The Common Man Speaks

Archives for March 2026

The emotional collateral damage of Mission Dhurandhar (SPOILERS alert)

March 29, 2026 by Keyur Seta Leave a Comment

Filmmaker Aditya Dhar’s Dhurandhar and Dhurandhar The Revenge revolve around ‘Mission Dhurandhar’ planned by Ajay Sanyal (R Madhavan), Director of IB (Intelligence Bureau). It involves sending a R&AW (Research & Intelligence Wing) officer Jaskirat Singh Rangi (Ranveer Singh) to Pakistan to infiltrate its underworld and subsequently its political sphere in order to neutralize any terror activity by the neighboring country.

Jaskirat takes the disguise of Hamza Ali Mazari and achieves the task by the time the first film ends. In Dhurandhar The Revenge, as per the title, he avenges the 26/11 terrorist attack of 2008 by killing those responsible for it one after another. Sanyal and other seniors are happy and pleased with Jaskirat for what he did.

Dhurandhar and Dhurandhar The Revenge

However, the whole mission also gives rise to some emotional collateral damage. In other words, feelings of, at least, a couple of characters are played with to achieve the aim. Yalina (Sara Arjun) is the obvious one. Her case is specifically highlighted in the second film. She somehow gets to know that she has been tricked into marrying an Indian, and that too a spy, while thinking all along that he is a Pakistani boy-next-door.

But there is someone else who has been even more unfortunate.  

Yalina has a problem that she has been married to an Indian. But she is completely unaware that she too is half-Indian! At the end of Dhurandhar The Revenge, we are told that her father Jameel Jamali, played by Rakesh Bedi, is also an Indian spy, who has been living in Pakistan for the last 45 years. Hence, he too tricked a Pakistani woman named Shabnam (Gitikka Ganju Dhar) into believing that he is from her country and married her in the name of a mission. He not only continued the relationship for many years but also had a girl (Yalina) with Shabman while keeping her in the dark all the time.  

Spare a thought for Shabnam. Yalina, at least, got to know the truth about her spouse. But Shabman is completely unaware that she has an Indian husband. But it doesn’t end here for her. She also doesn’t know that even her son-in-law (Jaskirat) is an Indian and he too, like her husband, is a spy from the neighboring country.

Things get even weird when we think about Jaskirat and Yalina’s little son. Jaskirat is an Indian while Yalina is half-Indian and half-Pakistani. This makes their son three-fourth Indian and one-fourth Pakistani.

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Dhurandhar, Dhurandhar Sara Arjun, Dhurandhar Shabnam, Dhurandhar The Revenge, Dhurandhar The Revenge Explained, Dhurandhar Women Cast, Dhurandhar Yalina

Dhurandhar The Revenge review (without spoilers): Worthy successor to the first film

March 19, 2026 by Keyur Seta Leave a Comment

Storyline: Dhurandhar The Revenge continues the story of an Indian spy Jaskirat Singh Rangi aka Hamza Ali Mazari (Ranveer Singh), who has infiltrated Pakistan’s underworld and politics. After Rehman Dakait (Akshaye Khanna) gets killed at the end of the first film, his enemy Arshad Pappu (Ashwin Dhar) starts ruling over the underworld of Lyari in Karachi. This infuriates Rehman’s cousin and second in command Uzair Baloch (Danish Pandor). Hence, he, Hamza and others wage a war against Arshad and his gang.

Finally, Uzair kills Arshad in the most brutal manner and reclaims his gang’s reign over Lyari. However, circumstances ensure that he goes away from the scene and Hamza becomes the king of Lyari and Sher-e-Baloch. Meanwhile, he gets to know that ISI (Inter-Services Intelligence) head Major Iqbal (Arjun Rampal) and his associates are planning another terrorist attack in India.

The film also gives a good amount of footage to Jaskirat’s life before he becomes a R&AW (Research and Intelligence Wing) spy.

Review:

Writing and Direction:

After impressing the audience with Lyari and its underworld in the first part, one would expect the same world to resume in the second part. However, Aditya Dhar surprises us as he transports us in a different world altogether in a village in Punjab where Jaskirat’s past life is shown. However, the narrative also gradually shifts to Lyari and gets you fully involved in its proceedings too.

Dhurandhar 2 The Revenge

In fact, the entire writing is like an art of getting the audience involved in different situations, moods and emotions. It’s an apt example of fast-paced and effective writing with just no dull moment in its entire runtime of close to four hours.

Dhurandhar The Revenge also fascinates you with the story of Jaskirat. Here’s an ordinary man from a village in Punjab who infiltrates the underworld of Lyari and goes onto become one of the most important political figures in Pakistan. It’s a remarkable character arc that is achieved with not many cinematic liberties.

Of course, the film is more about his role as the secret spy. That aspect gets much more footage in this film than the first and that is quite obvious. After a cliffhanger interval block, the second half gives rise to a number of dramatic and tense moments born out of Jaskirat’s real identity. There are times when the film keeps you at the edge.

The film also has quite a few revelations. The identity about Bade Sahab doesn’t come as a surprise as it’s exactly what many of us expected. But the real face of one of the main characters in the ending moments takes you completely by surprise.

The most awaited part of the film is what happens when the Pakistani characters get to know about Jaskirat’s real identity and mission. This part is also handled with intelligence and it gives rise to an explosive climax.

Music and Technicalities:

Dhurandhar The Revenge is top-notch when it comes to the technical aspects. Aejaz Gulab, Sea Young Oh, Yannick Ben and Ramazan Bulut’s action is raw and convincing. Vikash Nowlakha’s camerawork is not just effective but it also gives a large scale look to the film. Shivkumar V Panicker’s editing is sharp. Shashwat Sachdev’s music is good but it doesn’t rise up to the level of his work in the first film. However, his background score is impressive. The use of old Hindi songs in the narrative, like the first part, works here too, especially ‘Hum Pyaar Karne Wale’ from Dil.

Performances:

Like the first film, the performances rise to the occasion. Ranveer Singh goes a few notches higher than the first film. This time, he had more challenges to conquer not just physically but emotionally as well. But he passes the test with flying colours. Arjun Rampal is more evil this time and he puts on a convincing act. R Madhavan gets more scope. He does a fine job in scenes where he emerges as a hero. Sanjay Dutt continues from where he left in the first film. Danish Pandor is more mature this time.

Rakesh Bedi as Jameel Jamali is simply brilliant! Sara Arjun has limited screen time but all her scenes are imperative to the narrative. She puts her right foot forward yet again. Gaurav Gera offers fine support in a cameo. Manav Gohil, Danish Iqbal, Ankit Sagar, Ashwin Dhar, Aditya Uppal and many others offer apt support. The actor playing the character modelled on the former Pakistani Prime Minister Nawaz Sharif is noteworthy. Yami Gautam Dhar is likeable in a cameo.

Minus Points:

The film does come with its share of flipsides. The violence and brutality is on another level this time, as compared to the first part, which could have been reduced considerably. Those who wrote essays on the violence in the first film will end up writing a book if they see this one. The ending fight between the protagonist and the main villain appears dragged later on. The film could have avoided the subplot of Major Iqbal’s father, which would have helped in reducing the runtime.

But what affects the film the most is the desperate attempt to present Demonetization as a masterstroke. The not-so-subtle way to glorify India’s Prime Minister Narendra Modi and his decision in order to please his supporters is a major point that stops this very good film from being great.

Overall:

Dhurandhar The Revenge is a worthy successor to the first film Dhurandhar. The one person that shines the most is Aditya Dhar with his mature and intelligent handling of such a complex world. Of course, the film would have impressed more if the propaganda level would have been lower. But it has a lot working for itself and this will ensure that it will break new records at the box office.

Rating: 3.5 out of 5

Director: Aditya Dhar

Producers: Jio Studios and B62 Studios

Writers: Aditya Dhar (additional screenplay by Shivkumar V Panicker and Ojas Gautam)

Cast: Ranveer Singh, Arjun Rampal, R Madhavan, Sanjay Dutt, Rakesh Bedi, Sara Arjun

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Bollywood Tagged With: Dhurandhar 2 Movie Review, Dhurandhar 2 Review, Dhurandhar 2 Spoilers, Dhurandhar The Revenge Film Review, Dhurandhar The Revenge Review, Dhurandhar The Revenge Story

Tighee (Marathi movie) review: Moving family drama narrated through a modern lens

March 10, 2026 by Keyur Seta Leave a Comment

Storyline: Tighee is the story of two sisters and their ageing mother. Swati (Neha Pendse Bayas), who hails from Pune, has been staying in Mumbai after getting married to Malhar (Pushkaraj Chirputkar). She is forced to work under a pervert boss (Jaimini Pathak) as she owes him a large amount of money loaned for her husband’s business, which didn’t take off.

One day, Swati is forced to visit her childhood home in Pune after she gets to know that her mother Hemalata (Bharti Achrekar) is diagnosed with Cancer. Swati’s younger sister Sarika (Sonalee Kulkarni) has a grudge against her for ignoring her mother all these years while she was looking after her. How the family copes up during such testing times while dealing with their own issues forms the rest of the film.

Review: Dramas about dysfunctional families or families with grudges have been a regular feature in various languages in Indian cinema. Tighee is also a family drama that tackles issues between three family members. However, it stands apart as it’s a modern saga that takes a contemporary route. While the yesteryear family dramas mostly revolved around conflicts between sons, this one features two daughters. Even the issues between them are new age as they are independent in their own journeys.

Tighee Marathi movie

Apart from the characters and the storyline, what makes Tighee a product of 2026 is its making. Debutant director Jeejivisha Kale has presented the drama in a new-age manner. Even the high points in the narrative are devoid of any melodrama. She has displayed maturity in her first feature film itself. She is ably supported by the nuanced and mature writing.

Milind Jog’s camerawork, Advait Nemlekar’s background score and Nikhil Mahajan and Hrishikesh Petwe’s editing also play major roles in giving a modern touch to the film and its proceedings. These departments become more notable during the subplot of a character presumed dead years ago.

Tighee is also a rare family drama where there is just no God-worshipping, mention of any God or the presence of a temple in the house despite the family being quite rooted.

The veteran Bharti Achrekar is fully dedicated as a senior citizen who has seen life in its various shades. She switches across different emotions and moods with ease. Sonalee Kulkarni plays a tough woman convincingly. Neha Pendse Bayas succeeds in showing her vulnerable as well as stronger side.

Jaimini Pathak is believable as the pervert boss. Pushkaraj Chirputkar and Nipun Dharmadhikari offer fine support and so do Mrunmayee Godbole, Suvrat Joshi and Sanjay Mone in cameos.

Tighee is devoid of major flipsides. The proceedings could have been crisper in the latter part of the second half. During a 9-year old flashback scene, all three characters surprisingly look the same.

Overall: Tighee is a moving family drama told through a modern lens.

Rating: 4 out of 5

Director: Jeejivisha Kale

Producers: Coquelicot Pictures and Supri Advertising & Entertainment

Writers: Nikhil Mahajan and Prajakt Deshmukh

Cast: Bharti Achrekar, Sonalee Kulkarni and Neha Pendse Bayas

Also read: Khalid Ka Shivaji review: Worth watching for its portrayal of current social reality

This blog is one of the Top 30 Indian movie blogs on the web as per FeedSpot. See the full list here –https://bloggers.feedspot.com/indian_movie_blogs/

Filed Under: Marathi movies Tagged With: Bharti Achrekar, Neha Pendse, Sonalee Kulkarni, Tighee Marathi Movie Review, Tighee Movie Review, Tighee Movie Story, Tighee Review, Tighi Marathi Movie Review, Tighi Review

Like Us on Facebook

Like Us on Facebook

Pages

  • About Me

Categories

  • Bollywood
  • Cricket
  • Documentaries
  • Environment
  • Events
  • Food
  • Forgotten Moments
  • Gujarati Cinema
  • Health
  • Hollywood
  • Humour
  • International Cinema
  • Literature
  • Marathi movies
  • Miscellaneous
  • Mumbai
  • Music
  • National
  • Personal experience
  • Pictures
  • Plays
  • Poem/ Shayaris
  • Regional cinema
  • Rumour Alert
  • Short Films
  • Socio/Political
  • Spiritual
  • Travel
  • TV
  • Uncategorized
  • Web Series
  • Young Achievers

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 44 other subscribers

Archives

  • March 2026 (3)
  • February 2026 (1)
  • January 2026 (4)
  • December 2025 (2)
  • November 2025 (4)
  • October 2025 (2)
  • September 2025 (6)
  • August 2025 (3)
  • July 2025 (2)
  • June 2025 (5)
  • May 2025 (4)
  • April 2025 (7)
  • March 2025 (5)
  • February 2025 (1)
  • January 2025 (4)
  • December 2024 (2)
  • November 2024 (3)
  • October 2024 (2)
  • September 2024 (4)
  • August 2024 (2)
  • July 2024 (3)
  • June 2024 (4)
  • May 2024 (1)
  • April 2024 (2)
  • March 2024 (2)
  • February 2024 (4)
  • January 2024 (4)
  • December 2023 (2)
  • November 2023 (3)
  • October 2023 (3)
  • September 2023 (4)
  • August 2023 (3)
  • July 2023 (2)
  • June 2023 (2)
  • May 2023 (4)
  • April 2023 (4)
  • March 2023 (2)
  • February 2023 (1)
  • January 2023 (3)
  • December 2022 (2)
  • November 2022 (6)
  • October 2022 (7)
  • September 2022 (2)
  • August 2022 (2)
  • July 2022 (2)
  • June 2022 (4)
  • May 2022 (4)
  • April 2022 (4)
  • March 2022 (4)
  • February 2022 (3)
  • January 2022 (3)
  • December 2021 (3)
  • November 2021 (2)
  • October 2021 (3)
  • September 2021 (4)
  • August 2021 (3)
  • July 2021 (5)
  • June 2021 (2)
  • May 2021 (5)
  • April 2021 (3)
  • March 2021 (4)
  • February 2021 (4)
  • January 2021 (4)
  • December 2020 (6)
  • November 2020 (4)
  • October 2020 (6)
  • September 2020 (4)
  • August 2020 (6)
  • July 2020 (3)
  • June 2020 (2)
  • May 2020 (3)
  • April 2020 (4)
  • March 2020 (3)
  • February 2020 (3)
  • January 2020 (2)
  • December 2019 (3)
  • November 2019 (4)
  • October 2019 (3)
  • September 2019 (2)
  • August 2019 (4)
  • July 2019 (6)
  • June 2019 (6)
  • May 2019 (4)
  • April 2019 (1)
  • March 2019 (2)
  • February 2019 (5)
  • January 2019 (5)
  • December 2018 (6)
  • November 2018 (4)
  • October 2018 (4)
  • September 2018 (3)
  • August 2018 (3)
  • July 2018 (2)
  • June 2018 (4)
  • May 2018 (2)
  • April 2018 (2)
  • March 2018 (2)
  • February 2018 (3)
  • January 2018 (3)
  • December 2017 (3)
  • November 2017 (3)
  • October 2017 (3)
  • September 2017 (3)
  • August 2017 (1)
  • July 2017 (4)
  • June 2017 (2)
  • May 2017 (3)
  • April 2017 (2)
  • March 2017 (3)
  • February 2017 (3)
  • January 2017 (4)
  • December 2016 (4)
  • November 2016 (3)
  • October 2016 (4)
  • September 2016 (2)
  • August 2016 (5)
  • July 2016 (4)
  • June 2016 (2)
  • May 2016 (4)
  • April 2016 (4)
  • March 2016 (4)
  • February 2016 (4)
  • January 2016 (5)
  • December 2015 (6)
  • November 2015 (4)
  • October 2015 (4)
  • September 2015 (8)
  • August 2015 (6)
  • July 2015 (5)
  • June 2015 (5)
  • May 2015 (10)
  • April 2015 (7)
  • March 2015 (4)
  • February 2015 (9)
  • January 2015 (11)
  • December 2014 (9)
  • November 2014 (10)
  • October 2014 (11)
  • September 2014 (9)
  • August 2014 (7)
  • July 2014 (7)
  • June 2014 (2)
  • May 2014 (4)
  • April 2014 (5)
  • March 2014 (1)
  • February 2014 (2)
  • January 2014 (4)
  • December 2013 (6)
  • November 2013 (8)
  • October 2013 (4)
  • September 2013 (2)
  • August 2013 (5)
  • July 2013 (2)
  • June 2013 (2)
  • May 2013 (7)
  • April 2013 (8)
  • March 2013 (11)
  • February 2013 (10)
  • January 2013 (14)
  • December 2012 (11)
  • November 2012 (6)
  • October 2012 (12)
  • September 2012 (15)
  • August 2012 (18)
  • July 2012 (14)
  • June 2012 (14)
  • May 2012 (7)
  • April 2012 (12)
  • March 2012 (14)
  • February 2012 (12)
  • January 2012 (17)
  • December 2011 (13)
  • November 2011 (12)
  • October 2011 (7)
  • September 2011 (4)
  • August 2011 (14)
  • July 2011 (6)
  • June 2011 (5)
  • May 2011 (5)
  • April 2011 (11)
  • March 2011 (4)
  • February 2011 (3)
  • January 2011 (6)
  • December 2010 (3)
  • November 2010 (2)
  • October 2010 (2)
  • September 2010 (1)
  • August 2010 (2)
  • July 2010 (3)
  • June 2010 (3)
  • May 2010 (1)
  • April 2010 (1)
  • March 2010 (3)
  • February 2010 (4)
  • January 2010 (3)
  • December 2009 (3)
  • November 2009 (4)
  • October 2009 (2)
  • September 2009 (2)
  • August 2009 (6)
  • July 2009 (3)

Copyright © 2026 · eleven40 Pro Theme on Genesis Framework · WordPress · Log in