The Common Man Speaks

MAIN SAMAY HOON…. (Based on the mindless JNU battle)

February 16, 2016 by Keyur Seta 1 Comment

By: Keyur Seta

Hardly before have I ever felt such horror watching a news clip. The anti-India, pro-Afzal Guru (the man who attacked India’s temple of democracy – Parliament) and pro-Azad Kashmir slogans by a group of students from Jawaharlal Nehru University (JUNU) have sent shockwaves throughout the nation. On top of this, ABVP, the group opposing JNU students, has made it worse, as has been their history.

Picture: DNA

Picture: DNA

And today, it has become even crazier after students from Kolkata’s Jadavpur University too have joined in to support Afzal Guru. The fact that we are required to condemn something so obvious speaks volumes about the number of brainwashed people in our country currently. In fact, I am not getting proper words to condemn these incidents.

So, as an observer, I could only think of the ‘Main Samay Hoon’ feature in B R Chopra’s classic TV series, Mahabharat. How would it react to today’s insane situation?

This is how…

 

Main Samay Hoon…

Mera astitva jeevankaal ke prarambh se hai aur aanewale pratyek kaal mein rahega. Main KURUKSHETRA ki ladaai ka saakshi raha hoon, aur aaj, Kurukshetra se thodi hi doori par, ek VICHITRA prakaar ka yuddh bhi apni aankhon se dekh raha hoon.

Lekin Kurukshetra ke yuddh ne bhi mujhe itna AASHCHARYA-CHAKIT nahin kiya jitna is vichitra yuddh ne kiya hai. Woh yuddh PANDAVO aur KAURAVO ke beech tha, DHARM aur ADHARM ke beech tha. Parantu yahan toh dono taraf kewal Kaurav aur Adharm hi nazar aa rahe hain.

Yahan prashna yeh nahin uth ta ki jeet kiski hogi. Aise yuddh ke prarambh se pehle hi dono dal PARAJIT ho jaate hain.

Aur DHARM ki anupasthiti ke kaaran, Shree KRISHNA ke aagman ke bhi koi aasaar nahin…

Filed Under: National, Socio/Political Tagged With: Jadavpur university Afzal Guru, JNU Afzal Guru rally, JNU anti national, JNU controversy, JNU news, JNU protest, JNU student protest

Kala Ghoda 2016 Pictures

February 8, 2016 by Keyur Seta Leave a Comment

By: Keyur Seta

It’s that time of the year again. The month of February has begun with the Kala Ghoda Arts Festival, like it has been the case since almost a decade. And like every year, this year too the vibrant arts of different forms was a treat to the eye.

So, here are the pictures from the 2016 Kala Ghoda Arts Festival:-

 

(For the full schedule of the 2016 Kala Ghoda Festival click HERE.)

(Click on the pics to enlarge)

Kala-Ghoda-festival-2016

Kala-Ghoda-2016

IMG_20160207_173229612_HDR

Kala-Ghoda

Kala Ghoda

Kala Ghoda festival

Kala Ghoda 2016

IMG_20160207_174009095_HDR

IMG_20160207_174122939_HDR

IMG_20160207_174322929

Kala Ghoda-2016

Kala Ghoda 2016-photos

Kala Ghoda pictures 2016

Kala Ghoda 2016 photos

IMG_20160207_175025451

IMG_20160207_175132568_HDR

Kala-Ghoda-2016-pictures

IMG_20160207_194004336

Filed Under: Events, Mumbai, Pictures Tagged With: Kala Ghoda 2016, Kala Ghoda 2016 photos, Kala Ghoda 2016 schedule, Kala Ghoda Festival 2016, Kala Ghoda festival timings

Main Zinda Hoon (Hindi Poem)

February 7, 2016 by Keyur Seta Leave a Comment

By: Keyur Seta

Kuchh log kehte hain main kahin kho gayi hoon.
Kuchh ke anusaar meri kabki MAUT ho chuki hai.
Koi kehta hai main humesha se kewal ek BHRAM se zyada aur kuchh nahin rahi hoon.

Jabki sach yeh hai ki mera ASTITVA tha, hai aur rahega.
Kabhi main BOODHE vyakti ko sadak paar karvati hoon.
Kabhi kisi madhyam vargiya insaan ko DAAN dene ke liye prerna deti hoon.
Kabhi kisi ko durghatna mein ghayal hue ANJAAN aadmi ko aspataal pohochane ke liye tatpar karti hoon.

Agar NAKARATMAKTA ka chashma utaar kar dekho toh main har jagah maujood hoon.

Kal subah ugne wala SOORAJ bhi is baat ki gawahi dega ki…

…main ZINDA hoon.

– INSAANIYAT

 

Picture: Energyenhancement.org

Picture: Energyenhancement.org

Filed Under: Literature Tagged With: Hindi kavita, Hindi kavita on hope, Hindi poem, Hindi poem on hope, Hindi poem on life, Hindi poetry on humanity

Kanyadan: Why donate your daughter?

February 2, 2016 by Keyur Seta 2 Comments

By: Keyur Seta

In a conservative society like ours, questioning rituals has always been a strict no-no, leave alone speaking against them. Like some of us, I too found some rituals quite weird, especially the ones related to Hindu marriages. But I never used to speak against them or question them, until recent years.

One such ritual is Kanyadan, wherein the bride is presented to the groom by the girl’s parents. There are mainly three reasons why I find this practice quite weird as well as insulting to the girl.

Vedic-style-marriage

The learned priest

There are as follows:-

– The bride is not a commodity or a non-living thing to be ‘presented’ to the groom.

– She is supposed to marry, and subsequently stay with her husband, out of her own will and not because she is being ‘presented’ to someone.

– Most importantly, the meaning of dan is ‘donate’. Donations are done as acts of charities. How can you ‘donate’ a human being to someone through an act of charity?

– You do charity to the poor and needy. Is this how you describe a groom? Poor and needy?

 

Recently, my views on this issue were reinforced by a learned person.

I never show interest in attending those lethargic marriage rituals for two reasons 1) I find them boring and 2) The patriarchal angle. But I was keenly interested in attending the wedding rituals of my cousin Hardik Naik simply because they were supposed to be carried out in Arya Samaj by the aforementioned priest through Vedic practice.

And the priest’s method of performing rituals more than lived up to my expectations and eagerness. Being from the Arya Samaj tradition, the pandit ji was against patriarchal beliefs and rituals, which was truly heartening. He was especially against the practice of Kanyadan for more or less the same reasons mentioned before.

He was also not those typical marriage priests who simply recite mantras, make the couple perform rituals and leave. He believed in explaining his stand and views.

Vedic-marriageSome of his statements, while performing the marriage, are as follows:-

– “The girl is not a thing to be presented to someone.”

– “If I donate (dan) this glass to someone, I won’t have any right over it. So, do the parents of the girl lose all rights over her after marriage?”

– “In India, women are considered backward as compared to men. But this was never the case during vedic age.”

– He asked the bride and the groom to welcome each other as wife and husband; something I have never heard before.

But despite my clear views on this issue, I used to avoid speaking on it. However, after listening to this practical and sensible person, I won’t.

There is nothing wrong in being traditional, but not at the expense of embracing patriarchy and objectifying women.

Filed Under: Socio/Political, Spiritual Tagged With: against Kanyadan, Kanyadan criticism, Kanyadan meaning, patriarchal marriage rituals, regressive hindu wedding rituals, regressive marriage rituals, why do kanyadaan

Shani Shingnapur Row: Why India needs your support ASAP to fight against sexist bigots?

January 28, 2016 by Keyur Seta 4 Comments

By: Keyur Seta

The Republic Day marks the celebration of the Constitution of India. The Constitution grants equal rights to each and every citizen of the country. Ironically, on the very day, when the country was celebrating its constitutional rights, a group of women were not only meted out unconstitutional treatment but were also treated like criminals, when all they wanted was to enter a temple.

Women weren’t allowed anywhere inside the Shani Shingnapur temple in Maharashtra until 2011 when a number of rationalists like the Late Narendra Dabholkar made valiant efforts and protests. However, they still haven’t been granted access to the core shrine till today. Only men are allowed to enter the shrine and as women are considered ‘impure’.

Circa January 2016. A group of few hundred women, led by Bhumata Ranragini Brigade, decide to challenge regressive sexist practices by trying to enter the inner sanctorum. What happened was utterly shameful. They were forcefully stopped and, at times, beaten by the police. A large group of women from a so-called Hindu organizations also turned up to stop them. The protestors were not even allowed anywhere near the vicinity of the temple. In fact, they were stopped 70 kilometers away!

Picture: Indianexpress.com

Picture: Indianexpress.com

The behavior of fringe elements is expected because this is what they are actually. But one doesn’t expect our authorities to be on the side of those indulging in unconstitutional and unlawful activities. Mind you, there is no law that prohibits women or any human being from entering any place of worship.

Therefore, although it was quite heartening to see Chief Minister of Maharashtra Devendra Fadnavis visiting the site, it was disappointing that he only gave assurances and didn’t do anything to open the gates for women. As mentioned above, no law supports this practice. So, where is the issue? Why didn’t he use the police force in protecting the women from the misogynistic bigots who aren’t letting them enter?

But thankfully, these women haven’t given up, which has ensured that the movement is spreading slowly but steadily. Now, groups of women have also started protesting outside Sabarimala Temple and Mumbai’s Haji Ali Dargah. For those who aren’t aware, women aren’t allowed inside the inner sanctorums at these two places too.

The fact that women have united across religious lines is a strong message to the thekedars of religion. These evil forces should be told that no religious book has ever spoken about stopping women from entering any place of worship and that no God has appointed them as thekedars of any religion. But in case such theories are found in some ‘religious’ books, they should still be discarded. India follows the Constitution, not any regressive ‘religious’ book.

But for the movement to succeed, it is absolutely vital for people across gender, religious and class lines to extend support. This has to become something as big as the 2011 Anna Hazare Movement. However, practically speaking, for a majority of us, including me, it is next to impossible to physically be present at the sites of protest due to our work commitments.

But this is where the power of blogging and social media comes into place. In today’s day and age, governments and authorities have become aware about the voices on the internet. Message them, tag them, email them and use various other options on the internet, but make sure you put across your message. Use the hashtag #RightToPray

The issue is not just limited to these few places of worship. It’s a fight against patriarchy and sexism in the name of religion, which have ruled our society for thousands of years. This is a major opportunity to kick such ideas and kick them hard. Don’t let the movement go wasted. It’s 2016, for God’s sake!

 

Filed Under: National, Socio/Political, Spiritual Tagged With: Haji Ali protest, Haji Ali women not allowed, Sabarimala temple protest, Shani Shingnapur controversy, Shani Shingnapur news, Shani Shingnapur women not allowed, Shani Shingnapur women protest

Shaktidaai Drishya (Poem based on Airlift’s flag scene)

January 26, 2016 by Keyur Seta 5 Comments

The flag scene in director Raja Krishna Menon and actor Akshay Kumar’s Airlift is having a profoundly heartwarming effect on the audience. It is a non-verbal sequence that speaks more than a thousand years. Here is a poem based on the scene on the occasion of India’s Republic Day.

 

Shaktidaai Drishya (title)

By: Keyur Seta

 

Picture: Still from YouTube

Picture: Still from YouTube

Ummeed na thi manzil paane ki,
Na thi taakat kadam badhane ki,
Namumkin tha shikhar tak pohochna,
Ab toh naseeb ko hi tha kosna,

Khada tha main thaka hua,
Baadhaaon ke saamne hara hua,
Aanthon dishaon se jhele vaar,
Ab tha kewal ant ka intezar,

Par hawa ne ekaek rukh badla,
Shakti ka swar hriday se nikla,
Durbalta ke baadal hue adrishya,
Aisa tha woh shaktidaai drishya,

Kadmo mein nayi jaan aai thi,
Ab toh manzil door nahin thi,
Veerta ki hai woh behti Ganga,
Saadhaaran nahin apna tiranga

Filed Under: Bollywood, Events, National, Socio/Political, Spiritual Tagged With: Airlift flag scene, Flag scene in Airlift, Hindi poem on India, Hindi poem on Indian flag, Hindi poem on patriotism, Hindi poem on Republic Day, Patriotic poem, Republic Day poem

Airlift Review

January 23, 2016 by Keyur Seta Leave a Comment

Director: Raja Krishna Menon

Producers: Hari Om Productions, Cape of Good Films, T-Series and Crouching Tiger Motion Pictures

Writers: Vijay Krishna Menon

Cast: Akshay Kumar, Nimrat Kaur, Kumud Mishra, Inamulhaq

Music: Amaal Malik and Ankit Tiwari

Genre: Drama/ Thrillers

Rating: * * * *

Review By: Keyur Seta

Akshay Kumar was once known as the king of whacky comedies. But over the last couple of years, he has been associating himself with thought-provoking patriotic sagas like Holiday, Gabbar Is Back and Baby. He continues his impressive run with Airlift. To put it simply, it is an overwhelmingly brilliant piece of cinema, which lifts you in a way very few films can.

The story takes place in Kuwait in the year 1990. Ranjit Katiyal (Akshay Kumar), an NRI, is a shrewd businessman living a luxurious life with his wife Amrita (Nimrat Kaur) and a child. He considers himself a true Kuwaiti and hates being referred to as an Indian. But after Iraq, in the leadership of Saddam Hussain, invades Kuwait, life suddenly turns upside down for Rajiv and the 1 lakh 70 thousand ‘Indians’ working in the country.

Picture: Airlift Facebook page

Picture: Airlift Facebook page

Firstly, the makers should be lauded for throwing light on this unthinkable achievement of the biggest evacuation ever in the world! It is quite a shame that many of us are completely unaware of such a feat, but let’s not go into that for now.

But good intentions alone aren’t enough to make a good film. To say that Airlift has more than just good intentions will be an understatement since the film excels in every department. The script and Menon’s direction deserves special mention. In a situational-based film, the onus is more on the narration and presentation and one can find utmost precision in both departments. The result is a gripping narrative that doesn’t let you look at your watch throughout.

The biggest triumph for Airlift, however, is the profoundly heartwarming climax. It develops an intensely emotional patriotic feeling without any use of powerful dialogues or punch lines. The effect is the highest when visuals alone do the talking, is proven here. Plus, the final moments throw in quite a few messages, which, once again, aren’t spoken about.

There are a few weaklings though. Two important plot twists, one at the start and other at the end, aren’t explored the way they should have. Thankfully, these issues aren’t glaring at all.

The subject doesn’t offer much scope for music. But the tracks manage to impress. The ‘Vande Mataram’ song surely stands out and becomes an important reason for the climax triggering the desired effect.

There is some high quality work from the technical departments too – Priya Seth’s camerawork, background score, editing as well as production design.

Now, onto the performances. This is yet another film that proves that Akshay Kumar is no longer limited to being a superstar or an entertainer. He has now become a fine artist. The way in which he puts his heart into the character and his decision to select this film will increase the number of his admirers abundantly. This one is easily one of his best acts.

After The Lunchbox, Nimrat Kaur once again displays her talent. An actor like her surely deserves to be seen more. The same can be said about Inamulhaq (of Filmistaan fame), who is impressive as a comical Iraqi Major. Kumud Mishra once again succeeds in giving a mature act. There are convincing performances from a host of supporting actors – Purab Kohli, Prakash Belawadi, Ferena Wazeir and Ninad Kamat, to name a few.

Overall: Airlift is an overwhelming patriotic saga and one of Akshay Kumar’s best films. It has had a decent box-office opening by earning Rs 12.35 crore on its first day. But it depends on positive word-of-mouth to make a major impact at the box-office.

Picture: Airlift Facebook page

Picture: Airlift Facebook page

Filed Under: Bollywood, National Tagged With: Airlift Akshay Kumar, Airlift box office collection, Airlift climax, Airlift first day collection, Airlift movie review, Airlift review

Natsamrat Dialogues

January 3, 2016 by Keyur Seta 57 Comments

Nana Patekar is gaining tremendous applause for his act in and as Natsamrat and rightly so. But we can’t deny the role of V V Shirvadka aka Kusumagraj (original play) Kiran Yadnyopavit and Abhijeet Deshpande’s richly creative dialogues in helping this Mahesh Manjrekar film reach such a high level.

Here is a list of some applaud-worthy dialogues from Natsamrat:

– To be or not to be, that is the question. Jagava ki marava, ha ekach sawaal aahe.

– Pratishtha mhanje ek bhaakad oza. Kadhi yogyata nastana milta. Kadhi chook nastana nighun jaata.

– Kuni ghar deta ka? Ghar? Eka toofanala kuni ghar deta ka? Ek toofan bhinti vaachun, chhapra vaachun, manasachya maye vachun, devacha daye vachun, dongra-dongrat hindta aahe. Jithun kuni uthavnar naahin ashi jaga dhoondta aahe. Kuni ghar deta ka re? Ghar?

Picture: Natsamrat Facebook page

Picture: Natsamrat Facebook page

– Tu nat mhanun bhikarda aahesach. Pan tu maanus mhanun suddha salya neech aahes.

– I kissed him. You are jealous.

– Whisky? Oh that is phuski…

– Vidhata, tu itka kathor ka zalas? Eka bajula jyanna aamhi jamna dila tya aahmala visartaat. Aani dusrya bajula jyani aahmala janma dila toh tu hi aahmala visarto. Mag viskatlelya hadanche he saapde gheune karuna kara, aahmi  therdyani kunacha payavar doka aadhlaycha re?

– Naahin, raagavun kay faayda aahe? Aani radnaar suddha naahin. Mazya dolyat asva jama hovayla laagli tar khi… khi… khile maarun khacha karun taakin pan hya adhai samor mee radnaar naahi.

– Aahmala vaat ta aamhi aai zalo, baap zalo. Khara tar aamhi kunich zalelo nasto. Aamhi fakta jine asto jine.

– Sur mhanto saath de. Diva mhanto vaat de. Unhamadhlya mhataryala fakta tuza haath de.

– Door vha! Door vha, sagla nirarthak aahe. Jo aaplya jaagi thaam pane ubha aahe toh mee aahe. Julius Caesar. Mee aahe Prataprao. Mee Othello. Sudhakar aani Hamlet aani Ganpat Ramchandra Belvalkar, Natsamrat.

 

Filed Under: Marathi movies, Plays Tagged With: Natasamrat movie dialogues, Natsamrat dialogues, Natsamrat dialogues lyrics, Natsamrat Nana Patekar dialogues

Natsamrat Review

January 2, 2016 by Keyur Seta 4 Comments

Director: Mahesh Manjrekar

Producers: Great Maratha Entertainment, Zee Studios, Fincraft Media and Gajanan Chitra

Writers: V V Shirvadkar aka Kusumagraj (original play), Kiran Yadnyopavit, Mahesh Manjrekar and Abhijeet Deshpande

Cast: Nana Patekar, Medha Manjrekar, Vikram Gokhale, Mrunmayee Deshpande, Sunil Barve

Music: Ajit Parab

Genre: Drama

Rating: * * * * ½

Review By: Keyur Seta

There were expectations aplenty from Mahesh Manjrekar’s Natasamrat. But the film doesn’t rise up to the excitement. It, in fact, rises a bit above! The Nana Patekar-starrer is a masterpiece. Read further to know why.

Natsamrat is an adaptation of Kusumagraj’s classic Marathi play of the same name, which was first enacted by Shreeram Lagoo. The story follows Ganpatrao Belwalkar (Nana Patekar), a retired Shakespearean theatre actor, who is given the title ‘Natsamrat’ for his stupendous work in the field of theatre. He is internally strong but at the same time, emotional and has a great sense of humor.

Belwakar looks forward to living a peaceful retired life with his loving wife (Medha Manjrekar) and best friend and fellow retired actor Ram Abhyankar (Vikram Gokhale). However, his world, slowly but surely, turns topsy-turvy due to his own family members. How will the King of actors face the stage of life now?

Picture: Bookmyshow.com

Picture: Bookmyshow.com

As far as the screenplay is concerned, it would be an understatement to say that Manjrekar, Abhijeet Deshpande and Kiran Yadnyopavit have succeeded in adapting. They have achieved excellence through some mature way of storytelling. To top this, there are some amazingly creative dialogues (in addition to the original ones). And when they are mouthed by Nana Patekar, you just sit in awe. There are a series of scenes that stay etched in your memory. Patekar’s act in the climax and his hospital scene with Vikram Gokhale are two such.

Although theatre and cinema are story-telling mediums, they share some major differences. And in the case of Natsamrat, there is also a wide time gap. So, the film has some glaring changes in the script, situations and a few character traits. The film caters to the modern or contemporary audience but also manages to retain the original flavor. This is something very challenging.

Now, the most difficult task, which is to describe Nana Patekar’s performance. The veteran artist deserves a standing ovation for full 5 minutes for this act. He just melts your heart on various occasions throughout the film. At the same time, his comic timing is perfect too. The film wouldn’t have achieved such a result without his masterly performance.

But that is not all. The film has some remarkable performances from Vikram Gokhale and Medha Manjrekar too. A fine act from Mrunmayee Deshpande also deserves praise. Ajit Parab, Neha Pendse, Sunil Barve, Jayant Wadhkar, Nilesh Diwekar and others too provide good support.

It is difficult to find any major flaws here. There are some minor issues related to few situations. But they are overshadowed by the terrific impact. Ajit Parab’s music is soulful and is used wisely. Ajith V Reddy’s artistic camerawork also has a big share in the plusses.

Overall: Natsamrat is one of the best Marathi films of this era, helped by a magical act from Nana Patekar. The film is all set to create box office records through some mammoth collections.

Picture: Marathicineyug.com

Picture: Marathicineyug.com

Filed Under: Marathi movies Tagged With: Nana Patekar in Natsamrat, Natasamrat Nana Patekar, Natsamrat film, Natsamrat movie review, Natsamrat movie story, Natsamrat review

This bus conductor makes his passengers feel great like they never could have imagined!

December 28, 2015 by Keyur Seta 4 Comments

Sopan-JavaneIn India, the word ‘job’ is generally referred to as ‘service’. But practically speaking, there is a vast difference between the two. Doing a job means carrying the work assigned to you. It doesn’t necessarily include any emotions.

But when we say a person is engaged in a service, it means he is serving someone. The act of serving is born out of compassion and isn’t limited to the material benefit one derives after its completion.

A one bus conductor named Sopan Bhagwan Javane in Mirajgaon, Maharashtra has taken the meaning of ‘serving’ to another level altogether, all by himself.

Working on an MSRTC bus, he takes care of his passengers in a way they could have never imagined from a bus conductor. He indirectly also cheers them up and provides a profound heartwarming feeling. Javane, in all sense, is an unsung hero of India.

Watch him and his special antics in the documentary below titled Ekla Chalo Re, conceived, written and directed by Swapnil Rajshekhar:-

Filed Under: Humour, National, Socio/Political, Spiritual Tagged With: Bus conductor documentary, Sopan Javane, Swapnil Rajshekhar documentary, Swapnil Rajshekhar movie

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