Monthly Archives: April 2021

Sachin’s 1st first-class 200 vs Australia in 1998: Forgotten moments

1998 belonged to Sachin Tendulkar. He was unstoppable in that year, especially against Australia, be it in tests or ODIs.

His two heroic centuries in Sharjah, mountain of runs in the test series at home, 5-wicket haul in the ODI series and some quality innings in the same series, a century and 4-wicket haul in the first ICC Champions Trophy match; all came in the same year against the Aussies. Along with this, Tendulkar also scored an unbeaten 100 against Zimbabwe in the Sharjah Cup Final later that year.

But one of the major achievements of his career also happened in 1998 that people seem to have forgotten. I have never heard this being mentioned in any of the cricket discussions I have heard or read over the decades.

It came in the practice match between Mumbai and Australia at the Brabourne Stadium in Mumbai in February 1998. Here’s revisiting that match as the Master Blaster celebrates his 48^th birthday.

Apart from Tendulkar’s greatness on the field, another reason I can’t forget this match is because it was the first time that I set foot inside a cricket stadium.

I was in eighth standard and had started following cricket keenly a couple of years before during the 1996 World Cup. When I came to know that the practice match will be played in Mumbai in which Tendulkar will be playing for his home Ranji team, I got all excited. It didn’t take much to convince my father, which was a pleasant surprise since he wasn’t so interested in cricket.

We went on the second day of the 3-day match. Australia had declared their first innings on 305 for 8 on the previous day.

Sachin Tendulkar 200 — Sachin Tendulkar and Shane Warne [File photos]

As we entered the premises of the stadium, my excitement knew no bounds. I couldn’t believe I would be entering a cricket stadium for the first time ever. Same was the case with my younger brother.

It was a surreal moment when we finally reached the stands and could see the ground. I was amazed to witness the big names of Australian cricket in front of my eyes; the likes of Shane Warne, Ricky Ponting, Mark Taylor, Ian Healy, Michael Slater, Paul Reiffel, etc.

We got a display of some quality batting right at the start. Much before Tendulkar, it was Mumbai’s left-handed opener Amit Pagnis who hit Warne around the ground; even hitting against the spin over mid-off. Warne’s nightmare on that tour actually started on that day and it was Pagnis who inaugurated it.

This was the first time I came to know that the Indian crowd actually starts celebrating when the home team’s second wicket falls because that’s when Tendulkar comes out to bat. So when Pagnis got out after a well-made 50, in came the Master Blaster.

I still can’t forget the heart-pumping moment when Tendulkar came out amid loud cheers and whistles and a lot of dust in the air when he took guard. I was finally seeing him in front of my eyes after watching him numerous times on TV.

He started hitting the ball right from the word go. Like everyone else, I was keen to see him bat against Warne. When the moment came, Tendulkar, showing no respect for the bowler, just started hitting him around. He hit some quality drives and cuts. But his pull short against the spin is the one shot I remember the most. After a while, it felt Tendulkar was batting in the nets.

There were few hiccups for Mumbai when Sanjay Manjrekar was runout after Tendulkar flicked Warne at square leg. It was Manjrekar’s last first-class appearance as he had announced his retirement. It was sad to see him get out in this fashion after reaching 39 in his last match for Mumbai.

This was followed by Vinod Kambli’s dismissal for 10 with Mumbai being 161 for 4. But Amol Muzumdar (42) and Rajesh Sutar (45) had useful partnerships with Tendulkar.

Tendulkar’s 155 vs Australia in the 1st test at Chennai in 1998 right after the practice match for Mumbai against the same opposition

In between that phase, I got to experience the moment when Tendulkar reached his 100. It was magical to be able to witness it in my first match in a stadium. I don’t remember cheering and clapping to this extent ever before. The same was the case when Tendulkar reached 150 and 200.

The double century was an important milestone as it was the first time Tendulkar reached that number in first-class cricket. His previous best was 179 against West Indies in 1994 at Nagpur. Mumbai declared its innings at 410 for 6.

While returning back, I had the most satisfactory feeling. I knew I would be able to recall this day throughout my life. I felt it can’t get better than this in a Mumbai vs Australia match.

But it did. The next day, which was the third and final day, I switched on the radio to follow the match. Much to my extreme surprise, Australian wickets were falling like a pack of cards. They got all out for a paltry 135! This meant Mumbai needed to score just 31 runs to win, which they did in 5.3 overs with all wickets intact at around 1:30 pm.

I couldn’t imagine Mumbai defeating Australia in two and a half days. 1998 deserves to be remembered for this match too…

Note: There is no recording of this match available as it wasn’t telecast. See the full scorecard HERE.

Also read:

Only time Tendulkar was NOT selected in team India, neither injured nor rested

One of Wasim Akram’s biggest achievements is forgotten

Rann keeps getting more relevant and that’s not a good sign

8 Replies

Rann (2010) was one of the better films created by Ram Gopal Varma. It came at a time when the filmmaker was being written off, especially after the debacle of Ram Gopal Varma Ki Aag (2007), the remake of Ramesh Sippy’s classic Sholay (1975).

Starring Amitabh Bachchan, Riteish Deshmukh, Paresh Rawal, Sudeep, Mohnish Bahl, Suchitra Krishnamoorthi and Gul Panaag, Rann gave more than a glimpse of the RGV of his prime.

Unfortunately, the film just didn’t work at the box office and couldn’t reach a large number of the audience.

But since the last few years, Rann has been appearing more relevant than it did more than a decade ago when it had released. In fact, it continues to get more relevant with each passing year and that isn’t a good sign.

Rann was basically about Vijay Harshwardhan Malik (Bachchan), the righteous and honest owner of a news channel called India 24/7. His channel is struggling with TV ratings since he is not willing to carry out any unethical and dishonest means to up the ratings, like other rival channels, including the one headed by the corrupt Amrish Kakkar (Bahl).

Vijay’s son Jai (Sudeep) has the opposite ideology but is unable to do anything since it is his father who controls the channel, much to his frustration. Meanwhile, Purab Shastri (Deshmukh), a die-hard fan of Vijay and a budding journalist, is delighted to have got the opportunity to work for India 24/7.

Apart from being a film on the media, Rann was also a political drama. Mohan Pandey (Rawal) from the opposition is desperate to become the Prime Minister. He forms a deal with Jai to frame the existing PM Digvijay Hooda (KK Raina) in a terror plot. Jai convinces Vijay about Hooda’s involvement in the scandal and the latter airs the ‘news’ on his channel.

This results in an uproar in the nation and Hooda is forced to step down as the PM. The general elections are held mid-term in which Pandey triumphs and is all set to become the next PM. However, Purab gets to know about Jai’s evil plan to frame the innocent Hooda. But is it too late?

Although the term ‘fake news’ isn’t spelt out in Rann, that is the crux of the film’s basic plot. However, fake news as a concept was hardly there in 2010, so, obviously, it wasn’t known by the masses. Hence, the seriousness of the subject wasn’t felt by the audience back then.

But today, we are living in an era where fake news is not just a reality but a regularity. Political parties use it on a daily basis to score brownie points over their rivals. Their leaders are painted as saints while the opposing party leaders are made to look like evil through posts and memes that appear like real news.

Rann had a long and powerful tagline that can be seen above

And our gullible citizens believe them without bothering to do any kind of verification. The controversy of the death of Sushant Singh Rajput received more fuel because of fake news. It went to such an extent that ‘news’ like how some top Hindi film stars saw the live telecast of Rajput’s ‘murder’ were spread and they were believed even by well-educated individuals.

Rann also went way ahead of its time and showed a news channel airing fake news. This might have appeared difficult to believe 10 years back but today this is also a reality. There have been instances where channels have aired ‘news’ that can be sourced only to What’s App forwards.

Rann ends in a powerful way when Vijay addresses the nation and begs forgiveness for airing fake news about Hooda. The dialogues and Bachchan’s performance provides goose bumps as we are told the responsibility of the media from scratch.

Big B’s climax monologue in Rann

A line spoken by Vijay’s character sums up the relevance of the film today – Jab sarkar aur media satta ki duad mein aapsi sauda kar leti hain, toh khabarein banti nahin, banai jaati hain [When the government and the media make a deal in the race to power, news doesn’t happen; it is created]

Andha Yug to be discussed, screened at META online event on 2nd, 3rd April