Tag Archives: Ashok Saraf

Navra Maza Navsacha 2 review: Thoroughly entertaining surprise of the year

It is quite common for movies to not live up to its exciting trailer. It is extremely rare for the opposite to happen. Sachin Pilgaonkar’s Navra Maza Navsacha 2 is that rare film that turns out to be many times better than its trailer. In other words, the film’s promo was misleading, but in a good way.

Navra Maza Navsacha 2 is the sequel to the iconic and successful Navra Maza Navsacha (2004), which starred Sachin Pilgaonkar and Supriya Pilgaonkar in lead roles. The film ended with Vakratund aka Vacky (Sachin) somehow managing to fulfill his late father’s vow of visiting the Ganesh temple in Ganpatipule naked. He was pushed for the same by his wife Bhakti (Supriya). The couple also earns Rs. 8 crores as they help the police nab the criminal Babu Kalia (Pradeep Patwardhan).

Hence, in the second part Navra Maza Navsacha 2, Vacky and Bhakti are leading a comfortable life. Their daughter Shraddha (Hemal Ingle) has grown up. She is in love with Lambodar aka Lamby (Swapnil Joshi). Due to certain circumstances, this time Shraddha vows to get Lamby visit Ganpatipule temple naked along with other difficult conditions. Lamby somehow agrees and the four of them set out to for the trip through train.

Navra Maza Navsacha 2 pretty much follows the same template as its predecessor with the ST bus being replaced by train and Ashok Saraf’s character being the ticket collector (TC) instead of the conductor. However, the characters and their funny mannerisms and the overall jokes and gigs are quite fresh and genuinely funny. In fact, barring some emotional moments, which were necessary, the movie is a complete laugh riot where even little things play a big role in getting you in splits.

Unlike the first film, the journey in the second one starts in the second half. The first half has some major conflict and drama. This takes you by surprise because none of this is shown in the trailer.

Navra Maza Navsacha 2 brings back the nostalgia of the first film. But it is shot and presented like a film of today’s times. The balance is well maintained. The music falls in the decent category with ‘Dumroo Vaje’ turning out to be memorable.

Sachin Pilgaonkar and Supriya Pilgaonkar have carried on from where they left in the first film, bringing the same energy. Swapnil Joshi, despite his age, fits the character of a bachelor and succeeds in bringing Lamby alive. Hemal Ingle also performs well among the stalwarts. Like the first film, Ashok Saraf takes the cake despite arriving late. His act is not only funny but also moving.

The film has cameos and extended cameos from Siddharth Jadhav, Nirmiti Sawant, Jaywant Wadkar, Vijay Patkar, Vaibhav Mangle, Sonu Nigam, Ali Asgar, Johnny Lever, Shriya Pilgaonkar, among others.

Like the first film, there are a lot of creative liberties taken. But the major issue with the film is its timeline. The first movie ends in 2004. Considering Vacky and Bhakti had a kid right after the story’s completion, Shraddha would have been born in 2005. So her age should be 19. But there is no mention that she is very young and it’s difficult to believe that a modern girl like her decides to marry at such a young age in today’s times.

Vijay Patkar’s character is continued from the first film. But Nirmiti Sawant, who was Vacky’s aunt in the first movie, is now shown as Lambodar’s mother. At one point Ashok Saraf’s character is said to be the same from the first film. But then, Vacky and Bhakti never seem to recognize him. The same goes for a few other characters too.

But overall, Navra Maza Navsacha 2 is a thoroughly entertaining surprise of the year. And if you are a believer in Ganpati, you are in for a treat.

Rating: 3.5 out of 5

Director: Sachin Pilgaonkar

Producer: Sachin Pilgaonkar

Writer: Sachin Pilgaonkar

Cast: Sachin Pilgaonkar, Supriya Pilgaonkar, Swapnil Joshi, Hemal Ingle, Ashok Saraf

Also Read: Ashok Saraf on Lifeline, “More than the length, the strength of the character is important”

Ashok Saraf on Lifeline, “More than the length, the strength of the character is important”

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Veteran legend Ashok Saraf will next be seen in the Marathi film Lifeline. The movie is a social drama with the theme of superstition vs science. Directed by the first timer Saahil Shirwaikar, it will see a tussle between a surgeon, played by Saraf, and a Hindu priest specializing on last rites, essayed by another veteran Madhav Abhyankar.

During the trailer launch of Lifeline last evening, Saraf expressed his happiness at being offered a role in a film with such a subject. He said, “Firstly, I would like to congratulate Saahil Shirwaikar and his father Rajesh Shirwaikar (writer) for choosing such a subject. Till now, nobody even thought about this message that is in the interest of the society. People will understand that importance of doctors (from this film) and their point of view on doctors will change.”

Adding more about the subject, Saraf added, “Blind faith and science are poles apart. They can’t come together. But that conflict has been handled in such a beautiful way in this film that it will stay in the hearts of the audience.”

Saraf also revealed that his screen-time in the film isn’t large but that’s not a concern for him. “My role is very important,” he said. “Its length is less (but) the role has a lot of weightage. So, apart from my role, what else happened in the shoot, I am not aware. But I knew the story. When he (Saahil) narrated it to me, I instantly said yes. The length of the role is not a problem for me. The strength of the role is more important. What I will show through my role and how much it will impact the audience is important for me.”

During the course of the discussion, Saraf was asked the reason for trusting a newcomer like Saahil Shirwaikar and instantly agreeing to do his film. He said, “I felt the one who takes up such a theme with so much confidence, he must have done a lot of study on it. My only criteria were whether I will get to do something different, which I am always searching. I found that in this role. Once I get such a role, I don’t think about its length.”

Lifeline also stars Jaywant Wadkar, Bharat Dabholkar, Hemangi Kavi, Sharmila Shinde, among others. Produced by Crescendo Entertainment, the movie is all set to release in theatres on August 2.

Also read: Paradise (English-Sinhala-Malayalam) review: Provides a gradual hard-hitting jolt

Ved (Marathi movie) review – Riteish Deshmukh’s film is a family masala entertainer

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Riteish Deshmukh’s directorial debut Ved is the official Marathi adaptation of the Telugu film Majili (2019), which starred Naga Chaitanya and Samantha Ruth Prabhu.

The movie starts off in a town in Maharashtra and it revolves around Satya (Riteish). He is an aspiring cricketer who is eager to play for the Railways and later for India. His father Dinkar (Ashok Saraf), who is a widower, is worried for his son but at the same time keeps supporting him, especially whenever their neighbor Murli (Vidyadhar Joshi) complaints against him.

Satya falls in love with a girl-next-door Nisha (Jiya Shankar) in an unusual manner. She too reciprocates her love for him. However, the two aren’t destined to be together. This leaves Satya depressed and he becomes a drunkard. At this moment, Shravani (Genelia Deshmukh) decides to marry him despite knowing that he still loves Nisha.

One of the major plus points of Ved is its fast pace. So much so that you don’t feel the close to two and a half hours of its runtime. Plus, if you haven’t seen the original, like me, there are quite a few surprises. To elaborate, of course, you can predict where the first half is headed if you have seen the trailer. But it is the small incidents, which lead to the end of the first half, that keep surprising and thereby entertaining you.

But there comes a moment in the second half where you wonder where all this is headed and whether Satya will become another Kabir Singh. But this is where the biggest surprise is in store in terms of the story development.

RIteish Deshmukh and Genelia Deshmukh in Ved

Ved is a family masala entertainer and hence, it should be seen that way in order to be enjoyed. And this means keeping logic aside during quite a few key moments in the film, including the surprise in the second half.

Although the creative liberty at some places is too high to ignore, Riteish’s presentation, along with a fast narrative and cinematographer Bhushankumar Jain’s visuals, makes the film enjoyable. It can be safely said that the actor succeeds as a director.

Ved is also helped by Ajay-Atul’s music. Despite the Sairat hangover, the title song turns out to be the best of the lot.

As far as his acting is concerned, this is one of Riteish’s most memorable performances. He is effective while displaying both the shades of the Satya (present day and flashback). Genelia Deshmukh struggles with her Marathi pronunciation but makes it up with her expressions and screen presence. Jiya Shankar comes across as natural and confident.

Ashok Saraf’s presence takes the entertainment quotient even higher. Vidyadhar Joshi complements him well through his sarcastic act. Raviraj Kande, as the evil Bhaskar Anna, is well introduced. But it’s surprising to see how the character, whose act had a great bearing on Satya, is treated unfairly later. Khushi Hajare, the child actress who plays Khushi, is likeable and confident.

Also read: Raj Thackeray asked me to play Chhatrapati Shivaji Maharaj, says Akshay Kumar

The title song in the end featuring Salman Khan is a misfit and it somehow lowers the emotional impact of the film.

Overall: Ved succeeds in being an entertainer for the family during the holiday period, despite its flaws and some resemblance with Jersey.

Rating: 3.5 out of 5

Director: Riteish Deshmukh

Writers: Sandeep S Patil, Rushikesh Turai, Riteish Deshmukh and Prajakt Deshmukh

Producers: Genelia Deshmukh and Riteish Deshmukh

Cast: Riteish Deshmukh, Genelia Deshmukh, Jiya Shankar, Ashok Saraf, Raviraj Kande, Vidyadhar Joshi, Khushi Hajare

Music: Ajay-Atul