Season of Suicide in Bollywood

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Quick Gun Murugun What would happen if a sparsely populated village that requires around 100 kilos of wheat each month is supplied a thousand kilos? Around 90% of the product will go waste. Well, the situation in our very own Bollywood is similar these days because of the abnormal number of films releasing. It’s unbelievably true that 12 Hindi films have released in last two weeks (28^th August and 4^th September).

But that’s not all as next Friday (11^th September), 5 more flicks are coming out. And apart from these 17, there are 6 Hollywood films and 1 Bengali film (Sob Choritra Kalponik starring Bipasha Basu) too. Just imagine – a total of 24 new films in three weeks! It can’t get more insane than this.

The following table is the list of new releases in these three weeks: –

August 28	September 4	September 11
Kisaan	Chintu Ji	Baabarr
Quick Gun Murugun	Mohandas	Vaada Raha… I Promise
Toss	Aagey Se Right	Aamras
Daddy Cool	Fox	Ruslaan
Yeh Mera India	Three	I Can’t Think Straight
Sob Choritra Kalponik	Bachelor Party	The Unforgettable
Love Khichdi	The Final Destination	9
The Taking Of Pelham 123		District 9
Race To Witch Mountain

Because of the high number of releases and the lack of promotion of most of the movies, the theatres are almost running empty. In fact, many of the shows of these films got cancelled due to ‘no audience’.

Yeh Mera India

The reason is simple. The cost of tickets and the lack of time do not allow a common man to enjoy more than two films per week. Even if a person has all the time and money, has he or she heard most of the names from this list? Because of this overdose, even few well made flicks go unnoticed.

A year that has seen less than a handful of successful films in the first half is now laden with such high numbers of unsuccessful films. What’s worse is that such mass suicide will continue in the coming months. So don’t be surprised if 2009 becomes the year with most number of flops in Bollywood ever.

The Taking Of Pelham 123 Movie Review

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On Track…Almost

Ratings: – * * *

I am firmly of the view that a remake should not be compared with the original film. It’s my belief that a remake is a way of looking at a particular story in a different way and during a different time-span. It’s more like an experiment as well as a tribute. Having said that, I am forced to say that the original 1974 flick The Taking Of Pelham 123 should be better than this remake by Tony Scott, only because of a particular scene which I found illogical.

Pelham 123

After grabbing the ransom money, why on earth will a terrorist walk on the streets of a city without a care in the world so that the cops can catch or shoot him? Even someone like me, who has no criminal record, would know that the first thing in this situation to do is to flee from the city or country as soon as possible. However, in spite of this, this remake is worth watching mostly because of the technical aspects, the sleek look and the performances.

It’s a typical hostage drama where Ryder (John Travolta) and his group hijack the New York City’s subway train The Pelham 123 and demand a huge ransom in return within 60 minutes. Ryder vows to gun down one person every minute after the deadline. Walter Garber (Denzel Washington), an MTA official, is forced to become the negotiator due to the recent circumstances in his life.

Thanks to a gripping screenplay and some stylish effects, the interest is generated throughout the 121 minutes. Plus, some innovative camerawork add to the plus points. The bird view shots are terrific. The above mention points help a great deal when the goings goes off-track slightly in between. The stunts and the action too deserve special mention. However, the couple of accidents included looked like a forced attempt to create thrill.

Travolta and Washington’s performance and the witty interaction between them act as the main pillar. Here, the dialogue writer deserves applause for creating a bond between the characters. Because of these plusses, The Taking Of Pelham 123 can be quite satisfying, especially for thriller lovers.

3 Day Affair

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Gone are the days when box-office hits were movies that easily lasted at least 10-15 weeks and most of them completing silver jubilee. In today’s times, it’s impossible to see such a thing happening.

We are living in a see-and-forget-world. The world has become so fast that the first weekend collections itself determine whether a film is a hit or flop! And most of the times, a person who hasn’t seen a particular movie labels it as good or poor by just looking its business over the first three days.

singh-is-king2

Let’s take two examples –Singh Is King and Kambakkht Ishq. Singh Is King was considered as the most successful Bollywood film when it released in 2008. The stamp of a blockbuster was granted to it just because its producers and distributors booked almost all theatres in the country with around 10 shows per day.

As expected, people stormed into the theatres in the first weekend as it was a hugely awaited movie. Therefore, it gets the status of one of the biggest hits ever in Bollywood. However, you will hardly hear any praises from those who have seen this. Singh Is King’s audience rating in Imdb.com is just about 5 out of 10. Any regular reader at Imdb will know that to have a rating of 5 over there isn’t good by any means.

KambakkhtIshq

Kambakkht Ishq is even a bigger example. Some critics are of the view that it’s a super hit judging by its business on the first three days. But do we have any appreciators for this so called super hit? On Imdb, the audience’s response is merely 3.6 out of 10 for this flick.

This proves that in today’s times, it’s not difficult to ‘cook’ a box-office hit. All you need is a top actor, an exciting promo and a good marketing strategy. In fact, it seems some filmmakers are putting in more efforts in creating their film’s promo than the actual movie.

There is a dialogue in the movie Halla Bol (sadly, another sincere effort going unnoticed) by some side actor. It says “Aaj kal sab kuchh marketing pe chalta hai. Jab tak public ko achchhe-bure ki samaj aaye, teen din mein maal andar”. The ‘3 Day Affair’ cannot be described more accurately than this!

Sikandar Movie Review

Kaminey Movie Review

The Unsung Heroes of the First Half of 2009

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Along with the well-known blockbusters, each year Bollywood also witnesses a number of well-intentioned and intelligently made films that go unnoticed and fail to get the due respect which they rightfully deserved. There can be various reasons for their downfall like lack of promotion, lack of interest for the masses, lack of superstars or lack of masala or entertaining factors. Sadly, the first half of this year too witnessed such unsung heroes. Let’s take a look at them: –

The Stoneman Murders: Director Manish Gupta’s thriller was based on the mysterious serial killings which terrorized Mumbai in 1983. After adding some meaningful fictitious elements, Gupta made an intense drama with some unpredictable twists leading on to a heart-wrenching climax. It had a powerful script without a single dull moment. Plus, Kay Kay Menon’s flawless and memorable performance summed up a flick which surely deserved a watch. Unfortunately, it opened with a poor response and was ignored after the first week itself.

Gulaal

Gulaal: This one received a great deal of critical as well as international acclaim. However, that wasn’t enough as the film failed to gain a good response at the ticket-window. An unusual subject of student cum mafia politics was dealt in a mature manner by director Anurag Kashyap, who showed his special touch in a number of praiseworthy sequences. It had some topnotch performances by Kay Kay Menon, Raj Singh Chaudhary, Abhimanyu Singh, Ayesha Mohan, Piyush Mishra and, in fact, even by those side actors. Its dark, hard-hitting and somewhat disturbing subject could be the reason why it didn’t attract the masses.

Firaaq

Firaaq: Actress Nandita Das’ directorial debut was appreciated round the globe. Sadly, back home the film received a dismal response at the box-office. It was a never-tried-before realistic account of the people who have just gone through the nerve-wracking Godhara riots in Gujarat. Das managed to churn out some realistically excellent performance from Nasserudding Shah, Paresh Rawal, Shahana Goswami and Raghuveer Yadav. One doesn’t expect such a film to be a blockbuster but one certainly expects the multiplex audiences to help the film gain at least something notable at the box-office.

Let's Dance

Let’s Dance: Aarif Sheikh’s directorial debut wasn’t a such a praiseworthy affair. However, what’s saddening is that the fact that a superlative performance by the first-timer Gayatri Patel didn’t manage to turn heads. It’s a rare for a debutant girl to carry the whole film on her shoulders without any support whatsoever from her male counterparts. When was the last time we witnessed such a thing? Memory takes us as back as 1997 when Rani Mukherjee did the same thing in her debut Raja Ki Aayegi Baraat.

For Your Eyes Only – Part 2

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Few chaps got together and all of a sudden formed a mitra mandal. Hence, this name. LOL! (Clicked at Santacruz East)

This is written by someone who pronounces sir as saar! (Clicked near my office at Worli)

Looks like they take everyone on a camp and teach how to control it. Will there be live demonstations? (Clicked at Gokhale Road, Dadar West)

Luck Movie Review

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Luck

Rating: – * *

Bollywood has come across plenty of films where it is expected that the viewer leaves his mind at home. Soham Shah’s Luck is a lot ahead. It asks you to even keep your feelings and emotions away apart from logic. So much so that even loss of human lives should be looked upon as a death of a cockroach or an insect.

A very unusual film requires an unusual review. Hence, I would like just list down a few scenes. Let’s start with the ones which defy any humanity: –

– Sanjay Dutt’s character Mousa, during his childhood, challenges his three friends to jump from the fourth floor just to see who is lucky enough to survive. The result – Mousa alone survives with a few broken bones while his friends die on the spot.

– A game of human betting is played where participants, put their lives at stake. The one who is lucky survives and wins a large sum while the one who isn’t, gets killed in the most gruesome of manners like being shot in the head, thrown from a helicopter, eaten by sharks and even bludgeoned under trains. This is not all, in a flashback scene; the contestants are even blasted by bombs as if someone killing flies using a flyswatter.

And now some illogical ones: –

– Raghav (Ravi Kishan) gets a death sentence. However, when he is hanged, the rope breaks and he is saved. As the law cannot hang a person twice, Raghav is released! Wow! Anyone from a legal profession will throw a shoe at the screen during this scene!

– Ram Verma (Imran Khan) didn’t know that his heart is on the right side! Though it is medically logical, didn’t he ever feel his heart beating on the right side all his 28 years of life!

– Mousa runs a huge organization of human betting. He has a big staff working in all departments. People bet for the contestants from all around the world. His brutal and fatal games are played openly in South Africa while contestants get killed every time as if the words ‘law’ and ‘police’ do not exist in the country.

Director Soham Shah surely has the potential. He can show off his skills better if he is given a meaningful story, which lacks in Luck. However, as a dialogue writer, Shah seems to be obsessed with the title of the film as he uses it after almost every couple of minutes.

Sanjay Dutt plays his character well but how many times have we seen him enacting such roles? Imran Khan’s performance ranges from very good to average while Shruti Haasan makes a confident debut and looks super cute. Danny Denzongpa, as expected, gives a mature performance with ease. Ravi Kishan manages to turn heads but his character goes haywire at the end. Mithun da was nothing special. The surprise package is the Chak De India! girl Chitrasha Rawat.

Of all the songs, only the title track stands out. The cinematography, action and the background score are masterly and the only strong points of the film. Watch it only and only if you like to watch some breathtaking stunts without troubling your brain and heart. Luck won’t have any luck at the box-office because of the average opening which is expected to come down in the coming days.

For Your Eyes Only!

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X - Ray

Rs 100 Per Exposure – This phrase gives an impression that these C – Grade film producers have become so professional that they pay according to the number of exposing scenes an actress/actor gives in a movie!

(Clicked near my home at Dadar West)

Chhatri Ke Doctor

This poor chap wanted to become a doctor but ended-up in a wrong profession! But that won’t stop him from presenting himself a self-designation!

(Clicked at Sion Circle)

New York Movie Review

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New York2 Ratings – * * * *

To narrate a disturbing topic in a manner that pleases the masses needs a touch of class. Director Kabir Khan deserves a bow as he manages to do that with New York, which is just his second film after the impressive Kabul Express.

The story takes place between the years 2001 to 2008. Freshness blossoms in Omar Aijaz’s (Neil Nitin Mukesh) life when he meets Maya (Katrina Kaif) and Sameer aka Sam (John Abraham) in the New York State University. A bond develops between the trio and they soon become inseparable, until 9/11 occurs. The single event changes the equation between them.

Aditya Chopra’s story makes a brave attempt of unmasking the hidden monster behind the FBI. It portrays the worse then inhuman nature of the so-called security forces following the orders of George Bush. It is necessary to show the world how Bush’s insane outlook towards Muslims gave birth to a number of terrorists.

The sensible and meaningful story is dealt wonderfully well by Sandeep Shrivastav’s screenplay and dialogues. Producing not a single uninteresting moment and many thrilling ones, he is worthy of applause.

From the performances point of view, it’s extremely difficult to point out the best. John proves himself as a winner with this one. A very difficult character portrayed with ease.

Neil’s admirers will surely add-up with this performance as he oozes perfection in every shot with maturity. Katrina performs her part well and has her moments too. The actress has improved her Hindi pronunciation.

However, it’s Irrfan Khan who turns out to be a surprise package as an FBI officer. The actor displays authority and power and makes his presence felt throughout in spite of the three main leads.

Pritam’s music suits the situations well. Hai Junoon (hope it’s not lifted like most of his hit numbers) sung by KK stands out. The songs are used only in the background and rightly so.

The technical aspects make New York a complete product. Credit goes to Aseem Mishra’s cinematography for capturing every moment with flawlessness. Julius Peckiam’s background score plays a major role in adding tension and thrill.

Overall, New York surely lives-up to the expectations. Watch it for the way Kabir Khan has narrated the saga while keeping the thrill quotient in mind. With the promising opening the film has gained, it looks like Bollywood’s prolonged bad days are finally going to end.