The Common Man Speaks

We have forgotten how this group did worse than Karni Sena just 5 months ago

January 22, 2018 by Keyur Seta Leave a Comment

As we are all aware how the Rajput Karni Sena is violently dictating terms while putting forth their demand to ban Sanjay Leela Bhansali’s Padamaavat. The protests began in Rajasthan last year but have now spread to various parts of the countries. In fact, there have been continuous reports of violence over the last few days.

Needless to say, they are being allowed by the Bharatiya Janata Party (BJP) led governments in some states and center to dictate terms. There has been no strict action taken despite the goons creating havoc uncontrollably.

If violence wasn’t enough, threats are being given by Karni Sena women to commit jauhar (self-immolation). The group is led by men and the violence is also created by them but they wish to be safe. How heroic!

However, although the spineless attitude of the governments is sickening, it is certainly not surprising. This is simply because they had made their intentions clear as far as appeasing fringe groups is concerned just five months ago. Strangely, I have not heard anyone recalling this disturbing incident despite its massive similarity with the ongoing Karni Sena crisis.

Karni Sena Padmavati

Picture: Hindustan Times

Self-styled Godman Gurmeet Ram Rahim Singh, known for his roles in and as MSG, was convicted of raping two girls in August last year by the Punjab and Haryana Court. Following this, his huge number of followers went on a violent rampage by randomly destroying public and state properties by either vandalizing or setting them ablaze.

What made it even worse was that 30 people were reported dead in the entire chaos by the supporters of Dera Sacha Sauda chief. See the entire timeline of events HERE.

Manohar Lal Khattar, the Chief Minister of Haryana (the same person who has given some shockingly chauvinistic statements and has taken the recent rapes lightly and labeled some as ‘fake’) came under severe fire for allowing thousands of Dera supporters to gather outside the court premises despite knowing their gruesomely violent nature.

You don’t even need to be half intelligent to predict how his mad supporters would react once their hero is pronounced guilty of such heinous crimes. Not just that, Ram Rahim was allowed an entourage of 200 cars while going to the court! The state acted only after severe damage to lives and property took place. The Dera chief is close to the BJP and his supporters are a big vote bank for them.

In fact, the party spokespersons were not even ready to speak against Ram Rahim on news chat shows that night despite him being convicted of rape (the charges against him are far worse, including mass castration). These are the same people who are ready to bash the opposition even for a tweet.

Similarly, right now they are not ready to condemn Karni Sena’s goons, leave alone take action. After all, Rajputs form a large vote bank in the northern and central areas of India.

So, those who are aware of the five-month old history shouldn’t be surprised to see it being repeated.

By: Keyur Seta

Filed Under: Bollywood, National, Socio/Political Tagged With: Dera Sacha Sauda supporters violence, Gurmeet Ram Rahim supporters, Karni Sena protest Padmavat, Padmaavat Karni Sena violence, Padmaavat latest news, Padmavati protest

Spielberg’s ‘The Post’ is a loud reminder of the state of media in India currently

January 14, 2018 by Keyur Seta Leave a Comment

Spoilers alert!

The basic message in Steven Spielberg’s The Post comes right at the end when a character says, “The free press is to serve the governed, not the governors.” The sentence provides an overwhelming effect for it summaries the excellent efforts of the film to showcase the true meaning of a free press.

But being an Indian citizen who has been following the media scenario in India over the last decade or so, it also reminded me about the rapid deterioration of the freedom of the press in the country.

The Post is based on a newspaper’s brave efforts in the early 1970s in obtaining and publishing classified documents that reveal how the US had been lying to its people with respect to the Vietnam War. The team of journalists is taken to the court by the government but, astonishingly, the media wins the case. In other words, they are allowed to point out their government’s grave offence against the people.

Taking nothing away from the film and the fearlessness shown by the journalists of that era, I feel the challenges faced by the Indian media today are many notches higher (I am talking about true, genuine journalists).

The PostCan you even imagine news of such a humongous nature being reported by a mainstream newspaper or a news channel today? Well, leave alone that, one can’t even print a report about the possibility of corruption by a citizen who happens to be the son of the party head of the ruling party. On the contrary, the publication gets sued for defamation (by the way, the complainant hasn’t been able to prove the charges).

Just recently, an FIR was filed against the reporter of a well-known publication for carrying out an investigative report showing severe security lapse in the entire Aadhaar scheme.

But if you think this is bad, wait for the next. Few years back, a film journalist lost his job for reporting true box office collections of a well-known movie. He spoiled the party of the makers who were circulating fake collections through various mediums.

So, at a time when even film related news gets you sacked, what are the possibilities of our media being allowed to carry out something as earth-shattering as shown in The Post?

Unofficially government-run media:

Government crackdown on the media isn’t the only major hurdle that today. Over the last few years, the concept of unofficially owned news channels has cropped up. Those having watched such channels even for a few days would realize that their main motto is to show the government in good light even when they have been messing things up up left, right and center.

Their loud-mouthed anchors disguising as saviors of the nation would scream out lies till they start appearing like the truth. If a report of such magnitude gets published, these anchors would label the team of reporters as criminals. Anurag Kashyap’s recently released Mukkabaaz has a line which translates to, “Truth isn’t something you know. It’s something people believe to be true.” In fact, anyone having a contrary view is shouted down and labeled anti-national, naxalite, leftist; depending on their mood.

Being an era of internet and social media, the role of government run trolls also cannot be ignored. Its paid troll army would be up in arms and instantly manufacture fictitious links of their reporters with some criminal, terrorist or the opposition parties (opposition = criminals, by the way.) And if a reporter would have been a female, it gets worse.

The Post is a loud reminder of the sorry state of affairs with respect to the freedom of the press currently in India.

By: Keyur Seta

Filed Under: International Cinema, National, Socio/Political Tagged With: freedom of media, freedom of the press in India, press freedom in India, The Post movie, The Post movie case, The Post Steven Spielberg

Baahubali 2 has achieved the unthinkable even before its release. Here’s what…

March 26, 2017 by Keyur Seta Leave a Comment

S S Rajamouli’s Baahubali: The Conclusion, also known as Baahubali 2, is around a month away from its release. It would be an understatement to say that there is high excitement for the film. There has hardly, if not never, been such high degree of eagerness for a film all over India.

The Prabhas and Rana Daggubati starrer will be releasing in a whopping 6500 screens in the country. This is the highest for a film in India. Hence, the film is predicted to amass the highest box office collections ever (at least till the time Robot 2.0 releases).

In fact, the eagerness is such that, God forbid, even if the film doesn’t turn out to be that impressive, it won’t be wrong to make a prediction that its business will still be big.

Baahubali 2 posterHowever, even if this doesn’t happen, Baahubali 2 still will be achieving the unthinkable. In fact, it has already begun.

Let’s face it. The only thing that has united Indians all these decades has been cricket, whether you like it or not. But this is the first time that such a feat has been achieved by a film, at least in my lifetime. I have never seen a film bonding the whole of India like Bahaubali has. The fact that it is releasing in such huge number of screens is a proof of that.

So much so, that most of us either seem to have forgotten or are not bothered that its original language is Telugu and Tamil. (‘south Indian’ for many). Normally, one would expect a Hindi film to achieve such feat. But nobody is complaining.

Another proof of its extreme excitement is the number of views to its Hindi trailer. In just 11 days, it has garnered more than 3 crore 65 lakh views (only the Hindi trailer). On the other hand, Badrinath Ki Dulhania, a hardcore Hindi film with big stars like Alia Bhatt and Varun Dhawan, has managed 2 crore 81 lakh views in almost two months. Shah Rukh Khan’s Raees has been viewed just over 5 crore times in a long period of almost four months.

This speaks about the film’s pan India interest. On a lighter note, people from all over India are eager to find out why Katappa killed Baahubali. The social media is full of funny memes or posts asking this question. Seriously, how many of us ever expected a non-Hindi film to create such a scenario?

What it has indirectly shown is the power of regional cinema. The same happened last year with the Marathi movie Sairat. The film also found takers outside Maharashtra, something never achieved before by a Marathi film. This is also a wake-up call for those who shy away from watching a regional film saying it won’t interest them. If a film is high in appeal, it will cross state boundaries in India.

Like Baahubali 2 has. It’s neither a Telugu/ Tamil nor a south Indian film.

It’s an Indian film… Jai Mahishmati!

By: Keyur Seta

Hindi trailer of Baahubali 2: The Conclusion:

Filed Under: National, Regional cinema Tagged With: Baahubali 2 box office, Baahubali 2 box office prediction, Baahubali 2 Hindi trailer, Baahubali 2 the conclusion expectations, Bahubali 2 achievement

Why we shouldn’t blame Nihalani alone for Lipstick Under My Burkha sexist attack

February 25, 2017 by Keyur Seta 2 Comments

While we were busy analyzing the results of various municipal elections in Maharashtra, the Central Board for Film Certification (CBFC) imposed their downright sexist thoughts on the audience.

The board refused certificate to Alankrita Shrivastava’s Lipstick Under My Burkha. In other words, they feel the audience should NOT watch this film. The reasons stated by them have sexism written all over them.

In a letter given to the producers, the board justifies their act saying, “The story is lady oriented, their fantasy above life. There are contanious (sic) sexual scenes, abusive words, audio pornography and a bit sensitive touch about one particular section of the society hence film refused under guidelines 1(a), 2(viii), 2 (ix), 2(x), 2 (xi), 2 (xii) and 3 (I).”

Now, let’s break down their so-called justification. They have given away their sick thoughts in the first five words itself by stating that it’s a ‘lady oriented’ film. When you feel offended by female-oriented films, it speaks volumes about your sexist and pro-MCP mindset. You look at it as a threat to your deep-rooted patriarchal thoughts.

Lipstick Under My Burkha and NihalaniThe second justification ‘their fantasy above life,’ means a female can’t be shown having fantasy. These people have had no problems all these years when a male, or ‘hero’ as they call it, fantasizes about a girl in various ways.

The other reasons – There are contanious (sic) sexual scenes, abusive words, audio pornography and a bit sensitive touch about one particular section of the society – don’t hold ground because the job of the CBFC is not that of a Moral Science teacher.

To make matters worse, Nihalani has justified their actions by sugarcoating it with ‘Indian culture’. He said to the media, “The aim is also to protect our culture and tradition. Our motto is right film should go to the public.”

He should remember that it’s a film CERTIFICATION board. So, their job is only to certify films according to age groups and not pass judgments on which films are ‘right films.’ This was also said by the Bombay High Court during the Udta Punjab fiasco last year. Nihalani and CBFC surely couldn’t have forgotten it so soon. After all, who can forget such huge national embarrassments?

And for your information, the issue is not just limited to a film. It is about how a group of individuals are forcing the people to walk onto their patriarchal path. It is also an attack on freedom of expression in one of world’s largest democracies.

However, during every such fiascos by the CBFC, we just don’t tend to look beyond. We criticize Nihalani and other CBFC members but that’s about it. We clearly forget who appointed them and why they are still not removed.

It is the Central Government that had revamped the CBFC committee in 2015. It happened after Leela Samson, the previous chief, and her team resigned due to issues while certifying MSG: The Messenger. The members are handpicked supporters of government ideologies.

Therefore, it is the Central Government that is to be blamed for every attack on freedom of expression by the CBFC. The list of dictatorial blunders by the CBFC is long. So, despite this if they are still not removed, it only means that the government supports them and is propagating its dangerously regressive mindset through the CBFC.

If the government doesn’t support such ideologies, what is stopping them from removing Nihalani and others from the CBFC?

Are they so helpless and powerless?

Conclusion: The film industry needs to unite in huge numbers and protest for the removal of the current CBFC committee team. It has to happen or else we would be discussing the rubbish decisions by these dictators after every few weeks.

By: Keyur Seta

Filed Under: Bollywood, National, Socio/Political Tagged With: Alankrita Shrivastav director, Lipstick Under My Burkha, Lipstick Under My Burkha banned, Lipstick Under My Burkha Censor board, Lipstick Under My Burkha controversy, Pahlaj Nihalani Censor Board

How Dangal showed that patriotism can be felt, not preached

January 25, 2017 by Keyur Seta Leave a Comment

Nitesh Tiwari’s Aamir Khan-starrer, Dangal has shattered box-office records by becoming the biggest Bollywood blockbuster ever. The film has earned over Rs 370 crore so far. Collections in this range speak about a film’s wide acceptance. More so because the earnings have been constant. Its peak business wasn’t limited to the first few days or first week.

But the film, based on the life of Mahavir Singh Phogat, has also achieved something else subtly.

In today’s times, patriotism and nationalism are transformed to hyper-patriotism and ultra-nationalism. It is a ploy used by self-proclaimed patriots who are always ready to attack anyone not agreeing with their pro-government views in the name of Desh Bhakti.

Dangal stillThis is also seen the most if you disagree with their views of opposing everything that is Pakistani. Be it actors, cricketers, artists and who not. These are the same people who completely turn a blind eye to the non-stop trade between India and Pakistan, even after the Uri attacks. Some of them might even be staying in houses made from cement that comes from across the border. However, this is a different story.

Coming back to the main topic, in the midst of such hyper-national atmosphere, Dangal has shown the actual meaning of patriotism, which should be felt and not preached. This is in the climax when the National Anthem is played. It was an excellent technique to make Phogat realize that Geeta has won the Gold medal.

Tiwari got the audience rooting for Geeta Phogat in her quest to win Gold for India in such a way that most of us were forced to stand during the National Anthem. Some of us who have been opposing the playing of our anthem before films also stood up. Why? Because we badly wanted her and India to win the Gold and make Mahavir’s dream come true. So, the climax brought a sense of pride towards our nation.

But all this was achieved without a single dialogue highlighting the importance of patriotism. Without any sloganeering. In fact, there were no instructions on the screen either asking people to stand. Hence, it’s proven that patriotism is a feeling, not a slogan.

In all this, Aamir has also truly destroyed the morale of hate mongers, who were spreading messages to boycott Dangal. But he did that without saying a word against them and by just making his work do the talking.

They urged everyone to boycott his films. People made it the biggest hit ever.

They labeled him ‘anti-national.’ His film showed the true meaning of nationalism.

Hope for peace lives on…

– By Keyur Seta

Filed Under: Bollywood, National, Socio/Political Tagged With: Dangal, Dangal box office collection, Dangal box office records, Dangal climax, Dangal jana gana mana, Dangal message, Dangal national anthem

6 reasons why Demonetization is indefensible

December 22, 2016 by Keyur Seta Leave a Comment

As soon as Demonetization was enforced on November 8, the first question that struck people was whether this move will help curb the menace of Black Money and corruption, as promised by Prime Minister, Narendra Modi. As I mentioned in my last post (HERE) on the issue, people like me, who have absolutely no knowledge in Economics or Finance, cannot answer this question.

However, you don’t need to be an expert in any subject to understand the extreme suffering experienced by a large number of people in the country. More than a month ago, the question was whether demonetization will succeed. Now, experts are trying to understand the extent at which demonetization will affect the country. In other words, it is a blunder.

Here are 6 reasons why defending demonetisation is like defending the indefensible:-

GPS joke: To support government’s move of introducing Rs 2000 note, news channels like Zee News and Aaj Tak ran programs explaining that the currency contains a chip that can be detected through satellite with the use of GPS technology. However, the news (?) not only turned out to be false but also a joke (watch VIDEO below). You can easily hoard black money in the Rs 2000 currency as well. If banning high value currency like Rs 500 and Rs 1000 can lessen the menace of black money, what exactly is the logic behind introducing Rs 2000 notes?

Instant backfiring: The above point was proven right even before 15 days of the decision. A number of members from the ruling Bharatiya Janata Party (BJP) have been caught with bundles of the new Rs 2000 notes. At the same time, banks are getting limited amounts of the new currency. So, how did your party men laid hands on the new notes in such large numbers? If this is not a scam, what is? (read news HERE and HERE)

Picture: Livelaw.in

Punishing innocents: Instead of affecting black money hoarders, the move has made life hell for people from small towns, villages and those involved in small business that run entirely on cash. Wage workers have been temporarily out of job (read news HERE). You don’t need to be an expert to know that a large section of our population has no bank accounts and there are many villages either without any banks or having banks are faraway places (read news HERE). How can you expect them to leave their daily work and stand in queues for hours?

And sorry, the logic of going cashless doesn’t apply to poor people who live from hand to mouth. Even city dwellers like me have just installed PayTM and that too out of force. Plus even in 2016, there are villages with no access to electricity. So, how on earth do you expect them to buy smart phones and install PayTM? Don’t tell me you had no idea about this despite being the PM of a country.

Justifying death? This is the biggest reason why demonetization has failed. In fact, even if it would have yielded fruitful results (which appears like a dream), it would have still been a failure if more than 50 countrymen (might be more unofficially) got killed in it. Of course, Bhakts have been making inhuman arguments that a large number of people die every day. But these people died after standing in long queues for hours. They were standing in queues only and only because of the decision. They weren’t standing there out of their will or just for fun. There are incidents where people died after not receiving medical attention as the patients’ families didn’t have new currency. How will you justify these deaths even if demonetization turns successful?

Mocking the helpless: Like I said in my previous post on the issue, what has annoyed me the most about this whole episode is the mocking and casual attitude of the PM despite these many deaths. Last month in Japan, he mocked those who are facing problems due to demonetization (see video below). He repeated it later by stating that even beggars have started using PayTM. Seriously? The only justification for this can be that it was his lookalike who spoke these things.

Political parties can party: This is the second biggest fiasco after deaths. Political parties are the ones with most number of black money, which is spent the most during elections. Nobody knows who pays for those 24/7 in-your-face-and-TV advertisement played during elections. Now, these parties have been given further relief to not disclose their funding in old currency. A notification (out of the many) says that they are exempted from scrutiny (read the news HERE). So, if the biggest source of black money isn’t going to face any problem, what exactly is the point of the whole exercise of demonetization?

– By: Keyur Seta

Filed Under: National, Socio/Political Tagged With: demonetisation negative effects, demonetization analysis, Demonetization effects, demonetization impact, demonetization negative impact, Demonetization news, Rs 2000 note advantages

Dalhousie pictures: The place with picturesque hills heals you

December 17, 2016 by Keyur Seta Leave a Comment

I live in a part of Mumbai (Dadar) which is nothing but concrete jungle. Hence, the mere sight of a mountain or any sort of nature makes me happy. So much so, that even a visit to the nearby hill station, Lonavala gets me excited. Therefore, one can only imagine my feeling when I landed in the picturesque Himalayan region of Dalhousie.

‘Delightful’ is the word. Well, you can add ‘healer’ too. The place delights and heals you, both at the same time. Delights with its amazing view of mountains and valleys. This coupled with the weather heals you externally and internally; the latter is more important for people from urban areas caught in a fast city life.

Have a look at the pictures:

Dalhousie city.

People running the Dalhousie Public School have installed plants on both sides of the roads and that too with such beautiful, colourful stands. The bigger achievement is that there are no miscreants to damage it. This is one thing that comes to the mind of someone from Mumbai, where even a dust bin isn’t safe!

Dainkund is a place with beautiful mountains, situation around 13 kilometers from Dalhousie. It has an army cantonment and a Kali Mata Temple, for which one requires to climb 1 kilometers up on a hill.

Dainkund.

This steep road leads to Punchpula waterfall, which is close to Dalhousie. The route up the hill is dangerous. Precautionary measures are advised. After climbing up, I felt as if I achieved something. However, the real challenge was going down these huge steps. By the way, the waterfall was just a little stream.

At Khajjiar.

Khajjiar.

Khajjiar is around an hour’s drive away from Dalhousie. The place is known as Mini Switzerland. Going by the scenic beauty of it, the title looks justified. However, a couple of friends who visited the place few months ago witnessed much more greenery than what it was when we visited.

Khajjiar.

Caught this sight while we were on our way from Amritsar to Dalhousie.

At place on our way from Dalhousie to Macleodganj.

Our vehicle stopped to fill petrol at this place just outside Dalhousie while we were on our way to Macleodganj. The sight instantly brought to my mind the first verse from ‘Yun Hi Chala Chal’ song from Swades – Dekhun jidhar bhi in rahon mein, Rang pighalte hai nigahon mein, Thandi hawa hai thandi chhaavn hai, Door woh jaane kiska gaon hai…

– By: Keyur Seta

Filed Under: National, Pictures, Spiritual Tagged With: Dainkund, Dalhousie city, Dalhousie Khajjiar pictures, Dalhousie mountains, Dalhousie photos, Dalhousie photos winter, Dalhousie pictures, Khajjiar pictures

Spoof: What the Common Man of A Wednesday thinks about Demonetisation

November 26, 2016 by Keyur Seta Leave a Comment

The Demonetisation of Rs 500 and Rs 1000 notes and the introduction of Rs 2000 notes are garnering mixed reactions among the people of India. So, I and a couple of my friends – Padmanabh Subramanian and Ankit Tripathi – came up with this spoof on how the Common Man of Neeraj Pandey’s A Wednesday would think of Demonetisation if he is facing problems due to it.

 

This is it:-

Here are the words of it:

Main woh hoon jo aaj do hazaar ki note se darta hai. Main woh hoon jo ATM jata hai toh uski biwi ko lagta hai jung pe ja raha hai. Pata nahin bachega ya nahin. Har 2 ghante ke baad phone karti hai ki paise mile ki nahin, number aaya ki nahin. Darasal woh yeh jaan na chahti hai ki main zinda hoon ya nahin. Main woh hoon jo chunavi vaadon mein phasta hai. Kabhi jumlo mein.

Kala dhan kisi ka bhi ho, bewajah marta main hi hoon. Bheed toh dekhi hogi na aapne? Bheed mein se koi ek shakal chun lijiye, main woh hoon. I am just a stupid tax payer, wanting to jump ATM queues.

– By: Keyur Seta

Filed Under: Bollywood, National, Socio/Political Tagged With: A Wednesday spoof, A Wednesday spoof demonetization, Bollywood spoof, Demonetisation jokes, Demonetisation problems faced, Demonetisation spoof, Demonetizaton

Demonetization chaos: Why punish innocent citizens?

November 13, 2016 by Keyur Seta 1 Comment

No, I am not giving an opinion on whether the Demonetization of Rs 500 and Rs 1000 notes and introduction of Rs 2000 notes is a good move. I have zero understanding of matters related to Money, Finance or Economics. After going through some expert opinions, I am assuming it’s a good move.

This write-up only looks at the situation from a logical and humanitarian point of view. The main aim or reason behind the demonetization exercise is to control the flow of Black Money in the country and to punish those who indulge in keeping undisclosed amount. Apart from this, it is also aimed at stopping the supply of counterfeit notes.

Picture: BBC.com

Picture: BBC.com

There is a saying, “It is fine if 100 criminals go unpunished, but it is not fine even if a single innocent gets punished.” The scenes taking place in the country since yesterday have made sure that this saying is continuously playing inside my head.

It is completely understandable that one has to face some inconvenience during such operations. I, along with many others, have no problems with it. There is dearth of Rs 100 notes while Rs 500 and Rs 1000 notes are finding no takers. It is okay for us because we have numerous options like online purchase, ATMs, net banking, etc.

However, we seem to have forgotten that a large chunk of Indian population doesn’t have bank accounts, leave alone net banking facility. How do you expect them to survive? As is seen from videos posted on the net, people have broken down as they have no cash for basic necessities. Just have a look at the insanely long queue outside a bank in Surat (below video). Have you ever seen such row of people ever? Are you assuming all of them are corrupt Black Money holders?

Such scenes clearly show that there was no planning whatsoever for an operation as massive as this one. But who is suffering the most due to their blunder? The Common Man, who pays his tax duly and has no black money like many of those millionaires. Know about the plight in detail by clicking HERE.

But I still wouldn’t have written this piece if I hadn’t seen Narendra Modi, the Prime Minister of India, joking and mocking about the scenario during his speech in Japan yesterday. It was a mixture of shock and disgust to see him poke fun at the situation by citing few examples of helpless people. If this isn’t sadistic, what is? (Watch the video below)

That too coming from the PM of a country and that too after knowing about few deaths that took place due to the chaotic process! I guess he realized his folly, so he came up with an emotional speech today. Well played!

If this wasn’t enough, people are comparing the plight of the Common Man with that of our soldiers on the border. These are the same people who are ready to label anyone ‘Anti-national’ at the drop of a hat. So, isn’t using the Indian Army to hide your blunder an anti-national act?

After making innocent taxpayers suffer to this extent (including death), they better make life hell for the corrupt Black Money holders soon. I am sure you know the names. Let’s see when they go to jail.

“It is fine if 100 criminals go unpunished, but it is not fine even if a single innocent gets punished.”

– By: Keyur Seta

Filed Under: National, Socio/Political Tagged With: Demonetisation, Demonetization, Demonetization effects, Demonetization meaning, Demonetization news, Modi Japan speech, Modi speech demonetization

5 reasons why banning Ae Dil Hai Mushkil is senseless

October 16, 2016 by Keyur Seta 5 Comments

By: Keyur Seta

The Uri attacks in Jammu and Kashmir by Pakistan-based terrorists, which saw 19 Indian soldiers achieving martyrdom, saddened the nation. It also united the people of India above religion, region, caste and what not. However, the incident has also given rise to some intense hatred that is only making things worse.

The biggest example of this is the ban on Karan Johar’s Ae Dil Hai Mushkil by Cinema Owners and Exhibitors Association of India (COWAI) just because it stars Pakistani actor Fawad Khan. This means that the film won’t release in single screens and few multiplexes in India.

Here are 5 reasons why hatred towards the film is senseless:-

ae-dil-hai-mushkil-poster1. Ae Dil Hai Mushkil was shot much before the Uri attacks. In fact, the film had even completed its post-production by then. Fawad worked in the film through legal means and was given proper work visa by us. Films with Pakistani actors that released before the Uri attacks didn’t face any issue. Happy Bhag Jayegi, which released on August 26, saw Pakistani actress Momal Sheikh playing one of the important characters. There was no uproar and the film was appreciated. So, will you punish ADHM for its release date? Is it Rocket Science to understand that it takes months for a film to release after the completion of shoot?

When I spoke with Nitin Datar, president of COWAI, and asked as to why ADHM should suffer because of its release date, he had no clear answer to it. Read the news HERE.

2. Last year, Narendra Modi, the Prime Minister of India, gave a birthday surprise to Pakistan Prime Minister, Nawaz Sharif, in order to develop friendly ties between both countries. This was also the time when Johar was shooting ADHM with Fawad. If you feel what the filmmaker did was wrong, what do they have to say about our PM’s gesture? You can be friendly with their PM but can’t work with their artists? I personally have nothing against Modi’s act. I found it worth appreciating. But this is clear double standard by those portraying Johar as a villain for signing Fawad in his film.

3. Ajay Devgn had signed Pakistani actor Ali Kazmi for Shivaay, which is releasing alongside ADHM on October 28 (read the news HERE). But things didn’t work out due to date issues. Nobody is having any problems with Devgn. After all, he too signed one. It is only Kazmi’s refusal that has turned Devgn into a hero.

4. A section of people and few political parties are justifying the ban since Fawad didn’t condemn the Uri attacks. Even if we assume it was wrong on his part, why make Johar suffer huge loses because of it? Fawad has already received his fee by the way.

5. For those who believe paying Pakistani actors amounts to funding terrorists, the same logic should apply to the money we pay to Pakistan through trade. Why nobody is speaking against banning trade between India and Pakistan? Why art and sports are made scapegoats always?

The issue is not just limited to a film. If Ae Dil Hai Mushkil is indeed banned, it will become an example of senselessness being given more importance than logic and the law of the land.

Filed Under: Bollywood, National, Socio/Political Tagged With: ADHM ban, Ae Dil Hai Mushkil ban, Ae Dil Hai Mushkil banned, Ae Dil Hai Mushkil release date, Reason Ae Dil Hai Mushkil ban, Why Ae Dil Hai Mushkil banned

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