Monthly Archives: January 2023

Pathaan puts a FULL STOP to the Boycott Gang on Republic Day eve

Shah Rukh Khan-starrer action entertainer Pathaan opened to a mammoth Rs 57 crore at the box office on its opening day. It broke the record for the highest opening for a Hindi film and that too on a non-holiday. The movie is expected to do the same today. The Siddharth Anand directorial venture, which also stars John Abraham and Deepika Padukone, badly needed this not just to revive Bollywood but also to mark an explosive comeback for SRK.

Pathaan has a usual good vs evil story, where you very well know who would win in the end. But along with the bad guys, Pathaan has also defeated the morale of the Boycott Gang. And what a day to choose to do this by the common citizens. Right on the eve of the Republic Day!

For those not in the know, these are the people from the IT cell of the ruling party who spread toxic campaigns. They are against any film who they think is insulting their religion, in this case through the colour of the bikini in the ‘Besharam Rang’ song, or if the main actor happens to be a Muslim, more so the latter. In the case of Pathaan, the title of the film was also objectionable to them since it’s an identity of someone from the same religion.

They also go up in arms against anyone who gives a statement that they consider is ‘anti-national’ in nature. It’s a different story that these are the same people who don’t react at all when Kangana Rananut says something like, “The independence India got in 1947 was bheekh,” because she is the die-hard supporter of their party. It is the party affiliation that matters for them, not the country.

The IT Cell went into action months in advance to share hateful posts, memes and articles against Pathaan, like they do for other films. This also includes spreading fake news and statements that the people associated with the film never made. Unfortunately, the IT Cell isn’t the only ones to carry out these activities. A large number of common citizens too have got involved in such antics in recent years; some of them are even close to us.

Hence, the case of Pathaan is not just limited to a film. It’s a much broader issue of mindless hate being spread in the country. This can also be seen from the fact that even senior politicians and ministers have been targeting the movie, indicating how big the campaign was (I know the PM asked them to stop much later).

So, the earth-shattering box office numbers the film has garnered are also moral slap on the hate that has been continuously spread in the country. This also proves wrong the claim of the IT Cell and their supporters that Laal Singh Chaddha became a flop because of their boycott campaign. The film didn’t work because people didn’t like it. If boycott calls were so serious, films like Brahmastra: Part One: Shiva and, more so, Pathaan wouldn’t have attracted such large number of people.

The issue of Pathaan brings back memories of a similar hate campaign against the 2010 SRK movie My Name Is Khan by another party. The actor didn’t bow down to their demands then and he did the same now. Both the films ran smoothly without changing the title or the identity of the protagonist.  

From here onwards, the boycott calls for films lined up for release in the future won’t have the same effect or reaction as it would bring back memories of their fiasco during Pathaan. Instead, these calls would become laughable from now on.

But the boycott campaigners won’t sit quiet. They are paid professionals, after all. Their first reaction to their massive defeat by Pathaan will be that these box office numbers are fake, just to feel good about themselves.

We all need something to keep us going in life…

Also read: What Aamir Khan said about Shivling & why is his film boycotted?

Pathaan Review (without spoilers)

Pathaan is easily one of the most keenly awaited films to have come from India in the last few years. Apart from the makers promising some high-octane massy entertainment, it also marks the return of Shah Rukh Khan as a main lead after over four long years. The hype for the film was highest we have seen in recent years. So the only question worth answering is whether Pathaan lives up to the all pre-release firecrackers?

In terms of the storyline, the film directed by Siddharth Anand has a general tale that one would expect from a high scale spy action film. The story, obviously, revolves around Pathaan (Khan). He is a secret intelligence officer whose only aim is to serve the country, which includes keeping it safe from the clutches of its enemies, especially the likes of Jim (John Abraham).

John’s character is a terrorist but with a twist. He has a grudge against India and its intelligence agency Pathaan works for. Jim, generally, works like a freelance terrorist – someone who would attack any country for money, not for any personal involvement. But when he gets the contract of carrying out a huge attack on India, he gets personally motivated.

But Jim has to deal with Pathaan, who will stop at nothing to save India from such a catastrophic attack. Pathaan crosses paths with a beautiful, confident and strong girl, played by Deepika Padukone. But can she be trusted?  

Pathaan poster

Despite the basic storyline of Pathaan not being very novel, the writers have put in enough surprising elements to keep it interesting. This was mostly helped by the back and forth narration, related to the history of Pathaan. The reveal at the interval point gives a high, even if you had guessed the outcome before.

Such action films tend to go a big downhill or lose the grip post-interval. But Pathaan has been smart in this aspect. Generally, the main motive of the terrorist is revealed at the start in such films and then the hero goes on a mission to foil it. But the main story of Pathaan is unfolded later, which reduces the chances of the film suffering from the second-half syndrome. More importantly, the ending moments, along with exciting, are also moving.

Pathaan is a masala action film, filled with breathtaking stunts and action sequences. The visuals are good enough, if not best, to satisfy the action lover in you, especially if you watch the film in Imax, like I did.

But films of this genre also requires one to leave logic outside the hall. If you are not able to do this, Pathaan is surely not for you, for this film can be enjoyed only in this way. But even from the standards of such genre of films, the creative liberties, both in terms of story development and some action sequences, are too much at times. If the makers would have shown some control over this area, Pathaan would have appealed even to the non-masala crowd.

Coming to the next important question about Khan’s performance, you can’t expect a great act in a film of this genre. But SRK succeeds in portraying the heroism needed to carry the film on his shoulders. The undercurrent of humour makes it better. He also does well while showing his emotional side, especially in the scene where he is seen saluting.

This is one of John Abraham’s better acts; way better than his last two outings – Satyameva Jayate 2 and Ek Villain Returns. Deepika Padukone displays confidence and is impressive in the action sequences too. But her characterization appears confused, which somewhat lowers the overall effect. The surprise element here is Dimple Kapadia who shows her long experience as she shines as Pathaan’s senior.

One of the biggest attraction and the high point of the film is the scene featuring Salman Khan in a cameo as Tiger. It’s one of the many paisa vasool moments in the film.

Also read: Uunchai review: The film overwhelms you despite its lambai

Overall: Pathaan is an enjoyable affair if seen with a big crowd on the big screen while keeping your topmost organ away. The film has a good chance of working at the box office.

Rating: 3 out of 5

Director: Siddharth Anand

Producer: Aditya Chopra for Yash Raj Films

Cast: Shah Rukh Khan, John Abraham, Deepika Padukone, Dimple Kapadia, Ashutosh Rana

Writers: Shridhar Raghavan, Siddharth Anand and Abbas Tyrewala

Vaalvi (Marathi movie) review – Swapnil Joshi, Subodh Bhave-starrer is a finely crafted dark comic thriller

Filmmaker Paresh Mokashi’s first three films Harishchandrachi Factory (2010), Elizabeth Ekadashi (2014) and Chi Va Chi Sau Ka (2017) were different from each other, but they were all light in nature. With Vaalvi, he has taken a giant leap into the dark comic thriller territory.

Vaalvi revolves around Aniket (Swapnil Joshi), who works on a good post in a company, and his wife Avani (Anita Date). The two decide to end their lives together due to certain circumstances by shooting themselves. Aniket’s actual plan is to kill his wife by keeping his gun unloaded and Avani’s loaded because he is in a relationship with Devika (Shivani Surve), a dentist.

Aniket and Devika carry out various rehearsals to ensure that their plan doesn’t fail. But something happens on that fateful day and a mysterious man (Subodh Bhave) enters their lives.

Among various things, the makers of Vaalvi should be lauded for presenting a trailer that gives nothing away about the main plot. The story’s major crux lies in the second half and the trailer doesn’t feature anything of this. In fact, we just get a glimpse of Subodh Bhave’s character, making us wonder if he has a special appearance. But in reality, he plays a character as important as others.

Vaalvi is a thriller that scores high in all departments. Madhugandha Kulkarni and Paresh Mokashi’s basic tale itself is not just thrilling but also hilarious. It is finely narrated by the screenplay and intelligently presented by the direction. The dialogues require special mention for being hilarious; their unexpected timing on some occasions makes them even funnier.

Stories revolving around murder tend to go at least a bit downhill in the second half but Vaalvi steers clear of that. In fact, as mentioned above, the movie ups the ante even further post-interval.  

Vaalvi is a taut thriller without any songs. But its background music, by Mangesh Dhakde, plays a vital role as it adds more intrigue to the proceedings. Similarly, Satyajeet Shobha Shreeram’s camerawork and Abhijeet Deshpande and Saurabh Prabhudesai editing also adds to the plusses.

Swapnil Joshi showed a different side of himself in both the seasons of the web-series Samantar. He has again gone against his image and has come up with a fine act of a mean individual who feels nothing when it comes to hatching a plot to kill his own wife. The one-take sequence where he fears getting killed by another character by a gun deserves mention.

This is yet another fine performance by Subodh Bhave. Without going much into his character to avoid spoilers, it is safe to say that the actor has succeeded in showing his comic side with dedication while playing a serious character. Anita Date displays perfection while playing a woman diagnosed with mental illness. Shivani Surve is decent as Aniket’s love interest. Namrata Awate Sambherao has only a couple of scenes but they become memorable because of her act.

Also read: Ved (Marathi movie) review

As it happens with films of this genre, Vaalvi too has quite a few creative liberties taken. The transportation of one dead body stands out amongst all. The movie would have appeared more intelligent if this was taken care of.

Overall: Vaalvi is a finely crafted dark comic thriller. After this film, Paresh Mokashi won’t be known only for Harishchandrachi Factory.

Rating: 4 out of 5

Director: Paresh Mokashi

Producers: Zee Studios and Madhugandha Kulkarni

Writers: Madhugandha Kulkarni and Paresh Mokashi

Cast: Swapnil Joshi, Subodh Bhave, Shivani Surve and Anita Date