Category Archives: Marathi movies

Haapus (Marathi Movie) Review

True To Its Name

Ratings: * * * ½

In a particular scene of the movie, a group of soft drink company officials taste Ajit Gurav’s (Subodh Bhave) haapus (a breed of mango). The expressions on their faces after tasting the mango sum up the quality of the film. Abhijit Satam’s directorial debut Haapus offers an experience which is as delicious and refreshing as the fruit itself.

In the Vanarwadi village of Konkan, Anna Gurav (Shivaji Satam), the patriarch of the Gurav family is such a staunch believer in astrology that he doesn’t step out of the house without considering the day’s horoscope. He is always at loggerheads with his son Ajit whose opinion on astrology is contradictory to his father. Ajit grows haapus and is passionate about it. He also wishes to sell the fruit to the other areas of Maharashtra.

Ajit’s tussle with his father increases when Anna doesn’t allow him to trade in haapus because of astrological reasons. Things become tougher for Ajit as he has to face a hooligan trader called Chajed (Vidyadhar Joshi), who will go any heights to stop Ajit from entering the market.

There are also present a bunch of unusual characters like Anna’s twin daughters Amruta and Ankita (Madhura Velenkar Satam), both as different as chalk and cheese, Anna’s mother played by Sulabha Deshpande, Digambar Kale (Makarand Anaspure), son of Anna’s friend and rickshaw driver Subhya (Pushkar Shrotri).

The film works largely because the serious issue of Ajit’s struggle is peppered with large doses of humor. Writers Saurabh Bhave and Subodh Khanolkar and dialogue writer Sanjay Pawar deserve large applause for skillfully creating some rib-tickling moments throughout the film in the simplest of the situations. Having said that, they also make sure that the main issue is not left behind.

It can be a daunting task for a first time director to control such an ensemble cast and manage to get top performances from them and Abhiji Satam does the task with maturity. The way he has shot the film while portraying beautiful locales of the village is sure to keep one glued to the screen.

The only weak link is the length and the climax that should have focused more on the achievement of the characters.

As expected from a veteran like Shivaji Satam, the actor portrays the character with utmost ease. He commands respect as the head of the family and makes the role look tailor-made for him. Subodh Bhave stands apart from the crowd and plays a serious character with honesty and maturity. Madhura Velankar Satam deserves special mention as it’s utterly difficult to play two contrasting characters in the same film. Pushkar Shrotri and Vidyadhar Joshi are perfect.

Sulabha Deshpande, another veteran, proves why she is a respected figure in the Marathi film arena. Over here, she very well speaks with gestures and expressions as she plays a mute character. But it is Makarand Anaspure who takes the cake with a performance that gets you in splits whenever he speaks and appears. He is lovable throughout the film with his brilliant comic timing.

A large number of plus points make Haapus an entertainer with good values that will appeal to people of all ages. Because of the positive opening and mass value, the film is sure shot success at the box-office.

Lalbaug Parel (City Of Gold) Movie Review

2 Replies

Almost There!

Ratings – * * ½

Today’s generation is absolutely unaware about the era of mill workers in the city of Mumbai during the 1980s. Director Mahesh Manjrekar’s Lalbaug Parel (City Of Gold in Hindi) brings to light the history of these workers and the pain they went through. For this, he surely deserves praise. However, the nature of presentation is too much to handle.

The film follows the story of the workers’ struggle against the insensitive mill owners (Sameer Dharmadhikari mostly). Anna (Shashank Shende) hasn’t got his due amount from the mill owners since six months. He lives in abject poverty with his wife (Seema Biswas) and four children, Baba (Ankush Chaudhary), a struggling writer, Mohan (Vinit Kumar), a bank employee, Naru (Karan Patel), a local thug and Manju (Veena Jamkar), who has is head-over-heels for a shopkeeper Jignesh.

Also woven in the story are union heads Rane (Sachin Khedekar), his partner played by Vinay Apte, Speedbreaker (Siddharth Jadhav) and a list other characters including the ones of Satish Kaushik and Kashmera Shah.

Manjrekar has succeeded in portraying the helplessness, tragedy and the everyday life of the workers in a manner which cannot be more realistic. Every minute detail is taken care of brilliantly. In addition, he manages to bring out some realistic and brilliant performances from each and every actor with Biswas, Jadhav, Khedekar, Chaudhary and Patel standing out.

Having said that, the negative points are too much to ignore. Although the film promises to deal with the battle of mill workers versus mill owners, the first half is loaded with too many daily events and encounters of the main characters leaving the main issue behind. The second half does touch the issues but the script suffers for being too lengthy and too emotional. Even after the culmination of the story, the film is still dragged unnecessarily. Most of the times, the film appears to be an underworld saga with shades of Manjrekar’s Vaastav appearing regularly.

However, the major drawback, as stated earlier, is the nature of presentation. The 2 hour 20 odd minutes are loaded with too much of violence. In fact, such high dose of bloodshed and hostility is hardly ever witnessed in any Indian movie. The sub-stories of the characters get a bit too emotional, wild and loud. After witnessing such disturbance, one hardly cares for the characters and the issues.

Despite many plus points, Lalbaug Parel falters for being too brutal, loud and distressing for an average viewer. Watch it only if you are ready to excuse these factors. Because of the sensitive local issue, the film is sure to enjoy very good returns. However, its Hindi version, City Of Gold, (slated to release on April 23) won’t stand a chance at the box-office.

Ringa Ringa (Marathi Movie) Review

3 Replies

Unpredictably Perfect!

Ratings: * * * *

By: Keyur Seta

One thought that came to my mind after Ringa Ringa ended is that I’ve rarely experienced such thrill before as I did in this movie. The intense storyline, unpredictable twists and a sleek presentation make this Sanjay Jadhav’s work as one of the best thrillers to have hit the Indian screen.

The story deals with Rangarao (Ajinkya Dev), who is all set to become the Chief Minister of Goa despite his involvement with terrorist outfits. Rangarao’s aide Siddharth Desai (Bharat Jadhav) starts regretting his involvement with Rangarao after he gets to know about his links with terrorists. Siddharth reveals about Rangarao’s activities to the party chief Annasaheb (Uday Sabnis). Annasaheb assigns Siddharth the task of handing him evidences against Rangarao.

Rangarao’s man, a local goon called Anthony, babbles Rangarao’s activities to inspector Sawant. But, Rangarao’s hit-man Johnny (Santosh Juvekar) kills Anthony. In the meantime, Rangarao’s left hand, Vishwas (Ankush Chowdhary), a smooth-talking conman, gets hold of the evidence by bribing Sawant. Despite this, Siddharth lays his hands on the evidence and flees. After a series of unusual encounters, Siddharth’s wife Manasi (Sonali Kulkarni) enters the scene and becomes the most important player in this cat and mouse game.

What follows after this is a series of unthinkable events which keep you at the edge of the seat throughout. The strange thrills and twists till the very end give way to an unforgettable rollercoaster ride.

Sanjay Jadhav as a director as well as a writer invents an innovative style of narration, which will impress any international audience. To write such a script and then to present it onscreen requires brilliance. He is surely a lookout for the future. Plus, a powerful background score, taut cinematography and a sleek editing add on to the plus points.

This was one of the most challenging roles for Sonali Kulkarni. The suspense and twists wouldn’t have appealed this much if she had faltered even a bit. However, she rises to the occasion and gives one of her career best performances. In fact, it’s one of the best in the past few years. Also, she looks amazingly stunning. Bharat Jadhav, in a totally different avatar, proves why he is one of the finest performers around while Ajinkya Dev portrays the role of a baddie with perfection. Santosh Juvekar, Ankush Chwodhary and Uday Sabnis play their part well too.

Ringa Ringa deserves to be watched even by the non-Marathi audience purely because it leaves you spellbound.

Harishchandrachi Factory Review

3 Replies

Witnessing the Birth

Ratings: * * * * ½

The cinema industry is flourishing in India since close to a hundred years. Thousands and thousands of films have been made in a number of languages and genres. But ever wondered how the gates of the Indian film industry were opened and by whom? Paresh Mokashi’s Harishchandrachi Factory enlightens on the birth of Indian cinema. The end result is an exciting journey of the Father of Indian Cinema, Dhundiraj Govind Phalke (respectfully known as Dadasaheb Phalke) – the person who made cinema possible in India.

Right from the time he saw a movie for the first time, Phalke became eager to make a movie himself and join the filmmaking profession. However, he possesses zero knowledge about the art of filmmaking. His eagerness to learn and master the art triggers his journey to make India’s first motion picture. He receives moral, practical and emotional support from his wife Saraswati (Vibhawari Deshpande). Phalke doesn’t even hesitate to go to London by putting his financial future at stake.

The uniqueness about Harishchandrachi Factory is the feel-good factor throughout. Although this is a story of a struggler, Mokashi, as a writer, has added humor in each and every scene and that too in the most simplest of situations. He proves that one doesn’t always need slapstick and sarcastic jokes to make people laugh. Even simple and clean humor can produce hundreds of rib-tickling moments.

To direct a movie about a movie isn’t everyone’s cup of tea and Mokashi shows that the cup is certainly his. He has shown every aspect of filmmaking from story idea to script preparation, from reel development to camera operation, from cast selection to scene narration and finally, from the final shoot to the actual screening. During all this, the goings doesn’t appear like a documentary or a learning activity even for a minute. However, amidst all the fun, there should have been more footage to the struggling factor considering it was a daunting task for India’s first filmmaker.

Art Director Nitin Desai produces a visual treat by building sets which take you back to the 1911-1913 era. In fact, Desai’s work makes sure that the art direction turns out to be one of the main characters of the movie.

Nandu Madhav in the central role of Dadasaheb Phalke is tremendous and flawless. The film would not have looked so beautiful if Phalke’s character was not played with conviction but Madhav takes full care that doesn’t happen as he oozes perfection in every frame. Vibhawari Deshpande (Savitri) and the rest of the actors playing the film crew and the neighbors give sound performances too.

It would be unfair to label Harishchandrachi Factory as a Marathi movie. It’s one of those rare films which crosses all language and cultural barriers. And if you like cinema, you will love this one.

Zenda (Marathi Movie) Review

6 Replies

An Eye-Opener for the Young Karyakartas

Ratings: – * * * *

Perhaps for the first time in the history of Indian cinema, lookalikes of real life politicians with their real story and real self are shown in an amazingly appealing and enlightening manner. For this reason alone, Avdhut Gupte’s Zenda deserves a huge thumbs-up for the fearlessness he has shown.

Kakasaheb (aging leader of the political party Jan Sena) prefers his son Prashant Sarpotdar (Pushkar Shrotri) over his nephew Rajesh Sarpotdar (Rajesh Shringarpure) to lead the party. This was enough for Rajesh to separate from Jan Sena and start his own political party called Maharashtra Samrajya Sena. The film also follows the story of two young Jan Sena activists Umesh (Siddharth Chandekar) and his friend (played by Santosh Juvekar), who are as close as brothers.

Apart from doing the daring act of showing the characters of Uddhav Thackeray and Raj Thackeray on screen, Gupte has produced a script which doesn’t go off-track even for a minute. Plus, as a director, he creates some extraordinarily realistic and artistic scenes which keeps the vision appealing throughout. Gupte’s triumph doesn’t end here; he even excels as a music director. The tracks Konacha Zenda Gheu Haati and Saavdhan suit the mood of the film perfectly. The impressive cinematography and background make the tale more appealing.

Rajesh Shringarpure (of Sarkaar Raj fame) is an actor to watch. His expressions, dialogue delivery and gestures force you not to remove your eyes from him. Siddharth Chandekar, who plays an educated party worker, does the difficult task of speaking through his expressions. A really promising find. Santosh Juvekar in a role of a fanatic party worker suits perfectly as he moulds himself into the role and how!

Despite such excelling performers, Chinmay Mandlekar manages to get noticed because of his mature performance. His acts in the pre-climax sessions are too good. Rest of the supporting cast – Pushkar Shrotri, Sachit Patil, Tejashree Pradhan, Neha Joshi and Shubhangi Gokhale add the perfect icing in the cake.

Zenda is truly one of the most realistic and interesting political dramas to have hit the Indian screen. It’s an eye-opener for the young kaaryakartas. It takes more than just courage to make something like Zenda. Take a bow Gupte!

Shikshanachya Aaicha Gho Movie Review

2 Replies

Satrah Saate Kiti? To hell with such questions!

Rating: – * * * *

Can you label a student as dumb if he fails to remember the tables of 12 and 17? Does the by-hearting of chemical equations and reactions determine intelligence? Is it really necessary for a student to mug up the centuries old unimportant happenings in order to prove his worth?

After 3 Idiots, Mahesh Manjrekar’s Shikshanachya Aaicha Gho shows the mirror to our faulty education system where kids are reduced to just coolies who are made to earn wages in the form of ranks. And when it comes to executing and providing justice to the subject, Shikshanachya Aaicha Gho rises much above than 3 Idiots.

Shreenivas Rane aka Shree (Saksham Kulkarni) is one amongst lakhs of student coolies. Shree possesses special talent in the game of cricket. However, his father Madhukar Rane (Bharat Jadhav) hates his son’s crazy interest in the game and turns a blind eye on his talent simply because he wants him to do well in studies. One day, a shocking incident forces Madhukar to change his belief. He realizes his mistake as well as the faults in the education system and goes on a quest to change it.

Only someone like Mahesh V Manjrekar can narrate such a hard hitting social subject in a manner which appeals to every section of the society. His mastery can be seen in each and every scene. Those which stay etched in your memory include Madhukar’s encounter with a school teacher and his interaction with the Chief Minister (Sachin Khedekar). The typical middle class feel with continuous situational humor makes it appealing to every common man. Such similar middle class scenarios were earlier seen in Manjrekar’s Vaastav, Tera Mera Saath Rahen, Ehsaas, Hathyar, Viruddh and Mee Shivajiraje Bhosale Boltoy.

Contrary to many, Manjrekar never ever rubbishes the need for education. Instead, he has put forth some changes which are required in our education system which include – lessening the syllabus burden, putting off the examination pressure and, most importantly, the elimination of ranking system. The criticisms of the education system are presented in a logical way without going overboard even a bit. The onus is also on those parents who make life hell for students with their overambitious expectations without realizing their children’s talent in other areas.

Such a relevant concept and a powerful script could not have looked so impressive without a superlative performance by Bharat Jadhav. The actor deserves high praise in each and every scene as he delivers one of the finest performances to have come in recent years. Saksham Kulkarni in the role of the troubled child is a perfect cast. He does full justice to his character while portraying every emotion with ease.

Gauri Vaidya plays the role of the younger sister perfectly. Kranti Redkar and the rest of the neighbors provide ideal support. However, it is Siddharth Jadhav who surprises everyone. His character of Ibrahim Bhai is lovable. The development of Ibrahim’s character is very similar to the one of Mukesh Rishi in Manjrekar’s own Kurukshetra. Lastly, Sachin Khedekar and Manjrekar excel in their cameos.

Shikshanachya Aaicha Gho is a must watch for everyone including the non-Marathi sections purely because of the urge it provides for a change in our education system, which is the desperate need of the hour. The unprecedented response at the box-office will make this as one of the highest money making Marathi movies of the year.