The Common Man Speaks

Yek Number review: Ambitious propaganda that turns unintentionally hilarious  

October 10, 2024 by Keyur Seta Leave a Comment

A couple of weeks ago, we saw the release of Dharmaveer 2, in which a deceased political hero, Anand Dighe, was used to glorify and popularize Maharashtra’s current Chief Minister Eknath Shinde. Now, the same kind of propaganda has become the core of another Marathi movie. Titled Yek Number, the film aims to glorify Raj Thackeray, the chief of Maharashtra Navnirman Sena (MNS).

As one finally leaves the cinema hall after this 160-minute saga, one just wonders whether, after Hindi cinema, Marathi too will regularly churn out political propaganda films.

Yek Number starts off in a small village in Maharashtra and it revolves around the life of a youngster Pratap (Dhairya Gholap). He believes he is the man Friday of the local MLA (Member of Legislative Assembly) but he is actually his slave. He dreams of becoming an MLA and his yes men continuously massage his ego.

Pratap’s second dream is to marry Pinky (Sayli Patil), his childhood love. She has been a die-hard fan of Raj Thackeray since she was a kid. When Pratap once asks for her hand in marriage, she promises to marry him if he convinces Thackeray to visit their village. Pratap readily takes up the challenge and vows to complete the task in the next 24 hours. However, when he reaches Mumbai, he realizes that his mission is far difficult than he imagined. Meanwhile, terrorists from across the border are planning something sinister in Mumbai.

Pinky’s demand and Pratap’s determination to fulfill the same is difficult to believe. Plus, there is a major flaw. When Pratap is unable to fulfill the task in 24 hours, it should mean that he failed in his mission. But he continues to pursue Thackeray for days.

However, what all happens in the film later makes this flaw appear minor. We are dished out various twists and characters with an ultimate aim of hero-worship and propaganda. Among these points, what stands out is the angle of a lookalike of Raj Thackeray and his acts. But what takes the cake is the Pakistani assassinators’ angle, which provides the maximum unintentional laughter (can’t reveal more to avoid spoilers).

Yek Number is filmmaker Rajesh Mapuskar’s third feature film after gems like Ferrari Ki Sawaari (2012) and Ventilator (2016). Needless to say, it is difficult to imagine that he has made this one. More so because there is absolute lack of subtlety when it comes to hero worship. The film is also packaged like many of those unconvincing action films of the 1990s.   

The technical aspects (cinematography, editing and background score) are not much to talk about. Ajay-Atul’s music, ‘Jahir Jhala Jagala’ is the only impressive track, but even that one gives a déjà vu of their previous songs.

Dhairya Gholap has screen presence but his performance falls in just decent category. Sayli Patil shows promise, despite not having a large screen time. The actor playing Thackeray’s lookalike is the most convincing of all. Tejaswini Pandit, in a cameo, is passable.

The few plusses in Yek Number are the twists in the second half that make the film watchable, even if they lack complete conviction. But these positives are surely not enough to override the many negatives.

Rating: Yek.5

Director: Rajesh Mapuskar

Producers: Nadiadwala Grandson and Sahyadri Films

Writers: Tejaswini Pandit, Dhairya Gholap, Vinayak Purushottam, Mayuresh Joshi and Arvind Jagtap

Cast: Dhairya Gholap, Sayli Patil  

Also Read: Dharmaveer 2 review: The film is more like an election pitch

Filed Under: Marathi movies Tagged With: Marathi movie review, Yek Number Marathi Movie, Yek Number Movie Review, Yek Number Raj Thackeray, Yek Number Review, Yek Number Story

Navra Maza Navsacha 2 review: Thoroughly entertaining surprise of the year

September 22, 2024 by Keyur Seta 1 Comment

It is quite common for movies to not live up to its exciting trailer. It is extremely rare for the opposite to happen. Sachin Pilgaonkar’s Navra Maza Navsacha 2 is that rare film that turns out to be many times better than its trailer. In other words, the film’s promo was misleading, but in a good way.

Navra Maza Navsacha 2 is the sequel to the iconic and successful Navra Maza Navsacha (2004), which starred Sachin Pilgaonkar and Supriya Pilgaonkar in lead roles. The film ended with Vakratund aka Vacky (Sachin) somehow managing to fulfill his late father’s vow of visiting the Ganesh temple in Ganpatipule naked. He was pushed for the same by his wife Bhakti (Supriya). The couple also earns Rs. 8 crores as they help the police nab the criminal Babu Kalia (Pradeep Patwardhan).

Hence, in the second part Navra Maza Navsacha 2, Vacky and Bhakti are leading a comfortable life. Their daughter Shraddha (Hemal Ingle) has grown up. She is in love with Lambodar aka Lamby (Swapnil Joshi). Due to certain circumstances, this time Shraddha vows to get Lamby visit Ganpatipule temple naked along with other difficult conditions. Lamby somehow agrees and the four of them set out to for the trip through train.

Navra Maza Navsacha 2 pretty much follows the same template as its predecessor with the ST bus being replaced by train and Ashok Saraf’s character being the ticket collector (TC) instead of the conductor. However, the characters and their funny mannerisms and the overall jokes and gigs are quite fresh and genuinely funny. In fact, barring some emotional moments, which were necessary, the movie is a complete laugh riot where even little things play a big role in getting you in splits.

Navra Maza Navsacha 2

Unlike the first film, the journey in the second one starts in the second half. The first half has some major conflict and drama. This takes you by surprise because none of this is shown in the trailer.

Navra Maza Navsacha 2 brings back the nostalgia of the first film. But it is shot and presented like a film of today’s times. The balance is well maintained. The music falls in the decent category with ‘Dumroo Vaje’ turning out to be memorable.

Sachin Pilgaonkar and Supriya Pilgaonkar have carried on from where they left in the first film, bringing the same energy. Swapnil Joshi, despite his age, fits the character of a bachelor and succeeds in bringing Lamby alive. Hemal Ingle also performs well among the stalwarts. Like the first film, Ashok Saraf takes the cake despite arriving late. His act is not only funny but also moving.

The film has cameos and extended cameos from Siddharth Jadhav, Nirmiti Sawant, Jaywant Wadkar, Vijay Patkar, Vaibhav Mangle, Sonu Nigam, Ali Asgar, Johnny Lever, Shriya Pilgaonkar, among others.

Like the first film, there are a lot of creative liberties taken. But the major issue with the film is its timeline. The first movie ends in 2004. Considering Vacky and Bhakti had a kid right after the story’s completion, Shraddha would have been born in 2005. So her age should be 19. But there is no mention that she is very young and it’s difficult to believe that a modern girl like her decides to marry at such a young age in today’s times.

Vijay Patkar’s character is continued from the first film. But Nirmiti Sawant, who was Vacky’s aunt in the first movie, is now shown as Lambodar’s mother. At one point Ashok Saraf’s character is said to be the same from the first film. But then, Vacky and Bhakti never seem to recognize him. The same goes for a few other characters too.

But overall, Navra Maza Navsacha 2 is a thoroughly entertaining surprise of the year. And if you are a believer in Ganpati, you are in for a treat.

Rating: 3.5 out of 5

Director: Sachin Pilgaonkar

Producer: Sachin Pilgaonkar

Writer: Sachin Pilgaonkar

Cast: Sachin Pilgaonkar, Supriya Pilgaonkar, Swapnil Joshi, Hemal Ingle, Ashok Saraf

Also Read: Ashok Saraf on Lifeline, “More than the length, the strength of the character is important”

Filed Under: Marathi movies Tagged With: Ashok Saraf, Marathi Cinema, Marathi movie review, Navra Maza Navsacha 2 Review, Navra Maza Navsacha Sequel Review, Navra Maza Navsacha Story, Sachin Pilgaonkar, Supriya Pilgaonkar, Swapnil Joshi

Jhimma 2 Review

November 25, 2023 by Keyur Seta Leave a Comment

Filmmaker Hemant Dhome’s Jhimma (2021) told the story of a group of seven women – played by Sonalee Kulkarni, Suhas Joshi, Sayali Sanjeev, Kshitee Jog, Suchitra Bandekar, Nirmitee Sawant and Mrinmayee Godbole – going on a trip to London through a travel agency run by Kabir (Siddharth Chandekar).

The trip turns out to be a life-changing affair for them with each battling something or the other internally. As they break the shackles, rediscover and heal themselves, as an audience it moves and uplifts you. In terms of the writing and direction, Jhimma scored high despite being on the lengthier side.

The mere announcement of Jhimma 2 meant that the group of ladies would be embarking on another trip organized by Kabir and that’s exactly the case with the sequel. They yet again travel to Britain, but this time it’s the Lake District. Jhimma 2 doesn’t feature Sonalee Kulkarni and Mrinmayee Godbole. We see the inclusion of Rinku Rajguru and Shivani Surve to make it a total of seven.

It is difficult to explain the story of Jhimma 2 because it doesn’t have one. It simply carries on the formula about a group of women going on a foreign trip without their family. The premise and the characters were new in the first film. Hence, it turned out to be interesting to explore one character after another and their backstory. Jhimma 2 simply carries on to do the same, although this time the backstory is not given to all the characters. So, it just turns out to be a repeat exercise. For example, Nirmiti Sawant’s conversation with her politician husband had purpose in the first film. But here it’s just used as a filler. Even the humorous scenes given to her, and other characters, aren’t funny enough.

The narrative does include a few conflict elements but they are episodic and not interesting enough for you to develop concern. For example, the character of Shivani Surve is troubled but you don’t feel much for her because her issues are touched only on the surface. A serious incident during the interval point appears more forced than organic. It also defies logic.

Also Read: Naal Bhag 2 Review: Continues the heartwarming tradition

The strongest point about Jhimma 2 are the performances by all the eight actors. In fact, it is the acting that ensures that you don’t give up on the film, followed by the visuals of the picturesque locations. But you might wonder why the same group of friends visited England yet again. The answer lies in the word ‘subsidy’.

Rating: 2 out of 5

Director: Hemant Dhome

Producers: Chalachitra Mandalee, Jio Studious, Colour Yellow Productions and Crazy Few Films

Writers: Hemant Dhome and Iravati Karnik

Cast: Suhas Joshi, Sayali Sanjeev, Kshitee Jog, Suchitra Bandekar, Nirmitee Sawant, Rinku Rajguru, Shivani Surve and Siddharth Chandekar

Filed Under: Marathi movies Tagged With: Jhimma 2 Cast, Jhimma 2 Marathi Movie, Jhimma 2 Movie Review, Jhimma 2 Review, Jhimma 2 Story, Jhimma Part 2 Review, Marathi movie review

Baaplyok (Marathi movie) review: A sweet journey about a bittersweet relation

September 2, 2023 by Keyur Seta 1 Comment

Filmmaker Makarand Shashimadhu Mane made his Marathi feature film debut by presenting a story about a father and son titled Ringan (2017). It had Shashank Shende in the role of the father. His recently released film Baaplyok, as hinted by the name, is also about a relationship between a father and son and this time too Shende plays the father.

There is one similarity and dissimilarity between both the films. Baaplyok is way different than Ringan but it turns out to be just as heartwarming.

Baaplyok takes place in a village in Maharashtra in today’s times. The story starts when Sagar (Vitthal Nagnath Kale) gets engaged to a girl (Payal Jadhav). Although their relation is arranged by their respective parents, there is immense love between the two. So much so that Sagar never leaves any opportunity to meet the girl or have a pep talk with her over the phone. But the only problem in Sagar’s life is his father (Shashank Shende). The two can’t see eye-to-eye and they don’t leave any opportunity to take a jibe at each other, be it for anything.

So when it is decided that Sagar will have to accompany his father to visit their relatives and friends in neighborhood villages on his bike to invite them for his marriage, he initially backs out. But as he realizes that he has no other choice, he hesitatingly agrees. What all happens during their journey forms the rest of the film.

Baaplyok makes it clear at the start that the film is about a journey and you probably also guess how it will end. But not once does it appear uninteresting. This is largely because of the constant humour born out of the conversations between Sagar and his father. The situations they encounter is another reason why this doesn’t appear like any other film about a journey that changes something in the main protagonists. In other words, there are constant doses of sensible and realistic entertainment and at the same time, nothing seems forced.

Baaplyok is also a visual treat for it goes deep into the village and its life. Yogesh M Koli’s camerawork is as per the need. He keeps it simple but at the same time ensures that the quality of frames is rich. The minimal use of background score too goes perfectly with the theme and mood of the film.

The subject is such that it relies heavily on the performances of Vitthal Nagnath Kale and Shashank Shende and both of them are up to the mark. After establishing himself as a son who doesn’t like his father, Kale’s transformation is gradual and natural. Shende, as one would expect from a seasoned performer like him, is thoroughly flawless, especially in scenes where he speaks through expressions. Payal Jadhav also makes her mark felt in a limited role while the rest of the supporting actors, who don’t get much screen time either, lend able support.

Also Read: Dream Girl 2 review: This film also has one Sakina falling for a Sardar

The scenes where the duo meets different families play a role in achieving the desired end. But a couple of encounters, one with a Muslim family and another with a city-based relative, are too short. There might also be a section of audience that would miss a major conflict in the whole narrative.

Overall: Baaplyok is a heartwarming journey about a father and son.  

Rating: 4 out of 5

Director: Makarand Mane

Writers: Vitthal Nagnath Kale and Makarand Mane

Cast: Vitthal Nagnath Kale, Shashank Shende, Payal Jadhav

Filed Under: Marathi movies Tagged With: Baaplyok Marathi Movie, Baaplyok Marathi Review, Baaplyok Movie Review, Baaplyok Review, Makarand Mane, Marathi movie review, Shashank Shende, Vitthal Nagnath Kale

Ghar Banduk Biryani review: Nagraj Manjule-starrer is a one-time watch 

April 7, 2023 by Keyur Seta Leave a Comment

When a film has an unusual title like Ghar Banduk Biryani, the first thing one eagerly awaits to know is its meaning in the context of the film. During the movie’s first half itself, we get some clarity on the title. This is not the only plus point of the film though.

Directed by Hemant Jangal Awtade and written by him and Nagraj Manjule, the Marathi movie takes place in the interiors of Maharashtra infested by dacoits. They are led by the dangerous yet quirky Pallam (Sayaji Shinde). The fearless police inspector Raya Patil (Manjule) is transferred to the same area after he beats up some influential goons in his previous posting. Getting transferred is a regular feature for him and this is exactly why his wife (Deepti Devi) is fed up of his profession.

Meanwhile, the story also features the young and handsome Raju (Akash Thosar), who is an orphan. His uncle visits a prospective bride’s family for his marriage. Raju and the girl Laxmi (Sayli Patil) start liking each other. But as Raju doesn’t have any other skill apart from making delicious food, especially Biryani, Laxmi’s father isn’t keen to let his daughter marry him.

Raju, one day, without his will, gets involved in Pallam’s gang because of his qualities as a chef. On the other hand, Raya is hell bent in putting a full-stop to the activities of the dacoits. Will Raju’s be caught in the crossfire for no fault of his?

Ghar Banduk Biryani

Ghar Banduk Biryani basically has a tried-and-tested tale of cops versus dacoits. But the film doesn’t appear outdated due to quite a few reasons. The presentation is fresh and so is the narrative, especially for a Marathi film. Manjule’s character is shown as a heroic officer, akin Dabangg and Singham. However, he never goes over-the-top and gives a performance that is believable.

Just like his act, the film too has its share of funny moments but they nowhere tread into the mindless zone. Similarly, the narrative includes some whistle-worthy moments but they too are subtle in nature. For example, the scene where Chhatrapati Shivaji Maharaj’s statue is given focus suddenly in a scene.

A good part of the film is shot in the jungle. Cinematographer Vikram Amladi steers clear from the temptation of going overboard in creatively capturing the location. His portrayal is simple but creative enough.

Coming to the rest of the actors, Sayaji Shinde has played a baddie with a touch of humour numerous times before, both in Marathi and Hindi films. But the fact that he is here playing a dacoit who loves being trigger-happy brings in some difference. Akash Thosar stays out of his Sairat image despite him playing a rural character. He appears confident.

Sayli Patil and Deepti Devi chip in with decent supporting acts. Tanaji Galgunde (a favorite of Manjule) is memorable but doesn’t get much scope.

Also Read: Vaalvi (Marathi movie) review – Swapnil Joshi, Subodh Bhave-starrer is a finely crafted dark comic thriller

Despite these many positives, Ghar Banduk Biryani isn’t hunky dory all the way. The second half isn’t as entertaining and convincing as the first half. The post-interval portion also has a risky heroic act by one of the main characters but he doesn’t face any consequences for that. The background of the dacoits is also surprisingly missing. We are never told why have they gone onto the dangerous path and what exactly are their demands from the authorities. Hence, they only come across as negative characters and it also becomes difficult to take them seriously.

The film also needed to be crisper than 161 minutes. A few scenes and a couple of songs didn’t deserve to be so lengthy.

The very last scene, however, gains some interest as the makers give a clear indication of a sequel or a part 2.

Overall: Ghar Banduk Biryani is a one-time watch saga.

Rating: 3 out of 5

Director: Hemant Jangal Awtade

Production: Aatpat Production and Zee Studios

Writers: Hemant Jangal Awtade and Nagraj Manjule

Cast: Nagraj Manjule, Sayaji Shinde, Akash Thosar, Sayli Patil and Deepti Devi

Filed Under: Marathi movies Tagged With: Akash Thosar, Ghar Banduk Biryani, Ghar Banduk Biryani Movie Review, Ghar Banduk Biryani Review, Marathi movie review, movie review, Nagraj Manjule, Review, Sayaji Shinde

Harishchandrachi Factory Review

February 8, 2010 by Keyur Seta 3 Comments


Witnessing the Birth 

Ratings: * * * * ½

The cinema industry is flourishing in India since close to a hundred years. Thousands and thousands of films have been made in a number of languages and genres. But ever wondered how the gates of the Indian film industry were opened and by whom? Paresh Mokashi’s Harishchandrachi Factory enlightens on the birth of Indian cinema. The end result is an exciting journey of the Father of Indian Cinema, Dhundiraj Govind Phalke (respectfully known as Dadasaheb Phalke) – the person who made cinema possible in India.

Right from the time he saw a movie for the first time, Phalke became eager to make a movie himself and join the filmmaking profession. However, he possesses zero knowledge about the art of filmmaking. His eagerness to learn and master the art triggers his journey to make India’s first motion picture. He receives moral, practical and emotional support from his wife Saraswati (Vibhawari Deshpande). Phalke doesn’t even hesitate to go to London by putting his financial future at stake.

The uniqueness about Harishchandrachi Factory is the feel-good factor throughout. Although this is a story of a struggler, Mokashi, as a writer, has added humor in each and every scene and that too in the most simplest of situations. He proves that one doesn’t always need slapstick and sarcastic jokes to make people laugh. Even simple and clean humor can produce hundreds of rib-tickling moments.

To direct a movie about a movie isn’t everyone’s cup of tea and Mokashi shows that the cup is certainly his. He has shown every aspect of filmmaking from story idea to script preparation, from reel development to camera operation, from cast selection to scene narration and finally, from the final shoot to the actual screening. During all this, the goings doesn’t appear like a documentary or a learning activity even for a minute. However, amidst all the fun, there should have been more footage to the struggling factor considering it was a daunting task for India’s first filmmaker.

Art Director Nitin Desai produces a visual treat by building sets which take you back to the 1911-1913 era. In fact, Desai’s work makes sure that the art direction turns out to be one of the main characters of the movie.

Nandu Madhav in the central role of Dadasaheb Phalke is tremendous and flawless. The film would not have looked so beautiful if Phalke’s character was not played with conviction but Madhav takes full care that doesn’t happen as he oozes perfection in every frame. Vibhawari Deshpande (Savitri) and the rest of the actors playing the film crew and the neighbors give sound performances too.

It would be unfair to label Harishchandrachi Factory as a Marathi movie. It’s one of those rare films which crosses all language and cultural barriers. And if you like cinema, you will love this one.

Filed Under: Marathi movies Tagged With: Dadasaheb Phalke movie, Dhundiraj Govind Phalke, Harishchandra's Factory, Harishchandrachi Factory Marathi film, Harishchandrachi Factory Marathi movie, Harishchandrachi Factory movie review, Harishchandrachi Factory Review, Marathi movie review, Marathi movies, Marathi movies 2010, Paresh Mokashi

Shikshanachya Aaicha Gho Movie Review

January 18, 2010 by Keyur Seta 2 Comments


Satrah Saate Kiti
? To hell with such questions!

Rating: – * * * *

Can you label a student as dumb if he fails to remember the tables of 12 and 17? Does the by-hearting of chemical equations and reactions determine intelligence? Is it really necessary for a student to mug up the centuries old unimportant happenings in order to prove his worth?

After 3 Idiots, Mahesh Manjrekar’s Shikshanachya Aaicha Gho shows the mirror to our faulty education system where kids are reduced to just coolies who are made to earn wages in the form of ranks. And when it comes to executing and providing justice to the subject, Shikshanachya Aaicha Gho rises much above than 3 Idiots.

Shreenivas Rane aka Shree (Saksham Kulkarni) is one amongst lakhs of student coolies. Shree possesses special talent in the game of cricket. However, his father Madhukar Rane (Bharat Jadhav) hates his son’s crazy interest in the game and turns a blind eye on his talent simply because he wants him to do well in studies. One day, a shocking incident forces Madhukar to change his belief. He realizes his mistake as well as the faults in the education system and goes on a quest to change it.

Only someone like Mahesh V Manjrekar can narrate such a hard hitting social subject in a manner which appeals to every section of the society. His mastery can be seen in each and every scene. Those which stay etched in your memory include Madhukar’s encounter with a school teacher and his interaction with the Chief Minister (Sachin Khedekar). The typical middle class feel with continuous situational humor makes it appealing to every common man. Such similar middle class scenarios were earlier seen in Manjrekar’s Vaastav, Tera Mera Saath Rahen, Ehsaas, Hathyar, Viruddh and Mee Shivajiraje Bhosale Boltoy.

Contrary to many, Manjrekar never ever rubbishes the need for education. Instead, he has put forth some changes which are required in our education system which include – lessening the syllabus burden, putting off the examination pressure and, most importantly, the elimination of ranking system. The criticisms of the education system are presented in a logical way without going overboard even a bit. The onus is also on those parents who make life hell for students with their overambitious expectations without realizing their children’s talent in other areas.

Such a relevant concept and a powerful script could not have looked so impressive without a superlative performance by Bharat Jadhav. The actor deserves high praise in each and every scene as he delivers one of the finest performances to have come in recent years. Saksham Kulkarni in the role of the troubled child is a perfect cast. He does full justice to his character while portraying every emotion with ease.

Gauri Vaidya plays the role of the younger sister perfectly. Kranti Redkar and the rest of the neighbors provide ideal support. However, it is Siddharth Jadhav who surprises everyone. His character of Ibrahim Bhai is lovable. The development of Ibrahim’s character is very similar to the one of Mukesh Rishi in Manjrekar’s own Kurukshetra. Lastly, Sachin Khedekar and Manjrekar excel in their cameos.

Shikshanachya Aaicha Gho is a must watch for everyone including the non-Marathi sections purely because of the urge it provides for a change in our education system, which is the desperate need of the hour. The unprecedented response at the box-office will make this as one of the highest money making Marathi movies of the year.

Filed Under: Marathi movies Tagged With: Bharat Jadhav Shikshanachya Aaicha Gho, Mahesh Manjrekar Shikshanachya Aaicha Gho, Marathi movie review, Shikshanacha Aaicha Gho, Shikshanacha Aaicha Gho review, Shikshanachya Aaicha Gho Marathi movie, Shikshanachya Aaicha Gho movie review, Shikshanachya Aaicha Gho review, Shikshanachya Aaicha Gho scenes

Like Us on Facebook

Pages

  • About Me

Categories

  • Bollywood
  • Cricket
  • Documentaries
  • Environment
  • Events
  • Food
  • Forgotten Moments
  • Gujarati Cinema
  • Health
  • Hollywood
  • Humour
  • International Cinema
  • Literature
  • Marathi movies
  • Miscellaneous
  • Mumbai
  • Music
  • National
  • Personal experience
  • Pictures
  • Plays
  • Poem/ Shayaris
  • Regional cinema
  • Rumour Alert
  • Short Films
  • Socio/Political
  • Spiritual
  • Travel
  • TV
  • Uncategorized
  • Web Series
  • Young Achievers

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 46 other subscribers

Archives

  • June 2025 (3)
  • May 2025 (4)
  • April 2025 (7)
  • March 2025 (5)
  • February 2025 (1)
  • January 2025 (4)
  • December 2024 (2)
  • November 2024 (3)
  • October 2024 (2)
  • September 2024 (4)
  • August 2024 (2)
  • July 2024 (3)
  • June 2024 (4)
  • May 2024 (1)
  • April 2024 (2)
  • March 2024 (2)
  • February 2024 (4)
  • January 2024 (4)
  • December 2023 (2)
  • November 2023 (3)
  • October 2023 (3)
  • September 2023 (4)
  • August 2023 (3)
  • July 2023 (2)
  • June 2023 (2)
  • May 2023 (4)
  • April 2023 (4)
  • March 2023 (2)
  • February 2023 (1)
  • January 2023 (3)
  • December 2022 (2)
  • November 2022 (6)
  • October 2022 (7)
  • September 2022 (2)
  • August 2022 (2)
  • July 2022 (2)
  • June 2022 (4)
  • May 2022 (4)
  • April 2022 (4)
  • March 2022 (4)
  • February 2022 (3)
  • January 2022 (3)
  • December 2021 (3)
  • November 2021 (2)
  • October 2021 (3)
  • September 2021 (4)
  • August 2021 (3)
  • July 2021 (5)
  • June 2021 (2)
  • May 2021 (5)
  • April 2021 (3)
  • March 2021 (4)
  • February 2021 (4)
  • January 2021 (4)
  • December 2020 (6)
  • November 2020 (4)
  • October 2020 (6)
  • September 2020 (4)
  • August 2020 (6)
  • July 2020 (3)
  • June 2020 (2)
  • May 2020 (3)
  • April 2020 (4)
  • March 2020 (3)
  • February 2020 (3)
  • January 2020 (2)
  • December 2019 (3)
  • November 2019 (4)
  • October 2019 (3)
  • September 2019 (2)
  • August 2019 (4)
  • July 2019 (6)
  • June 2019 (6)
  • May 2019 (4)
  • April 2019 (1)
  • March 2019 (2)
  • February 2019 (5)
  • January 2019 (5)
  • December 2018 (6)
  • November 2018 (4)
  • October 2018 (4)
  • September 2018 (3)
  • August 2018 (3)
  • July 2018 (2)
  • June 2018 (4)
  • May 2018 (2)
  • April 2018 (2)
  • March 2018 (2)
  • February 2018 (3)
  • January 2018 (3)
  • December 2017 (3)
  • November 2017 (3)
  • October 2017 (3)
  • September 2017 (3)
  • August 2017 (1)
  • July 2017 (4)
  • June 2017 (2)
  • May 2017 (3)
  • April 2017 (2)
  • March 2017 (3)
  • February 2017 (3)
  • January 2017 (4)
  • December 2016 (4)
  • November 2016 (3)
  • October 2016 (4)
  • September 2016 (2)
  • August 2016 (5)
  • July 2016 (4)
  • June 2016 (2)
  • May 2016 (4)
  • April 2016 (4)
  • March 2016 (4)
  • February 2016 (4)
  • January 2016 (5)
  • December 2015 (6)
  • November 2015 (4)
  • October 2015 (4)
  • September 2015 (8)
  • August 2015 (6)
  • July 2015 (5)
  • June 2015 (5)
  • May 2015 (10)
  • April 2015 (7)
  • March 2015 (4)
  • February 2015 (9)
  • January 2015 (11)
  • December 2014 (9)
  • November 2014 (10)
  • October 2014 (11)
  • September 2014 (9)
  • August 2014 (7)
  • July 2014 (7)
  • June 2014 (2)
  • May 2014 (4)
  • April 2014 (5)
  • March 2014 (1)
  • February 2014 (2)
  • January 2014 (4)
  • December 2013 (6)
  • November 2013 (8)
  • October 2013 (4)
  • September 2013 (2)
  • August 2013 (5)
  • July 2013 (2)
  • June 2013 (2)
  • May 2013 (7)
  • April 2013 (8)
  • March 2013 (11)
  • February 2013 (10)
  • January 2013 (14)
  • December 2012 (11)
  • November 2012 (6)
  • October 2012 (12)
  • September 2012 (15)
  • August 2012 (18)
  • July 2012 (14)
  • June 2012 (15)
  • May 2012 (7)
  • April 2012 (12)
  • March 2012 (15)
  • February 2012 (12)
  • January 2012 (17)
  • December 2011 (13)
  • November 2011 (12)
  • October 2011 (7)
  • September 2011 (4)
  • August 2011 (14)
  • July 2011 (6)
  • June 2011 (5)
  • May 2011 (5)
  • April 2011 (11)
  • March 2011 (4)
  • February 2011 (3)
  • January 2011 (6)
  • December 2010 (3)
  • November 2010 (2)
  • October 2010 (2)
  • September 2010 (1)
  • August 2010 (2)
  • July 2010 (3)
  • June 2010 (3)
  • May 2010 (1)
  • April 2010 (1)
  • March 2010 (3)
  • February 2010 (4)
  • January 2010 (3)
  • December 2009 (3)
  • November 2009 (4)
  • October 2009 (2)
  • September 2009 (2)
  • August 2009 (6)
  • July 2009 (3)

Copyright © 2025 · eleven40 Pro Theme on Genesis Framework · WordPress · Log in