Tag Archives: Paresh Mokashi

Mukkam Post Bombilwadi review: Decent entertainer trapped in the wrong medium

Filmmaker Paresh Mokashi’s Mukkam Post Bombilwadi is based on his own Marathi play of the same name. The story takes place in 1942 when World War II is in full swing. Adolf Hitler (Prashant Damle) is under pressure for not having won the war despite fighting it for years, especially from his wife Eva (Deepti Lele). Winston Churchill (Anand Ingle), the Prime Minister of Great Britain, is making things more difficult for him.

Meanwhile, in Bombilwadi village in Maharashtra’s Konkan, Varvante (Vaibhav Mangle) heads a theatre group. He is struggling hard to rehearse for a play with the members of his troupe (Devendra Pem, Geetanjali Kulkarni and Ritika Shrotri). Vaidya Buwa (Sunil Abhyankar) and Bhaskar (Pranav Raorane), who are also a part of the theatre group, have made a bomb to blow up Britishers.

Back in Germany, Hitler gets to know that he can lay his hands on the secret formula of an atom bomb in Japan. He decides to take matters in his own hands and visit Japan all by himself. But his plane crash lands in Bombilwadi and this creates more madness and mayhem in the village.

Mukkam Post Bombilwadi by Paresh Mokashi

As evident from the above synopsis, the story of Mukkam Post Bombilwadi is fully absurd and one requires suspension of disbelief to enjoy it. Frankly, it doesn’t take much effort to do that as the movie starts on a hilarious note. To see Hitler, Churchill and others speak in Marathi gets you in splits and so do some other moments in Bombilwadi.

However, the level of humour goes downhill later on. Of course, there are plenty of one-liners, jokes and situations aimed to make you laugh. But they only produce occasional humour and giggles. This is simply because this type of comedy suits more to the medium of theatre instead of cinema. In other words, the film remains theatrical and is not cinematic enough. The makers could have exploited the medium of cinema more.

The performances fall in the positive though. Prashant Damle is hilarious as a Marathi-speaking Hitler. He excels even in scenes where his character is troubled or confused. Anand Ingale too shines as Winston Churchill, despite limited screen time. Vaibhav Mangle, Devendra Pem, Geetanjali Kulkarni and Ritika Shrotri also succeed with their comic timing.

Adwait Dadarkar as the British Inspector Cook is impressive and he holds various scenes on his own. The rest of the supporting cast, including Sunil Abhyankar, Pranav Raorane, Deepti Lele, Rajesh Mapuskar and Ganesh Mayekar, are fine too.

The film scores well in the production designing, more so when it comes to the recreation of Hiter’s office in Germany.

Overall: Mukkam Post Bombilwadi is a decent entertainer, more because of the performances than the content. Because of its family entertainment genre, it is expected to do well at the box office.

Rating: 2.5 out of 5

Director: Paresh Mokashi

Producers: Vivek Films and Mayasabha Karamnuk Mandali

Writer: Paresh Mokashi

Cast: Prashant Damle, Anand Ingale, Vaibhav Mangle, Geetanjali Kulkarni, Devendra Pem, Ritika Shrotri, Adwait Dadarkar

Also read: Amaltash (Marathi movie) Review: Tenderly created saga on love, life & music

Vaalvi (Marathi movie) review – Swapnil Joshi, Subodh Bhave-starrer is a finely crafted dark comic thriller

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Filmmaker Paresh Mokashi’s first three films Harishchandrachi Factory (2010), Elizabeth Ekadashi (2014) and Chi Va Chi Sau Ka (2017) were different from each other, but they were all light in nature. With Vaalvi, he has taken a giant leap into the dark comic thriller territory.

Vaalvi revolves around Aniket (Swapnil Joshi), who works on a good post in a company, and his wife Avani (Anita Date). The two decide to end their lives together due to certain circumstances by shooting themselves. Aniket’s actual plan is to kill his wife by keeping his gun unloaded and Avani’s loaded because he is in a relationship with Devika (Shivani Surve), a dentist.

Aniket and Devika carry out various rehearsals to ensure that their plan doesn’t fail. But something happens on that fateful day and a mysterious man (Subodh Bhave) enters their lives.

Among various things, the makers of Vaalvi should be lauded for presenting a trailer that gives nothing away about the main plot. The story’s major crux lies in the second half and the trailer doesn’t feature anything of this. In fact, we just get a glimpse of Subodh Bhave’s character, making us wonder if he has a special appearance. But in reality, he plays a character as important as others.

Vaalvi is a thriller that scores high in all departments. Madhugandha Kulkarni and Paresh Mokashi’s basic tale itself is not just thrilling but also hilarious. It is finely narrated by the screenplay and intelligently presented by the direction. The dialogues require special mention for being hilarious; their unexpected timing on some occasions makes them even funnier.

Stories revolving around murder tend to go at least a bit downhill in the second half but Vaalvi steers clear of that. In fact, as mentioned above, the movie ups the ante even further post-interval.

Vaalvi is a taut thriller without any songs. But its background music, by Mangesh Dhakde, plays a vital role as it adds more intrigue to the proceedings. Similarly, Satyajeet Shobha Shreeram’s camerawork and Abhijeet Deshpande and Saurabh Prabhudesai editing also adds to the plusses.

Swapnil Joshi showed a different side of himself in both the seasons of the web-series Samantar. He has again gone against his image and has come up with a fine act of a mean individual who feels nothing when it comes to hatching a plot to kill his own wife. The one-take sequence where he fears getting killed by another character by a gun deserves mention.

This is yet another fine performance by Subodh Bhave. Without going much into his character to avoid spoilers, it is safe to say that the actor has succeeded in showing his comic side with dedication while playing a serious character. Anita Date displays perfection while playing a woman diagnosed with mental illness. Shivani Surve is decent as Aniket’s love interest. Namrata Awate Sambherao has only a couple of scenes but they become memorable because of her act.

Also read: Ved (Marathi movie) review

As it happens with films of this genre, Vaalvi too has quite a few creative liberties taken. The transportation of one dead body stands out amongst all. The movie would have appeared more intelligent if this was taken care of.

Overall: Vaalvi is a finely crafted dark comic thriller. After this film, Paresh Mokashi won’t be known only for Harishchandrachi Factory.

Rating: 4 out of 5

Director: Paresh Mokashi

Producers: Zee Studios and Madhugandha Kulkarni

Writers: Madhugandha Kulkarni and Paresh Mokashi

Cast: Swapnil Joshi, Subodh Bhave, Shivani Surve and Anita Date

Harishchandrachi Factory Review

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Witnessing the Birth

Ratings: * * * * ½

The cinema industry is flourishing in India since close to a hundred years. Thousands and thousands of films have been made in a number of languages and genres. But ever wondered how the gates of the Indian film industry were opened and by whom? Paresh Mokashi’s Harishchandrachi Factory enlightens on the birth of Indian cinema. The end result is an exciting journey of the Father of Indian Cinema, Dhundiraj Govind Phalke (respectfully known as Dadasaheb Phalke) – the person who made cinema possible in India.

Right from the time he saw a movie for the first time, Phalke became eager to make a movie himself and join the filmmaking profession. However, he possesses zero knowledge about the art of filmmaking. His eagerness to learn and master the art triggers his journey to make India’s first motion picture. He receives moral, practical and emotional support from his wife Saraswati (Vibhawari Deshpande). Phalke doesn’t even hesitate to go to London by putting his financial future at stake.

The uniqueness about Harishchandrachi Factory is the feel-good factor throughout. Although this is a story of a struggler, Mokashi, as a writer, has added humor in each and every scene and that too in the most simplest of situations. He proves that one doesn’t always need slapstick and sarcastic jokes to make people laugh. Even simple and clean humor can produce hundreds of rib-tickling moments.

To direct a movie about a movie isn’t everyone’s cup of tea and Mokashi shows that the cup is certainly his. He has shown every aspect of filmmaking from story idea to script preparation, from reel development to camera operation, from cast selection to scene narration and finally, from the final shoot to the actual screening. During all this, the goings doesn’t appear like a documentary or a learning activity even for a minute. However, amidst all the fun, there should have been more footage to the struggling factor considering it was a daunting task for India’s first filmmaker.

Art Director Nitin Desai produces a visual treat by building sets which take you back to the 1911-1913 era. In fact, Desai’s work makes sure that the art direction turns out to be one of the main characters of the movie.

Nandu Madhav in the central role of Dadasaheb Phalke is tremendous and flawless. The film would not have looked so beautiful if Phalke’s character was not played with conviction but Madhav takes full care that doesn’t happen as he oozes perfection in every frame. Vibhawari Deshpande (Savitri) and the rest of the actors playing the film crew and the neighbors give sound performances too.

It would be unfair to label Harishchandrachi Factory as a Marathi movie. It’s one of those rare films which crosses all language and cultural barriers. And if you like cinema, you will love this one.