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Fast bowling was NOT allowed in this match

November 16, 2025 by Keyur Seta Leave a Comment

The headline must have made you wonder how on earth is this possible in a game of cricket. But this is true and there is a story behind it. In the era of 1997, Sri Lanka were the world champions in ODI (one-day internationals) cricket and a threat to team India.

This is about the second match of the three match ODI series between India and Sri Lanka in 1997 after the three-match test series between both the teams produced a boring 0-0 result, courtesy some bad weather in all three matches.

The first ODI was won by India in Guwahati by 7 wickets. The 2nd one was played on Christmas at Indore’s Nehru Stadium. Cricket fans expected a good contest on the festival. The match was the ODI debut for India’s all-rounder Hrishikesh Kanitkar.

The Sri Lankans won the toss and decided to bat. But early into Javagal Srinath’s first over, it was felt that the pitch was behaving strangely. The ball was bouncing awkwardly and the batsmen were having issues. On the fourth ball of the over, Romesh Kaluwitharana was bowled off another awkward delivery, which he played onto his stumps. The last ball of the over bounced weirdly for Sanath Jayasuriya. He edged it to the slip area, where Rajesh Chauhan dropped the catch.

Photo for representational purpose (Photo courtesy: Patrika.com)

India’s captain Sachin Tendulkar decided to give the spinner Chauhan the second over after looking at the strange behaviour of the pitch. His over was alright but the next one, bowled by Srinath, got the umpires and match referee worried. After the last ball of the over, which hit Roshan Mahanama on his gloves, the match officials decided to call off the match due to the unplayable nature of the pitch. In 3 overs, Sri Lanka’s score was 17 for 1 (see scorecard HERE).

This was the first time in the history of cricket that a game was called off due to the unsafe nature of the pitch.

The result, obviously, was sad for cricket lovers around the world, but not more than the 25000 odd spectators who had turned up. There were fears about how the crowd will react to this fiasco. There were also reports about a local lawyer almost deciding to file a case against Indian captain Tendulkar, Sri Lankan captain Arjuna Ranatunga and match referee Ahmed Ebrahim for denying the ticket-paying public their right to watch the match.

In order to pacify everyone disappointed by the turn of events, an exhibition match of 25 overs was decided to play between both the teams. But how does one play on a pitch that was behaving so dangerously?

Hence, it was decided that fast bowling won’t be allowed in the match. Only spinners and slow medium pacers can bowl.

Those were the days when T20 was unheard of. So, an ODI match of 25 overs actually got us excited as we were watching on TV, even if it was unofficial. India’s two senior batters Tendulkar and Mohammed Azharuddin didn’t bat in order to give youngsters a chance. I remember Sourav Ganguly bowling gentle medium pacers in the match, much slower than his actual deliveries.

Sri Lanka batted first and scored 180 for 8 in their allotted overs. In response, India fell 2 runs short by reaching 178 for 7 in their 25 overs. I remember India needing 4 runs of the last ball when Kumara Dharmasena was bowling to Navjot Singh Sidhu. Despite it being an exhibition match, there was intense tension before that ball. Sidhu could manage only a single of that ball. Despite India losing, the crowd was treated to an entertaining day of cricket.

(Article continued after video)

Short highlights of the exhibition match

There are reports that before the start of the ODI, India wanted a bouncy pitch with grass in order to tackle Sri Lanka’s top-order. But when the team reached the venue, they realized that the groundsman had produced a dry pitch with cracks, which would assist both fast bowlers and spinners. So, they got the groundsman to prepare an alternative pitch. However, when the Sri Lankan players brought this to the notice of the match referee Ahmed Ebrahim, they eventually decided to play on the first wicket.

The third ODI of the series, which was played in Goa, was won by Sri Lanka by five wickets, thereby drawing the series 1-1.

Interestingly, much later in 2009, another India-Sri Lanka ODI was called off due to the dangerous nature of the pitch (see scorecard HERE). This time, the venue was Delhi’s Ferozshah Kotla Stadium. Co-incidentally, the match in 1997 was played on December 25 and the one in 2009 on December 27.

Strangely, less than a month and half after the 1997 ODI blunder, a test match between West Indies and England at Kingston, Jamaica on February 2, 1998, was called off in the first session of the first day for the same reason after the latter batted for 10.1 overs. As a kid, I remember bowlers like Curtly Ambrose and Courtney Walsh appearing deadlier than they were on that pitch. This was the first test match to be called off due to the nature of the pitch (see scorecard HERE).

Also read: Sachin-Kambli’s unknown match-winning partnership: 50 Years of Wankhede

Filed Under: Cricket Tagged With: India Sri Lanka 1997 Indore Match, India Sri Lanka 25 Over Match 1997, India Sri Lanka Indore Pitch, India Sri Lanka Old Match, India vs Sri Lanka Old ODI Match, Old Cricket Match, Old ODI Matches

Gondhal Review: A night of ritual turns sinister

November 15, 2025 by Keyur Seta Leave a Comment

Storyline: Gondhal is a night-long ritual held in one of the interiors of Maharashtra. It is performed in presence of a newly-married couple in order to eliminate the obstacles from their lives. A folk performance throughout the night is a part of the ritual, which is attended by the entire village. The story starts off when Bhivaba (Kishore Kadam) arrives to perform the ritual for the newlywed couple Anandrao (Yogesh Sohoni) and Suman (Ishita Deshmukh).

But this is not going to be just another night of the said ritual. Sarjerao (Nishad Bhoir), the son of the village Patil, is jealous to see a girl as beautiful as Suman being married off to the simple and innocent Anand. In fact, Sarjerao was earlier supposed to marry Suman but he couldn’t after his father asked for a huge amount in dowry. Despite Suman now being a wife of another man, Sarjerao is not in the mood to accept defeat.

Review: Gondhal, which is written and directed by Santosh Davakhar, gets the viewers transported into the interiors of the village and the ceremony of Gondhal in a thoroughly impressive manner. It does that through a long one-take shot that not only follows different characters perform different tasks but also in presence of over 100 junior actors in a large open area. Veteran cinematographer Amalendu Chaudhary makes his presence felt in various other shots as well.

Gondhal Marathi movie

No stone is left unturned when it comes to portraying the ceremony and its various aspects. One can find even minute detailing with regards to the rituals, costumes and production designing.

But the actual story begins at the interval block through an interesting development. This makes you think that the story will go on an expected route. But it actually goes onto the sinister mode. There comes a time when the ritual becomes a mystery drama. Even if you are able to guess the final outcome, its presentation keeps the proceedings interesting. Gondhal indirectly presents an irony of dark human intentions even while performing a sacred activity.

Ilaiyaraaja’s music is decent. His background score succeeds in enhancing scenes of different moods.

Ishita Deshmukh suits in the role of a newlywed wife. But she also shines whenever she has to act naughty. She is a find for the future. Yogesh Sohoni is perfect as the naïve young husband. He gets to display his talent more in the climax.

Nishad Bhoir is fair as the desperate Sarjerao. Kishore Kadam impresses the most during the initial long one-take scene. Suresh Vishwakarma, as Patil, and the rest of the supporting actors chip in with decent performances.

Coming to the negatives, an act committed by Bhivaba post-interval doesn’t appear convincing. It is difficult to believe that a character like his can take such an extreme step. There are also a few instances where the film could have been crisper.

Overall: Gondhal is a fine saga about a ritual turning into the night of crime. This is the debut feature film for Santosh Davakhar both as a writer and director but it doesn’t appear so.

Rating: 4 out of 5

Director: Santosh Davakhar

Producers: Davakhar Films

Writer: Santosh Davakhar (story, screenplay and dialogues)

Cast: Ishita Deshmukh, Yogesh Sohoni, Nishad Bhoir, Kishore Kadam

Also read: Haq review: Yami Gautam excels in this one-time watch courtroom drama

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Gondhal Actors Cast, Gondhal Film Review, Gondhal Marathi Movie Review, Gondhal Marathi Story, Gondhal Movie Review, Gondhal Review, Marathi movie review, Santosh Davakhar

Haq review: Yami Gautam excels in this one-time watch courtroom drama

November 8, 2025 by Keyur Seta 1 Comment

Storyline: Haq is a fictionalized and dramatized version of the historic Shah Bano Begum vs Mohammed Ahmed Khan case. The film is adapted from journalist and author Jigna Vora’s book ‘Bano: Bharat Ki Beti’.

The film starts off in 1967 in a town in Uttar Pradesh. Shazia Bano (Yami Gautam Dhar), a young girl full of life, gets married to the lawyer Abbas Khan (Emraan Hashmi). She is happy with choosing him as her life partner. She gives birth to two children and is pregnant with the third. This is when Abbas goes on a three-week visit to Pakistan to settle some property dispute in their ancestral place.

However, Abbas returns after three months and that too after marrying a young girl, Saira (Vartika Singh). Shazia devastated to know that her husband had a second marriage and that too by keeping her in the dark. Things start getting murkier for Shazia from here on, which eventually compels her to take Abbas to the court.

Review: It is widely known that Haq is a courtroom drama. Hence, it is obvious for the audience to anticipate the narrative to go on the legal route. There is also this danger that the portion before the courtroom scenes might make you impatient. Thankfully, nothing of that sort happens here.

Yami Gautam Dhar in Haq

The route to the court is finely structured and presented. The whole journey of Shazia’s happy marriage turning sour is well narrated. This was also possible because of the smooth transition of Abbas’s character from being the hero to the antagonist. Emraan Hashmi has always been a fine performer (even when he was labeled as a ‘serial kisser’) and he has proved the same here as well.

Once the film goes onto the legal route, you, naturally, expect it to go into overdrive. However, for some strange reason, the opposite happens. The narrative during this half doesn’t turn out to be as gripping as before. There are also some portions where the goings appear dry and episodic.

The film ends on a fine note with Shazia’s monologue but it seems too much dependent on the final part. Even for this, it is Yami Gautam Dhar’s bravura act that keeps you glued and moved.

Also during the rest of the film, she lives the journey of Shazia Bano with a lot of maturity. This one is easily one of her best acts and one of the best performances of the year. However, it is a mystery that both Yami and Emraan look almost the same even after a span of 18 years.

Danish Husain’s character as Shazia’s father is shown to be very progressive, even by today’s standards. He does full justice to it. Sheeba Chadha and Aseem Hattangady are impressive as Shazia’s lawyers. Vartika Singh shows promise as Saira.

Haq scores high in production designing. The colour grading too makes the bygone era believable. Vishal Mishra’s music is nothing much to speak about. The film needed, at least, one impressive theme track. Sandeep Chowta’s background score enhances the proceedings.

Overall: Haq is a one-time watch courtroom drama, aided by Yami Gautam’s fine act. As far as the box office is concerned, its appeal lies in the urban multiplex centers.

Rating: 3 out of 5

Director: Suparn Verma

Producers: Junglee Pictures, Insomnia Films and Baweja Studios

Writers: Jigna Vora (original book) and Reshu Nath (story, screenplay and dialogues)

Cast: Yami Gautam, Emraan Hashmi, Danish Husain, Sheeba Chadha, Vartika Singh

Also read: Homebound review: Neeraj Ghaywan’s film reminds you of your privilege in a hard-hitting way

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Haq Based On, Haq Emraan Hashmi, Haq Film Review, Haq Movie Review, Haq Review, Haq Shah Bano Case, Haq Yami Gautam

Teen Paayancha Ghoda review: Fine portrayal of friendship and mistakes during teenage

November 5, 2025 by Keyur Seta 2 Comments

Storyline: Teen Paayancha Ghoda (English title: Three Legged Horse) takes place in 2003 in Pune. Adnan (Kunal Shukla), a carefree youngster, has been flunking his 12th standard exams. He has already lost two years in the process. His girlfriend Chandrika (Ria Nalavade), who is even more carefree, continues to support him despite his failure.

Adnan’s father is in the rehabilitation centre for alcoholism. He isn’t strict with Adnan and doesn’t have any grudges for him failing in exams. But Adnan’s nana (Gajanan Paranjpe), who is a retired IPS (Indian Police Service) officer and with whom he lives, is super strict and has given an ultimatum to him to pass his exams this year.

Chandrika comes up with a plan to get a fake marksheet created for Adnan. For this, she contacts Rathore (Avinash Londhe), who is from the same age group. The purpose of creating a fake marksheet germinates into an unusual friendship between the three youngsters. But where will their wrong path lead them eventually?

Review: Teen Paayancha Ghoda is from the makers of the brilliant drama Amaltash. This film also falls in the unconventional zone like the earlier one but it’s hugely different both in terms of the storyline and its treatment.

Teen Paayancha Ghoda Marathi movie

It deals with a simple storyline but it’s nowhere narrated and presented in a conventional or straightforward way. Noopur Bora and Yogesh Vinajay Joshi have creatively narrated the tale in a way that you discover it in a novel way and through little details. The flashback to 2001 on quite a few occasions is also smartly done.

The film shows the three central characters indulging in an illegal activity. However, they are not shown as bad people. They are going through the wrong path only out of necessity. Of course, the film doesn’t justify their act but you somehow start liking them, especially Rathore. The organic way in which friendship develops between the three character plays a major role in it.

Suhas Desale and Rushi Tambe’s camerawork completely goes with the nature of the film. It is more like a glimpse into the world of the three youngsters. The same unconventionality is seen in the editing (Makarand Dambhare and Suhas Desale) and background score (Chlkwrk).

The performance of the three youngsters also plays a major role in making the tale believable. Their casting is just right. Kunal Shukla makes the character of Adnan believable. Along with being subtle, he also scores in being sarcastic. Ria Nalavade succeeds in playing a strong woman with a lot of spunk. Both are a lookout for the future. Avinash Londhe is apt in the role of the fully introvert Rathore. He speaks on various occasions through expressions.

The movie has some senior actors in cameos and extended cameos. Gajanan Paranjpe exudes fear every time he appears. Devika Daftardar is convincing as a mute and deaf character of Rathore’s mother. Sandesh Kulkarni and Rohit Kokate display mature acts in characters with limited screen time.

There are, however, issues that stop Teen Paayancha Ghoda from being superlative. The last 20 odd minutes don’t go with the nature of the rest of the film, which is light-hearted. The transition doesn’t appear as seamless as it should have been.

Overall: Teen Paayancha Ghoda is a fine portrayal of friendship and mistakes during teenage.  

Rating: 3.5 out of 5

Director: Noopur Bora

Producers: Darshan Productions and Medium Strong Productions

Writers: Yogesh Vinayak Joshi and Noopur Bora

Cast: Kunal Shukla, Ria Nalavade, Avinash Londhe, Gajanan Paranjpe, Devika Daftardar

Also read: Amaltash review: Tenderly created saga on love, life & music

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Teen Paayancha Ghoda Marathi Movie, Teen Paayancha Ghoda Marathi Movie Review, Teen Paayancha Ghoda Movie Review, Teen Paayancha Ghoda Review, Three Legged Horse Marathi Movie, Three Legged Horse Movie Review

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