Category Archives: Socio/Political

Follower review: Realistic glimpse into the making of a political troll

Since little over a decade ago, politics has become a major interest for the youth. But the problem arises when this interest turns into an obsession for one political ideology. This aspect about today’s politics is realistically portrayed in Harshad Nalawade’s Follower (Marathi with Hindi and Kannada) while keeping the Maharashtra-Karnataka conflict of Belgaum at the centre.

The film tells the story of a youngster named Raghavendra Pawar (Raghu Prakash) aka Raghu, who stays with his mother in Belgaum after his father passes away in an accident. His elder brother works in the US. Belgaum is always in the news for its Marathi-Kannada conflict. Raghu also faces the brunt for being a Marathi in various ways.

Follower Marathi movie

During these times, he gets attracted to the speeches and ideology of a star political leader (Atul Deshmukh), who claims to be the messiah of the Marathi speaking people of Belgaum. Raghu joins his social media IT cell in order to spread the leader’s message and help him in his ‘cause’. Raghu’s political stand and activities strains his relationship with his close friends Sachin (director Harshad Nalawade himself) and Parveena (Donna Munshi).

Follower provides a glimpse into the life of a not just a follower but someone who believes that he is doing social work through his online activities by basically just being a troll. Nalawade’s portrayal will be relatable even for those who aren’t deeply aware about the Maharashtra-Karnataka issue because youngsters are seen obsessing over quite a few political parties throughout the country. The film shows how they never realize that they are just treated as pawns in the hands of their political ‘heroes’ for their ulterior motives. In a way, the film gives a slight remembrance of Avadhoot Gupte’s Zenda.

What makes Follower more interesting and intriguing is that it organically weaves a story of close friendship between three friends and perfectly joins the same with the political conflict. It also makes fine use of flashback. The story could have been narrated in a linear form and it still would have been likeable. But the back and forth narrative converts the film also into a mystery drama. The events that lead Raghu into becoming a staunch supporter of the star political leader is the biggest triumph of the film.

The production value makes the film look more like a telefilm. The lack of proper resources is clearly visible. This, however, doesn’t turn out to be a major issue because of the strong content at hand. The film is also shot in a creative manner by cinematographer Saket Gyani. It is laced with a number of impressive long one-take shots. The one that takes the cake is between Raghu and Parveen when both are riding their respective two-wheelers while conversing. The background score is minimally used, which goes with the nature of the film.

The performances are all natural. Raghu Prakash is fully suits the role of Raghavendra. He goes through the entire journey of his character in a dedicated manner. Harshad Nalawade also adds plenty of life to the character of Sachin. Donna Munshi also performs well and is also aptly cast as Parveen. Atul Deshmukh, the political leader, is thoroughly believable as someone who can brainwash the youth.

The issue about Maharashtra-Karnataka has toxic politics from both sides. For a major duration, it seems that the film shows the evil face of only one side. However, things even out later, which makes the movie neutral in its overall stand. The only questionable aspect is a sudden intimate moment between two pivotal characters, which appears forced.

Overall: Follower is a gritty realistic glimpse into the making of a political troll and its consequences.    

Rating: 4 out of 5

Director: Harshad Nalawade

Writer: Harshad Nalawade

Producers: Humara Medialabs and Causality Films Production

Cast: Raghu Prakash, Harshad Nalawade, Donna Munshi, Atul Deshmukh

Also read: The Diplomat review: Realistic version of Gadar

Why Chiranjeevi’s comments on wanting a grandson deserve more outrage  

I found the recent comments made by Ranveer Allahbadia more than shameful. I felt the same about the comments of his co-participants in the show India’s Got Latent. However, to see the high number of FIRs being registered on him quite baffling. This is simply because we have seen some of the most hateful or derogatory comments made by politicians get a lukewarm or no outrage.

The recent example and a very big one at that is that of the veteran actor and senior politician Chiranjeevi. At a recent event a few days ago, he said, “When I’m at home, it doesn’t feel like I’m surrounded by my granddaughters; it feels like I’m a ladies’ hostel warden, surrounded by ladies all around. I keep wishing and telling Charan (son and superstar Ram Charan), at least this time, have a boy so that our legacy continues, but his daughter is the apple of his eye. I’m scared that he might again have a girl.”

Chiranjeevi

His comment is so problematic that it’s difficult where to begin. Firstly, he makes it clear that boys matter to him more than girls. He clearly isn’t happy being around women and girls even if they are a part of his own family because that makes him feel like a ‘ladies hostel warden’. He even goes onto say that he finds it ‘scary’ that Ram Charan might have a girl again.

Chiranjeevi is a massive star and a senior politician. If not for being the former, as a major political leader one would expect him to share progressive messages to the people of the country. But what is does is the extreme opposite of that.

We have seen and heard about plenty of couples continuing to have children until they get a boy as they believe it is a boy who carries the family legacy forward. The horrific practice of female foeticide is still very much on even in today’s day and age. The reason for these social evils still prevailing is that same obsession of having a boy over a girl.

Chiranjeevi’s comments came right when the controversy surrounding the comedians was taking place. There have been strong reactions to his comments. However, the outrage is nowhere close to what these comedians have faced.

We have clearly displayed what affects us the most.

Rahul Gandhi’s rise above EXTREME national bullying

The year was 2014, just before the Lok Sabha Polls. Rahul Gandhi gave an interview to the very aggressive Arnab Goswami on Times Now. The decision turned out to be disastrous for him. The anchor started showering one tough question after another to which Rahul had no answers. Well, he did give answers but none of them were even half convincing with some making no sense. Plus, his nervousness was clearly visible.

This happened at a time when Rahul had already started being a subject of jokes. This interview made it worse. Not only the people of India but also the IT cell of the current ruling party started making jokes and memes on him. Honestly, I was also one of those who laughed at the memes and snippet videos from the interview and felt he is not at all cut out for politics. Then the inevitable happened when the result of the 2014 General Elections was out. The Congress had a record defeat and the BJP (Bharatiya Janata Party) got a thumping majority.

With the BJP winning so handsomely, I felt that the topic of Rahul Gandhi will be down and dusted as I firmly believed that he was a closed chapter. However, he was continued to being ridiculed on social media and What’s App. There were a lot of instances during his speeches and interviews where he said unintentionally funny stuff, which made things worse for him. Snippets from these also started making rounds.

It seemed that Rahul gained some confidence before the 2019 Lok Sabha Polls but he was still not being taken seriously. This was seen in the result of the polls in which BJP secured an even bigger victory than 2014. I, along with many others, was more than convinced that Rahul’s political career is over and that he is getting importance in the Congress camp only because of nepotism.

But Rahul somehow didn’t give up. He gave some fiery speeches during the anti-NRC and anti-CAA movement. Later in 2022, his confidence during his Bharat Jodo Yatra was impossible to not get noticed. The nervous and fumbling politician gave rise to a confident and determined leader. Very few would have expected this after his aforementioned 2014 interview.

Rahul’s confidence and fearlessness went even higher during the campaign for the 2024 Lok Sabha Polls. He was now a new and refined leader. His attacks on the government appeared convincing instead of forced. This influenced the final outcome of the polls where the INDIA alliance won as many as 232 seats and NDA were down from 353 in 2019 to 293.

The result has further indicated that one has to take Rahul Gandhi seriously and his journey in politics is far from over.

His rise is more than noteworthy simply by taking into account the psychological effect of such extreme national bullying can have. Many of us get mentally affected even if we receive 5 negative comments or face some bullying on social media. But this man was a target of the entire IT cell machinery and crores of ruling party supporters for around a decade. He was targeted not just from a political point of view but was subjected to plenty of personal attacks and even insults.

This can have extremely negative psychological effect on anyone. Just imagine your very existence being a butt of jokes for crores of people. Anyone else would have given up politics and taken retirement. But somehow, Rahul decided to keep going and reached as far as spoiling the mood of the ruling party in the recently-concluded 2024 General Elections. He ensured that those who were dreaming of ‘400 paar’ could not even touch 300 seats.

The other thing that has quietly happened in the last few years is that the IT Cell and the supporters of the ruling party have stopped circulating Rahul’s unintentionally funny moments. This can also be because their Supreme Leader has given even more of such moments and that too in controlled interviews and scripted speeches.

All this has also ensured that the nickname of ‘Pappu’ is no longer being associated with Rahul.

I am not a fan of any politician, including Rahul Gandhi. But it is impossible to not notice his rise purely from a psychological point of view.

Also read: Indi(r)a’s Emergency review: Shows the period’s relevance today

Big celebs endorsing UNRECOGNIZED Phalke Awards adds confusion & lowers value of real Phalke Award

Dadasaheb Phalke Award is the highest honour for a film artiste in India. It is given each year by the Government of India to one individual for his or her outstanding contribution to cinema. It is a part of the National Awards each year. However, over the last several years, a number of private awards have been started in the name of Dadasaheb Phalke, which has not only created confusion among the public but is also threatening to lower the importance of the actual Dadasaheb Phalke Award.

The new private awards in the name of Phalke that have cropped up in recent years are – Dadasaheb Phalke International Film Festival Awards, Dadasaheb Phalke Excellence Awards and Dadasaheb Phalke Film Foundation Awards.

With the name ‘Dadasaheb Phalke’ attached to each of the awards, the public comes under the impression that a particular film artiste has received the prestigious Phalke Award given by the Government. What makes things worse is that a section of the media also reports as if an artiste has received the real Phalke award. At times, they don’t even care to mention the full name of the award and that this is not the actual Phalke award.

A few years ago, there was a lot of hue and cry on social media when news about Gurmeet Ram Rahim Singh of MSG fame receiving the ‘Phalke Award’ spread like fire. It was later found out that he was given one of the private Phalke awards and not the actual one. It was all a result of a publication giving a misleading headline, which created an online uproar.

This year, the confusion regarding Phalke awards increased manifolds. Earlier, not many big stars used to attend and accept these awards. But this year, some of the biggest names in the industry – like Shah Rukh Khan, Kareena Kapoor Khan, Rani Mukerji, Ranbir Kapoor, Anil Kapoor, Shahid Kapoor, etc, – attended the Dadasaheb Phalke International Film Festival Awards earlier this week and some of them even won in different categories. Also the kind of media coverage this particular awards function received this year was never seen before.

One can just imagine the kind of recognition this unrecognized Phalke Award has now received with the endorsement of some of the biggest names. On top of that, some media houses, like previous years, didn’t care to mention the full name of the award, making it look as if these stars have won the actual Phalke Award. The headlines in the press releases regarding these awards shared by some PR (Public Relation) executives also mentioned only ‘Phalke Award.’

These stars have either a shelf or a room full of awards. So it’s sad to see them endorsing these awards that are unrecognized by the government just to add on to their tally of awards. It is not possible to stop any firm or organization from organizing any private awards. So the least that the industry can do is to not give them importance in order to maintain the sanctity of the actual Phalke Award and, more importantly, the honour of Dhundiraj Govind Phalke, the Father of Indian Cinema.

Tomorrow, someone might just start a parallel National or Padma Awards by adding a few more words in the title.

Also Read: Amaltash (Marathi movie) Review: Tenderly created saga on love, life & music

In an era of govt pleasers, Bhakshak comes as a beacon of hope

Filmmaker Pulkit’s recent saga Bhakshak, starring Bhumi Pednekar in the lead, tells a fictitious tale inspired from horrific case of a girls’ shelter home in Muzaffarpur, Bihar. In 2018, it came to light that a number of orphan girls in a shelter home in the town run by an NGO (Non-Governmental Organization) were subject to rape and sexual abuse. The perpetrators roamed free because of their political connections.

But the truth finally came out and after a long period of trial and the people alleged in the crime were punished. The Supreme Court reportedly criticized the then government of Bihar over the delay in filing the correct FIR (First Information Report) in the case.

Bhakshak, which is streaming on Netflix, is about an honest and upright journalist Vaishali Singh (Pednekar) who runs a small news channel called Koshish News, with the help from her only staff member Bhaskar Sinha (Sanjay Mishra) in Patna. She gets to know about the gruesome case of rape, molestation and murder of a number of orphaned girls in a shelter home in Munawwarpur (name changed) after a source hands over a copy of an audit report.

The report states that such heinous crimes are taking place in a shelter home for girls in Munawwarpur. The report is ignored by the authorities since the shelter home is run by Bansi Sahu (Aditya Srivastav), who has major connections among the political bigwigs in the state. How Vaishali and Bhaskar make efforts for the victims to be freed and given justice by facing various obstacles, including Vaishali’s own family, forms the rest of the story.

Bhakshak is a fine example of narrating a chilling tale in an honest manner. The narrative doesn’t give too much footage to the gruesome crimes but still establishes the wrongdoings and its perpetrators in a heart-wrenching manner. This and various other moments are an indication of mature filmmaking, barring few creative liberties here and there. Bhumi Pednekar, Sanjay Mishra and Aditya Srivastav’s brilliant performances also play a large role in creating an impact. You can’t help but feel for Bhumi’s character and you can’t stop hating Srivastav and his associates.

But Bhakshak is more special because it comes at a time when government propaganda films or movies where the government or the ruling party is pleased are seen regularly. It’s quite cringeworthy how artistes bow down to the political class either to be in their good books or because they share the same ideology or some other reason. The number of such films have increased in recent times, obviously because of the general elections nearing.

During such an era, Bhakshak comes across as a breath of fresh air or a beacon of hope when it comes to the conscience of the film industry. The movie takes a hard-hitting route and provides a no-holds-barred approach when it comes to portraying the criminals and those with criminal mindsets within the political class. The film’s bravery can be seen also from the fact that the makers have named the state of Bihar instead of creating a fictitious state in India, like quite a lot of films.

On the other hand, we have films that take the easiest way out where they pretend to tackle something of national or social importance but eventually and indirectly end up pleasing the government or its ideology. In some cases, however, they have even stopped pretending to be neutral.

Interestingly, this is the second film by Shah Rukh Khan’s Red Chillies Entertainment that has dared to show the mirror to the perpetrators of heinous crimes by the powerful. Just a few months ago, the banner did the same with Jawan, which presented not just one but several humongous loopholes and injustice in our system.

Also read: Fighter Review: Regular cross-border action drama

Indi(r)a’s Emergency review: Shows the period’s relevance today

Filmmaker Vikramaditya Motwane’s Indi(r)a’s Emergency, as per its name, throws light at the period where India’s then Prime Minister Indira Gandhi imposed the Emergency in 1975, which led to the curtailment of basic rights of the citizens and utter chaos. While doing that, the movie, which is produced by Applause Entertainment, also succeeds in indirectly stating that the dark period is relevant even today.

Narrative:

Indi(r)a’s Emergency is a documentary which is not at all narrated like a documentary. The film is, in fact, is as gripping as a dramatic thriller. Instead of showing different individuals merely speaking on the screen on the subject, the film, for more than 95% of its time, uses visuals from plenty of archival footage along with an impactful narration by lyricist-cum-actor Swanand Kirkire. The script is not only crisp and to-the-point but also filled with powerful and witty dialogues.

The film narrates the story like any other fictitious drama. Although Indira Gandhi’s tenure as the PM starts in 1971, the movie begins from 1942 onwards when MK Gandhi’s Quit India Movement is in full flow. After building the back story, the screenplay gradually brings Indira Gandhi in the picture.

The film, basically, shows the rise, fall and the rise of Indira Gandhi as the country’s PM. The character arc of the protagonist is finely created and this is what largely makes Indi(r)a’s Emergency much more than a documentary. Without making any actor play the former PM, the film triumphs in building her character like any other powerful protagonist who gradually becomes obsessed with power. The makers have wonderfully used animation to depict incidents for which no footage is available, especially the courtroom scenes.  

Boldness:

The movie doesn’t hold back when it comes to portraying the horrors of Emergency and how the then establishment made it look like a successful exercise. Madhur Bhandarkar’s feature film on the same subject titled Indu Sarkar (2017) had succeeded in throwing light on the atrocities by the then government, which have been brushed under the carpet over the decades, but Indi(r)a’s Emergency goes beyond that despite being a documentary. The whole episode of the government machinery literally wiping out the entire Turkman Gate locality is the boldest part of the movie. Similarly, the exploration of the character of Indira’s son Sanjay Gandhi forms a major part of the film.

Relevance in today’s times:

A major reason why Indi(r)a’s Emergency appeals to this extent is because of its relevance in the contemporary times, although the makers never spell this out. A number of happenings and incidents one sees in the film reflect the current situation in the country. Labeling failures as masterstroke is something we have been witnessing in today’s times along with the curtailment of the free press and witch hunting of the opposition, although not officially like during the Emergency.

Interestingly, the movie also features video opinions of the common citizens who had become fans of the then regime and started believing that Emergency was a blessing. But what takes the cake is a naïve citizen powerfully proclaiming that as the Emergency has managed to do ‘so much good’ for the nation, it should be imposed even more. If this wasn’t enough, the movie ends with a powerful quote from Dr Babasaheb Ambedkar – “Bhakti in religion may be a road to the salvation of the soul. But in politics, Bhakti or hero-worship is a sure road to degradation and to eventual dictatorship.”

Overall:

Indi(r)a’s Emergency is neither for the fans of the previous or the current regime. It’s basically aimed at the citizens who are concerned for the nation and don’t want dark chapters of the history being repeated.

Rating: 4.5 out of 5

Indi(r)a’s Emergency was premiered at the MAMI Film Festival in Mumbai on October 28, 2023

After ENDING boycott trend with Pathaan, SRK shows mirror to the establishment in Jawan

Shah Rukh Khan starrer Jawan has been creating an uproar at the box office, not just in India but also worldwide. Directed by Atlee Kumar, the film has found a lot of takers because of the non-stop entertainment it provides in terms of action, stunts, dialogue baazi, style, humour and, of course, performances.

However, it would be unfair to say that Jawan is just a massy entertainer. The film goes much beyond that and that is a major reason why it’s more special than the regular masala entertainers. To put it simply – Jawan is not only SRK’s most political film but also one of the most political films from mainstream Hindi cinema featuring one of the biggest superstars.

(SPOILERS begin)

Jawan unabashedly touches upon quite a few national issues in the course of its runtime. The film portrays the sorry plight of farmers in a hard-hitting manner. It shows that a farmer is literally tortured when he is unable to repay a loan of Rs. 40,000. But, at the same time, wealthy businessmen are allowed to take loans of enormous proportions without any issue.

The film also makes a daring statement on the complete lack of facilities in government-run hospitals and that it only takes a few hours for the scene to change, if there is a political will. There is also an angle about the lack of security for Electronic Voting Machines (EVM). One of the highest points in the film is Khan’s monologue where he urges the people to make the right choice while casting their vote and ensure that the government in power is held accountable.

Jawan Shah Rukh Khan

But the most daring part about Jawan is the sub-plot about a large number of kids dying in a hospital because of lack of oxygen cylinders. This is right out of the real incident that took place in Uttar Pradesh a few years back. The film doesn’t stop at this though. It also shows how an innocent was made a scapegoat and the whole blame is put upon that person. Not many people (leave alone stars) are even willing to speak about this incident. But here is one of the biggest mainstream films with one of the biggest stars providing a sharp critique to that incident.

(SPOILERS end)

It would be putting it mildly to state that SRK has taken a risk by making a film with aforementioned incidents. One shouldn’t forget how actors, especially stars, are targeted for portraying anything that is against the establishment since 2014 onwards. But here, Khan has not only agreed to act in such a film as the main lead but also produce the movie. Hence, if the film would have faced any sort of protest or controversy, he would have been hit financially too after investing a large chunk of money in the film.

SRK made a major comeback this year with Pathaan, which made him regain his stardom. However, Jawan was bankrolled and made when Pathaan was long way away from release. This is another example of the major risk he took at a time when his stardom was majorly hit and when it wasn’t known that Pathaan would eventually become a big hit and his comeback.

Even with Pathaan, the star had taken a risk. He knew before the release of the film that he was being majorly targeted by the supporters and leaders of the ruling party. Yet he came up with a film where he is not only romancing a Pakistani but also an ISI member.

Pathaan faced the biggest boycott Bollywood campaign by the supporters of the ruling party. However, the film turned out to be the highest grossing Hindi movie. Of course, this happened because the movie-going public paid no heed to the boycotters and went for the film in large numbers.

But one must credit SRK for not showing lack of spine by meeting some prominent politicians in front of the media in a display of fake support, so that his film gets a smooth release. In fact, Shah Rukh called up a politician at 2 am after the latter had asked people to boycott the film. On the very next day, the politician said there is no need to boycott Pathaan. Khan also didn’t go the Aamir Khan way by pleading the audience to not boycott his film.

Hence, one cannot deny that it was Pathaan that not only put an end but also demolished the boycott trend. After a major fiasco with Pathaan, one hardly notices any serious calls for boycott for any film on social media.

All this also reminds us how SRK had held his ground against Shiv Sena during the massive controversy surrounding My Name Is Khan in 2010. Yes, there have been times where he has met and shown support to prominent politicians of the current regime. But one can’t take away the spine he has shown on various occasions when anyone else in his place would have melted.

Coming back to Jawan, hopefully, its daring content will encourage more mainstream actors to not shy away from showing a mirror to the current Indian society.

Also read: Jawan review (WITHOUT spoilers): A rare massy political entertainer

Why Karan Johar’s RISK with Rocky Aur Rani Kii Prem Kahaani needs to be appreciated

The trailer of Karan Johar’s Rocky Aur Rani Ki Prem Kahaani, which released on July 28, gave an idea that the film is a romantic comedy with a lot of impetus given to humour.

It showed how Rocky (Ranveer Singh) and Rani (Alia Bhatt) meet under unusual circumstances and slowly fall in love. But as their respective families are poles apart, their marriage appears difficult. Hence, they come up with a unique idea – Rocky will live with Rani’s family for three months and Rani with Rocky’s. The promo showed glimpses of the hilarious events born out of the unusual idea brought about by the couple. 

However, the real story of Rocky Aur Rani Kii Prem Kahaani starts post-interval. It is in this period that we get to know that the film shows the mirror to the society by portraying various evils like patriarchy, toxic masculinity, fat-shaming, ageism when it comes to love among senior citizens (through Dharmendra and Shabana Azmi’s character), subjugation of women in the name of ‘family honour’ and ‘tradition’, etc.

Rocky Aur Rani Kii Prem Kahaani

Without giving away much about the plot, what stands out the most in this part is the sub-plot of the character Chandon Chatterjee, played brilliantly by Tota Roy Chowdhury, who is made to feel ashamed for being a kathak dancer despite being a man. The whole ‘Dola Re Dola’ dance sequence is not only the highlight of the film but also musically revolutionary.

The track about Kshitee Jog’s character and her musical dreams also plays a major role in taking the film over the winning line. Special mention should be given to the small ‘Aaj Phir Jeene Ki Tamanna Hai’ sequence. Similarly, Rocky Aur Rani Kii Prem Kahaani is filled with a number of such progressive moments. Yes, a few dialogues are preachy but when the film falls into the mainstream zone and it smartly weaves a number of social messages seamlessly in a love story, I don’t find any room for complain.

The film also made me think that Karan Johar has taken a big risk with the subject matter of Rocky Aur Rani Kii Prem Kahaani. He is one of the most prolific filmmakers in Bollywood and runs one of the biggest production houses. Hence, he has all the resources like access to big stars and a huge budget. He could have easily made a more commercially safe film and earned a huge number at the box office.

It is obvious that Rocky Aur Rani Kii Prem Kahaani caters towards the urban crowd because of the social evils it portrays. This is also seen from the fact that it is earning a bigger amount from the urban centres. If Karan had opted for a more commercially viable film aimed at the masses, he could have made more profit. Yet, he decided to go ahead with a gently hard-hitting film aimed more towards the urban crowd, even if it meant not putting the box office on fire.

And let’s face it, there are plenty of Indians who would not only disagree with the progressive stand of the film but would also laugh at them. Apart from taking the financial risk, he didn’t care about this breed of people as well.

Hence, I feel he deserves to be appreciated.

Also read: Kennedy review: Anurag Kashyap’s political cum crime drama is impressive

When BJP & Congress formed alliance & fought an election together. This is not a joke…

Maharashtra politics has been making headlines since last few years. It all started when the Shiv Sena broke its alliance with their old partner BJP (Bharatiya Janata Party) in 2019 and went with their arch rivals Congress and NCP (Nationalist Congress Party) to form government in Maharashtra.

But all hell broke loose a year ago when Eknath Shinde and a large group of MLAs (Members of Legislative Assembly) quit Shiv Sena and joined forces with the BJP to overthrow Uddhav Thackeray’s government. Shinde became the new CM (Chief Minister) of Maharashtra.

The politics of the state took another major turn last week when NCP’s senior leader Ajit Pawar and few other MLAs joined the Eknath Shinde-Devendra Fadnavis government in Maharashtra and became the new Deputy Chief Minister of the state.

It is obvious that such twists and turns give rise to plenty of hilarious memes on social media. In fact, that’s a no brainer in today’s times. There have been various memes on parties changing their alliances as if changing clothes. One such meme that got my attention says that the only thing remaining now is for the BJP to form an alliance with the Congress. Anyone with even an iota of knowledge about Indian politics would know that the two parties can’t see eye to eye.

BJP Congress logo

But as strange as it may sound, there was once a time when the BJP had formed an alliance with the Congress and this is not a joke. During the 2009 Sikkim legislative elections, the two parties had formed an alliance. And this wasn’t a post-result alliance in order to grab power after the results are declared. The BJP and Congress actually formed a pre-poll coalition and fought the elections together.

The regional Sikkim Democratic Front (SKM) was just unbeatable in the state. The party had won the previous three state elections in 1994, 1999 and 2004 and it looked like they will repeat the performance. Hence, in order to ensure that the SKM doesn’t come into power again, the BJP and Congress joined hands to ensure defeat of SKM by forming a United Democratic Front (UDF). The UDF also contained a few smaller parties but its big players were the BJP and Congress (Read more about this HERE and HERE).

Funnily, the BJP and Congress’ alliance suffered a heavy defeat in the election as the SKM once again triumphed. In fact, the party won all 32 seats in the state and the alliance between the two arch rivals went waste. The SKM is still in power with their latest victory being in the 2019 state elections.

Somehow, this coalition between the BJP and Congress is mostly forgotten. This is largely because Sikkim is a small state in the north east of India, which doesn’t get prominence in the media and in overall discussions. Strangely, online articles about the coalition of the two parties are also reduced now as compared to a few years ago.

Interestingly, the 2009 general or Lok Sabha elections were held simultaneously with the 2009 state elections. While the two warring parties formed an alliance in the former, they, obviously, fought as enemies in the latter.

P.S: Last year in Meghalaya, Congress became a part of the same alliance as BJP. But it wasn’t a pre-poll coalition where they fought the election together. After the results of the elections were declared, all Congress MLAs joined the Meghalaya Democratic Alliance, of which BJP is also a part.

Sirf Ek Bandaa reminds us why there should be NO censorship on OTT

Filmmaker Apoorv Singh Karki’s Sirf Ek Bandaa Kaafi Hai seems inspired from the real life case of self-proclaimed Godman Asaram, who got convicted for rape and is currently in prison for the same. The film stars Manoj Bajpayee as lawyer PC Solanki, who fights the case on behalf of the victim.

The movie succeeds in exposing a self-proclaimed Godman Babaji (Surya Mohan Kulshrestha). It sends out a strong message on how dangerous it can be to blindly worship demons disguised as Godmen. The film has taken creative liberties as a lot happens conveniently for the protagonist. But you don’t mind this much because of the larger impact it creates. The monologue by Manoj Bajpayee, who gives one of his career best performances, helps the cause tremendously for the overwhelming effect it produces.

But this write-up is not just about how good Sirf Ek Bandaa Kaafi Hai is.

The film reminds us the high importance of the OTT (over the top) medium and why it is the only source to watch the kind of content presented by Sirf Ek Bandaa Kaafi Hai. In other words, this movie is a reminder on why it is absolutely necessary for any kind of censorship to be miles away from the OTT medium.

Manoj Bajpayee in Sirf Ek Bandaa Kaafi Hai

Before the release of Sirf Ek Bandaa Kaafi Hai, the organization founded by Asaram had sent a legal notice to the makers of the film since the character of the villain Babaji appears similar to Asaram. The organization alleged that the movie might tarnish his “character, reputation and standing” in the society (Imagine a convicted rapist worried about his character and reputation being tarnished).

When a film releasing online can create such ripples, one can image the situation if the same movie would have released in theatres. Asaram still has a large number of followers who still believe that he is innocent.

Having said this, it is also doubtful if Sirf Ek Bandaa Kaafi Hai would have released in theatres as it is. It seems that certain portions of the film could have faced objection, especially the usage of the word ‘Sanatan’ in a couple of places. The same word would have triggered some ‘religious’ organizations of the country as well.

But that’s not all. The film has supporting characters like a real-life celebrity lawyer Ram Chandwani and politicians Venkateshwara Swamy and Bashir, who clearly appear to be inspired from three real-life personalities. The supporters of the two political leaders and their respective parties would have at least filed cases against the film.

Sirf Ek Bandaa Kaafi Hai has been able to steer clear of all these difficulties simply because it is an OTT movie. The web is the only medium where the audience can see such a film as it is.

Hence, the film is a reminder why there should be no censorship on OTT.

The debate about censorship on OTT has been making rounds in recent times. While some prominent figures from the film industry are opposed to it, there are others who feel otherwise. The people from the latter category have these views because of the adult content in terms of cuss words, violence and sex scenes in OTT content.

But we should remember that if censorship is allowed on OTT, it won’t be limited to cuss words, violence and sex scenes. Any movie or show with a theme that they feel is controversial will become the victim.

A film like Sirf Ek Bandaa Kaafi Hai mostly probably would.