Author Archives: Keyur Seta

Dhobi Ghat Movie Review

 

Ratings: * * * 1/2

Cast: Aamir Khan, Prateik Babbar, Monica Dogra, Kriti Malhotra

Director: Kiran Rao

Music: Gustavo Santaolalla

Producers: Aamir Khan Productions

 

The city of Mumbai has been explored on celluloid by filmmakers almost ever since Bollywood or Hindi film industry came into being. Debutant director Kiran Rao explores the same old city yet again but in a manner which makes her work stand apart proudly from other films based on Mumbai.

Rao makes her unconventional methods clear right from the very first scene as she narrates the story of four individuals, Arun, a lonely painter, Shai, a banker from New York who is in Mumbai on a sabbatical, Munna, the dhobi and Yasmeen, a newly married woman. The four characters cross each other’s paths as the city slowly emerges as the fifth character.

Rao succeeds very well in capturing utter realism as the four characters go through various experiences. The events, interactions, reactions, emotions and the narration submerge us into a world which we cannot label as fiction even though it is. The way the four characters subtly enter each other’s lives and become an integral part in such an unusual manner is something to watch out for. And considering this is Rao’s first film she deserves kudos for the direction as well as the writing.

Having said that, the film has limited chances of appealing to the masses because of the documentary feel it gives sometimes. The pro-entertainment folks might even find it difficult to digest this flick, which is ideal for film festivals. But this should not surprise the makers as Rao makes it clear from her story and her way of narration and filming that box-office or mass success is not she was looking for.

Aamir Khan plays a quite, shy, loner painter with ease. He shows a very different side of his and succeeds in speaking with his eyes and expressions. However, because of the nature of the character, the performance might not satisfy some of his diehard fans.

Prateik Babbar gets into the skin of his character and displays a flawless act. He leaves behind a tremendous mark as he displays different states of his mind with maturity. Debutant Monica Dogra fits in the role of an NRI perfectly. Although she struggles with her Hindi but that is understandable considering her character. She also has the looks to astonish! Kriti Malhotra doesn’t have much to do other than narrate but she manages to impress.

Even though Dhobi Ghat is not something that will blaze the box-office, Kiran Rao has reasons to be proud of her entry in Bollywood. It’s moving yet pleasurable; simple yet memorable!

No One Killed Jessica Review

Cast: Rani Mukherjee, Vidya Balan, Myra Karn, Mohammed Zeeshan Ayub, Neil Bhoopalam, Rajesh Sharma

Director: Rajkumar Gupta

Music: Amit Trivedi

Producers: UTV Spotboy

Ratings: * * * 1/2


Not so very long ago, the infamous Jessica Lall murder case united the whole nation in the fight to nail the culprits. Almost everyone is aware of the incident and its consequences. So, if a filmmaker tries to portray the whole issue on celluloid right from scratch till the end when the culprits are convicted, it requires much more than dedication. Thankfully, such dedication is visible in Rajkumar Gupta’s No One Killed Jessica, a film that successfully blends the apathy of Jessica Lall’s family, protest and unity of the nation and more importantly the height of corruption in India.

The film focuses on how Sabrina Lall (Vidya Balan) struggles to get justice for her deceased sister Jessica Lall (Myra Karn), who was shot dead by Manu Sharma (Mohammed Zeeshan Ayub), (who is named in the film Manish Bhardwaj) and how she is helped by TV news reporter Meera Gaity (Rani Mukherjee).

Apart from directing the tale with sincerity, Gupta also achieves perfection in the very vital task of writing the screenplay and dialogues. Vital because in such real life cases the writer has the mammoth task of making sure that the proceedings don’t appear like a documentary or a docudrama and Gupta succeeds in that as he narrates the real-life story while keeping in mind the elements needed for a feature film. The filmmaker, who debuted with the critically acclaimed Aamir is here to stay.

The film doesn’t merely show how Sabrina struggled to get justice. It also gives a strong message of how the citizens should make sure that justice is done. Having said that, it might not be appreciated by those folks who are hungry for entertainment as in some portions it just lacks a strong punch.

Although there isn’t much scope for music, songs Dilli Dilli and Aitbaar manage to fit well in the plot and have a lasting impact. Music director Amit Trivedi once again does well.

Both Vidya Balan and Rani Mukherjee give one of their career best performances. Vidya portrays the helplessness of Sabrina Lall with utmost maturity. The way she struggles and moves from pillar to post is sure to move everyone.

On the other hand, Rani is impeccable in a never-seen-before avatar of a foul-mouthed bindaas journo. This performance of hers deserves thumbs up and will surely be talked about forever. Although Myra Karn doesn’t have a full fledged role, she impresses in her debut and shows a lot of confidence.

Debutant Mohammed Zeeshan Ayub does very well in the difficult role of the culprit. Neil Bhoopalam, another debutant, also impresses. The film also contains first rate performances from the supporting cast.

No One Killed Jessica has a strong chance of having a Rang De Basanti effect on the masses. It will rely strongly on word-of-mouth and would succeed if that happens.

Musical Train Journey

I have heard people say that music has no language although I always doubted it. In 2001, when I boarded a train for Jaipur from Mumbai Central station, I didn’t have an iota of idea that I would start believing in the saying. Many a times some pleasant experiences have happened with me in the most unexpected situations. This was one such instance.

When our train entered the territory of Rajasthan, I was all excited and eager to reach Jaipur. Just an hour or so before reaching the final destination, an usual sound startled me when I was busy appreciating nature during the journey. Initially it irritated me as I don’t like being disturbed when my eyes are fixed outside the window during a train journey. I saw it was some small time performer playing a musical instrument in order to raise money (I will never call him a beggar).

After half a minute of or so, I realized I started liking the sound. Then came the big splash! The man playing the musical instrument started singing. Within seconds my whole attention was hooked onto him as I was damn impressed by his voice and style.

The passion with which he sang, the pain and anguish in his voice, his dedication, all sent me… (to read the remaining part of the article, please click on this link – http://www.mumbai-localtrains.com/2011/01/guest-article-music-on-rails.html)

My Blog’s Performance in 2010

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Wow.

Crunchy numbers

Featured image

 

In 2010, there were 33 new posts, growing the total archive of this blog to 57 posts. There were 135 pictures uploaded, taking up a total of 11mb. That’s about 3 pictures per week.

The busiest day of the year was November 22nd with 83 views. The most popular post that day was In a Civilized Society… .

Where did they come from?

The top referring sites in 2010 were facebook.com, en.wordpress.com, orkut.co.in, google.co.in, and twitter.com.

Some visitors came searching, mostly for male and female symbols, male female symbol, male female symbols, female symbol, and sindhutai sapkal.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

In a Civilized Society… December 2009
7 comments

2

Haapus (Marathi Movie) Review June 2010
10 comments

3

Mee Sindhutai Sapkal Review November 2010
6 comments

4

Zenda (Marathi Movie) Review January 2010
2 comments

5

Ringa Ringa (Marathi Movie) Review March 2010

Tees Maar Khan Review

 

Tees Maar Khan Movie Review

Rating: * *

Cast: Akshay Kumar, Katrina Kaif, Akshaye Khanna, Raghu Ram, Rajiv Laxman, Ali Asgar

Director: Farah Khan

Music: Vishal-Shekhar, Shirish Kunder

Producers: Hari Om Productions, Three’s Company, UTV Motion Pictures

 

After Main Hoon Na and Om Shanti Om, director Farah Khan is back with another masala entertainer in the form of Tees Maar Khan and that too at a time when only such genre is clicking with the audience as well as the box-office. Plus, the promos promised lots of entertainment and dhamaal in Tees Maar Khan especially the track and video of Sheila Ki Jawani. But unfortunately the promise isn’t fulfilled because of a story and situations that are too unconvincing to digest.

Tabrez Mirza Khan aka Tees Maar Khan (Akshay Kumar) is an expert conman who always manages to free himself from the police authorities if he is caught. One day he gets to lay his hands on the biggest heist of his life by helping twin conmen Johri Brothers (Raghu Ram and Rajiv Laxman) recover their loot from the police. TMK hatches a plan by involving an Oscar-hungry superstar Aatish Kapoor (Akshaye Khanna) in their mission and by also fooling the whole of Dhulia village.

Farah Khan tries very hard to make TMK a non-stop entertainer but the screenplay handicaps her. The first half appears interesting though when TMK is introduced and his con acts displayed. This portion also produces some good funny moments. However, the build up to the robbery (second half), the actual robbery and its consequences just fail to impress or amuse. In fact, the goings appears quite idiotic at times courtesy of too much mindlessness and some non-funny humour. And on top of that, a weak and forced ‘happy ending’ make matters worse.

Vishal-Shekhar and Shirish Kunder’s music relies heavily on Sheila Ki Jawani as the rest of the songs fall just in the average territory. Cinematography is good while the background score plays too much of the title song.

TMK rests on Akshay Kumar’s shoulders and he carries the responsibility with an aura. However, too much of self-boasting and loudness hampers his performance a bit. Akshaye Khanna on the other hand plays a crazy character superbly. He is truly likeable in a never-seen-before avatar. Apart from shaking her leg on Sheila Ki Jawani, Katrina Kaif purely irritates!

Ali Asgar and Akshay’s other two comrades suit perfectly in their roles. Murli Sharma and Aman Verma display good comical acts and so do Sachin Khedekar and Vijay Patkar. Raghu Ram and Rajiv Laxman are average while rest of the characters including Apara Mehta and Arya Babbar give good support.

All in all, Tees Maar Khan is far away from Farah Khan’s earlier two attempts. Because of the huge hype and publicity, the film will surely earn profit at the box-office in the first week. But the collections will be doubtful after that.

Khelein Hum Jee Jaan Sey Review

Rating: * * *

Cast: Abhishek Bachchan, Deepika Padukone, Sikander Kher, Vishakha Singh

Director: Ashutosh Gowariker

Music: Sohail Sen

Producers: Ashutosh Gowariker Productions, PVR Pictures

Films based on the freedom movement have been a regular feature in Bollywood.  Right from the black and white era (Shaheed, Anand Math, Haqeeqat) to the current decade (23rd March 1931 Shaheed, Legend Of Bhagat Singh, Mangal Pandey-The Rising) a number of films on the freedom struggle have hit the screen. Because of this very reason, Ashutosh Gowariker’s Khelein Hum Jee Jaan Sey becomes just a one-time-watch affair as it lacks the true patriotic fever like the number of patriotic films of the past.

The biggest achievement of KHJJS is that it tells the tale which is never told before in Indian cinema – the Chittagong (Chattogram) Uprising, a chapter lost in history. Surjya Sen aka Surjyo Da aka Master Da (Abhishek Bachchan) leads a group of revolutionaries to attack various British establishments in Chittagong. Kalpana Dutta (Deepika Padukone), Pritilata (Vishakha Singh) and a group of teenagers join hands with Surjya in his mission.

Gowariker once again shows that he is one of the masters of period dramas in Bollywood as he takes care of every minute detail while presenting Manini Chatterjee’s novel Do And Die on celluloid. He succeeds in creating the intenseness and at the same time getting top notch performances from every actor. However, he is hampered by a lengthy screenplay.

Art director Nitin Desai deserves plenty of applause for recreating the 1930s era with utmost perfection. He is aptly supported by Kiran Deohans’ artistic cinematography.

Although not one of his best performances, Abhishek Bachchan excels in the role of an unruffled and serious revolutionary Surjya Sen. He suits very well as the leader of the revolutionaries. Deepika Padukone plays the challenging role of Kalpana Dutta with maturity. She shows she can do well in serious de-glam roles as well. Sikander Kher leaves an impact mostly in the second half.

Samrat, Maninder and Firoz Wahid Khan make their presence felt with heroic and heart-warming performances. However, it’s the group of teenagers that move you by their determining and courageous efforts. In their acts, they don’t appear like teenagers at all.

Because of the minus points mentioned above, Khelein Hum Jee Jaan Sey falls short of becoming an extra-ordinary effort although it deserves a watch because of the efforts taken to tell a story which is lost in history. At the box office, the film will struggle to succeed.

Rakht Charita-II (Part 2) Review

Rakht Charitra-II Review

Rating: * * * ½

Cast: Vivek Oberoi, Suriya, Shatrughan Sinha, Priyamani, Madhura Apte

Director: Ram Gopal Varma

Music: Dharam Sandeep, Kohinoor Mukherji, Imran, Vikram, Sukhwinder Singh, Amar Desai

Producers: Vistaar Religare Film Fund, Cinergy

Rakht Charitra-I, the first part of the biopic on the life of the late Andhra leader Paritala Ravi, ended in way that built excitement and eagerness for its second part. And after watching the second part, one can conclude that the wait and eagerness for it was worth enough. In fact, Rakht Charitra –II is more dramatic and interesting than the first part and even the level of violence is a bit less.

In the end of the first part, Pratap Ravi (Vivek Oberoi) becomes a successful politician and ends gundagardi (hooliganism) in the state. The part 2 begins when Surya (Suryanarayan Reddy aka Suriya) tries to kill Pratap as he believes Pratap is responsible for the death of his family. From here on, an explosive game of cat and mouse erupts between Pratap and Suriya which also takes a huge political angle leading on to an earth shattering climax.

The first 30 minutes of the movie show an edited version of the first part. This will certainly help those who haven’t seen part one but it gets tedious and boring for those who have seen. Hence, that recap portion should have been shortened.

Director Ram Gopal Varma presents the story in the same interesting manner as in the first part. His passion for this subject can be felt throughout. Unusual and creative camera angles, use of explosive background score and songs and a fast, unpredictable and dramatic narrative (screenplay) make the proceedings enjoyable and interesting. The witty dialogues are another plus point. The movie ends promoting a message of non-violence.

Vivek Oberoi continues from where he left in the first part. He shows the same maturity and maintains a high standard throughout. But, it is the southern superstar Suriya who takes the movie by a storm by an astonishing performance in his Bollywood debut. He literally sets the screen afire while showing vengeance. At the same time, he excels in the scenes where he needs to underplay his character. He surely deserves more films in Bollywood.

Priyamani and Madhura Apte play their part very well. Shatrughan Sinha doesn’t get much footage in the second part although he continues his good act from the first part. The rest of the supporting cast and side actors provide excellent support.

Because of the nature of the subject, the film will find it tough to succeed at the box-office. It relies largely on word-of-mouth. However, it should do well in single screens.

Guzaarish Movie Review

Director: Sanjay Leela Bhansali

Screenplay: Sanjay Leela Bhansali and Bhavani Iyer

Cast: Hrithik Roshan, Aishwarya Rai Bachchan, Aditya Roy Kapur, Shernaz Patel

Music: Sanjay Leela Bhansali

Producer: SLB Films and UTV Motion Pictures

Rating: * * ½

 

Guzaarish For More Impact?

The debate about euthanasia or mercy-killing in India is not a new one. Sanjay Leela Bhansali takes a bold stand by highlighting the importance of mercy-killing (euthanasia) in his latest venture Guzaarish. However, because of the slow pace and the overuse of artistic methods in narrating a simple tale, the film caters only for the classes and not for average moviegoers. Plus, the script leaves few questions unanswered.

Ethan Masceranhas (Hrithik Roshan) was once a world famous magician who became paraplegic after suffering a near-fatal accident. Today, since fourteen years, Ethan is living in a miserable paraplegic condition. Although he is a cheerful lad who motivates others, through his radio show, to live life to the fullest, he files a petition for his own mercy-killing as he feels he has had enough of this paralytic life. But will he succeed in challenging the law which doesn’t allow a thing like euthanasia?

Bhansali executes some creatively touchy moments surrounding the central character but his and Bhavani Iyer’s screenplay strives too much to make a visual treat out of the subject. Although the art looks brilliant, it gives rise to a number of scenes that stretch the movie. Hence, the going becomes unfocussed and tedious which tests audiences’ patience.

Bhansali makes his debut as a music director with this film but apart from the song Udi, there isn’t much in the music department to talk about. Visually stunning cinematography and an apt background score act as big saving graces.

Hrithik Roshan deserves applause for agreeing to play a paraplegic character and essaying it in a manner that will move the audience. Easily one of his finest works till date. Aishwarya Rai Bachchan too displays her talents in a delightful manner by playing Hrithik’s nurse. But in spite of Hrithik and Aishwarya’s presence, Aditya Roy Kapur impresses with a lovable act. He is surely a lookout for the future. The rest of the cast also chips in with good performances.

Despite a big starcast, a well-known director and a number of heart-touching moments, the film will have a moderate run at the box-office because of the reasons already mentioned. Will only attract urban multiplex audience.

Mee Sindhutai Sapkal Review

When Tears Stop, A Revolution Begins…

Ratings: * * * ½

Director: Anant Narayan Mahadevan

Production: Siddhivinayak Cine Vision

Story: Sindhutai Sapkal

Screenplay: Anant Narayan Mahadevan and Sanjay Pawar

Cast: Tejaswani Pandit, Jyoti Chandekar, Upendra Limaye, Suhas Palshikar

 

Women empowerment or women triumph isn’t a new topic for Indian cinema. The theme is explored in almost all Indian languages ever since the inception of cinema in the country. Despite this, Anant Narayan Mahadevan’s Mee Sindhutai Sapkal stands apart from all other pro-women films because of the heart-warming story of Sindhutai Sapkal and the interesting way in which the tale is narrated.

Based on Sapkal’s book Mee Vanvasi, the film tells the story of 12-year old Chindi who is married to a middle aged man (Upendra Limaye) and is later (when she reaches 26) abandoned by her husband and family as she is wrongly accused of infidelity. Things get worse for Chindi as even her own mother refuses to give her shelter fearing the society. It is from here on that Chindi’s real journey begins. She abandons her image of Chindi and becomes Sindhutai, a social reformer and a shelter for all homeless children.

Mahadevan and Sanjay Pawar’s screenplay is the biggest winner. Adapting a biography on celluloid can be a daunting task which the duo completes with maturity. Especially the mixture of flashback with the present scenario makes the goings special. Special mention should be made of those pre-interval sections where Sindhutai’s mind shifts to the past because of the small incidents that take place during her plane journey. Very creative indeed! And the way the importance of a mother is highlighted is highly touching. Cinematography and background score are apt for the subject.

As a director, Mahadevan continues from where he left in his last brilliantly conceived Red Alert-The War Within.  He achieves utmost perfection in narrating the tale, capturing the location and bringing the best from his cast hence providing a number of brilliantly executed scenes. His first foray into Marathi cinema will be remembered for a long time.

Having said that, the film might not be admired by the commercial cine-goers who are looking for non-stop entertainment.

The efforts of the script writers, dialogue writer (Sanjay Pawar) the director wouldn’t have looked so impressive if Tejaswini Pandit hadn’t played the central character so wonderfully. Her performance is sure to touch you from start till the end as she gets into the skin of the character. In fact, she will be a contender for a National Award. Jyoti Chandekar’s portrayal of the older Sindhutai is equally lovable as one is forced to respect and admire her. The rest of the cast, especially Upendra Limaye leave an impact too. Neena Kulkarni is impressive in a cameo.

In a nutshell, Mee Sindhutai Sapkal is a must watch saga, which will move, inspire and motivate every human being irrespective of his/her gender who is eager to achieve something against all odds. The film should enjoy good collections at the box-office because of the strong word-of-mouth it’s receiving.

Rakht Charitra (Part 1) Review


Bloody Affair!

Ratings – * * * ½

A man is murdered in the most gruesome of manners right in front of Mahatma Gandhi’s statue. This first scene from Ram Gopal Varma’s Rakht Charitra (Part 1) makes it clear as to what to expect in the biopic on the late Andhra Pradesh leader Paritala Ravi. In fact, as the film progresses one will have no doubt that this is the most violent film ever made in the history of Indian cinema.

In spite of that, Varma’s biopic is a powerful and hard hitting saga of revenge and power which, if you are able to excuse the violence, is also highly enjoyable because of the style of narration and top notch performances right from the lead actor to the support cast to the extras.

Pratap Ravi (Vivek Oberoi) returns to his village in Andhra Pradesh after his father (Rajendra Gupta) and brother (Sushant Singh) are killed by their own political party member after a conspiracy by the left hand of a party leader Nagamani Reddy (Srinivasa Rao Kota). Hence, a soft-hearted and non-violent person like Pratap is forced into the gruesome world of revenge.

From here on, it was no turning back for Pratap as he becomes the most feared person in the state by everyone but Reddy’s son Bhukka (Abhimanyu Singh), a devilish creature who is hell bent in settling scores with Pratap. During this time, Pratap gets an offer to enter politics from a filmstar turned political leader N T Rama Rao (Shatrughan Sinha).

Rakht Charitra is easily Varma’s better made films till date. He executes some out-of-the-box scenes, makes his actors deliver brilliant performances and most importantly makes sure that the focus and thrill doesn’t diminish even for a second.

Varma is highly blessed with a watertight screenplay, which not only keeps the audience hooked to the screen but also narrates the tale while giving enough importance to the numerous characters. In addition, some powerful and impactful dialogues and unusual camera angles (so typical of RGV) create further impact. However, the background score deserves special mention which creatively gels with different types of scenes making the viewing more interesting.

Contrary to the subject, the film is rich in terms of music as well. Songs Khaul Khaul Ke and Sar Jo Uthega (both title songs) suit the mood of the film perfectly because of the lyrics and the powerful sound. The songs definitely have a repeat value.

The only drawback is the overuse or abuse of violence which could have been limited. People are killed in a manner never seen before on the Indian screen. In fact, some scenes (in the first half) might well twitch your belly muscles. This will clearly limit the film’s reach to a wider audience.

With Rakht Charitra, Vivek Oberoi proves he is one of the most talented young actors around. His portrayal of the central character forces one to applaud a magnificent effort that will surely increase his fan following. Easily one his best performances (if not the best).

If Vivek delights, Abhimanyu Singh shocks with a stellar act. In my personal opinion, I have never loved to hate a bad guy this much before. It is just unbelievable how a human can play a monster so effectively. As stated earlier, the rest of the supporting cast (Sushant Singh, Shatrughan Sinha, Srinivasa Rao Kota, Zarina Wahab, Ashwini Kalsekar, Radhika Apte, etc) aren’t behind either.

Despite a large number of plus points, the film will have a limited success at the box-office because of the subject and the overuse of violence. However, the way the film ends, it surely builds up excitement for its next part.