The Common Man Speaks

Ra.One Movie Review

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Direction: Anubhav Sinha

Production: Red Chillies Entertainment, Eros International

Cast: Shah Rukh Khan, Arjun Rampal, Kareena Kapoor, Shahana Goswami, Rajnikanth

Music: Vishal-Shekhar

Rating: * ½

Plot: A video game programmer Shekhar Subramanian (Shah Rukh Khan) loves his wife Sonia (Kareena Kapoor) but struggles to keep his son Prateek (Armaan Verma) happy. One day, Prateek says he wants a video game where the villain turns victorious. Eager to make his son happy, Shekhar creates such a game called Ra.One. However, this proves to be too costly for Shekhar as Ra.One (Arjun Rampal) comes out of the game and creates havoc in the human world. The only person who can defeat him is the good guy of the video game G.One (Shah Rukh Khan).

G.One (life)-less!

No matter how bigger amount you shell out to make a film, it is of no use if you don’t have a proper story or script. The same is the case with Anubhav Sinha’s Ra.One, which is born out of a meaningless concept and on top of that, treated in a shoddy manner. At the end of the day, it’s turns out to be an exhibition of special effects which go way overboard!

The movie starts with a bang but the bang turns out to be a dream sequence. Light moments follow in the next 30-40 minutes consisting cheap humour which hardly makes you giggle. Scenes like keys falling into a girl’s bosom, butt-shaking, ass words, a homosexual getting turned on and regular mention of condoms are difficult to digest in a movie which is being promoted as a family entertainer.

Thankfully, proceedings gain momentum once Ra.One comes out of the video game. However, there is no reason or explanation given as to how he entered the real world. And more importantly, how can a video game character derive such superpowers? And despite these powers, he is shown helpless without a vehicle when he chases Kareena and Armaan!

A very strange thing that deserves mention is Kareena and Armaan’s response to a shattering tragedy (can’t reveal much) in the first half. They react as if it’s a regular thing for them!

Anyways, then comes the dhamakedar interval point which raises your expectations. Unfortunately, the pace goes downhill from here on with more uninteresting humour and songs that only act as obstacles. Although Rajnikanth’s entry garners plenty of seetis, the scene is sloppily forced and serves no purpose whatsoever! Similar can be said for Sanjay Dutt and Priyanka Chopra’s guest appearances.

Finally, the big battle between Ra.One and G.One begins which starts with a terrific train sequence. But even that goes overboard after it destroys the heritage building of Chatrapati Shivaji Terminus. (As a true Mumbaikar, I was offended!)

The climax, which should be the most defining moment, is far from convincing and fails to provide the punch which was expected. It’s just laughable to see how easily the villain is defeated! And by the way, what kind of digital Azad Maidan was it? Sadly, the flaws are not limited to these!

One of the few plus points is Nicola Pecorini’s cinematography. But the high definition special effects, which are never seen before in Indian cinema, take the cake in the end.

Composer duo Vishal-Shekhar has done a fair job although there isn’t much scope for music. Songs ‘Raftare’ and ‘Chammak Challo’ stand out.

Sinha’s direction is strictly okay. We are often reminded of his last outing Cash (2007) which was a disaster.

Shah Rukh Khan plays two characters – one of an unimpressive father and the other of a superhero. In the first one, he tries too hard to be funny and convincing. As a superhero, he is just likable but one certainly expects a much better show by the King Khan. Excuse me, but his growing age is also clearly visible.

The movie is named after Arjun Rampal’s character but the length of his role is surprisingly short. As it is, he fails to impress with his expressionless acts although he says he was told to do so.

Kareena Kapoor, although not at her best, does a fair job and looks ravishing. The kid Armaan Verma is confident and adorable. But why such long hair for him, which makes him appear like a girl all the time?

Shahana Goswami shows her talent in a miniature role. One expects her to do play much meatier characters. Good performers like Dalip Tahil, Suresh Menon and Satish Shah are simply wasted. Tom Wu is a surprise package which works well.

Overall, Ra.One fails primarily due to the missing of the basic factor – meaningful story – and abuse of special effects. But thanks to SRK’s crazy promotion, it will garner huge collections at the box-office. There have been few films in recent years which have tasted enormous success at the box-office but failed to impress a large majority of viewers. Add Ra.One’s name in the list.

Contestant wins Rs 5 crore on KBC!

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Ever since the fifth season of the TV game show Kaun Banega Crorepati commenced, the big question that was doing the rounds was whether anyone is intelligent enough to win the grand Rs 5 crore on the show. Well, finally, a contestant named Sushil Kumar has managed to do the near impossible by winning the biggest prize on KBC ever!

His feat brings back memories of Mumbai’s Harshwardhan Navathe who became the first contestant ever to win Rs 1 crore on the show.

Fresh news has just come in from sources who attended the shoot of the show today. According to them, Kumar, a contestant from Bihar shocked everyone with his intelligence and guts by snatching the biggest prize money ever on the show. Needless to say, host Amitabh Bachchan and the audience were exhilarated!

The episode will be aired on Novemver 2, 2011. Tune in to Kaun Banega Crorepati to witness history.

Festival of lights becomes festival of smoke and noise!

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By: Keyur Seta

The fact that Diwali is nearing was felt yesterday not because of the excitement for the festival but due to the irritation in breathing caused by the smoke that erupted from the firecrackers. The scene is the same in every locality in India. The presence of light in Diwali is overshadowed by the shoddy smell of the harmful smoke and the unbearable sound of crackers.

People in India are well aware of the terrible effects of firecrackers both to the environment and health. Yet, turning a blind eye, parents are encouraging their children to burst crackers by spending thousands on them.  Are they so unconcerned about the hazards of crackers or plain dumb? For people from both categories, here are the ill-effects of crackers: – (I know this is like school stuff but these people have left me with no other option!)

Air-Pollution: Even during non-Diwali time, pollution is on an all-time high with smog (smoke + fog) visible almost everywhere. So, it is shuddering to even imagine the level of pollution during Diwali with lakhs of people indulging in firecrackers! Global Warming is becoming a bigger threat day-by-day. If this still doesn’t concern you, may God bless you!

Health Hazards: As it is, the health scenario in Mumbai is becoming poorer each year. Number of Asthama and cardiac (heart) patients are continuing to increase. Headache and cough have become a daily affair for many. Wouldn’t such a high increase of harmful smoke during Diwali worsen the situation? Just imagine the state of cardiac and asthama patients when they are forced to inhale the poisonous smoke!

Noise Effect: What pleasure do people derive with the maddening noise of such high decibel crackers? I read about a man dying because of heart attack caused due to the ridiculously high noise of a cracker! There could be many more such cases!

Hell for Animals: For animals, the situation is even worse. The noise and pollution can be hell for them as it also creates high amount of panic amongst them. Spare a thought for the poor creatures!

If you are eager to burst crackers even after knowing the terrible consequences, please go ahead! You are a part of population so it will naturally affect you as well! Happy Diwali!

Strangers with a sense of belonging (Excerpts from Indiblogger Mumbai meet)

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We always look forward to meet our friends or near and dear ones. But on October 15, 2011, I was super excited to meet… a big group of strangers. It was the yearly Indiblogger meet at Mumbai’s R K Studios where bloggers from all over the city had assembled. The meet was organized by the food television show MasterChef India 2, which goes on air from October 22.

I use the word strangers since before the meet; I hadn’t interacted with a single blogger from Indiblogger, although many of them regularly vote for my posts and vice versa.

As I entered the venue, I felt similar to what a child feels when he visits an amusement park for the first time. Although I was seated alone, I still felt entertained due to the occasion. I was in awe of the magnificent interiors of the sets.

One of the organizers then asked me to join a group of bloggers as he was disheartened to see me sitting alone. Few minutes of interaction with fellow bloggers was enough for me to realize that people around me aren’t strangers at all!

(Article continued after the picture)

Soon, the event got under way. The host started distributing prizes (aprons) as wholeheartedly as throwing grams to pigeons (pun intended). This was followed by the introductory round where each one of us had to speak about themselves and their blog. This produced plenty of butterflies in my stomach as I am pathetic in public speaking. I just lack the confidence.

It was heartwarming to hear people speak about their blog and their reason for blogging. I suddenly started feeling bloggers are some special species which also includes me! Finally, my turn came and I somehow managed to speak. I tried to sound like a revolutionary when I stressed on the concept and the power of the Common Man (not sure whether it worked).

The three chefs and judges of MasterChef India 2 Kunal Kapoor, Ajay Chopra and Vikas Khanna took over to promote their show. It wasn’t like those over- desperate attempts used like our filmstars to promote their movies. It was more like an interesting interaction about food which was appreciated by the audience as it touched their emotional chord. The cooking-related games added the perfect icing on the cake.

In the end, we were given a large banner where other bloggers can mention their names and blog URL and we can do the same on their banners. I was pleasantly surprised when two bloggers came to me asking for my blog link saying they were impressed by the concept of the Common Man. Wow! So my under-confident speech did work! Later on, few others asked me the same!

Judging by the memorable time people had at the occasion, I appeal to Indiblogger to organize at least three meets in the city every year. After all, as Indiblogger’s tagline says – We Blog, Therefore we Are!

More pictures from the event: –

 

 

 

Messiahs of art never leave forever!

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The ghazal genre was alien to me until I heard Jagjit Singh sing ‘Hoshwalo Ko Khabar Kya’ in 1998. This was just the starting point of my life-long admiration for the King Of Ghazal. I fondly remember two years later I bought the cassette (CDs were hardly there during those times) of his album Seher on the day I completed my SSC Boards. Thus, my love for his singing grew further.

To say that I was aghast at the news of his death is an understatement. What else can you say when someone who introduced you to the wonderful genre of music leaves forever?

But no, he hasn’t left forever. He was a messiah for he single-handedly revived the dying genre of ghazal in India and introduced the common man to it. Such messiahs never leave forever. They continue to live through their art…forever!

Let’s reminisce some of the divine ghazals by Jagjitji: –

Tum Itna Jo Muskura Rahe Ho – (Movie – Arth)

Hothon Se Chhu Lo Tum – (Movie – Prem Geet)

Hoshwalo Ko Khabar Kya – (Movie – Sarfarosh)

Tere Bare Mein Jab – (Album – Seher)

Tumko Dekha To Yeh – (Movie – Saath Saath)

Yeh Daulat Bhi Le Lo – (Album – Jazbah)

Kya Khoya Kya Paya – (Album – Samvedna)

Shaam Se Aankh Mein – (Album – Khamoshi)

Haath Chhoote Bhi To – (Album – Marasim)

Jhuki Jhuki Si Nazar – (Movie – Arth)

Anna Hazare starts blog, also joins Facebook, Twitter

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Social Worker Anna Hazare’s movement for the amendment of the Jan Lokpal Bill gave rise to a revolution which was never seen after India’s Independence. The unprecedented response of the movement also became an iconic example in countries other than India.

But as Anna says, we are yet to achieve the ultimate which can be done only if the movement is kept alive. In order to do that, Anna has started a blog. In order to make it more accessible, each blog post will appear in  three languages – Hindi, Marathi and English.

But that’s not all, the anti-corruption crusader has also joined Facebook and Twitter.

Anna’s blog URL – http://www.annahazaresays.indiaagainstcorruption.org (This is his new blog.)

Link to his Facebook page – https://www.facebook.com/pages/Anna-Hazare-Says/268687513149703

Link to his Twitter page – http://twitter.com/#!/annahazaresays

Let us follow his blog and social media pages and help the movement grow further.

Vande Mataram!

Won’t let the movement fizzle out, say enthusiastic Punekars

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Although Anna Hazare’s anti-corruption stint has succeeded in giving rise to a historic movement in India, it is up to us to make sure the flame is kept alive. This was ensured by India Against Corruption’s (IAC) Pune wing members as they carried out a massive bike and car rally from Pune to Ralegaon Siddhi. Around 200 enthusiastic youngsters were a part of the rally, all excited to meet the man himself – Anna.

Take a look at the pictures from the event which tries to give a firm message that the movement will never fizzle out.

Arjun (Marathi Movie) Review

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Director : F M Illyas

Producers: Majit Burondkar, F M Illyas

Cast: Sachit Patil, Vidyadhar Joshi, Arun Tikekar, Amruta Khanvilkar, Varsha Usgaonkar, Vinay Apte

Music: Lalit Sen

Rating: * ½

Unlike the one in Mahabharat, this Arjun lacks focus!

Plot: Arjun Pawar (Sachit Patil), fresh after completing MBA, is eager to be a businessman unlike other Maharashtrian youngsters who opt for a job. His girlfriend Anushka (Amruta Khanvilkar) urges her father Mahajan (Arun Tikekar) to help him produce capital. Mahajan takes Arjun to the multi-millionaire businessman Ratan Shah (Vidyadhar Joshi) to gain finance. However, Mahajan and Shah use Arjun as a pawn to settle scores with their rival Jay Thackeray (Vinay Apte).

F M Illyas’ Arjun was supposed to be an encouragement tool for the Marathi manoos to excel in the field of business. But what we get is an over-desperate attempt to prove the point courtesy an immature script and over-the-top direction. Plus, the attitude shown by the protagonist can pose a threat to the unity of Mumbai.

The proceedings suffer right from the start as two songs are thrown in just when you feel the film is trying to gain momentum. What follows later is a series of tragedies thrown on Arjun. It is just not explained why he is the prime suspect in the murder of a businessman. It is mentioned twice or thrice that there are proofs against him but no attempt is made to enlighten the audience on the so-called proofs.

Later on, Arjun’s sudden emergence and success in the field of business due to a favor by Thackeray’s wife (Varsha Usgaonkar) is laughable. Once Arjun starts shining he starts hurling a chain of pro-Marathi lines which have no effect and fall flat!

If this wasn’t enough, the climax turns out to be the poorest and the most unintentionally hilarious scene of the film! The second most hilarious point is when Arjun builds a huge public toilet at the entrance of Shah’s business site in order to decrease its popularity! Phew!

Composer Lalit Sen doesn’t do a bad job but the songs only act as obstacles in the narration. The dialogues are too over-ambitious, amateur and loud although few are meaningful.

Thankfully, the performance area is respectable. Sachit Patil plays his part perfectly and displays helplessness and cruelty needed by his character with ease. Arun Tikekar, Vinay Apte and Amruta Khanvilkar too chip in with decent acts. The rest of the cast is nothing much to speak about.

Overall, Arjun fails miserably in its effort to be an eye-opener for the Marathi people which will affect its box-office collections.

Bodyguard rules box-office. What about audience’s hearts?

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I have been making a note of people’s reactions on Salman Khan’s movie Bodyguard. From all the responses, apart from one person, almost all others have thrashed the movie. Even on the net, I have seen terribly unsatisfactory comments on the film with some even terming it as unbearable and difficult to sit through.

However, despite this, the film has created history at the box-office by earning over Rs 20 crore on the opening day itself. Just imagine – on one hand, the audience is left unsatisfactory and on the other, the film has gained the biggest box-office opening ever in the history of Bollywood! If there is one thing which is unfair, it’s this!

Like I said in one of my previous posts here, it has become an easy recipe to cook a box-office hit. Just sign a big star like Salman, make an interesting promo, include songs at regular intervals and you get your box-office hit! You have created enough hype and booked almost ever theatre in the country. Naturally audience will flock the halls to see the movie once. Hence, you earn mammoth profit. But can you call this real success if the film fails to impress the audience?

But Bodyguard isn’t the only instance. There have been numerous movies in the past which have rocked the box-office but failed to satisfy majority of viewers. As veteran filmmaker Sudhir Mishra rightly pointed out, producers are only thinking about the profit in the first weekend.

In this race to earn big monies in the initial weekend, we have stopped making movies which have superlative content, movies which bring a smile on your face even years after its release!

This is where I consider Marathi cinema much ahead than today’s Hindi films. A super-hit Marathi film will surely satisfy a large majority of its viewers. Their biggest advantage is that the story or the script is considered way bigger than the cast. If a Marathi film is rich in story, it will surely draw crowds irrespective whether it has a known face. Sadly, this hardly happens in Bollywood.

These big and rich Bollywood producers should ask themselves whether their aim is only to earn big bucks or make quality cinema. Their answer will determine the future of Bollywood!

True meaning of Ganeshotsav… understood this year!

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In 1893, freedom fighter and social reformer Lokmanya Bal Gangadhar Tilak urged the people of Maharashtra and India to celebrate Ganeshotsav as a public event in order to show unity against the British. I have heard this numerous times since my childhood but it is only this year that I am really able to understand the true feeling behind the meaning of this festival.

Just recently, the whole of India protested and fought with social reformer Anna Hazare against the government for the amendment of the Jan Lokpal Bill. The way India got united was never seen after our Independence.

Looking at this unity and fight shown by people of India, I can now truly understand the meaning of Ganesh Chaturthi, more so because it happened just before the festival. I personally believe that the people of India welcomed the elephant God with their unity and fight for the country. The 10-day festival couldn’t have fallen at a better time! (Article continued after picture.)

Picture courtesy - Lalbaugcharaja.in

It was also Avdhoot Gupte’s Marathi movie Morya that helped me understand Ganesh Chaturthi better as it also highlights Tilak’s main motive behind the festival. It mainly shows that in the fight between rival Ganeshotsav mandals, God is always thrown on the losing side.

The film also rightly criticizes violence, hooliganism, vulgarity and drinking culture in the name of Ganeshotsav. Hope it becomes an eye-opener because such malpractices are seen everywhere during this festival. (I have explained this further in my earlier post over here.)

As we welcome Lord Ganesha in 2011, we can pray to him to keep the patriotic flame alive in the hearts of the people and also put the malpractices away. Ganpati Bappa Morya!