The Common Man Speaks

Saaho’s major similarity with Baahubali (SPOILERS alert)

September 1, 2019 by Keyur Seta 2 Comments

Prabhas’ last film Baahubali: The Conclusion (2017) went onto become a historic hit all over India and gave the actor a star status nationwide. Obviously, there was a keen interest to see him again on screen. His fans had to wait for more than two years to see Prabhas in action (literally) in director Sujeeth’s Saaho, which released this week.

From the trailers or the posters itself, Saaho looked way different from the two Baahubali movies. One is based few centuries ago while the other in today’s times. The earlier film gave importance to traditional Indian culture [because of its setting and era] while Saaho is about modern cars, bikes and clothes.

But what if I tell you that Saaho becomes like another Baahubali by the time it ends?  

Let’s look at the basic plot of Baahubali. Amarendra Baahubali is the rightful heir to the throne of the fictitious empire of Mahishmati but his enemies, who are people close to him, get him killed. Years later, his son Mahendra Baahubali eliminates the bad guys and acquires the throne.

Saaho and Baahubali

Now, this is what the story of Saaho looks like minus the many twists and sub-plots (SPOILERS ahead). Roy is heading his multimillionaire business in a fictitious city called Waaji. He gets killed by people close to him. Later on, his son finishes off the villains and sits on the chair of the owner of the company.

Now, I really wonder if the makers didn’t care about it or didn’t realize. Of course, it has to be the former.

But there are also a couple of other sequences in Saaho that remind us of Baahubali. The scene where Prabhas and Shraddha Kapoor are seen shooting the bad guys together instantly reminds you of the famous bow and arrow scene between Prabhas and Anushka Shetty in Baahubali.

The scene in the first Baahubali where hundreds of dangerous looking men speaking Kilikili language attack Amarendra Baahubali is still fresh in our minds. Similarly, in Saaho, hundreds of unusual blood-thirsty devils are seen attacking Prabhas.

Also read: Mission Mangal Review

The one major difference between Baahubali and Saaho is its content, but that’s a story for another day.

By: Keyur Seta

Filed Under: Bollywood Tagged With: Saaho Baahubali, Saaho similarity with Baahubali, Saaho spoilers, Saaho story

Mission Mangal Review – A joyride about India’s space achievement

August 18, 2019 by Keyur Seta 1 Comment

Director Jagan Shetty’s Mission Mangal revolves around the launch of India’s Mars Orbiter Mission (MOM), also known as Mangalyaan, which was launched in November 2013. India thus became the first nation in the world to successfully send a spacecraft to Mars in the first attempt itself.

The mission involved some painstaking efforts by a group of ISRO’s scientists led by Rakesh Dhawan (Akshay Kumar) and Tara (Vidya Balan) and their team consisting of Kritika (Taapsee Pannu), Neha (Kirti Kulhari), Varsha (Nithya Menen), Eka (Sonakshi Sinha), Parmeshwar (Sharman Joshi) and H G Dattatreya (Ananth Iyer).

The team had to battle various odds in the form of a senior ISRO member (Dalip Tahil) and lack of funds and confidence from the government. They had their various personal battles to counter as well.

Mission Mangal gives a proper explanation of the relevance of MOM, the process of launching it and its last stage. All this might sound very technical for a layman. But the film is nowhere near technical.

It is, in fact, a joyride. The narrative is filled with moments that get you in splits regularly. This is done through situations and character habits and traits. Many a times a funny moment arrives when you least expect it. The surprise inclusion of ‘Ankhiyaan Milaaun Kabhi Ankhiyaan Churaun’ by Sanjay Kapoor’s character himself is a masterstroke!

However, despite the humorous moments, Mission Mangal ensures that the seriousness of the topic is never lost whatsoever. Throughout the film, special care has been taken to explain space related scientific workings in a manner that even a person with poor scientific knowledge like me can easily understand. I had laughed at the puri scene in the trailer but realized that it perfectly fits the situation in the film to provide an easy explanation for a layman.

Mission Mangal poster

The combination of easy information and humour is enough to keep you glued for its duration of 133 minutes, which passes in a jiffy. And the moments in the finale keep you at the edge despite the fact that you are well aware that the mission will eventually become successful.

Having said this, there are few factors that bother you. The biggest one is that we haven’t been given any background about Akshay’s character. Considering he is the main lead, it was necessary. Few conversations from the subplot of few characters could also have been avoided. Thankfully, none of these fall in the major negative point zone.

Mission Mangal has an ensemble cast and not every character has got proper space, which is not surprising. But each character is given an interesting story and arc of its own (except Akshay, as mentioned above).

Every actor has risen to the occasion. Despite no character background, Akshay Kumar provides a fine mixture of seriousness and humour. This is easily one of his most noteworthy acts. Vidya Balan once again proves why she is the best of the current lot of actresses. She is adorable once again. Dalip Tahil makes his presence felt as an unusual antagonist.

It’s good to see Sharman Joshi in a mainstream film after long. He displays an undercurrent of humour and never overdoes it. The rest of the team members provide perfect support, especially the senior most Ananth Iyer.

Overall: Mission Mangal is a joyride that celebrates India’s space achievement. It will be argued that the makers have made it into a filmi affair. But as it is a feature film and, more importantly, succeeds in doing justice to the achievement of ISRO at the same time, it doesn’t turn out to be a problem.

Also read: How to donate for Maharashtra flood victims?

The film has had a good opening and it seems Mission Mangal will be a success at the box office. Akshay has never had a Rs 200 crore film. This is his good chance.

Rating: 4 out of 5

Review by: Keyur Seta

Filed Under: Bollywood Tagged With: Mission Mangal box office, Mission Mangal cast, Mission Mangal movie review, Mission Mangal opening, Mission Mangal real story

6 noteworthy moments from Article 15

June 30, 2019 by Keyur Seta Leave a Comment

Director Anubhav Sinha’s Article 15 is largely about the atrocities faced by people belonging to the backward castes. But the Ayushmann Khurrana starrer also has a lot of layers and the film ends up saying a lot without actually saying much. The end result is disturbing but at the same time positive as well.

It will be worth revisiting 6 noteworthy aspects from Article 15:

Urban-rural divide
A city bred person might get a jolt when he or she witnesses the way of living and norms of a rural area. The same happens when the protagonist Ayan Ranjan [Khurrana] is posted in a remote village in Uttar Pradesh. He is shocked to see such strict practice of caste even in 2019, including the practice of not even letting the shadow of the ‘untouchables’ touch you. Article 15 doesn’t shy away from showcasing such stark reality of ‘modern’ India.

Still proud to be an Indian
Ayan Ranjan’s situation is very much like many of us. He is disturbed and disgusted to see the reality of India and is ready to expose it in front of everyone. However, he is still proud to be an Indian, like he tells her wife on phone.

Article 15 poster

It reminded me of the scene in Ashutosh Gowariker’s Swades where Shah Rukh Khan’s character says, “Main nahin maanta humara desh duniya ka sabse mahaan desh hai.” But deep down, he cares for the nation and agrees to leave US for it.

Ignorance is bliss?  
There is a scene where Khurrana is wondering as to how people around him can behave normal and quite happy despite the gruesome crime that has taken place in the village. This is reflective of how a section of the population is turning a blind eye on various issues under the garb of nationalism these days.

Horning out castesim  
Khurrana asks the caste of a vendor but her answer is overturned by the loud horn of a passing truck. This is an impressively creative way of giving a message that anybody’s caste isn’t important.

Ambedkar’s presence
The teachings of Dr Babasaheb Ambedkar has been hardly explored by mainstream Hindi cinema over the decades. We have had biopics on various leaders but none on him. This is a surprise since Ambedkar has had a lion’s share in the making of the Constitution Of India, the very book on which the idea of India is based. Article 15 fills the much needed void.

Heroic entry
The high point of the film for me is the entry of Article 15. The arrival of the document produces the same effect that a mass hero does when he makes a heroic entry. The words under Article 15 and the playing of ‘Vande Mataram’ in the background will always be unforgettable.

Additional reading:

Short Story: Caste Away

By: Keyur Seta

Filed Under: Bollywood, National, Socio/Political Tagged With: Article 15 dialogues, Article 15 meaning, Article 15 review, Article 15 scenes

83 film to revisit Kapil Dev’s 175, which is hardly seen

May 26, 2019 by Keyur Seta 1 Comment

Legendary all-rounder Kapil Dev served team India for 16 years. The biggest moment of his career was winning the 1983 World Cup for India. Before the start of the tournament in England, very few would have counted India as one of the favourites to lift the trophy.

But even if they did, hardly anyone would have betted on them after they were dismissed for a mere 183 in the final at Lords against the deadly West Indies. The opponents had won both the World Cups before this one and this looked like a cake walk. But the result ensured jubilation among Indians and shock among the West Indians [that rhymed!] as the latter were bowled out for just 140.

Dev’s second biggest achievement ever, at least in my personal opinion, came in the same series against Zimbabwe, a team that was making its first international appearance. Those growing up in the 1990s would remember Zimbabweans giving a tough time to the Indians on numerous occasions.

Not many would know that Zimbabwe marked their entry into international cricket in an astounding fashion in the 1983 World Cup. The team went onto beat the strong Australian side in their first match of the WC [which was also their first international match ever] by 13 runs. Duncan Fletcher gave an all-round performance of 69 not out with the bat and 4 for 42 with the ball.

Kapil Dev 175
Kapil Dev during his innings of 175 not out against Zimbabwe. [Photo: Cricketaddictor.com]

Although they lost their next three matches, one couldn’t take them lightly after their debut match.

India had beaten Zimbabwe by five wickets earlier in the series [every team played two matches against all teams in the league round], so they had the upper hand before the start of their second match against them at Turnbridge Wells. However, the start they had after choosing to bat was more than horrible.

After being 17 for 5, India was later reduced to 78 for 7. It looked like they might go down in the dumps but Dev had other plans. He came in when they was reeling at 9 for 4. He took full charge of the situation and not only rescued the team but also went onto score the highest ever ODI score then of 175 not out with 16 fours and 6 sixes.

India finished with 266 for 8, a score that never looked possible in any way before. Zimbabwe were bowled out for 235.

This is easily one of the most memorable matches for India even today. However, what is truly unfortunate is that the match was not telecast as the broadcasters were on strike that day. This means that it wasn’t recorded ever to revisit later! All we have is few pictures of Dev playing some big shots. Sad indeed!

But there is some glimmer of hope of watching at least the dramatized version of the match in the upcoming Hindi movie ’83. Directed by Kabir Khan, the film will feature India’s journey to the 1983 World Cup victory.

The victory against Zimbabwe is an important part of the series for India, so it has to be there in the film. Dev, whose character will be essayed by Ranveer Singh, has been roped in by the makers as an advisor for the film. I am sure he remembers the match, including his innings, well and will help in recreating it.

Also read: He was selected for 1983 WC, but had to wait till ‘99 to play for India

What makes us more hopeful is that the makers recently revealed that they will be shooting at Turnbridge Wells, the venue where India played Zimbabwe.

By: Keyur Seta

Top post on IndiBlogger, the biggest community of Indian Bloggers

Filed Under: Bollywood, Cricket Tagged With: 83 movie, Kapil Dev 175, Kapil Dev 175 1983 World Cup, Kapil Dev 175 runs, Kapil Dev 175 vs Zimbabwe

Badla Review

March 9, 2019 by Keyur Seta Leave a Comment

In my review of Kahaani (2012), (read it HERE) I had said that there is a dearth of high quality, edge-of-the-seat mystery thrillers in mainstream Hindi cinema and the Vidya Balan starrer filled the void. The next thriller I loved after that film to that extent is Badla. It took seven long years!

Interestingly, both are directed by Sujoy Ghosh and released on the same date: 9 March.

Badla is the official remake of the Spanish movie The Invisible Guest (2016). The story revolves around Naina Sethi (Taapsee Pannu). She is a business tycoon staying in London with her husband and daughter. She is accused of killing Arjun (Tony Luke), with whom she had had an extra-marital affair, in a hotel room far away from London.

Naina’s lawyer sends senior advocate Badal Gupta (Amitabh Bachchan) to fight her case. She pleads innocent. According to her, a blackmailer had demanded a large amount of money from her and called her and Arjun to the hotel. But someone killed Arjun and knocked her unconscious. Gupta wonders if he should believe Naina’s version.

The film takes place inside a house in the form of the meeting between Naina and Gupta in a span of three hours. The story keeps going in flashback. The most important ingredient in a mystery thriller is to keep the audience glued. Badla does that exceedingly well. The makers have given the screenplay credit to the writer of the original film Oriol Paulo.

Badla poster

The film also scores high in the dialogues, characterization and the technical aspects.

In addition you are kept guessing continuously. We are given a couple of hints in between about the main mystery, but not enough to become a spoiler. Such thrillers tend to become lukewarm in the second half. It doesn’t quite happen here, although the length could have been reduced slightly post-interval.

The revelation of the main mystery in the end does give you a jolt even if you have almost guessed it. The problem is that it appears a bit far-fetched which might not go with a section of the audience. It worked for me though.

The performances are first rate. Taapsee Pannu has added another feather in her cap after this act. She succeeds in the difficult task of keeping you guessing about her intentions. Amitabh Bachchan also lives up to his image and switches between being intense and funny with remarkable ease.

Taapsee and Bachchan share an impressive chemistry of a different kind. The mind games played by the two keeps you hooked and, at times, in splits.

Despite the presence of the two main characters, Amrita Singh comes out as a winner all the way. Debutant Tony Luke appears at ease despite being around experienced actors. He is a talent to watch out for. Manav Kaul gets noticed despite limited screen time.

Overall: Badla succeeds in satisfying the thriller lover in you. The film has taken a decent opening at the box office. It stands a good chance of earning respectable collections over the days.

Rating: 4 out of 5

Review by: Keyur Seta

Director: Sujoy Ghosh

Producers: Red Chillies Entertainment and Azure Entertainment

Writers: Oriol Paulo, Sujoy Ghosh and Raj Vasant

Cast: Amitabh Bachchan, Taapsee Pannu, Amrita Singh, Tony Luke

Genre: Mystery thriller

Runtime: 120 minutes

Filed Under: Bollywood Tagged With: Badla box office, Badla movie review, Badla movie story, badla rating, Badla review, Badla story

Pulwama row: Why the climax of Border is more relevant today

February 28, 2019 by Keyur Seta Leave a Comment

The Pulwama terrorist attack on 14 February, which killed at least 40 Indian police personnel, has triggered tensions between India and Pakistan yet again. The tragedy of the incident has increased manifolds after the disgusting behaviour of television news anchors and the countless hate-mongering social media posts.

The news anchors sitting inside the security and comfort of their air-conditioned studios have been literally demanding a war on Pakistan ever since Pulwama incident happened. A large number of the audiences watching such ‘shows’ in equally secure homes have been demanding the same and sharing posts that give an idea as if life is just a movie or a video game for them.

Of all the social media posts and memes that are shared post Pulwama attack, the prominent ones are from the Hindi film Border (1997) by J P Dutta. It is the ultimate war film that keeps lingering in the minds of the masses of India whenever a war-like situation erupts.

Short videos of scenes from the film start getting shared on social media and What’s App. Some of the prominent ones are Sunny Deol’s character’s passion to win the war, his famous Mathuradas moment, Jackie Shroff, as the Indian Air Force officer, blowing up enemies from the sky and the song ‘Hindustan,’ to name a few.

But the most defining moment of the film is its last six minutes, which somehow doesn’t pop up in people’s minds. I am yet to come across a single post or video about that portion of the film. I am sure some of you might still not be able to recall it.

Border movie Pulwama

The film ends with the song ‘Mere Dushman, Mere Bhai,’ which shows the horrors of war. The lyrics and its visuals make it loud and clear that war can only be ugly and devastating. The family members of soldiers are seen devastated by the loss of a son, father or brother. Something we can’t imagine while ‘demanding’ a war without the danger of losing a loved one.

Here is one example of the heart-penetrating lines of Javed Akhtar:

Hum Apne Apne Kheton Mein Gehun Ki Jagah Chawal Ki Jagah Yeh Bandooke Kyun Bote Hain
Jab Dono Hi Ki Galiyon Mein Kuchh Bhooke Bachche Rote Hain

No doubt, today Border is considered quite jingoistic, loud and, at times, silly. But we have forgotten that it actually ends by giving a message that war is never the answer and nobody gains from it. I wonder how such a profound message got lost over time. Or maybe we are conditioned to conveniently forget it?

In one of the scenes of the songs, Deol is seen saluting a dead Pakistani soldier. The frame freezes with the flags of both India and Pakistan on the screen.

I get a jolt when I compare this with the posts about ‘wiping out’ the entire Pakistan and that too by people whom I used to consider sane all these years.

By: Keyur Seta

Watch the song:

Filed Under: Bollywood, National Tagged With: Border Bollywood movie, Border J P Dutta, Border movie, Border movie scene, Mere Dushman Mere Bhai Border, Pulwama attack, Pulwama attack reactions, Pulwama attack revenge

Does Thackeray hint at Shiv Sena’s changing relationship with Congress?

January 27, 2019 by Keyur Seta 1 Comment

Director Abhijit Panse’s Thackeray, the biopic on the late Shiv Sena supremo Bal Thackeray, is garnering various reactions from the audience and critics. But here is an attempt to read between the lines of the film’s content with retrospect to the current political stand of Shiv Sena.

Thackeray shows the supremo’s journey from his early days as a cartoonist. From that time itself he was a staunch opponent of the Congress. As an artist and a politician, Thackeray was never known to mince his words or sketches against anyone, including Congress and its leaders.

But surprisingly, the movie doesn’t feature Thackeray’s hatred for Congress through any of his speeches or conversations. Of course, Shiv Sena’s protest against the then deputy Prime Minister Morarji Desai gets a good footage. But that was a key incident, so that couldn’t have been skipped. Other than that, Thackeray isn’t shown speaking or acting against Congress.

The 1995 Maharashtra Assembly Elections were the first time that Shiv Sena came to power through a coalition with Bharatiya Janata Party (BJP). The mammoth task of the coalition was to defeat Congress for the first time. So, it is obvious that speaking against your main opponent becomes your important task.

But that is not shown in Thackeray. Surprisingly, Shiv Sena’s road to the 1995 State Elections, which was their first major success, is hardly given any importance. Without showing any moment of their journey till the results, we are abruptly shown a scene of Shiv Sena workers celebrating the victory.

One of the highlights of Thackeray’s career was his fiery speeches at Shivaji Park, which were keenly awaited by his supporters as well as opponents. But strangely, the film doesn’t feature any of his speeches. Most of his speeches always targeted Congress. Was this the reason to omit it?

One might argue that the makers wanted to play safe. But it is not possible to buy this argument for a film that openly speaks about the party’s role in the demolition of the Babri Masjid in 1992.

Now, let us see why such soft stand against Congress gets more interesting. Since recent times, senior Shiv Sena leader Sanjay Raut, who is also the film’s producer and story writer, has been showering praises at Congress, the Gandhi family and its President Rahul Gandhi, of all people.

Thackeray movie poster

Less than a week ago, Raut said, “Rahul Gandhi has always been mocked. But we cannot forget the sacrifices made by the Gandhi family for the country. If you do not agree with his policies, then criticise him, but do not make personal attacks. Personally, I am against this type of politics. He has never given false promises.” (Read the whole statement HERE)

Priyanka Gandhi’s decision to enter active politics few days ago met with sarcastic jibes from the opposition. But Raut had other views. Speaking about the decision, he said, “It’s a good decision by Rahul Gandhi. The people of India have always had a relationship with the Gandhi family. Indira Gandhi’s legacy will always remain strong in this country, Congress will benefit from this.” (Read the whole statement HERE).

The praise for Rahul started last year when Congress lost the Gujarat state elections to BJP after giving a tough fight. Shiv Sena’s mouthpiece Saamna hailed Rahul for being ‘Baazigar’ (indicating that he lost elections but won hearts). These are just few examples though.

For those not in the know, Shiv Sena has been throwing a volley of attacks against BJP, their ally both in state and centre, in recent years. In words one would only use for the opponents.

I have come across people and articles claiming that it was Congress that provided massive secret support to Shiv Sena during its early days so that the latter would help wipe out communists from Mumbai (then Bombay). But Shiv Sena leaders have never been comfortable with this question.

However, Thackeray, the film, shows no qualms in showing this relationship between Shiv Sena and Congress.

So, is the party paying back to the Congress for their initial help going by the recent heavy praise? Or is it just to score brownie points against your ally-cum-enemy BJP? And did we see a glimpse of it in the movie?

By: Keyur Seta

Filed Under: Bollywood, Marathi movies, Socio/Political Tagged With: Congress helped Shiv Sena, Sanjay Raut Rahul Gandhi, Shiv Sena history, Thackeray movie, Thackeray movie story

Hardik Pandya comments: We are channelizing our anger in the wrong direction

January 14, 2019 by Keyur Seta 2 Comments

Let me get this straight. The motto of this article is not to defend Hardik Pandya or the comments made by him on Koffee With Karan. I personally found them not only disgusting but also worrying; thinking how many more people would be out there with such cheap mindset towards women.

But there are few things that I find too weird, which hardly have been pointed out ever since the controversy erupted.

1. K L Rahul is needlessly punished for no fault of his. It was Pandya who made all the misogynistic comments on the show. Rahul is no way responsible for what his partner on the show said. On a lighter note, he has become the Fardeen Khan of No Entry (2005).

2. If it is bad to make such comments, it should also be equally offensive to laugh and enjoy them. This is exactly what Karan Johar did as a host. But nobody is lashing out against him. How enjoying such comments is not offensive but just being a co-guest is?

3. Most importantly, some of our politicians and people from the government have openly verbally attacked women through the most disgusting statements you can come across. However, they are spared of such 24/7 hatred and innumerable articles.

Hardik Pandya on Koffee With Karan episode

Actually, they should receive more backslash since they have been given the responsibility to govern and protect us. How people don’t get so offended or worried when an elected representative makes such statements is beyond me.

Have a look at the following statements and decide for yourself:

“I am also a goonda. I will shoot you guys if a Trinamool Congress worker is ever attacked. If you have the guts, then stop me. If you insult the mothers and daughters of Trinamool workers, I won’t spare you. I will let loose my boys in your homes and they will commit rape.” – TMC leader Tapas Pal slamming the CPI.

“If they (girls) want freedom, why don’t they just roam around naked?” – Haryana Chief Minister from BJP Manohar Lal Khattar

“Boys are boys. Mistakes happen.” – Samajwadi Party Chief Mulayam Singh Yadav on increasing number of rapes

“She is 100% ‘tunch maal.’” – Congress leader Digvijay Singh on a female party member

“Have you ever seen a girlfriend worth Rs 50 crore?”- India’s Prime Minister, Narendra Modi while describing the late Sunanda Pushkar

“These days it has become a fashion to have a girlfriend or boyfriend. A girl should go out only with her brother or husband.” – Samajwadi Party leader Abu Azmi  

Ask yourself, was there even 20% of outrage for any of these comments like it has been for Pandya’s? Are a cricketer’s comments more worrying or the ones made by people who are responsible for women safety?

By: Keyur Seta

Filed Under: Bollywood, Cricket, Socio/Political Tagged With: Hardik Pandya, Hardik Pandya comments, Hardik Pandya K L Rahul Koffee With Karan, Hardik Pandya Koffee With Karan, Hardik Pandya reaction

The Accidental Prime Minister Review: Propaganda is not the problem here

January 13, 2019 by Keyur Seta Leave a Comment

Debutant director Vijay Ratnakar Gutte’s The Accidental Prime Minister is based on the book of the same name by Sanjaya Baru. The author was the media adviser of Dr Manmohan Singh, India’s former Prime Minister.

The film mainly focuses on how Singh (played by Anupam Kher) was ‘remote controlled’ by the then Congress party President Sonia Gandhi during his tenure as the PM from 2004 to 2014.

The big question before and after the release is not whether the film does justice to the book. The curiosity is about whether the film is a propaganda machine against the Congress and in favour of the ruling BJP (Bharatiya Janata Party).

There is absolutely no doubt that it is indeed that, as suggested by the trailers. But this is not the problem with the film. I personally believe that anyone has a right to make a film on any subject while advocating any ideology. It should be left to the audience to decide what to accept and what not to.

The problem with The Accidental Prime Minister is that it makes the propaganda look too obvious and in-your-face throughout.

Even if the creative minds behind the film hate people like Sonia Gandhi and Rahul Gandhi, they should do justice with the characters. Even the cruellest of villains deserves to be portrayed in a believable way.

Over here Sonia (Suzanne Bernert) and Rahul (Arjun Mathur) are nothing more than caricatures. The former, especially, reminds you of the amateurish performances seen in stand-up comedy shows. Surprisingly, even BJP leaders Atal Bihari Vajpayee (Ram Avtar), India’s ex-Prime Minister, Lal Krishna Advani are not spared from being caricaturish. Priyanka Gandhi (Aahana Kumra) is the only believable real character.

The other motto of The Accidental Prime Minister was to show Singh as a pawn and a victim of party politics. Kher does fairly well but tries too hard to present Singh as a bechara, both in terms of the physical attributes and the voice. His manner of moving his hands while walking is a put off.

The Accidental Prime Minister poster

During one of the interviews for the film, the director said that they have ‘added’ scenes to link one incident from the book to another in situations where Baru couldn’t have been present. But some conversations in these scenes are difficult to believe.

For example, once Rahul speaks to Sonia in Italian in front of their senior party members. This instantly reminds you of the old ‘Italian’ jibe at the mother-son duo by BJP leaders. And why will be do that in front of others? Similarly, Kapil Sibal’s press conference where he denies the Coalgate scam appears unintentionally hilarious.  

The disclaimer at the start states that the film is made purely to entertain. However, the aforementioned points ensure that even if you wish to look at the film just as a film you can’t because the makers have gone overboard in advocating their political narrative. Featuring heroic real speeches of India’s current Prime Minister Narendra Modi doesn’t help either.

This is where Madhur Bhandarkar’s Indu Sarkar (2017) differed. It made its stand clear against the Congress party but didn’t go overboard in proving the same.

The Accidental Prime Minister does have something for those who are deeply knowledgeable in the politics of that period. But this remains mostly in the first half. The post-interval portion suffers from a disjointed screenplay. As a viewer, at times you don’t realize which year is going on.

Amid all this, the only silver lining is Akshaye Khanna’s performance as Sanjaya Baru. He comes up with one of his finest acts while playing a character that offers a lot of scope. He ensures that your interest is maintained even when The Accidental Prime Minister keeps meeting with accidents.

Rating: 2 out of 5

Review by: Keyur Seta

Director: Vijay Ratnakar Gutte

Producers: Pen Movies and Bohra Brothers

Writers: Mayank Tewaari, Vijay Ratnakar Gutte, Karl Dunner and Aditya Sinha

Cast: Anupam Kher, Akshaye Khanna, Suzanne Bernert, Arjun Mathur

Genre: Political Drama

Runtime: 150 minutes

Filed Under: Bollywood Tagged With: Accidental Prime Minister actors, Accidental Prime Minister movie, Accidental Prime Minister review, Accidental Prime Minister story, The Accidental Prime Minister review

Simmba Dialogues

December 30, 2018 by Keyur Seta Leave a Comment

Rohit Shetty’s Simmba has succeeded in entertaining the audience. The Ranveer Singh starrer has proved to be a perfect single screen entertainer. Apart from Shetty and Ranveer, the dialogues also played a big part in it.

Writer Farhad Samji has once again been able to tickle the audience’s funny bone. So, it’s really worth revisiting some of the funny moments from Simmba in the form of its dialogues.

Here are some of the best dialogues from Simmba uttered by Ranveer (feel free to add more in comments):

– Je mala mahit naahi te sanga. Tell me something I don’t know.

– Mind eej blowing.

– Chand pe paani aur barf ka pata lag gaya hai. Ab sirf wahan daaru le jana baaki hai.

– Mera koi bhai nahin hai. Lekin woh toh tera bhi nahin hai.

– Yeh mera style kahan hai? Yeh Bajirao Singham ka style hai.

– Mohile, Mohile, Tere bina main kaise piyun?

– Yeh Kalyug hai. Yahan sab sirf ek hi matlab ke liye jeete hain. Apne matlab ke liye.

– Main policewala bana paise kamane ko. Robinhood banke doosre ko madat karne ke liye nahin.

Filed Under: Bollywood Tagged With: Simba dialogues, Simmba dialogues, Simmba dialogues in Hindi, Simmba dialogues lyrics

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