a gold medal, irrespective of whether it is won by a boy or a girl.)

- Jyada dil chhota na kar. Tu national level ke pahalwan se hara hai.

(Translation: Don’t worry. You have lost to a national level champion.)

- Geeta ko kyun chhore dekhne aavenge? Woh khud chhore dekhne javegi.

(Translation: Why will boys come to see Geeta for marriage? She will go to see them.)

- Thara bapu thare baare mein soche toh hai.

(Translation: At least your father is thinking about you.)

- Agar silver jeeti, toh aaj nahin toh kal log tanne bhool jaavenge. Gold jeeti toh misaal banjavegi. Aur misaale dee jaati hai beta, bhooli nahin jaati.

(Translation: If you win a silver, people will eventually forget you. If you win a gold, you will become an example. And examples are set, not forgotten.)

- Thari ladaai har us insaan se hain jo maane hain ki chhoriyon ka kaam sirf chokha dhaani karna hain.

(Translation: Your match is against all those who feel girls are only meant to do household chores.)

24Dec/160

Dangal Review: A true Gold Medalist

Sports films have become an overdose in mainstream Hindi cinema. But Nitesh Tiwari’s Dangal won’t let you think about this statistic for two reasons. It is not just the best sports underdog film but also one of the best films to have come out from our part of the world.

Dangal is a real life account of India’s wrestler Mahavir Singh Phogat’s efforts to make his daughters, Geeta Phogat and Babita Phogat champions in the sport. As a young man, Mahavir (Aamir Khan) couldn’t fulfill his dream of winning Gold Medal for India due to his family condition. So, he goes on a mission to make sure his upcoming son will bring India glory.

However, he is blessed (or in this case, cursed) with not one but four daughters. This shatters him as he believes only a son can win Gold in wrestling. But one day he realizes that two of his daughters, Geeta and Babita (Zaira Wasim and Suhani Bhatnagar who grow up as Fatima Sana Shaikh and Sanya Malhotra) also have wrestling in their blood. Mahavir’s hopes re-emerge.

Although Dangal is a biopic, the makers honestly confess at the start that a lot of aspects have been fictionalized, including some characters. This might disappoint some but it won’t matter to you once the film begins. Dangal is an ideal example of an intelligent screenplay, mature dialogues and masterful presentation. The combination produces one memorable sequence after another. And like every intelligent film, at a lot of places it says a lot without saying much. Also, in a lot of places, serious situations are presented humorously.

Dangal posterThe film does have few logical errors here and there but the huge number of positive points makes sure you don’t get affected. Even Tiwari has done well in covering them up intelligently. But there comes one moment at the end which is too fictionalized. However, the incredible effect it produces in the end transforms it into a masterstroke.

In fact, in my opinion, it is the one of the most overwhelming climaxes. A lot of people, if not all, who are against the playing of National Anthems during movies would happily rise up when it is played in this film.

It is difficult to jot down the best moments, apart from the climax. The one that stands out is when Mahavir explains to Geeta that her fight is not against the opponent but with all those who believe girls should only be restricted to household chores. The entire gist of the film explained so simply.

The film’s technical department matches up to the content and even enhances it. Cinematographer Sethu Sriram has a long body of work including Tere Naam (2003), Wanted (2009) and OMG – Oh My God (2012). But with his fine work here, he has arrived.

The background score is minimal which is a smart move. There are no loud sounds during wrestling scenes to make them forcefully appealing, which a lot of films are guilty of. In fact, there is no background score on most occasions and rightfully so.

Pritam’s music and Amitabh Bhattacharya’s lyrics add plenty of effect. The songs take the story forward and are not treated merely as songs.

Lastly, the film reaches this level because of Aamir Khan. He once again proves he is one of the few greatest artists from India. And with this performance, he shows he is the powerhouse of dedication. But it is not merely an Aamir Khan film. Fatima Sana Shaikh and Sanya Malhotra make enormous use of the opportunity and manage to match-up to Aamir, which is no small achievement.

Zaira Wasim and Suhani Bhatnagar, who play their younger versions, stay etched in your memory their limited screen time. Sakshi Tanwar should do more films. She provides a fine act as Mahavir’s wife. Girish Kulkarni is a phenomenal performer and he shows it with his act as the coach. Aparshakti Khurrana, as Geeta and Babita’s cousin, isn’t bad. At times, he is overused to provide humour.

Overall: Dangal is one of the finest films you will see and one of the very few ones with a lot of repeat value.

Box-office prediction: The film has gained a tremendous opening on the first day earning Rs 29-30 crore (as per BoxOfficeIndia.com). With the incredible word-of-mouth, it is sure to rise higher and has a fair chance of being the highest earner of 2016 defeating Sultan. If not that, it is sure to reach the Rs 300 crore mark.

Rating: 4.5/5

Review by: Keyur Seta

Director: Nitesh Tiwari

Producers: UTV Motion Pictures and Aamir Khan Productions

Writers: Nitesh Tiwari, Piyush Gupta, Shreyas Jain and Nikhil Meharotra

Cast: Aamir Khan, Fatima Sana Shaikh, Sanya Malhotra, Sakshi Tanwar, Zaira Wasim, Suhani Bhatnagar

Music: Pritam

Genre: Biopic/Drama

Runtime: 161 minutes

Dangal Geeta Phogat

22Dec/160

6 reasons why Demonetization is indefensible

As soon as Demonetization was enforced on November 8, the first question that struck people was whether this move will help curb the menace of Black Money and corruption, as promised by Prime Minister, Narendra Modi. As I mentioned in my last post (HERE) on the issue, people like me, who have absolutely no knowledge in Economics or Finance, cannot answer this question.

However, you don’t need to be an expert in any subject to understand the extreme suffering experienced by a large number of people in the country. More than a month ago, the question was whether demonetization will succeed. Now, experts are trying to understand the extent at which demonetization will affect the country. In other words, it is a blunder.

Here are 6 reasons why defending demonetisation is like defending the indefensible:-

GPS joke: To support government’s move of introducing Rs 2000 note, news channels like Zee News and Aaj Tak ran programs explaining that the currency contains a chip that can be detected through satellite with the use of GPS technology. However, the news (?) not only turned out to be false but also a joke (watch VIDEO below). You can easily hoard black money in the Rs 2000 currency as well. If banning high value currency like Rs 500 and Rs 1000 can lessen the menace of black money, what exactly is the logic behind introducing Rs 2000 notes?

Instant backfiring: The above point was proven right even before 15 days of the decision. A number of members from the ruling Bharatiya Janata Party (BJP) have been caught with bundles of the new Rs 2000 notes. At the same time, banks are getting limited amounts of the new currency. So, how did your party men laid hands on the new notes in such large numbers? If this is not a scam, what is? (read news HERE and HERE)

Picture: Livelaw.in

Punishing innocents: Instead of affecting black money hoarders, the move has made life hell for people from small towns, villages and those involved in small business that run entirely on cash. Wage workers have been temporarily out of job (read news HERE). You don’t need to be an expert to know that a large section of our population has no bank accounts and there are many villages either without any banks or having banks are faraway places (read news HERE). How can you expect them to leave their daily work and stand in queues for hours?

And sorry, the logic of going cashless doesn’t apply to poor people who live from hand to mouth. Even city dwellers like me have just installed PayTM and that too out of force. Plus even in 2016, there are villages with no access to electricity. So, how on earth do you expect them to buy smart phones and install PayTM? Don’t tell me you had no idea about this despite being the PM of a country.

Justifying death? This is the biggest reason why demonetization has failed. In fact, even if it would have yielded fruitful results (which appears like a dream), it would have still been a failure if more than 50 countrymen (might be more unofficially) got killed in it. Of course, Bhakts have been making inhuman arguments that a large number of people die every day. But these people died after standing in long queues for hours. They were standing in queues only and only because of the decision. They weren’t standing there out of their will or just for fun. There are incidents where people died after not receiving medical attention as the patients’ families didn’t have new currency. How will you justify these deaths even if demonetization turns successful?

Mocking the helpless: Like I said in my previous post on the issue, what has annoyed me the most about this whole episode is the mocking and casual attitude of the PM despite these many deaths. Last month in Japan, he mocked those who are facing problems due to demonetization (see video below). He repeated it later by stating that even beggars have started using PayTM. Seriously? The only justification for this can be that it was his lookalike who spoke these things.

Political parties can party: This is the second biggest fiasco after deaths. Political parties are the ones with most number of black money, which is spent the most during elections. Nobody knows who pays for those 24/7 in-your-face-and-TV advertisement played during elections. Now, these parties have been given further relief to not disclose their funding in old currency. A notification (out of the many) says that they are exempted from scrutiny (read the news HERE). So, if the biggest source of black money isn’t going to face any problem, what exactly is the point of the whole exercise of demonetization?

By: Keyur Seta

26Nov/160

Spoof: What the Common Man of A Wednesday thinks about Demonetisation

The Demonetisation of Rs 500 and Rs 1000 notes and the introduction of Rs 2000 notes are garnering mixed reactions among the people of India. So, I and a couple of my friends - Padmanabh Subramanian and Ankit Tripathi - came up with this spoof on how the Common Man of Neeraj Pandey's A Wednesday would think of Demonetisation if he is facing problems due to it.

 

This is it:-

Here are the words of it:

Main woh hoon jo aaj do hazaar ki note se darta hai. Main woh hoon jo ATM jata hai toh uski biwi ko lagta hai jung pe ja raha hai. Pata nahin bachega ya nahin. Har 2 ghante ke baad phone karti hai ki paise mile ki nahin, number aaya ki nahin. Darasal woh yeh jaan na chahti hai ki main zinda hoon ya nahin. Main woh hoon jo chunavi vaadon mein phasta hai. Kabhi jumlo mein.

Kala dhan kisi ka bhi ho, bewajah marta main hi hoon. Bheed toh dekhi hogi na aapne? Bheed mein se koi ek shakal chun lijiye, main woh hoon. I am just a stupid tax payer, wanting to jump ATM queues.

By: Keyur Seta

13Nov/160

Demonetization chaos: Why punish innocent citizens?

No, I am not giving an opinion on whether the Demonetization of Rs 500 and Rs 1000 notes and introduction of Rs 2000 notes is a good move. I have zero understanding of matters related to Money, Finance or Economics. After going through some expert opinions, I am assuming it’s a good move.

This write-up only looks at the situation from a logical and humanitarian point of view. The main aim or reason behind the demonetization exercise is to control the flow of Black Money in the country and to punish those who indulge in keeping undisclosed amount. Apart from this, it is also aimed at stopping the supply of counterfeit notes.

Picture: BBC.com

Picture: BBC.com

There is a saying, “It is fine if 100 criminals go unpunished, but it is not fine even if a single innocent gets punished.” The scenes taking place in the country since yesterday have made sure that this saying is continuously playing inside my head.

It is completely understandable that one has to face some inconvenience during such operations. I, along with many others, have no problems with it. There is dearth of Rs 100 notes while Rs 500 and Rs 1000 notes are finding no takers. It is okay for us because we have numerous options like online purchase, ATMs, net banking, etc.

However, we seem to have forgotten that a large chunk of Indian population doesn’t have bank accounts, leave alone net banking facility. How do you expect them to survive? As is seen from videos posted on the net, people have broken down as they have no cash for basic necessities. Just have a look at the insanely long queue outside a bank in Surat (below video). Have you ever seen such row of people ever? Are you assuming all of them are corrupt Black Money holders?

Such scenes clearly show that there was no planning whatsoever for an operation as massive as this one. But who is suffering the most due to their blunder? The Common Man, who pays his tax duly and has no black money like many of those millionaires. Know about the plight in detail by clicking HERE.

But I still wouldn’t have written this piece if I hadn’t seen Narendra Modi, the Prime Minister of India, joking and mocking about the scenario during his speech in Japan yesterday. It was a mixture of shock and disgust to see him poke fun at the situation by citing few examples of helpless people. If this isn’t sadistic, what is? (Watch the video below)

That too coming from the PM of a country and that too after knowing about few deaths that took place due to the chaotic process! I guess he realized his folly, so he came up with an emotional speech today. Well played!

If this wasn’t enough, people are comparing the plight of the Common Man with that of our soldiers on the border. These are the same people who are ready to label anyone ‘Anti-national’ at the drop of a hat. So, isn’t using the Indian Army to hide your blunder an anti-national act?

After making innocent taxpayers suffer to this extent (including death), they better make life hell for the corrupt Black Money holders soon. I am sure you know the names. Let’s see when they go to jail.

“It is fine if 100 criminals go unpunished, but it is not fine even if a single innocent gets punished.”

By: Keyur Seta